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{{wikipediainfo|Death (personification)}}
{{Update|Information concerning the Death from [[Deathworld (TLS audio story)|Deathworld]], even if his main page is to be put at [[Death (horseman)]], it still should get some kind of reference}}
{{Infobox Individual
{{Infobox Individual
|image= Duroc main.jpg
|image             = Death of the Heavenly Minds.png
|alias = Duroc<br />Hunger
|alias             = LaMort, Jade, [[Grim Reaper]]
|species=  
|species           = Eternal
|origin=
|father            = Ricky McIlveen
|only= Dead Man Walking
|mother            = Jasmine Surprise Hutchings
|actor=  
|grandparent      = Chris Cwej
|grandparent2      = Ishtar Hutchings
|grandparent3      = Vincent Wheaton
|grandparent4      = Justine Wheaton
|affiliation      = Death's Champion
|sister            = Time (mythology)
|sister2          = Pain (mythology)
|sister3          = Life (Hark! The Herald Angels Sing)
|sister4          = Fate (Hark! The Herald Angels Sing)
|first mention    = The Visitation (TV story)
|first            = Timewyrm: Revelation  (novel)
|appearances      = {{appears}}
|actor            = Burn Gorman
|voice actor      = Charlie Hayes
|other voice actor = [[Daniel Barzotti]]
|clip              = Owen Beats Death Dead Man Walking Torchwood
}}{{dab page|Death (disambiguation)}}
}}{{dab page|Death (disambiguation)}}
'''Death''' was a mysterious being and a figure in legends. It appeared to [[Suzie Costello]] and [[Owen Harper]] in the [[afterlife]], and was believed to be a personification of death. Owen stated that it was "''duroc''," or "hunger."
'''Death''' was an [[Eternal]] and a [[Menti Celesti]], one of the [[god]]desses of [[Gallifrey]], embodying [[death]] itself.


== Biology ==
Death sometimes took on both male and female forms; as one of the [[Menti Celesti]] Death was a female goddess, which was also the gender it presented as in her dealings with the [[Seventh Doctor]]. However, some [[Earth]] myths depicted Death as male. When faced with Death, [[Torchwood Three]] ended up primarily referring to the entity as an "it".
In its [[Afterlife|natural dimension]], Death was invisible among the dark void, but its presence could still be felt and heard by the dead there with it. When it entered the universe, Death had the physical form of a human [[skeleton]] shrouded in dark grey vapour. Death was capable of communicating with a low, hoarse, whispery voice both in [[English language|English]] and in another language, although it was only ever known to say one thing in either language - "''Melenkurion abatha duroc minas mill khabaal!''"/"I shall walk the [[Earth]], and my hunger will know no bounds!"


The only known method through which Death could enter the universe was if someone were resurrected using the left-handed [[resurrection gauntlet]] - after the gauntlet permanently brought the person back in an undead state, Death would feed the person energy to sustain it, while also using the person as a gateway from the afterlife into [[N-Space]]. Death would occasionally possess the person, and would gradually change their cell structure. Once the person's cell structure was 100% transformed, Death would fully cross through them into the universe.
According to [[Suzie Costello]], when one died and entered the afterlife, Death would stalk them in the darkness. ([[TV]]: ''[[They Keep Killing Suzie (TV story)|They Keep Killing Suzie]]'')


In the universe, Death would be capable of instantaneously killing living beings by touch or by coming within very close proximity, draining their life and reducing their bodies to shrivelled husks. Though it could apparently kill any living being this way, Death preferred and was drawn to the dying and near-dead. However, Death could only temporarily kill [[Jack Harkness]] due to the latter's [[immortality]], and the undead beings resurrected by the gauntlet were completely immune to Death's abilities. When Death entered N-Space via the resurrection gauntlet, it had to kill thirteen sentient beings in order to enter the universe permanently; otherwise, after a length of time, it would vanish back into the darkness in a burst of energy. ([[TV]]: ''[[Dead Man Walking (TV story)|Dead Man Walking]]'')
== Biography ==
=== Origins ===
Death was younger than her sister [[Pain (mythology)|Pain]] but older than [[Time (mythology)|Time]]. ([[PROSE]]: ''[[Set Piece (novel)|Set Piece]]'')
 
According to a Gallifreyan fairy tale, Death was born while the gods were drunk, and they accidentally gave her name to someone else. Since nobody remembered her name or who it had been given to, Death lamented, "Everything and everyone has a name, except for me." As a result, Death began to take away the names of mortal beings. ([[PROSE]]: ''[[Return of the Living Dad (novel)|Return of the Living Dad]]'') She herself once claimed that her kind were "the dreams of Time Lords", and that they "leak out across the universe", only occasionally being given physical form by entities such as the Timewyrm. ([[PROSE]]: ''[[Human Nature (novel)|Human Nature]]'')
 
