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* The Doctor emphasises his age frequently in the episode, in thematic contrast with the core ideas of childhood fears and the toy imagery.
* The Doctor emphasises his age frequently in the episode, in thematic contrast with the core ideas of childhood fears and the toy imagery.
* When Alex is looking at pictures, an announcer from the television can be heard. She says that he is watching [[BBC One]] on Saturday night, the same channel and day ''Doctor Who'' is on.
* When Alex is looking at pictures, an announcer from the television can be heard. She says that he is watching [[BBC One]] on Saturday night, the same channel and day ''Doctor Who'' is on.
* One of the children's stories the Doctor mentions, ''[[Snow White and the Seven Keys to Doomsday]]'' (which puns on both ''{{w|Snow White and the Seven Dwarves}}'' and ''[[Doctor Who and the Daleks in Seven Keys to Doomsday]]''/''[[Seven Keys to Doomsday (audio story)|Seven Keys to Doomsday]]''), shares its title with [[Snow White and the Seven Keys to Doomsday (DWAN short story)|a story]] in the then-recently published ''[[Doctor Who The Official Annual 2012]]''. Had ''Night Terrors'' aired as originally planned in the first half of the season, the story would have been published afterwards (suggesting a probable tie-in with the episode). [[Snow White and the Seven Keys to Doomsday (TLFT short story)|Another story]] by this name featured in the anthology ''[[Time Lord Fairy Tales (anthology)|Time Lord Fairy Tales]]''.
* One of the children's stories the Doctor mentions, ''[[Snow White and the Seven Keys to Doomsday]]'' (which puns on both ''{{w|Snow White and the Seven Dwarves}}'' and ''[[Doctor Who and the Daleks in Seven Keys to Doomsday (stage play)|Doctor Who and the Daleks in Seven Keys to Doomsday]]''/''[[Seven Keys to Doomsday (audio story)|Seven Keys to Doomsday]]''), shares its title with [[Snow White and the Seven Keys to Doomsday (DWAN short story)|a story]] in the then-recently published ''[[Doctor Who The Official Annual 2012]]''. Had ''Night Terrors'' aired as originally planned in the first half of the season, the story would have been published afterwards (suggesting a probable tie-in with the episode). [[Snow White and the Seven Keys to Doomsday (TLFT short story)|Another story]] by this name featured in the anthology ''[[Time Lord Fairy Tales (anthology)|Time Lord Fairy Tales]]''.
* This is the first episode written by [[Mark Gatiss]] to not be set primarily in the past.
* This is the first episode written by [[Mark Gatiss]] to not be set primarily in the past.
* This is the first full-length episode since ''[[Fear Her (TV story)|Fear Her]]'' in which there are no casualties at all; each "victim" is seen returned to life by the end of the episode.
* This is the first full-length episode since ''[[Fear Her (TV story)|Fear Her]]'' in which there are no casualties at all; each "victim" is seen returned to life by the end of the episode.

Revision as of 12:15, 4 July 2024

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Night Terrors was the ninth episode of series 6 of Doctor Who.

The episode is set an unknown amount of time after Let's Kill Hitler and again shows the Doctor's sympathy towards children in distress as in The Empty Child, School Reunion, The Girl in the Fireplace, The Eleventh Hour, The Beast Below and A Christmas Carol. Much like Fear Her's Isolus, the chaos of the entire episode arises from a child's psychic powers; although the difference is that in this episode, the powers were unconsciously being used, while the Isolus was basically throwing a tantrum. It also continued the second half of series 6's theme - the Doctor's impending death - through the contrast of the Eleventh Doctor's feeling of age and impending death and the fears of a child.

During the episode, the peg dolls recite a children's rhyme that at the end is revealed to be about the Doctor. The rhyme reappears in Closing Time and The Wedding of River Song and is shown to be about the Doctor's impending "death".

Synopsis

The Eleventh Doctor receives a distress call, bringing him, Amy Pond and Rory Williams to Earth. George is a young boy terrorised by the monsters in his cupboard. Are they imaginary, or are they real?

Plot

In a flat in a council estate in England, a young boy called George is being put to bed by his mother, Claire, before she leaves for work; however, George is terrified of many things around him and reluctant to go to sleep. He makes his mother turn the lights on and off five times — a nightly ritual — and Claire encourages him to put what he's afraid of in his cupboard. When she leaves, George starts whispering, "Please save me from the monsters," over and over. Through the crack in the door, he listens to his mother and father, Alex, talking. Claire insists that George needs to see a doctor about his problems. George thinks about this and continues his chanting.

