The Book of the War (novel): Difference between revisions

From Tardis Wiki, the free Doctor Who reference
No edit summary
No edit summary
Line 365: Line 365:
* [[Philip Purser-Hallard]] wrote the articles concerning the [[City of the Saved]],<ref name="SWWW">[http://www.infinitarian.com/botwswww.html "So, Who Wrote What?"]</ref> which he had originally developed for his ultimately-unproduced ''[[Iris Wildthyme (series)|Iris Wildthyme]]'' novel ''[[Iris Wildthyme in the City of the Saved (novel)|Iris Wildthyme in the City of the Saved]]''.<ref name="iriscity" /> He would later revisit the City in his novel ''[[Of the City of the Saved... (novel)|Of the City of the Saved…]]'' and in [[Obverse Books]]' [[The City of the Saved (series)|''City of the Saved'' anthology series]]. He also wrote the entry for [[House Mirraflex]],<ref>[https://twitter.com/purserhallard/status/926070499729428480 purserhallard on Twitter]</ref> though Miles thoroughly overhauled it in editing. Purser-Hallard commented that he had not written the articles on [[Wallachia]], [[Michael Brookhaven]], [[Grigori Rasputin]], or the [[Spiral Politic]].<ref name="SWWW" />
* [[Philip Purser-Hallard]] wrote the articles concerning the [[City of the Saved]],<ref name="SWWW">[http://www.infinitarian.com/botwswww.html "So, Who Wrote What?"]</ref> which he had originally developed for his ultimately-unproduced ''[[Iris Wildthyme (series)|Iris Wildthyme]]'' novel ''[[Iris Wildthyme in the City of the Saved (novel)|Iris Wildthyme in the City of the Saved]]''.<ref name="iriscity" /> He would later revisit the City in his novel ''[[Of the City of the Saved... (novel)|Of the City of the Saved…]]'' and in [[Obverse Books]]' [[The City of the Saved (series)|''City of the Saved'' anthology series]]. He also wrote the entry for [[House Mirraflex]],<ref>[https://twitter.com/purserhallard/status/926070499729428480 purserhallard on Twitter]</ref> though Miles thoroughly overhauled it in editing. Purser-Hallard commented that he had not written the articles on [[Wallachia]], [[Michael Brookhaven]], [[Grigori Rasputin]], or the [[Spiral Politic]].<ref name="SWWW" />
* [[Kelly Hale]], who herself is part [[Native American]], wrote the entries concerning Cousin [[Belial (The Book of the War)|Belial]] and the Faction's [[Remote]] experiments on the [[Native American]] warrior tribes. She would later revisit Native America and [[Wounded Knee]] in ''[[Project Thunderbird (short story)|Project Thunderbird]]''.
* [[Kelly Hale]], who herself is part [[Native American]], wrote the entries concerning Cousin [[Belial (The Book of the War)|Belial]] and the Faction's [[Remote]] experiments on the [[Native American]] warrior tribes. She would later revisit Native America and [[Wounded Knee]] in ''[[Project Thunderbird (short story)|Project Thunderbird]]''.
* [[Jonathan Dennis]], who had previously written the story ''The Hollywood Life'' for the [[1999 (releases)|1999]] charity anthology ''Perfect Timing 2'', created [[Faction Hollywood]] for ''The Book of the War''. However, those entries also included major contributions from at least three other writers,<ref name="BotW Question" /> including Lawrence Miles<ref>[https://web.archive.org/web/20031218032809/http://www.factionparadox.co.uk:80/interview1.htm Lawrence Miles on Language, Literature and Lying to the Audience]</ref> and Simon Bucher-Jones.<ref>[https://the-voice-of-light-city.tumblr.com/post/171601681800/rassilon-imprimatur-i-think-the-funniest-thing#notes Re:"Through The Eye of Eternity" modest cough]</ref> Dennis would later revisit Faction Hollywood in his story ''[[Remake/Remodel (short story)|Remake/Remodel]]'' and co-write ''[[The Brakespeare Voyage (novel)|The Brakespeare Voyage]]'' with Bucher-Jones.
* [[Jonathan Dennis]], who had previously written the story ''The Hollywood Life'' for the [[1999 (releases)|1999]] charity anthology ''Perfect Timing 2'', created [[Faction Hollywood]] for ''The Book of the War''. However, those entries also included major contributions from at least three other writers,<ref name="BotW Question" /> including Lawrence Miles<ref>[https://web.archive.org/web/20031218032809/http://www.factionparadox.co.uk:80/interview1.htm Lawrence Miles on Language, Literature and Lying to the Audience]</ref> and Simon Bucher-Jones.<ref>[https://the-voice-of-light-city.tumblr.com/post/171601681800/rassilon-imprimatur-i-think-the-funniest-thing#notes Re:"Through The Eye of Eternity" modest cough]</ref> Dennis also contributed one other full plotline and several miscellaneous entries. Later revisit Faction Hollywood in his stories ''[[Remake/Remodel (short story)|Remake/Remodel]]'' and ''[[Hyponormalisation: A Faction Hollywood Production (novel)|Hyponormalisation]]'', and he co-write ''[[The Brakespeare Voyage (novel)|The Brakespeare Voyage]]'' with Bucher-Jones.
* [[Mark Clapham]] and Bucher-Jones had earlier explored the [[Celestis]] in their cowritten [[Eighth Doctor]] novel ''[[The Taking of Planet 5 (novel)|The Taking of Planet 5]]''.
* [[Mark Clapham]] and Bucher-Jones had earlier explored the [[Celestis]] in their cowritten [[Eighth Doctor]] novel ''[[The Taking of Planet 5 (novel)|The Taking of Planet 5]]''.