Unbeknownst to most, the particular incarnation of Death known to the [[Seventh Doctor]] came into being as the child of [[Jasmine Surprise Hutchings]] and [[Ricky McIlveen]], in a union foreseen and planned by Jasmine Surprise's mother Ishtar, who was the Timewyrm herself. ([[PROSE]]: ''[[Happy Endings (novel)|Happy Endings]]'')
 
=== Influence on Gallifrey ===
During the [[Old Time]] on [[Gallifrey]], Death sent a [[Death's Messenger|messenger]] to [[Slothe]]. The Messenger killed the inhabitants of Slothe, until one day [[Presus]] rose up and fought the creature, killing it. ([[PROSE]]: ''[[Blind Fury (short story)|Blind Fury]]'')
 
During [[the Doctor's early life|the Doctor's youth]], he killed [[Torvic]]. Rather than becoming [[Death's Champion]], the Doctor made a deal with Death so she would choose another [[Time Lord]], later known as [[the Master]]. The Doctor would later forget about this encounter, ([[AUDIO]]: ''[[Master (audio story)|Master]]'') although he remembered seeing Death on a Gallifreyan hillside. ([[PROSE]]: ''[[Set Piece (novel)|Set Piece]]'')
 
=== Activities on Earth ===
[[Torchwood Three]] discovered that in [[1479]], after a priest in the parish that would become [[Cardiff]] had used a [[resurrection gauntlet]] to save a girl named [[Faith (Dead Man Walking)|Faith]] from the plague, Death began manifesting in the world of the living. It needed to reap the souls of thirteen dying people to permanently anchor itself to the physical world. Death killed twelve people, but Faith managed to stop it before it could collect a thirteenth victim, which would have enabled it to enter the [[universe]] permanently. ([[TV]]: ''[[Dead Man Walking (TV story)|Dead Man Walking]]'')
 
However, a [[fairy tale]] related by the [[Brothers Grimm]] gave an account of more benevolent dealings between Death (depicted in the tale as male) and humanity. The story, entitled ''[[Godfather Death]]'', told of a man who could not afford to keep his thirteenth child and gave them to Death to raise. Death raised the child to become a [[physician]] before the child defied him to save the life of a [[princess]]. Furious, Death brought the child to a cave where everyone's life was represented by a [[candle]], marking a short one as the child's and ending their life. ([[PROSE]]: ''[[The Knight, The Fool and The Dead (novel)|The Knight, The Fool and The Dead]]'')


== Biography ==
=== Dealings with the Seventh Doctor ===
According to [[Suzie Costello]], when one died and entered the afterlife, Death would stalk them in the darkness. ([[TV]]: ''[[They Keep Killing Suzie]]'')
[[File:The_Doctor_Dancing_With_Death.jpg|thumb|left|Death dancing with [[Seventh Doctor|the Doctor]] on [[the Moon]]. ([[PROSE]]: ''[[Timewyrm: Revelation (novel)|Timewyrm: Revelation]]'')]]
The [[Seventh Doctor]] met Death for the first time on [[the Moon]], when she was summoned by the [[Timewyrm]] as a robed skeleton. ([[PROSE]]: ''[[Timewyrm: Revelation (novel)|Timewyrm: Revelation]]'')
 
Death briefly spoke to the [[Traveller (Love and War)|Travellers]] in [[Puterspace]] stating that three quarters of them would die, but would not state which of them. ([[PROSE]]: ''[[Prelude Love and War (short story)|Love and War]]'') The Doctor made another deal with Death to save [[Ace]] and offered himself in her place. ([[PROSE]]: ''[[Love and War (novel)|Love and War]]'') Death later took the life of Doctor [[John Smith (Seventh Doctor)|John Smith]]. ([[PROSE]]: ''[[Human Nature (novel)|Human Nature]]'')
 
On several occasions, the Doctor said he was "friends" with Death. ([[AUDIO]]: ''[[The Death Collectors (audio story)|The Death Collectors]]'', ''[[Spider's Shadow (audio story)|Spider's Shadow]]'') He once won a bet with Death. ([[PROSE]]: ''[[SLEEPY (novel)|SLEEPY]]'')
 
Death picked [[First Monk|Mortimus]] to be [[Death's Champion|her champion]] as a means of revenge upon the Doctor. Mortimus did not fully grasp the cosmic significance of the deal he had bartered. ([[PROSE]]: ''[[No Future (novel)|No Future]]'')
 
When the Doctor suffered a one-sided heart attack at [[Roz Forrester]]'s funeral, he had a vision of Death taunting him about taking the life of one of his companions, and that some day soon, she will take him, when he is alone and friendless, without warning and without meaning. ([[PROSE]]: ''[[So Vile a Sin (novel)|So Vile a Sin]])''
 
Death, along with Time and Pain, attended [[Bernice Summerfield]] and [[Jason Kane]]'s [[wedding]] in [[Cheldon Bonniface]] on [[24 April]] [[2010]]. ([[PROSE]]: ''[[Happy Endings (novel)|Happy Endings]]'')
 
At some point, the Doctor made a deal with Death to give the Master a new start in life as a good and honest man for ten years, feeling guilty for how he turned out. However, after the ten years, it was agreed he would have to kill the Master.
 
