Transmat:Doctor Who: Difference between revisions

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{{thead|The women who gave ''Doctor Who'' back to us}}
{{thead|The women who gave ''Doctor Who'' back to us}}
[[file:JaneTranter.jpg|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=David_Tennant_interviews_Doctor_Who_Producers_-_Doctor_Who_Confidential_-_BBC]]
[[file:JaneTranter.jpg|center|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=David_Tennant_interviews_Doctor_Who_Producers_-_Doctor_Who_Confidential_-_BBC]]
{{tcap|Click for video}}
{{tcap|Click for video}}
Think ''Doctor Who'' is just for boys?  Don't you believe it.  Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history.
Think ''Doctor Who'' is just for boys?  Don't you believe it.  Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history.
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{{thead|Industrial action}}
{{thead|Industrial action}}
<div style=overflow:hidden>[[file:BBC's Historic Mainframe Arrives!! (Quantel Paintbox DPB 7000) This created many 80s programs!!|thumb|center|thumb|A [[21st century]] geek takes delivery of the monstrosity that was the [[Quantel Paintbox]].]]</div>
[[File:Paintbox.jpg|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=BBC%2527s_Historic_Mainframe_Arrives%2521%2521_%2528Quantel_Paintbox_DPB_7000%2529_This_created_many_80s_programs%2521%2521]]
{{tcap|Click for a video of a [[21st century]] geek as he takes delivery of one of the two Paintboxes used by the BBC in the 1980s}}
The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]]. To find out more about the "business of show", go to '''[[:category:production information]]''', where you can read about [[colour separation overlay]], [[low loader]]s, [[telerecording]]s, [[vidFIRE]], [[rostrum camera]]s, [[2" quad]] tape, [[Ealing Studios]] and tons more.</div>
The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]]. To find out more about the "business of show", go to '''[[:category:production information]]''', where you can read about [[colour separation overlay]], [[low loader]]s, [[telerecording]]s, [[vidFIRE]], [[rostrum camera]]s, [[2" quad]] tape, [[Ealing Studios]] and tons more.</div>
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{{thead|Surprising guest star}}
{{thead|Surprising guest star}}
'''[[John Cleese]]''' appeared in ''Doctor Who''{{'}}s highest rated televised story, ''[[City of Death]]'', around the time of series 2 of ''Fawlty Towers''.  Find out more about the thousands of actors who have been on ''Doctor Who'' by exploring '''[[:category:Doctor Who guest actors|Doctor Who guest actors]]'''.
{{surprising guest}}
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{{thead|Ex-Doctors never die, they just make audios}}  
{{thead|Ex-Doctors never die, they just make audios}}  
The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.  Check out their latest works at '''[[:category:{{CURRENTYEAR}} audio stories]]'''
The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.  Check out their latest works at '''[[:category:{{CURRENTYEAR}} audio stories]]'''.
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{{thead|The relevance of comics}}
{{thead|The relevance of comics}}
Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''.  
Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''.  
[[File:10MickeyFootball.png|center|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=BBC%2527s_Historic_Mainframe_Arrives%2521%2521_%2528Quantel_Paintbox_DPB_7000%2529_This_created_many_80s_programs%2521%2521]]
[[File:10MickeyFootball.jpg|center|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=Craig_asks_The_Doctor_to_leave_-_Doctor_Who_-_BBC]]
However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''.  
However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''.  
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{{thead|The first of the "money men"}}
{{thead|The first of the "money men"}}
'''[[Donald Baverstock]]''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon [[producer]] [[Verity Lambert]]. </div>
'''[[Donald Baverstock]]''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon [[producer]] [[Verity Lambert]].
 
