The Angels Take Manhattan (TV story): Difference between revisions

From Tardis Wiki, the free Doctor Who reference
mNo edit summary
 
(260 intermediate revisions by 100 users not shown)
Line 1: Line 1:
{{title dab away}}
{{title dab away}}
{{real world}}
{{real world}}
{{Infobox Story
{{ImageLinkTV}}
|name            ={{StoryTitle}}
{{Infobox Story SMW
|image          = ElevenRoryAmyHappyInManhattan.jpg
|image          = ElevenAmyTATM.jpg
|series          = [[Doctor Who television stories|''Doctor Who'' television stories]]
|series          = [[Doctor Who television stories|''Doctor Who'' television stories]]
|season number  = [[Series 7 (Doctor Who)|7]]
|season number  = Series 7 (Doctor Who 2005)
|story number    = 229
|series episode number = 5
|story number    = 230
|scripturl      = https://www.bbc.co.uk/writers/documents/doctor-who-7-ep-5.pdf
|doctor          = Eleventh Doctor
|doctor          = Eleventh Doctor
|companions      = [[Amy Pond|Amy]], [[Rory Williams|Rory]], [[River Song|River]]
|companions      = [[Amy Pond|Amy]], [[River Song|River]], [[Rory Williams|Rory]]
|enemy          = [[Weeping Angel]]s
|enemy          = [[Weeping Angel]]s
|setting        = [[Manhattan]], [[New York City]], [[1938]] and [[2012]]
|setting        = [[New York City]], [[1938]] and [[2012]]
|writer          = [[Steven Moffat]]
|writer          = Steven Moffat
|director        = [[Nick Hurran]]
|director        = [[Nick Hurran]]
|producer        = [[Marcus Wilson]]
|producer        = [[Marcus Wilson]]
|broadcast date  = [[29 September]] [[2012]]
|broadcast date  = 29 September 2012
|network        = [[BBC One]]
|network        = BBC One
|format          = 1x45 minute episode
|format          = 1x45 minute episode
|production code = 3.5
|prev            = The Power of Three (TV story)
|prev            = The Power of Three (TV story)
|next            = The Great Detective (TV story)
|next            = The Great Detective (TV story)
|made prev      = Asylum of the Daleks (TV story)
|made prev      = Asylum of the Daleks (TV story)
|made next      = The Power of Three (TV story)
|made next      = The Power of Three (TV story)
|trailer        = Doctor_Who_%27The_Angels_Take_Manhattan%27_TV_Trailer_-_Series_7_2012_Episode_5_-_BBC_One
|clip            = Amy and Rory's final chase - Doctor Who - The Angels Take Manhattan - BBC
|clip2          = Epilogue - Doctor Who - The Angels Take Manhattan - BBC
|bts            = A Fall With Grace - Doctor Who 'The Angels Take Manhattan' - Behind the Scenes - Series 7 - BBC
|bts            = A Fall With Grace - Doctor Who 'The Angels Take Manhattan' - Behind the Scenes - Series 7 - BBC
|trailer        = Doctor_Who_%27The_Angels_Take_Manhattan%27_TV_Trailer_-_Series_7_2012_Episode_5_-_BBC_One
|bts2            = Matt Smith & cast interview - Doctor Who The Angels Take Manhattan - Series 7 2012 - BBC One
|clip           = Doctor_Who_%27The_Angels_Take_Manhattan%27_teaser_-_Series_7_2012_Episode_5_-_BBC_One
|bts3           = The Doctor Who Team on Angels and What's In Store for the Doctor... - Doctor Who - BBC One
}}'''''The Angels Take Manhattan''''' was the fifth episode of the [[series 7 (Doctor Who)|seventh series]] of ''[[Doctor Who]]'' produced by [[BBC Wales]]. It saw the final appearances of [[Amy Pond]] and [[Rory Williams]], and the return of [[River Song]]. It marked the return of the Weeping Angels as well; they've appeared at least once in each season of the [[Steven Moffat]] era of ''[[Doctor Who]]'' so far.
}}
'''''The Angels Take Manhattan''''' was the fifth episode and mid-series finale of [[Series 7 (Doctor Who 2005)|series 7]] of ''[[Doctor Who]]''.
 