When the ten years expired, Death sent the Doctor to [[Perfugium]], where "John Smith" was living. Taking on the identity of John Smith's maid, Jade, Death tormented the Doctor, John Smith and his friends. This led to one of his friends, [[Victor Schaeffer]], killing his own wife, and John's love, [[Jacqueline Schaeffer|Jacqueline]]. When the Doctor couldn't go through with killing John, he realised his significance in creating the Master, and how he had turned him into Death's Champion, by making his original deal with Death.
 
He constructed a new deal with Death, so that he wouldn't have to kill John, but would instead have to kill an innocent person in the place of an assassin (who was just a disguise of Death again), but couldn't go through with that deal either. Death also made a deal with John Smith that to remain as John Smith, he had to decide whether he would make the Doctor Death's Champion, or if he would kill Victor so that Jacqueline would be reborn, but become the Master again. It is still unknown what his decision was. ([[AUDIO]]: ''[[Master (audio story)|Master]]'')
 
Death stalked the Seventh Doctor for some time. The Doctor ended up making a deal with Death so that he could save the life of [[Tramp (The Tramp's Story)|a tramp]], unaware that his death would have had repercussions in the [[Web of Time]]. ([[PROSE]]: ''[[The Tramp's Story (short story)|The Tramp's Story]]'')
 
At one point, Death took the name "LaMort" and moved to [[Sydney]] in the [[19th century]], interested in the novelty of colonial [[Australia]]. Two hundred years later, she had become bored with all the ways and places that death took place. She intended to commit [[suicide]] by overdosing on [[pill]]s. However, the Doctor, [[Bernice Summerfield|Benny]], and [[Ace]] visited her, and the Doctor made Benny describe all the [[planet]]s that humans had brought death to in her time. With the promise of all these new virgin worlds, Death resolved not to commit suicide, and she dropped her pills; they transformed into souls and melted away. ([[PROSE]]: ''[[Virgin Lands (short story)|Virgin Lands]]'')
 
=== Later activities ===
In a junkyard on [[Ha'olam]], a black [[Persian cat]] and two other strays attacked [[Sam Jones]]' [[cat (Seeing I)|cat]], who was [[Life (Hark! The Herald Angels Sing)|Life]], for invading their territory. ([[PROSE]]: ''[[Seeing I (novel)|Seeing I]]'')


Death was both worshiped and feared by [[Weevil]]s. Once in [[1479]], it manifested itself in [[Cardiff]] after a girl named [[Faith (Dead Man Walking)|Faith]] was brought back to life with the resurrection gauntlet. Death killed twelve people, but Faith managed to stop it before it could collect a thirteenth victim, which would have enabled it to enter the [[universe]] permanently. During this time, contemporary chroniclers also recorded the presence of Weevils, which seemed to have inspired imagery of the [[Grim Reaper]].
Though Death's sisters [[Life (Hark! The Herald Angels Sing)|Life]], [[Time (mythology)|Time]], and [[Fate (Hark! The Herald Angels Sing)|Fate]] fled the [[Spiral Politic]] at first foresight of the [[War in Heaven]], Death stayed behind and watched them leave. ([[PROSE]]: ''[[Hark! The Herald Angels Sing (short story)|Hark! The Herald Angels Sing]]'') In the [[post-War universe]], [[Sabbath]] followed the [[Eighth Doctor]] on a trip into Death's abode. Despite her history with the Doctor prior to the War, she did not recognise him. ([[PROSE]]: ''[[Camera Obscura (novel)|Camera Obscura]]'')


=== Encounter with Torchwood ===
[[File:Dead_man_walking_main.jpg|thumb|left|Death possesses Owen. ([[TV]]: ''[[Dead Man Walking (TV story)|Dead Man Walking]]'')]]
[[File:Dead_man_walking_main.jpg|thumb|left|Death possesses Owen. ([[TV]]: ''[[Dead Man Walking (TV story)|Dead Man Walking]]'')]]
When [[Owen Harper]] was resurrected with the same gauntlet, Death used him as a gateway into the universe, and possessed him repeatedly. While doing so, it repeated "I shall walk the earth and my hunger will know no bounds" in a strange language.
When [[Owen Harper]] was resurrected with the same gauntlet, Death used him as a gateway into the universe, and possessed him repeatedly. While doing so, it repeated "I shall walk the earth and my hunger will know no bounds" in a strange language.


