The Church on Ruby Road (TV story): Difference between revisions

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== Crew ==
== Crew ==
{{Wales crew|ExecutiveProd3=Jane Tranter|ExecutiveProd=Russell T Davies|ExecutiveProd2=Julie Gardner|ExecutiveProd4=Joel Collins|ExecutiveProd5=Phil Collinson|SeriesProducer=Vicki Delow|Writer=Russell T Davies|Producer=Chris May|Director=Mark Tonderai|DOP=Miroslaw Baszak|ProductionDesigner=Phil Sims|VisualEffects=Automatik VFX|Make-upDesigner=Claire Williams|CastingDirector=Andy Pryor CDG|Music=Murray Gold|CostumeDesigner=Pam Downe|Editor=Rebecca Trotman|SpecialEffects=Real SFX|OriginalTheme=Ron Grainer|TitleSequence=Painting Practice & Realtime Visualisation|MusicConductedBy=Alastair King|MusicPerformedBy=BBC National Orchestra of Wales|StuntCoOrdinator=Derek Lea|Stunt=Jessica Barfoot|Stunt2=Nikita Mitchell|Stunt3=Paul Joseph|ExecutiveProdForTheBBC=Rebecca Ferguson|ProductionExec=Steffan Morris|CoProducer=Ellen Marsh|LineProducer=Mark Devlin|ProductionManager=Adrian Devane|SupervisingLocationManager=Iwan Roberts|LocationManager=Baljinder Sidhu|AssistantLocationManager=Alex Moore|ProductionCoOrdinator=Sandra Cosfeld|ScriptEditor=Scott Handcock|AssistantScriptEditor=Rasheed Bello|1stAD=Gareth Tandy|2ndAD=Lauren Pate|3rdAD=Jennifer Day|OnlineEditor=Christine Kelly|AdditionalVFX=Egg VFX|AdditionalVFX2=BBC Wales Graphics}}
{{Wales crew|ExecutiveProd3=Jane Tranter|ExecutiveProd=Russell T Davies|ExecutiveProd2=Julie Gardner|ExecutiveProd4=Joel Collins|ExecutiveProd5=Phil Collinson|SeriesProducer=Vicki Delow|Writer=Russell T Davies|Producer=Chris May|Director=Mark Tonderai|DOP=Miroslaw Baszak|ProductionDesigner=Phil Sims|VisualEffects=Automatik VFX|Make-upDesigner=Claire Williams|CastingDirector=Andy Pryor CDG|Music=Murray Gold|CostumeDesigner=Pam Downe|Editor=Rebecca Trotman BFE|SpecialEffects=Real SFX|OriginalTheme=Ron Grainer|TitleSequence=Painting Practice & Realtime Visualisation|MusicConductedBy=Alastair King|MusicPerformedBy=BBC National Orchestra of Wales|StuntCoOrdinator=Derek Lea|Stunt=Jessica Barfoot|Stunt2=Nikita Mitchell|Stunt3=Paul Joseph|ExecutiveProdForTheBBC=Rebecca Ferguson|ProductionExec=Steffan Morris|CoProducer=Ellen Marsh|LineProducer=Mark Devlin|ProductionManager=Adrian Devane|SupervisingLocationManager=Iwan Roberts|LocationManager=Baljinder Sidhu|AssistantLocationManager=Alex Moore|ProductionCoOrdinator=Sandra Cosfeld|ScriptEditor=Scott Handcock|AssistantScriptEditor=Rasheed Bello|1stAD=Gareth Tandy|2ndAD=Lauren Pate|3rdAD=Jennifer Day|OnlineEditor=Christine Kelly|AdditionalVFX=Egg VFX|AdditionalVFX2=BBC Wales Graphics}}


== Worldbuilding ==
== Worldbuilding ==

Revision as of 23:22, 25 December 2023

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The Church on Ruby Road was the 2023 Christmas Special[4] and opening episode of series 14 of Doctor Who[5] broadcast on 25 December 2023.[4][5]

It was the first full episode to feature the Fifteenth Doctor, as played by Ncuti Gatwa, and introduce audiences[6] to Ruby Sunday, the new companion, played by Millie Gibson,[7] concluding the sixtieth anniversary year with the start of a brand new era, officialising the reboot of the series number.[5]

This is the second time since the 2005 relaunch of Doctor Who that a Doctor's first full post-regeneration story was a Christmas Special, following the Tenth Doctor in that year's The Christmas Invasion [+]Loading...["The Christmas Invasion (TV story)"].

The story marked the return of the Christmas Specials to televised Doctor Who, having been absent since 2017's Twice Upon a Time [+]Loading...["Twice Upon a Time (TV story)"].

Synopsis

Long ago on Christmas Eve, a baby was abandoned in the snow. Today, Ruby Sunday meets the Doctor, stolen babies, goblins and perhaps the secret of her birth...[7][5]

Plot

On the 1st of December 2023, a light nearly falls on someone, of two people who are in an interview about the origin of babies and names.

On the 23rd of December, the Doctor dances groovily to a theme in a nightclub. A woman called Ruby Sunday sees him and smiles. Then she accidentally knocks her glass of water off a table but the Doctor catches it just in time. Sunday considers this an impossibility - how did he travel so fast in time to catch the glass? The Doctor regrets not doing the same for Vicki in The Space Museum.