It was the final appearance of [[Karen Gillan]] as [[Amy Pond]] and [[Arthur Darvill]] as [[Rory Williams]] and also featured the return of [[River Song]]. It also marked the return of the [[Weeping Angel]]s, giving them their second major and third overall appearance in the Moffat era of ''Doctor Who.''
 
''The Angels Take Manhattan'' was given additional closure through the complimentary [[WC|webcast]] entitled ''[[P.S. (webcast)|P.S.]]'', which showed the final fate of the Ponds. It also gave [[Brian Williams (Dinosaurs on a Spaceship)|Brian Williams]] a working narrative endpoint.


== Synopsis ==
== Synopsis ==
A simple trip to [[New York City]] goes horribly wrong when Rory is sent back to the [[1930s]] by the [[Weeping Angels]]. There he finds that River is investigating the angels and Manhattan has become their hunting grounds. The Doctor and Amy must find Rory before it is too late, but they soon find that not every point in time can be changed. And here, the Doctor must do the one thing he has been dreading - say a final farewell to Amelia Pond.
A simple trip to [[New York City|New York]] in [[2012]] goes horribly wrong when the [[Eleventh Doctor]]'s [[companion]], [[Rory Williams]], is sent back to the [[1930s]] by the [[Weeping Angel]]s. There, he finds that his daughter, [[River Song]], is investigating the Angels, as Manhattan has become their hunting grounds. The Doctor and [[Amy Pond]] must find Rory before it is too late, but they soon find that not every point in time can be changed. And here, the Doctor must face the one thing he has been dreading — a final farewell to the Ponds.


== Plot ==
== Plot ==
Art collector and mob boss, [[Julius Grayle]], has hired private detective [[Sam Garner]], but wonders if Sam believes the reason he has been hired - and that statues can move. Sam simply says he believe what he's told to believe; as long as he's paid. Grayle sends detective Garner to [[Winter Quay]], an apartment building "where the statues live". Once Garner leaves for the Quay, Grayle looks out his office window, and notices one of two statues standing outside his mansion has disappeared when he wasn't looking. When Garner arrives at Winter Quay, he notices the residents of the Quay and the surrounding apartment buildings watching his arrival with dread. A little girl sees him from the window of a building across from the Quay, mimicking weeping; he ignores this, thinking the girl is playing games. Garner enters the Quay, unaware of a [[Weeping Angel]] sitting on a plinth near the building awakening as he enters.
Art collector and mob boss, [[Julius Grayle]], has hired private detective [[Sam Garner]], but wonders if Sam believes the reason he has been hired — and that statues can move. Sam simply says he believes what he's told to believe, as long as he's paid. Grayle sends detective Garner to [[Winter Quay]], an apartment building "where the statues live". Once Garner leaves for the Quay, Grayle looks out his office window and notices one of two statues standing outside his mansion has disappeared when he wasn't looking. When Garner arrives at Winter Quay, he notices the residents of the Quay and the surrounding apartment buildings watching his arrival with dread. A little girl sees him from the window of a building across from the Quay, mimicking weeping. He ignores her and enters the Quay, unaware as a [[Weeping Angel]] sitting on a plinth near the building awakening as he enters.


[[File:Statue_of_Liberty_at_Winter_Quay.jpg|thumb|left|The Statue of Liberty at Winter Quay.]]
[[File:Statue of Liberty at Winter Quay.jpg|thumb|left|The Statue of Liberty at Winter Quay.]]
Garner enters a room in Winter Quay that has his name on it, unaware of the Angels stalking him through the building. He encounters an elderly version of himself, who warns him that "they" are going to send him back in time now that he is there. Garner is then attacked by the Weeping Angels. He manages to avoid them, as something large is heard approaching Winter Quay from outside. When he finds the Angels have blocked the stairwell, Garner is forced onto the roof. He comes face to face with the snarling [[Statue of Liberty]], revealed to be a Weeping Angel of gigantic size. As he succumbs to his fate, someone is writing about Garner's demise on a typewriter.