Eventually, the energy from Death that was keeping Owen animate fully transformed Owen's cell structure; allowing Death to cross through into the universe. After manifesting in the universe through Owen, Death had the physical form of a human skeleton shrouded in grey vapour. It travelled to [[St Helen's Hospital]] and began killing and collecting the [[soul]]s of the staff and patients that Torchwood failed to evacuate from the hospital in time.
Eventually, the energy from Death that was keeping Owen animate fully transformed Owen's cell structure, allowing Death to cross through into the universe. It briefly possessed Owen again before escaping his body as a thin gray vapour, and then began to materialise in the form of a ghostly skeleton shrouded in smoke, growing more and more solid the stronger its link to the universe became. It travelled to [[St Helen's Hospital]] and began killing and collecting the [[soul]]s of the staff and patients that Torchwood failed to evacuate from the hospital in time.
 
Death claimed twelve of the thirteen souls it needed to fully enter the universe, but before it could claim a thirteenth victim, Owen trapped himself in one of the rooms of the hospital with Death. Death realised too late that as Owen was already dead, it could do nothing to him and could not use him to fuel itself. With Owen literally fighting Death to keep it busy until its time ran out, it ultimately ran out of energy and its physical form dissipated as it returned to the [[Afterlife]]. ([[TV]]: ''[[Dead Man Walking (TV story)|Dead Man Walking]]'')
 
=== Legacy ===
A version of Death appeared in "the ''[[Sandman (comic series)|Sandman]]'' comics", with which [[Sam Jones]] was familiar. At a goth bar in [[San Francisco]], Sam and the [[Eighth Doctor]] noticed that the bartender was dressed as this version of Death. ([[PROSE]]: ''[[Vampire Science (novel)|Vampire Science]]'')
 
== Appearance ==
[[File:Death_Eternal.jpg|left|thumb|Death's appearance as one of the [[Menti Celesti]]. ([[PROSE]]: ''[[Prelude Love and War (short story)|Prelude Love and War]]'')]]As an intelligent concept, Death was only occasionally given physical forms. Her avatars included a black [[Persian cat]], ([[PROSE]]: ''[[Seeing I (novel)|Seeing I]]'') a hooded [[skeleton]], ([[PROSE]]: ''[[Timewyrm: Revelation (novel)|Timewyrm: Revelation]]'') whose image was known in [[Earth]]'s culture as the [[Grim Reaper]], ([[TV]]: ''[[Dead Man Walking (TV story)|Dead Man Walking]]'', ''[[The Visitation (TV story)|The Visitation]]'') a beautiful woman with flowing fair hair, ([[PROSE]]: ''[[Prelude Love and War (short story)|Prelude Love and War]]'') and "a girl, about fourteen, dressed in black, with dark hair cascading down her pale features". ([[PROSE]]: ''[[Happy Endings (novel)|Happy Endings]]'') After manifesting in the universe through Owen, Death had the physical form of a human skeleton shrouded in grey vapour. ([[TV]]: ''[[Dead Man Walking (TV story)|Dead Man Walking]]'')
 
== Abilities ==
[[File:Duroc main.jpg|right|thumb|Death's unfinished physical form created from the energy drawn from the deaths of twelve mortals. ([[TV]]: ''[[Dead Man Walking (TV story)|Dead Man Walking]]'')]]When gaining a physical form in the world of the living, Death had the ability to bring forward the death of any mortal. It favoured the dying or nearly dead, but could do the same to healthy individuals if necessary — although it could not permanently kill the immortal [[Jack Harkness]], and had no power over undead beings like [[Owen Harper|Owen]]. With a touch, Death could also sap away a mortal's life as he did to [[Martha Jones]], bringing them to extreme old age without actually killing them; however, this effect would reverse itself once Death ceased manifesting in the mortal plane. ([[TV]]: ''[[Dead Man Walking (TV story)|Dead Man Walking]]'')
 
== References ==
{{Section stub|[[Hour One (short story)]], [[Target Selected (comic story)]]}}
At some point, "[[Individual (Meet Doom - the Universe's Greatest Assassin!)|someone]]" sent what [[Doom]], the self-proclaimed "universe's greatest assassin", believed to be "literal Death" after her. Doom found herself circled by a mysterious shadow wherever she went, and believed that she would only be able to evade the entity for twenty-four hours unless she could [[Hunt for the Doctor|find]] [[the Doctor]] first. ([[WC]]: ''[[Meet Doom - the Universe's Greatest Assassin! (webcast)|Meet Doom - the Universe's Greatest Assassin!]]'') However, the [[First Doctor]] revealed the figure was not actually Death, but simply a [[Gatherer (Out of Time)|Gatherer]] interested in consuming the [[paradox]] at play. ([[PROSE]]: ''[[Out of Time (short story)|Out of Time]]'')
 
== Behind the scenes ==
=== In ''Happy Endings'' ===
[[File:Death of the Endless (The Sound of Her Wings).png|thumb|left|"Death of the Endless" in ''[[w:c:dc:Sandman Vol 2 8|The Sound of Her Wings]]'', an instalment of ''The Sandman''.]]
The Eternals Death, [[Time (mythology)|Time]], and [[Pain (mythology)|Pain]] explicitly attend [[Bernice Summerfield and Jason Kane's wedding]] in ''[[Happy Endings (novel)|Happy Endings]]''. Death is described as wearing a cape.