Revision as of 17:50, 13 February 2020

RealWorld.png

prose stub

The Book of the War was the first novel in the Faction Paradox series.

Publisher's summary

The Great Houses: Immovable. Implacable. Unchanging. Old enough to pass themselves off as immortal, arrogant enough to claim ultimate authority over the Spiral Politic.

The Enemy: Not so much an army as a hostile new kind of history. So ambitious it can re-write worlds, so complex that even calling it by its name seems to underestimate it.

Faction Paradox: Renegades, ritualists, saboteurs and subterfugers, the criminal-cult to end all criminal-cults, happy to be caught in the crossfire and ready to take whatever's needed from the wreckage… assuming the other powers leave behind a universe that's habitable.

The War: A fifty-year-old dispute over the two most valuable territories in existence: "cause" and "effect."

Marking the first five decades of the conflict, THE BOOK OF THE WAR is an A to Z of a self-contained continuum and a complete guide to the Spiral Politic, from the beginning of recordable time to the fall of humanity. Part story, part history and part puzzle-box, this is a chronicle of protocol and paranoia in a War where the historians win as many battles as the soldiers and the greatest victory of all is to hold on to your own past…

Plot

to be added

Entries

The Core Entries

History of Faction Paradox

The History of Earth

The A-Z of the War

Houses and Orders

The History of the Homeworld

The History of Posthumanity

The Academician's Story

The Non-History of the Celestis

The Shift's Story

The City of the Saved

The Impaler's Story

The Thirteen-Day Republic

Labyrinths

The Ghost Dance

The History of the Remote

Faction Hollywood

The End

Coda

References

Notes

  • While editing The Book of the War, Lawrence Miles described it as "a continuity in a book, it's an encyclopaedia to the War Era universe. It's got a structure rather than a plot, the way history's got a structure or a Bible's got a structure. Some parts of the universe are cross-referenced with other parts, and it all comes together to make up this great big … vision."[2]
  • In the book, some words in each entry are emphasised in bold to point to other entries under that name. This enables the reader to jump around the book and read related entries. "Design Specs for Advanced Users", published on a hidden page on the Faction Paradox website, purported to reveal the "secret pathway running through the whole volume": one route that covers the entire book by jumping along these links.[3] This list forms the basis for the organisation of the entries on this page.
  • Miles carefully structured the book so it could also be understood if the entries were read in alphabetical order: at one point, he specifically requested that Jonathan Dennis rename a character to move the respective entry in the book.[4] The entries in several sections of the Design Specs listing are notably given in alphabetical order.
  • The Design Specs specified that their listing contained "almost certainly at least one mistake", as well as "a single entry which isn't connected to anything else".[3] The mistake was the listing of the nonexistent "Scarratt's Group" entry under "The A-Z of the War", and the single unconnected entry was "Parablox" (here placed under "The End"). As it stands, "The A-Z of the War" needs both the nonexistent "Scarratt's Group" entry and the "Jungle Children" entry (grouped under the subsequent "Houses and Orders" section) in order to truly have one entry for every letter of the alphabet.
  • Miles was selective concerning what concepts were explicitly borrowed from the Doctor Who universe, particularly with regards to alien species. For instance, he had permission from the Robert Holmes estate to use the Sontarans, who had previously appeared in his The Faction Paradox Protocols audio stories, but he decided they weren't necessary.[5] In contrast, he obtained permission from Neil Penswick to use the Yssgaroth from The Pit, because, even though the concept was generic, Miles described "Yssgaroth" as "the best name I've ever heard".[6]
  • Lawrence Miles briefly considered releasing an expanded version of The Book of the War on CD-ROM.[7] Though Mad Norwegian Press' other Faction Paradox books would be later be released as ebooks, CEO Lars Pearson said that the number of permissions that would be needed from the contributors made it untenable.[5]
  • The entry for the City of the Saved quotes a traveller's lyrical description of the City as "an urban sprawl the size of a spiral galaxy… a fabulous shimmering lightscape nonillions of miles across". This traveller was intended to be Iris Wildthyme.[8]

Who wrote what?

Contributors to the book mostly worked on their stories independently, only discovering the added intersections with other stories once the book was released. It was deliberately kept unclear as to which authors contributed which articles, but later releases provided some clues.

Unincluded entries

The book lists Lance Parkin, David A. McIntee, and Eddie Robson as writers who "wanted to play but whose material didn't quite fit anywhere".

Continuity

External links

Footnotes