Garner enters a room in Winter Quay that has his name on it, unaware of the Angels stalking him through the building. He encounters an elderly version of himself, who warns him that "they" are going to send him back in time now he is there. Garner is then attacked by the Weeping Angels. He manages to avoid them, as something large is heard approaching Winter Quay from outside. When he finds the Angels have blocked the stairwell, Garner is forced onto the roof and comes face to face with the snarling [[Statue of Liberty]], revealed to be a Weeping Angel of gigantic size. As he succumbs to his fate, someone is writing about Garner's demise on a typewriter.
In [[2012]] [[New York City]], the [[Eleventh Doctor]], [[Amy Pond]] and [[Rory Williams]] are having a picnic in [[Central Park]]. Amy is annoyed by the Doctor's habit of reading his pulp paperback novel, ''[[Melody Malone: Private Detective in Old New York Town]]'', out loud. He, in turn, is perturbed by Amy's use of reading glasses. The Doctor tells Amy that he doesn't like her glasses because they make her eyes look "all liney". After taking Amy's glasses off, he realises that the lines are actually minor wrinkles in her skin. He tells her that her eyes look better with the glasses. Amy then starts arguing with the Doctor about how she looks, asking Rory (who is a safe distance away from his wife) if there are lines around her eyes. Rory claims he never noticed them, walking back to his wife, who happily kisses him. Rory goes off to get more [[coffee]] for them as Amy tells the Doctor to tell her a story. The Doctor is amused she has changed her mind. The Doctor tears out the last page, telling Amy that he hates endings. The story will never end now, for him.


In 2012 [[New York City]], the Doctor and the Ponds are having a picnic in Central Park. Amy is annoyed by the Doctor's habit of reading his pulp paperback novel, ''[[Melody Malone: Private Detective in Old New York Town]]'', out loud, while he in turn is perturbed by Amy's use of reading glasses. The Doctor tells Amy that he doesn't like her glasses because they make her eye look "all liney". After taking Amy's glasses off, he realises that the lines are minor wrinkles in her skin and that her eyes look better with the glasses. Amy then starts arguing with the Doctor about how she looks, asking Rory (who is a safe distance away from his wife) if there are lines around her eyes. Rory claims he never noticed them, walking back to his wife, who happily kisses him. Rory goes off to get more coffee for them as Amy tells the Doctor to tell her a story. The Doctor is amused she has changed her mind. The Doctor tears out the last page, telling Amy that he hates endings. The story will never end now, for him.
On Rory's way back, he hears the sound of children giggling, as a small statue under ''Angel of the Waters'' disappears. As Rory passes an archway and enters a darkened terrace, the giggling gets closer and closer. In the meantime, the Doctor's book says Melody saw a thin man appear on [[3 April]] [[1938]], and followed him until he noticed her. The Doctor is shocked by what the thin man says to Melody: "I was just getting coffee for the Doctor and Amy. Hello, River." "Hello, Dad," [[River Song]] replies. The Doctor and Amy run to [[the Doctor's TARDIS|the TARDIS]], while in 1938, Rory questions River about how he got there. River tells him she has no idea, but he better put his hands up; armed men are surrounding them.


On Rory's way back, he hears the sound of children giggling, as a small statue under ''Angel of the Waters'' in [[Wikipedia:Bethesda_Terrace#Bethesda_Fountain|Bethesda Fountain]] disappears. As Rory passes an archway and enters a darkened [[Wikipedia:Bethesda Terrace|Bethesda Terrace]], the giggling gets closer and closer. In the meantime, the Doctor's book says Melody saw a thin man appear on [[3 April]] [[1938]], and followed him until he noticed her; the Doctor is shocked by what the thin man says to Melody: "I was just getting coffee for the Doctor and Amy. Hello, River." "Hello, Dad," [[River Song]] replies. The Doctor and Amy run to the TARDIS, while in 1938 Rory questions River about how he got there as he was just walking under the archway in the park. River tells him she has no idea, but he better put his hands up; armed men are surrounding them.
In the meantime, the Doctor and Amy have boarded the TARDIS as Amy continues reading from the book, which has River saying the TARDIS cannot land in New York during this time because of several [[time distortion]]s. Comparing it to trying to land a plane in a blizzard, she says even she couldn't do it. An annoyed Doctor attempts to land the TARDIS, but it is bounced back to [[2012]] New York by a wall of temporal energy. Landing in a cemetery, the Doctor tells Amy to stop reading ahead in the book because reading the events written in it causes them to become [[Fixed points in time|fixed in time]]. However, Amy has read that River and Rory have been taken to Grayle's mansion, where River comments on the mob boss's taste in [[Qin dynasty|Qin]] artefacts. Hearing this, the Doctor figures out how to get "landing lights". Going back to [[BC#3rd century B.C.|221 BC]], he leaves a message on one of the [[vase]]s: "Yowzah!" in [[Chinese language|period Chinese]].