Death claimed twelve of the thirteen souls it needed to fully enter the universe, but before it could claim a thirteenth victim, Owen used faith to literally fight off Death and dissipate its energy; sending it back to the darkness. ([[TV]]: ''[[Dead Man Walking]]'')
Later in the novel, Bernice talks with an unnamed teenage girl who has similarities to Death as depicted in [[Neil Gaiman]]'s ''The Sandman'' comics. The teenage girl has pale features, dark hair, and is dressed in black. She also says it will be her job "to turn off the lights once [[End of the universe|everybody's gone]]". Death makes a similar statement in Gaiman's ''The Books of Magic'' #4.


== Notes ==
Gaiman's Death was depicted as one of "the Endless," a line-up of cosmic embodiments of concepts. Gaiman's Endless, who debuted in [[1989 (releases)|1989]], had notable similarity to the [[Menti Celesti]], down to the words "Endless" and "[[Eternal]]" being synonymous, thus facilitating the identification. The original run of ''Sandman'' comics was almost exactly contemporary with the [[Virgin New Adventures]], making the crossover allusion doubly significant. However, the canonical line-up of siblings in ''The Sandman'' differs from the one used in DWU media: there is no Endless of Time, a male [[w:c:sandman|Destiny]] instead of the female [[Fate (Hark! The Herald Angels Sing)|Fate]], and a male [[w:c:sandman|Destruction]] instead of [[Pain (mythology)|Pain]]. Additionally, Destiny is described as the oldest of the Endless, whereas Pain is the oldest of the Menti Celesti.
* Thirteen, which is the number of souls Death needs to collect after entering the physical dimension in order to enter it permanently, is considered the unlucky number; it also happens to be the total number of a Time Lord's bodies.
* It is unknown whether, when Death enters the physical universe, it can use the souls of anyone in the world who dies to add to the thirteen souls it needs to permanently manifest, or if Death needs to kill its thirteen victims itself or at least be in the vicinity when they die in order to collect their souls. However, as Death apparently only collected twelve souls when it entered the universe through Owen, even though it was in the universe for approximately an hour or less, the latter two are more likely; unless in the [[Doctor Who universe]] death rates were extremely low at the time when Death entered the physical universe.


Although according to [[Paul Scoones]], [[Paul Cornell]] himself confirmed the allusion to ''The Sandman'' in Death's description in ''Happy Endings''<ref>[https://doctorwho.org.nz/archive/tsv49/endings.html Wedding Notes: An Annotated Guide to Happy Endings]</ref> [[Neil Penswick]] (to whom the section of ''Happy Endings'' in which she appears is attributed) disputed this notion in the fanzine ''Broadsword''. Though acknowledging that she "had appeared in other works", he denied that this was in fact Gaiman's Death.<ref>http://www.sorddin.com/broadsword-old/issue11/interview11i.html</ref>
=== In ''Torchwood'' ===
The untranslated form of Death's dialogue in [[TV]]: ''[[Dead Man Walking (TV story)|Dead Man Walking]]'' ("''Melenkurion abatha duroc minas mill khabaal!''"/"I shall walk the [[Earth]], and my hunger will know no bounds!") is a quotation from Stephen R. Donaldson's dark fantasy series ''The Chronicles of Thomas Covenant''. Within the series's setting, the Land, it is part of a powerful incantation known as the Seven Words. "Melenkurion" means bastion or source; "abatha" means endurance, or the need for it; "duroc" means Earthpower, a type of natural energy found within the Land; "minas" also means Earthpower, but used as a foundation rather than as theurgy; and "khabaal" has numerous meanings. The sixth word, "harad", which signifies a commitment not to use Earthpower for dark purposes, is omitted here; it had not been revealed until the then-recent eighth volume, so it is unclear whether its omission from the episode is significant or intentional. When a fan described the scene to Donaldson, he replied that he had never heard of ''Torchwood'', but that "if it isn't a) an "homage" or b) an in-joke, then it's just stupid. I suggest that we all simply enjoy it for whatever we think it is. Unless the makers of "Torchwood" know something I don't? <muffled gasp>"<ref>https://www.stephenrdonaldson.com/fromtheauthor/gi_view.php?Year=2008&Month=03</ref> However, Donaldson was impressed when an anonymous fan subsequently told him that Davies was a huge fan of the ''Covenant'' books and re-read them once a year.<ref>https://www.stephenrdonaldson.com/fromtheauthor/gi_view.php?Year=2008&Month=04</ref>
{{Eternals}}
{{Gods}}
{{NameSort}}
{{NameSort}}
[[Category:Eternals]]
[[Category:Personifications of death]]
[[Category:Personifications of death]]
[[Category:Afterlife]]
[[Category:Chris Cwej's relatives]]
[[Category:Mythological creatures]]
[[Category:Mythological creatures]]
[[Category:Unique beings]]
[[Category:Supposed deities]]
[[Category:Supposed deities]]
[[Category:Murderers]]
[[Category:Killers]]
[[Category:Afterlife]]
[[Category:Supposed deities from the real world]]