Meanwhile, in the TARDIS — which is floating in space at the other end of the universe — Amy and Rory are enjoying a mug of some beverage as the Eleventh Doctor works the console. The Doctor abruptly spins around and pulls out the psychic paper, and reads George's plea from it. He then begins setting the TARDIS on a new course, saying he hasn't done something in a while. When questioned by Amy what he means, the Doctor says "a house call".

The TARDIS materialises and Amy and Rory depart, being temporarily unimpressed with where they have ended up, expecting aliens and history. The Doctor says that it's like that most of the time, but they are not up to that today. Instead, they are answering a cry for help from the scariest place in the universe; a child's bedroom. The group splits up to search for George, each meeting a variety of characters, including the elderly Mrs Rossiter, the beefy landlord Jim Purcell, and a mother and her creepy twin daughters. All of the residents are suspicious of the strangers, refuse to answer the visitors' questions and slam their doors in their faces.

As they pass by George's window, Rory jokes that they should let the monsters eat him, scaring George even more. The Doctor notices George looking out the window at Amy and Rory. Meeting his companions, the Doctor asks what they found; after they explain, he diverts them to a lower floor while he goes to George's apartment to help the boy alone. He knocks on the door and is greeted by Alex, who believes that he is a Child Services representative that Claire called. The Doctor confirms this easily given cover via his psychic paper.

Amy and Rory take an elevator to the lower floor, but the sound of the lift terrifies George, who continues chanting, "Please save me from the monsters." His mantra prompts the elevator to plummet downwards at an alarmingly high speed; both Amy and Rory scream in terror. Once the lift reaches the ground floor, the doors open to reveal that Amy and Rory are no longer inside. Instead, they awake on the floor of a dark and unusual house, though Rory suspects they have died.

Alex explains George's fears to the Doctor.

The Doctor speaks to Alex about George's fears, though Alex insists that George is "scared to death of everything". Alex and Claire have created a tradition with George — anything that scares him, they put in the cupboard in his bedroom. The Doctor meets George, who wonders if the Doctor has come to take him away. The Doctor denies this, saying he is only there to ask him about the monsters.

Elsewhere, Amy and Rory have begun exploring their new environment. Rory changes his previous theory, suggesting that the TARDIS has malfunctioned and they have been transported to the 1700s; however, they later discover a lantern with an electric light bulb inside it, along with a wooden pan painted to look like it was made of copper. They are not in the past, but where are they?

Back in the flat, per the Doctor's suggestion, they prepare to open George's cupboard, but Purcell arrives and starts badgering Alex about the rent money he owes. George watches from his room, obviously terrified of Purcell and his dog. The Doctor tries to comfort George by activating all of his electronic toys with the sonic screwdriver; once George has calmed down, the Doctor scans his cupboard for "monsters", and is clearly shocked and terrified by the sonic's readings, which are "off the charts". When Alex returns and reaches for the cupboard door, the Doctor frantically stops him and declares that George's monsters are real.

Elsewhere, Amy and Rory continue to explore the strange house in which they've landed, and become aware of a sinister giggling in a nearby closet. Their fears are temporarily allayed when they see the cupboard merely contains a human-sized wooden doll; however, when they leave the room to continue their exploring, the doll comes to life and begins to follow them.

The Doctor begins making tea, but Alex stops him, outraged that the Doctor has apparently fed George's fears. However, the Doctor tells him he's the ultimate expert and that whatever is in the cupboard is so evil and powerful, it made George's fear break the barriers of time and space to reach him. Alex can only look dumbfounded by the Doctor's explanation — "You're not from Social Services are you?"

Mrs. Rossiter sees something move.

Outside, Mrs Rossiter has taken out her trash but sees something moving in the pile. Suspecting it may be George or another kid, she leans in to see who it is, but is "devoured" by the trash and ends up in the same house as Amy and Rory. Scared, she walks around, asking for help, unaware of someone following her around.

At the same time, the Doctor is looking through a photo album of Alex's family, enjoying a cup of tea; he notes that there is something wrong with the pictures that he can't quite figure out. However, he then wonders if they should open the cupboard. At first, he thinks it's the best idea so they know what it is, but then thinks it's a bad idea as he has no idea how powerful or evil the monsters are. Alex agrees with him both times; the Doctor ultimately decides to open the cupboard.