In the meantime, the Doctor and Amy have boarded the TARDIS as Amy continues reading from the book, which has River saying the TARDIS cannot land in New York during this time because of several [[time distortion]]s. Comparing it to trying to land a plane in a blizzard, she says even she couldn't do it. An annoyed Doctor attempts to land the TARDIS, but it is bounced back to [[2012]] New York by a wall of temporal energy. Landing in a cemetery in Queens, the Doctor tells Amy to stop reading ahead in the book because reading the events written in it causes them to become [[Fixed points in time|fixed in time]]. However, Amy has read that River and Rory have been taken to Grayle's mansion (406 94th Street, Manhattan), where River comments on the mob boss's taste in [[Qin]] artifacts. Hearing this, the Doctor figures out how to get "landing lights". Going back to [[BC#3rd century B.C.|221 BCE]], he leaves a message on one of the vases: "Yowza!" (in [[Wikipedia:Clerical Chinese|period Chinese]]).
As River is led into Grayle's office, Rory is placed in the [[basement]] with "the babies". Grayle tells River that "they" are everywhere, but no one seems to notice. He then shows her the prize of his collection: a chained and damaged [[Weeping Angel]]. River says she's met them before, and that the Angel is screaming out in pain to its comrades; this is why Grayle has so many locks on his doors. However, Grayle quickly turns the tables on River by briefly turning off the lights long enough for the shackled Angel to grab her wrist. Grayle demands to know everything River knows about the Angels.


[[File:The_Screaming_Angel.jpeg|thumb|left|The screaming Angel, chained in Grayle's office.]]
In the meantime, Rory has been tossed in the dark basement and given a box of matches by the guard, who tells him that he'll last longer with them. Left alone in the darkness, Rory hears the giggling again, scaring him into lighting a match. He comes across several stone cherubs, and during the time Rory takes to light another match after the first one has gone out, the cherubs move closer and begin to attack him. He repeatedly lights the matches, but they keep extinguishing. Down to one match, Rory watches as a cherub that got close to him blows it out. Above, as Grayle attempts to threaten River, she hears the TARDIS trying to materialise and tells her captor that he'd better watch out when her husband gets home. With a shockwave, the TARDIS lands, knocking Grayle out.


As River is led into Grayle's office, Rory is placed in the basement with "the babies". Grayle tells River that "they" are everywhere, but no one seems to notice. He then shows her the prize of his collection: a chained and damaged Weeping Angel. River says she's met them before, and that the Angel is screaming out in pain to its comrades; this is why Grayle has so many locks on his doors. However, Grayle quickly turns the tables on River by briefly turning off the lights long enough for the shackled Angel to grab her wrist. Grayle demands to know everything River knows about the Angels.
In the TARDIS, the Doctor is busy fixing his hair for his wife, annoying Amy. Once done, they depart and find River. He asks her how [[Stormcage Containment Facility|Stormcage]] is, only to learn that she was [[pardon]]ed years earlier in her timeline, because her alleged victim, the Doctor, apparently never existed due to the Doctor erasing himself from every database in the universe. She has received a posting as a professor of [[archaeology]]. The Doctor tells River they either have to break her wrist or the Angel's to get her free. Unfortunately, Amy read ahead again and knows that River breaks her wrist to get free, so it's the only way now. However, Amy has a brilliant idea to know what's ahead without details or spoilers: they read the chapter titles. Reading one, Amy learns where Rory is and rushes off. After she does, the Doctor reads the table of contents and sees the last chapter is called "Amelia's Last Farewell". An upset Doctor then angrily leaves River to find a way to escape the Angel's grip without breaking her wrist.