Latest revision as of 19:24, 3 November 2024

Death (mythology)
This article needs to be updated.

Information concerning the Death from Deathworld, even if his main page is to be put at Death (horseman), it still should get some kind of reference

These omissions are so great that the article's factual accuracy has been compromised. Check out the discussion page and revision history for further clues about what needs to be updated in this article.

You may wish to consult Death (disambiguation) for other, similarly-named pages.

Death was an Eternal and a Menti Celesti, one of the goddesses of Gallifrey, embodying death itself.

Death sometimes took on both male and female forms; as one of the Menti Celesti Death was a female goddess, which was also the gender it presented as in her dealings with the Seventh Doctor. However, some Earth myths depicted Death as male. When faced with Death, Torchwood Three ended up primarily referring to the entity as an "it".

According to Suzie Costello, when one died and entered the afterlife, Death would stalk them in the darkness. (TV: They Keep Killing Suzie)

Biography[[edit] | [edit source]]

Origins[[edit] | [edit source]]

Death was younger than her sister Pain but older than Time. (PROSE: Set Piece)

According to a Gallifreyan fairy tale, Death was born while the gods were drunk, and they accidentally gave her name to someone else. Since nobody remembered her name or who it had been given to, Death lamented, "Everything and everyone has a name, except for me." As a result, Death began to take away the names of mortal beings. (PROSE: Return of the Living Dad) She herself once claimed that her kind were "the dreams of Time Lords", and that they "leak out across the universe", only occasionally being given physical form by entities such as the Timewyrm. (PROSE: Human Nature)

Unbeknownst to most, the particular incarnation of Death known to the Seventh Doctor came into being as the child of Jasmine Surprise Hutchings and Ricky McIlveen, in a union foreseen and planned by Jasmine Surprise's mother Ishtar, who was the Timewyrm herself. (PROSE: Happy Endings)

Influence on Gallifrey[[edit] | [edit source]]

During the Old Time on Gallifrey, Death sent a messenger to Slothe. The Messenger killed the inhabitants of Slothe, until one day Presus rose up and fought the creature, killing it. (PROSE: Blind Fury)

During the Doctor's youth, he killed Torvic. Rather than becoming Death's Champion, the Doctor made a deal with Death so she would choose another Time Lord, later known as the Master. The Doctor would later forget about this encounter, (AUDIO: Master) although he remembered seeing Death on a Gallifreyan hillside. (PROSE: Set Piece)

Activities on Earth[[edit] | [edit source]]

Torchwood Three discovered that in 1479, after a priest in the parish that would become Cardiff had used a resurrection gauntlet to save a girl named Faith from the plague, Death began manifesting in the world of the living. It needed to reap the souls of thirteen dying people to permanently anchor itself to the physical world. Death killed twelve people, but Faith managed to stop it before it could collect a thirteenth victim, which would have enabled it to enter the universe permanently. (TV: Dead Man Walking)

However, a fairy tale related by the Brothers Grimm gave an account of more benevolent dealings between Death (depicted in the tale as male) and humanity. The story, entitled Godfather Death, told of a man who could not afford to keep his thirteenth child and gave them to Death to raise. Death raised the child to become a physician before the child defied him to save the life of a princess. Furious, Death brought the child to a cave where everyone's life was represented by a candle, marking a short one as the child's and ending their life. (PROSE: The Knight, The Fool and The Dead)

Dealings with the Seventh Doctor[[edit] | [edit source]]

Death dancing with the Doctor on the Moon. (PROSE: Timewyrm: Revelation)

The Seventh Doctor met Death for the first time on the Moon, when she was summoned by the Timewyrm as a robed skeleton. (PROSE: Timewyrm: Revelation)

Death briefly spoke to the Travellers in Puterspace stating that three quarters of them would die, but would not state which of them. (PROSE: Love and War) The Doctor made another deal with Death to save Ace and offered himself in her place. (PROSE: Love and War) Death later took the life of Doctor John Smith. (PROSE: Human Nature)