Elsewhere, Purcell is trying to find something to watch on television, but finds nothing he likes, telling his dog, Bernard, that they'll have to watch the same film again. Getting up from his chair, Purcell finds that his foot is stuck in the floor and is being sucked into it. Though he calls for help, Purcell is sucked in completely.

Inside the flat, the Doctor opens the cupboard to find nothing but old clothes and toys inside it. This makes him puzzled because of the readings he got. He then realises that he is missing something. Picking up one of the photo albums, the Doctor realises that in a photo taken mere weeks before George's birth, Claire isn't nine months pregnant. Pressured by the Doctor, Alex shouts that Claire can't have children and becomes confused as to how he just remembered that; Alex goes on to explain that they tried all the IVF they could afford, but it never worked. Blank-faced, they turn to George. If Claire can't have kids, then who's the child that lived with them for all those years?

When Doctor asks George to tell him who he is, all the toys in the room start working on their own. The Doctor asks again, nicely, but the cupboard doors swing open and a bright light begins to suck Alex and the Doctor inside. Confused, the Doctor asks if George is doing this; he tries explaining that he can help. George watches, horrified while chanting, "Please save me from the monsters." Despite their attempts to try calming George, the Doctor and Alex are sucked into the cupboard with the door slamming.

Elsewhere, Rory has begun panicking but is quickly calmed by Amy. They run into Purcell, who begs them to keep "them" away from him. Much to their horror, they watch him be grabbed by a doll and turned into one. Amy tells Rory to panic now and they run into a room and block the door with a large spool of thread.

Inside the cupboard, the Doctor realises that they are in George's dolls house. Alex is reluctant to believe this and demands the Doctor tell him how he could forget Claire couldn't have kids. The Doctor explains it's because of a powerful perception filter, which changed the memories of them and everyone around them. They pass a mirror, which shows another doll; it begins following them.

Elsewhere in the house, Amy and Rory have decided to take control of the situation by surprising the dolls by letting them in. They open the door and run out. However, Amy is caught by a doll and, much to Rory's horror, becomes one of them. All this while, the dolls sing a haunting rhyme.

In the meantime, the Doctor and Alex have found a toy that flashes on and off the same amount of times as George wants his bedroom light to be. The Doctor deduces that the dolls house is a psychic repository for all the things that George fears; even the sound of the lift has been put in there.

Outside, the lift and the other things in the building have begun working on their own; George whimpers in fear.

In the dolls house, the Doctor and Alex are surprised by a doll and use a pair of safety scissors to keep it at bay. As they flee, the Doctor realises George is a Tenza, an alien species that are like cuckoo birds; they find foster parents and adapt perfectly into what their parents want as their child. George instinctively sought out Claire and Alex because they could not have kids. However, something startled him and began this subconscious cycle of fear. The Doctor then begins shouting to George to make him aware that he is controlling everything that is happening in the dolls house. However, George will not listen to him.

Forced up the stairs, the Doctor is happy to see Rory, who is also being chased by dolls and is horrified to see Amy has been turned into one. He then yells to George again, telling him he is the only one who can save them from being in a "living death" — being one of the dolls. George opens the cupboard and then appears in the dolls house, causing the to dolls stop.

The peg dolls surround George.

The Doctor congratulates George, but the dolls begin moving again, this time towards George. This confuses the Doctor as he tries to get George to believe he can smash the world they're in. George is too scared to believe him. The Doctor then remembers George asking if he was going to take him away when he introduced himself. It was Alex and Claire's suggestion that George be sent somewhere for help that inspired George's fears; he misunderstood the suggestion as a rejection of him.

The Doctor encourages Alex to tell George that he was wrong, and while Alex initially expresses some reluctance at accepting George as his son, when he sees the dolls surrounding him and hears George's cries, he pushes the dolls aside to protect him. Alex tearfully embraces George and promises to never send him away. All the dolls stop moving. The cupboard opens and brilliant light shines out.

All who were taken into the dolls house wake on Earth the next morning returned to their human forms. Purcell is back in his flat with his dog; Mrs Rossiter is lying in the trash bags. Amy and Rory exit the lift, with Amy being very confused.