But Baverstock wasn't the only '''[[:category:BBC executives|BBC executive]]''' to have a profound impact on the development of ''Doctor Who''.  Make sure you read about [[Lorraine Heggessey]], [[Mark Thompson]], [[Danny Cohen]], [[George Entwistle]], [[Tony Hall]], [[Shaun Sutton]], [[Sydney Newman]] and others. </div>
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{{Doctor Who Wiki/DYK}}
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Latest revision as of 08:24, 14 July 2024

The Caves of Androzani
File:Crash landing - Doctor Who - The Caves of Androzani - BBC

The Caves of Androzani was the final televised story to feature Peter Davison as the Fifth Doctor, who had decided to end his tenure on Doctor Who at a three-year milestone after taking advice from former lead Patrick Troughton. As such, it depicted the regeneration of the Fifth Doctor into the Sixth Doctor, played by incoming actor Colin Baker. The story is often cited with high regard for its dramatic elements, unusually action-heavy plot, and the dynamic style of its scenes, which were directed by Graeme Harper in his first credited instance as episode director, which broke free from the less engaged atmosphere of other classic stories. The Caves of Androzani is famous for topping a Doctor Who Magazine poll in 2009 that asked readers to vote for, the single best televised story at the time. Dubiously enough, the story that came directly after this one, TV: The Twin Dilemma, crashed to the bottom of the list as the lowest-regarded of all stories ever televised at the time.

The women who gave Doctor Who back to us
JaneTranter.jpg
Click for video

Think Doctor Who is just for boys? Don't you believe it. Not only was the show's very first producer a woman, but it would never have come back without the fierce advocacy of Jane Tranter and Julie Gardner. Considering her importance to Doctor Who it's somewhat ironic that Tranter's only on-screen credits are for Torchwood: Miracle Day. But Gardner, her "partner in crime", is tied only with Russell T Davies as the most prolific producer in Doctor Who history.

Industrial action

Paintbox.jpg

Click for a video of a 21st century geek as he takes delivery of one of the two Paintboxes used by the BBC in the 1980s
The Quantel Paintbox was a graphics workstation that allowed Doctor Who to have a primitive form of colour grading in the 1980s. To find out more about the "business of show", go to category:production information, where you can read about colour separation overlay, low loaders, telerecordings, vidFIRE, rostrum cameras, 2" quad tape, Ealing Studios and tons more.
Surprising guest star
Astrid-peth-kylie-minogue.jpg
Click to see David Tennant giving Kylie a Brit Award
Though she's never had much of a Stateside career, Kylie Minogue has been a Big Damn Deal everywhere else since she first appeared on the Australian soap, Neighbours. That's why RTD's team pursued her vigorously when looking for a 2007 Christmas Special guest companion. Her turn as Astrid Peth worked a treat, giving the show some of the highest ratings in its history — and getting tons of free copy in the global English press. Find out more about the thousands of actors who have been on Doctor Who by exploring Doctor Who guest actors.
Ex-Doctors never die, they just make audios

The careers of the Fifth, Sixth, Seventh and Eighth Doctors are significantly longer in audio than on television. Check out their latest works at category:2024 audio stories.

The relevance of comics

Officially, only The Lodger has been explicitly adapted from a comic strip — also called The Lodger.

10MickeyFootball.jpg

However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.

The first of the "money men"

Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.

But Baverstock wasn't the only BBC executive to have a profound impact on the development of Doctor Who. Make sure you read about Lorraine Heggessey, Mark Thompson, Danny Cohen, George Entwistle, Tony Hall, Shaun Sutton, Sydney Newman and others.
Things released on 8 November


Did you know…


8 November births and deaths


Production history for 8 November
  1. ↑ Doctor Who Guide
  2. ↑ Ken Dodd: The Biography
  3. ↑ Aveleyman
  4. ↑ BFI
  5. ↑ Aveleyman
  6. ↑ Richard Curtis. Contactmusic.com. Retrieved on 10 March 2017.
  7. ↑ Roberts, Jem. The True History of the Blackadder. London: Arrow Books, 2013. Print.
  8. ↑ Aveleyman
  9. ↑ People Pill
  10. ↑ People Pill
  11. ↑ IMDb
  12. ↑ The Guardian
  13. ↑ DWM 572
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