On several occasions, the Doctor said he was "friends" with Death. (AUDIO: The Death Collectors, Spider's Shadow) He once won a bet with Death. (PROSE: SLEEPY)

Death picked Mortimus to be her champion as a means of revenge upon the Doctor. Mortimus did not fully grasp the cosmic significance of the deal he had bartered. (PROSE: No Future)

When the Doctor suffered a one-sided heart attack at Roz Forrester's funeral, he had a vision of Death taunting him about taking the life of one of his companions, and that some day soon, she will take him, when he is alone and friendless, without warning and without meaning. (PROSE: So Vile a Sin)

Death, along with Time and Pain, attended Bernice Summerfield and Jason Kane's wedding in Cheldon Bonniface on 24 April 2010. (PROSE: Happy Endings)

At some point, the Doctor made a deal with Death to give the Master a new start in life as a good and honest man for ten years, feeling guilty for how he turned out. However, after the ten years, it was agreed he would have to kill the Master.

When the ten years expired, Death sent the Doctor to Perfugium, where "John Smith" was living. Taking on the identity of John Smith's maid, Jade, Death tormented the Doctor, John Smith and his friends. This led to one of his friends, Victor Schaeffer, killing his own wife, and John's love, Jacqueline. When the Doctor couldn't go through with killing John, he realised his significance in creating the Master, and how he had turned him into Death's Champion, by making his original deal with Death.

He constructed a new deal with Death, so that he wouldn't have to kill John, but would instead have to kill an innocent person in the place of an assassin (who was just a disguise of Death again), but couldn't go through with that deal either. Death also made a deal with John Smith that to remain as John Smith, he had to decide whether he would make the Doctor Death's Champion, or if he would kill Victor so that Jacqueline would be reborn, but become the Master again. It is still unknown what his decision was. (AUDIO: Master)

Death stalked the Seventh Doctor for some time. The Doctor ended up making a deal with Death so that he could save the life of a tramp, unaware that his death would have had repercussions in the Web of Time. (PROSE: The Tramp's Story)

At one point, Death took the name "LaMort" and moved to Sydney in the 19th century, interested in the novelty of colonial Australia. Two hundred years later, she had become bored with all the ways and places that death took place. She intended to commit suicide by overdosing on pills. However, the Doctor, Benny, and Ace visited her, and the Doctor made Benny describe all the planets that humans had brought death to in her time. With the promise of all these new virgin worlds, Death resolved not to commit suicide, and she dropped her pills; they transformed into souls and melted away. (PROSE: Virgin Lands)

Later activities[[edit] | [edit source]]

In a junkyard on Ha'olam, a black Persian cat and two other strays attacked Sam Jones' cat, who was Life, for invading their territory. (PROSE: Seeing I)

Though Death's sisters Life, Time, and Fate fled the Spiral Politic at first foresight of the War in Heaven, Death stayed behind and watched them leave. (PROSE: Hark! The Herald Angels Sing) In the post-War universe, Sabbath followed the Eighth Doctor on a trip into Death's abode. Despite her history with the Doctor prior to the War, she did not recognise him. (PROSE: Camera Obscura)

Encounter with Torchwood[[edit] | [edit source]]

Death possesses Owen. (TV: Dead Man Walking)

When Owen Harper was resurrected with the same gauntlet, Death used him as a gateway into the universe, and possessed him repeatedly. While doing so, it repeated "I shall walk the earth and my hunger will know no bounds" in a strange language.

Eventually, the energy from Death that was keeping Owen animate fully transformed Owen's cell structure, allowing Death to cross through into the universe. It briefly possessed Owen again before escaping his body as a thin gray vapour, and then began to materialise in the form of a ghostly skeleton shrouded in smoke, growing more and more solid the stronger its link to the universe became. It travelled to St Helen's Hospital and began killing and collecting the souls of the staff and patients that Torchwood failed to evacuate from the hospital in time.

Death claimed twelve of the thirteen souls it needed to fully enter the universe, but before it could claim a thirteenth victim, Owen trapped himself in one of the rooms of the hospital with Death. Death realised too late that as Owen was already dead, it could do nothing to him and could not use him to fuel itself. With Owen literally fighting Death to keep it busy until its time ran out, it ultimately ran out of energy and its physical form dissipated as it returned to the Afterlife. (TV: Dead Man Walking)

Legacy[[edit] | [edit source]]

A version of Death appeared in "the Sandman comics", with which Sam Jones was familiar. At a goth bar in San Francisco, Sam and the Eighth Doctor noticed that the bartender was dressed as this version of Death. (PROSE: Vampire Science)

Appearance[[edit] | [edit source]]