Back at the apartment, Claire returns home, astonished to find her son happy and well. Alex lies that the Doctor came from Social Services and is the reason for George being better. The Doctor prepares to leave, but Alex runs after him, wondering what he should do since George isn't human. The Doctor commends Alex for his actions and insists that George will grow up like a normal boy, and will become whatever his parents want him to be. However, he promises to visit around George's puberty as it's "always a funny time".

The Doctor meets up with Amy and Rory and they return to the TARDIS, with the Doctor remembering that they previously requested aliens and history. Amy's mind is still having trouble focusing after her transformation into a doll and Rory says choosing a destination in the TARDIS is like having three wishes. The Doctor then gets an idea from this and goes on to explain it. As they set a course for their next destination, a nursery rhyme sounds: "Tick, tock, goes the clock, even for the Doctor," as the time and place of the Doctor's death appears onscreen.

Cast

Uncredited cast

Crew

General production staff

Script department

Camera and lighting department

Art department

Costume department

Make-up and prosthetics

Movement

Casting

General post-production staff

Special and visual effects

Sound



Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
          

Jay Harley was credited under their deadname as assistant director.


Worldbuilding

Culture

Species

The Doctor

Individuals

Foods and beverages

Toys and games

Influences

  • The scene where the Doctor and Alex are being sucked into the cupboard is very similar to Poltergeist where the daughter is sucked into the spirit realm through her bedroom cupboard.

Story notes

  • This episode had the working titles House Call and What are Little Boys Made of?.[1]
  • This was originally going to be the fourth episode of the series, but was moved to the second half as Steven Moffat felt that the first half was "too dark". This necessitated minor changes to the episode. A scene with Madame Kovarian was removed, and the ending with the data file from Let's Kill Hitler was added. This means Karen Gillan, when she filmed the episode, was, in fact, performing as the Ganger version of Amy. The Doctor's line at the end of the episode "Well, it's good to be all back together again, in the flesh" referring to Amy's recent turn into a peg doll was written with the intention of also applying to Amy being a Ganger. However, footage of it was shown in the "COMING SOON.." trailer of Series 6 at the end of TV: A Christmas Carol. There was originally a closing scene where Amy paused before following the Doctor and Rory back to the TARDIS and experienced a vision of Kovarian, who opened a hatch through which she said, “Amy, I just thought you'd want to know - she's doing fine. Rest now.”
  • The Doctor emphasises his age frequently in the episode, in thematic contrast with the core ideas of childhood fears and the toy imagery.
  • When Alex is looking at pictures, an announcer from the television can be heard. She says that he is watching BBC One on Saturday night, the same channel and day Doctor Who is on.
  • One of the children's stories the Doctor mentions, Snow White and the Seven Keys to Doomsday (which puns on both Snow White and the Seven Dwarves and Doctor Who and the Daleks in Seven Keys to Doomsday/Seven Keys to Doomsday), shares its title with a story in the then-recently published Doctor Who The Official Annual 2012. Had Night Terrors aired as originally planned in the first half of the season, the story would have been published afterwards (suggesting a probable tie-in with the episode). Another story by this name featured in the anthology Time Lord Fairy Tales.
  • This is the first episode written by Mark Gatiss to not be set primarily in the past.
  • This is the first full-length episode since Fear Her in which there are no casualties at all; each "victim" is seen returned to life by the end of the episode.
  • George is stated to have just turned eight and his birthday is given, through a photo of him as a newborn, as January 2003 (or not long before). Alex mentions that George "was eight in January", with this phrasing combined with the reference to him having 'just' turned eight indicating that this episode most likely takes place in February 2011. This places it prior to most of the present-day events of series 6, notably including the Doctor's 'death' on April 22, 2011. However, PROSE: Night Terrors states that George was born on 11 February.
  • Mark Gatiss had previously explored similar themes in Crooked House. Steven Moffat felt that the same basic idea would generate an interesting scenario and asked him to develop the idea while they developing the first season of Sherlock.
  • Pondering what sort of mundane building could make an effective story setting, Mark Gatiss hit on the notion of a hotel which was hosting a psychiatric conference, only for the patients' phobias to take physical form. However, this was very similar to The God Complex. Instead, Steven Moffat suggested that the script should be set in an apartment complex.
  • As a child, Mark Gatiss had been unnerved by toys and costumes which only roughly approximated the human form. He had a particular loathing for Victorian-era china dolls. This inspired the Peg Dolls as the monsters of the piece.
  • Mrs Rossiter being sucked into a mound of garbage bags stemmed from Mark Gatiss' worries that trash might be riddled with vermin.
  • The landlord, Purcell, was inspired by a physical education teacher who had terrorised Mark Gatiss in his youth.
  • At one point, it was thought that episode might be double-banked with another story. As such, the narrative was focussed squarely on the Doctor, with Amy and Rory kept largely off-screen after being drawn into George's dollhouse. In the end, however, these plans changed and Mark Gatiss made Amy and Rory's exploits an important element of the adventure.
  • One alteration made at a late stage was the elimination of a running gag about whether door-to-door God-botherers were really aliens in disguise.
  • The episode formed Block One of season six, along with The Doctor's Wife. It was the first episode of the season to be filmed.
  • Mark Gatiss had previously worked with Daniel Mays in the serial Funland and purposely inserted the line "Maybe later" into the script as it had been "a bit of a catchphrase" for the two on Funland. However, Mays did not notice the reference.
  • The Bristol estate was chosen because of its "crisp architecture".
  • The country house of Dyrham Park was chosen because of its staircase and checked flooring. The antiques were stripped out of the building and replaced with "child-like" furniture that was placed to look as though it had been played with.
  • In editing, a scene was dropped in which the Doctor revealed that he had taken a photograph of Purcell wearing the doll's dress, which he used to blackmail the landlord into lowering the tenants' rent.
  • It was found that the Peg Dolls were appropriately creepy while stationary, but were less effective as they moved silently through the dollhouse. After initially suggesting that the monsters be accompanied by a menacing giggle, Steven Moffat instead proposed that they should be heard to recite a sinister nursery rhyme in children's voices. Mark Gatiss agreed to craft an appropriate lyric, which would allude to the Doctor's apparent death. Moffat was so pleased with the result that he decided to omit dialogue originally spoken by the Peg Dolls in the voices of Mrs Rossiter and Purcell. Instead, only Fern Duncan and Frances Encell's contribution would be heard; the nursery rhyme also became a recurring motif in subsequent episodes.
  • Several designs of the dolls were made, trying to achieve the desired balance of a normal doll and a scarier, more "crude"-looking one.
  • The actors portraying the dolls were choreographed to move with stiff legs but swing their arms.
  • In the scene in which Alex and the Doctor are in the kitchen they open and close the fridge as they are talking; this was not in the script, but improvised by Matt Smith and Daniel Mays on set.
  • Daniel Mays was drawn to the story because of the family element; he had a young son like George.
  • The scene in which Purcell sinks into the carpet was filmed with Andrew Tiernan on a hydraulic platform that lowered him into green-coloured liquid.