Some goblins capture a baby. Ruby climbs out of a window and stands on the roof of her house. She grabs a ladder floating in midair, as it drifts away from the house. The Doctor bounds over rooftops and chats to her. Then, he leaps and grabs the ladder, joining her. He reveals some black gloves that light up yellow, which enable one to convert all their mass and weight (mavitational field strength multiplied by mass) into the gloves. The pair ride the ladder up to its point of origin - a huge flying airship.

Inside, they crawl through some wooden vents and discover a horde of goblins. The baby is on a wooden conveyor belt, being carried towards a goblin king with a humongous tongue. The goblins sing about eating the baby. The Doctor uses his newly-determined dexterity with ropes to cut the ground beneath him and Ruby, making them plunge onto the conveyor belt, which ceases to move henceforth. There, the Doctor and his new companion have a song, which the goblins find interesting, and the Doctor explains his plan via his lyrics, referring to a master knot.

Escaping from the goblin horde, the Doctor and Ruby return to the flat, baby safely recovered. Then, Ruby disappears. The Doctor returns to the fridge, seeing that the entire history of Sunday has vanished. Many of the Christmas lights have been removed from the flat and there is a generally unhappy atmosphere to the place.

The Doctor travels in time and arrives at a church. He climbs to the roof and grabs a ladder, dangling off an airship. Using his powerful magnetic gloves, he hoists the airship down, causing the spire to slice through the goblin king (State of Decay reference) (also church roof, The Curse of Fenric, The Awakening). Having saved the baby, that is thus the origin of Ruby Sunday's name, being of the church on Ruby Road.

The Doctor takes off in the TARDIS. Ruby ascertains that the Doctor can travel through time via his reference to the often-mentioned Houdini, and rushes downstairs and out of the house. She finds the TARDIS and enters. She then leaves, walks around it and returns, to find the Doctor, leaning on a rail a little higher than the console. He claims his title true.

In a post-credits scene (link here to post credits scenes, e.g. Last Christmas bit from Series 8), the old woman says in surprise, Don't you know what a TARDIS is?

Cast

Uncredited cast

Crew

General production staff

Script department

Camera and lighting department

Art department

Costume department

Make-up and prosthetics

Movement

General post-production staff

Special and visual effects

Sound



Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.


Worldbuilding

Ruby Sunday

Notes

"Season's Streamings" promo image providing the story's title.[4]
  • The title of the story was officially announced by the official Disney+ Twitter account in a "Season's Streamings" promotional image on 6 November 2023,[4] ahead of any BBC announcements.
    • This marks the return of the Christmas Specials; in the installment of Russell T Davies's column Letter from the Showrunner printed in DWM 585, Davies had stated that a "Christmas Special" would be returning as the format of the first full episode of the Fifteenth Doctor's tenure, although clarifying that he considered the term to be synonymous with the Festive Specials. The Disney+ announcement clarified that The Church on Ruby Road will be a traditional Christmas Special.
    • The first BBC acknowledgement of the title came in a press release on doctorwho.tv on 30 November 2023, revealing minor plot and casting details.[7]
  • The preview of this episode released in DWM 598 revealed a teaser of the plot and a snippet of dialogue between the Doctor and Ruby.[3]
  • Parts of the script of this episode were used in auditions for Ruby Sunday; the script for self-tapes from potential actors were truncated from the scripts of this episode and the next, and the longer script for in-person auditions[8] in London[9] was adapted solely from this episode.[8]
  • The non-fiction feature The Next Doctor [+]Loading...["The Next Doctor (feature)"] — published in Doctor Who The Official Annual 2024 on 7 September 2023 — teased the casting of Dobson and Greenidge; the feature also hinted that the doors in the promotional images may have significance.
  • The Church on Ruby Road will be the first time in the revived series that a Doctor's first Christmas special does not include "Christmas" in the title, following The Christmas Invasion [+]Loading...["The Christmas Invasion (TV story)"], A Christmas Carol [+]Loading...["A Christmas Carol (TV story)"], and Last Christmas [+]Loading...["Last Christmas (TV story)"].
  • At sixteen days, The Church on Ruby Road will mark the third shortest gap between a regeneration story and its followup, behind The Power of the Daleks [+]Loading...["The Power of the Daleks (TV story)"] at seven days and The Twin Dilemma [+]Loading...["The Twin Dilemma (TV story)"] at six days.
  • "The Goblin Song" is an original song for this episode. It was released ahead of the episode on 11 December 2023 with proceeds going to Children in Need.[10]
  • Davies felt inspired by the door opened by the inclusion of the Toymaker in the preceding episode The Giggle [+]Loading...["The Giggle (TV story)"] — as he deemed the Toymaker to be a fantasy character — so decided to include goblins, a traditional element of fantasy stories. He also sent the script to former showrunner Steven Moffat, who had a surprised realisation about the unused potential of the species within Doctor Who.[3]
  • This is the first episode that does not credit a white male performer as a regular cast member. Although William Hartnell was absent from Mission to the Unknown, he still received credit for contractual reasons.
  • This is the first episode since Village of the Angels to include a mid-credits scene, and the first Christmas special since Last Christmas to include one too.

Myths

to be added

Filming locations

Ratings

to be added

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

to be added

Continuity

Home media releases

to be added

Gallery

Main article: The Church on Ruby Road (TV story)/Gallery

External links

Footnotes