Death's appearance as one of the Menti Celesti. (PROSE: Prelude Love and War)

As an intelligent concept, Death was only occasionally given physical forms. Her avatars included a black Persian cat, (PROSE: Seeing I) a hooded skeleton, (PROSE: Timewyrm: Revelation) whose image was known in Earth's culture as the Grim Reaper, (TV: Dead Man Walking, The Visitation) a beautiful woman with flowing fair hair, (PROSE: Prelude Love and War) and "a girl, about fourteen, dressed in black, with dark hair cascading down her pale features". (PROSE: Happy Endings) After manifesting in the universe through Owen, Death had the physical form of a human skeleton shrouded in grey vapour. (TV: Dead Man Walking)

Abilities[[edit] | [edit source]]

Death's unfinished physical form created from the energy drawn from the deaths of twelve mortals. (TV: Dead Man Walking)

When gaining a physical form in the world of the living, Death had the ability to bring forward the death of any mortal. It favoured the dying or nearly dead, but could do the same to healthy individuals if necessary — although it could not permanently kill the immortal Jack Harkness, and had no power over undead beings like Owen. With a touch, Death could also sap away a mortal's life as he did to Martha Jones, bringing them to extreme old age without actually killing them; however, this effect would reverse itself once Death ceased manifesting in the mortal plane. (TV: Dead Man Walking)

References[[edit] | [edit source]]

At some point, "someone" sent what Doom, the self-proclaimed "universe's greatest assassin", believed to be "literal Death" after her. Doom found herself circled by a mysterious shadow wherever she went, and believed that she would only be able to evade the entity for twenty-four hours unless she could find the Doctor first. (WC: Meet Doom - the Universe's Greatest Assassin!) However, the First Doctor revealed the figure was not actually Death, but simply a Gatherer interested in consuming the paradox at play. (PROSE: Out of Time)

Behind the scenes[[edit] | [edit source]]

In Happy Endings[[edit] | [edit source]]

"Death of the Endless" in The Sound of Her Wings, an instalment of The Sandman.

The Eternals Death, Time, and Pain explicitly attend Bernice Summerfield and Jason Kane's wedding in Happy Endings. Death is described as wearing a cape.

Later in the novel, Bernice talks with an unnamed teenage girl who has similarities to Death as depicted in Neil Gaiman's The Sandman comics. The teenage girl has pale features, dark hair, and is dressed in black. She also says it will be her job "to turn off the lights once everybody's gone". Death makes a similar statement in Gaiman's The Books of Magic #4.

Gaiman's Death was depicted as one of "the Endless," a line-up of cosmic embodiments of concepts. Gaiman's Endless, who debuted in 1989, had notable similarity to the Menti Celesti, down to the words "Endless" and "Eternal" being synonymous, thus facilitating the identification. The original run of Sandman comics was almost exactly contemporary with the Virgin New Adventures, making the crossover allusion doubly significant. However, the canonical line-up of siblings in The Sandman differs from the one used in DWU media: there is no Endless of Time, a male Destiny instead of the female Fate, and a male Destruction instead of Pain. Additionally, Destiny is described as the oldest of the Endless, whereas Pain is the oldest of the Menti Celesti.

Although according to Paul Scoones, Paul Cornell himself confirmed the allusion to The Sandman in Death's description in Happy Endings[1] Neil Penswick (to whom the section of Happy Endings in which she appears is attributed) disputed this notion in the fanzine Broadsword. Though acknowledging that she "had appeared in other works", he denied that this was in fact Gaiman's Death.[2]

In Torchwood[[edit] | [edit source]]

The untranslated form of Death's dialogue in TV: Dead Man Walking ("Melenkurion abatha duroc minas mill khabaal!"/"I shall walk the Earth, and my hunger will know no bounds!") is a quotation from Stephen R. Donaldson's dark fantasy series The Chronicles of Thomas Covenant. Within the series's setting, the Land, it is part of a powerful incantation known as the Seven Words. "Melenkurion" means bastion or source; "abatha" means endurance, or the need for it; "duroc" means Earthpower, a type of natural energy found within the Land; "minas" also means Earthpower, but used as a foundation rather than as theurgy; and "khabaal" has numerous meanings. The sixth word, "harad", which signifies a commitment not to use Earthpower for dark purposes, is omitted here; it had not been revealed until the then-recent eighth volume, so it is unclear whether its omission from the episode is significant or intentional. When a fan described the scene to Donaldson, he replied that he had never heard of Torchwood, but that "if it isn't a) an "homage" or b) an in-joke, then it's just stupid. I suggest that we all simply enjoy it for whatever we think it is. Unless the makers of "Torchwood" know something I don't? <muffled gasp>"[3] However, Donaldson was impressed when an anonymous fan subsequently told him that Davies was a huge fan of the Covenant books and re-read them once a year.[4]