Ratings

  • UK Overnight: 5.5 million
  • UK Final: 7.07 million[2]

Myths

  • Amy will be turned into a doll.[3] This was proven true.

Filming locations

  • Dyrham House, Bristol

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
  • When Amy and Rory are first exploring the dolls house, their torch begins blinking. The shot cuts between Rory, Amy, and a closeup of the torch. In the closeup, the light is in Rory's left hand (you can see his wedding ring), but in the rest of the shots, it's in his right hand.
  • When the Doctor is making George's toys activate and move by themselves with the sonic, there is a moment where the sonic can be heard, yet the Doctor is clearly not pressing the button.
  • While making tea, the Doctor clearly says, "You see these eyes? They're old eyes." The subtitles replace the last two words with "all lies".
  • When the Doctor and Alex are being pulled into the cupboard, everything in George's room topples over. However, as soon as the cupboard slams shut, it's all upright again.

Continuity

Home video releases

Series 6, part 2 DVD cover

DVD & Blu-ray releases

  • Night Terrors was released in Series 6 Part Two on DVD and Blu-Ray in region 1/A on 8 November 2011, in region 2/B on 10 October 2011 and in region 4/B on 3 November 2011.
  • The episode was later released in the Complete Sixth Series boxset on both DVD and Blu-ray, in region 1/A on 22 November 2011, in region 2/B on 21 November 2011 and in region 4/B on 1 December 2011.

Digital releases

  • In the United Kingdom, this story is available on BBC iPlayer.

External links

Footnotes

  1. ↑ http://doctorwhotv.co.uk/doctor-who-series-6-autumn-preview-20767.htm
  2. ↑ Doctor Who Ratings - UK final
  3. ↑ http://doctorwhotv.co.uk/whos-a-doll-25205.htm
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