In the meantime, Rory has been tossed in the basement and given a box of matches by the guard, who tells him that he'll last longer with them because the lights are out. Left alone in darkness, Rory hears the giggling again, scaring him into lighting a match. He comes across several stone cherubs, and during the time Rory takes to light another match after the first one has gone out, the cherubs move closer and begin to attack him. He repeatedly lights the matches, but they keep extinguishing. Down to one match, Rory watches as a cherub that got close to him blows it out. Above, as Grayle attempts to threaten River, she hears the TARDIS trying to materialise and tells her captor that he'd better watch out "when her husband gets home". With a shockwave, the TARDIS lands, knocking Grayle out.
Amy checks the basement, only to find Rory gone. She returns to the Doctor, who is now sitting on the stairs, deep in thought. River emerges from the collection room with her scanner, saying that Rory is at [[Winter Quay]], having only been moved in [[space]], rather than [[time]]. The Doctor is delighted to see River didn't have to break her wrist to get free. As he grabs her hand, however, River grimaces in pain, revealing that she did indeed break it. He heals her hand with a little of his [[regeneration energy]] and is scolded by River for wasting the energy. Amy asks River why the Doctor is in a bad mood and River subtly says they should never let the Doctor see them age. They then commandeer one of the mob's cars and drive off to get Rory. However, they leave the doors open, which the two statues outside seem to see. As Grayle comes to, he finds the statues are now inside the mansion. He tries escaping, only to get trapped.


In the TARDIS, the Doctor is busy fixing his hair for his wife, annoying Amy. Once done, they depart and find River. He asks her how [[Stormcage Containment Facility|Stormcage]] is, only to learn that she was pardoned years earlier in her timeline, because her alleged victim, the Doctor, apparently never existed. She has received a posting as a professor of [[archaeology]]. The Doctor tells River they either have to break her wrist or the Angel's to get her free. Unfortunately, Amy read ahead again and knows that River breaks her wrist to get free, so it's the only way now. However, Amy has a brilliant idea to know what's ahead without details or spoilers: they read the chapter titles. Reading one, Amy learns where Rory is and rushes off. After she does, the Doctor reads the table of contents and sees the last chapter is called "Amelia's Last Farewell". An upset Doctor then angrily leaves River to find a way to escape the Angel's grip without breaking her wrist.
The Doctor, Amy and River arrive at Winter Quay, where Rory has been exploring on his own. They find him on exactly the same floor where Sam Garner arrived. At the end of the hall is a Weeping Angel. The way out is blocked. Rory discovers a room marked "R. Williams" and enters with Amy. River and the Doctor linger, only to see the Angel is smiling. Inside the room is an old man who calls over to Amy and is revealed to be Rory's future self. Amy holds the older Rory's hand as he passes away.
 
Amy checks the basement, only to find Rory gone. She returns to the Doctor, who is now sitting on the stairs, deep in thought. River emerges from the collection room with her scanner, saying that Rory is at Winter Quay, having only been moved in space, rather than time. The Doctor is delighted to see River didn't have to break her wrist to get free. As he grabs her hand however, River grimaces in pain, revealing that she did indeed break it. He heals her hand with a little of his regeneration energy, being scolded by River for wasting the energy. Amy asks River why the Doctor is in a bad mood and River subtly says they should never let the Doctor see them age. They then commandeer one of the mob's cars and drive off to get Rory. However, they leave the doors open, which the two statues outside seem to see. As Grayle comes to, he finds the statues are now inside the mansion, and tries escaping only to get trapped.
 
The Doctor, Amy and River arrive at Winter Quay, where Rory has been exploring on his own. They find him on the exact same floor where Sam Garner arrived. At the end of the hall is a Weeping Angel. The way out is blocked. Rory discovers a room marked "R. Williams" and enters with Amy. River and the Doctor linger, only to see the Angel is smiling. Inside the room is an old man who calls to Amy and is revealed to be Rory's future self. Amy holds the older Rory's hand as he passes away.


As the group discuss the situation, the Doctor explains that Winter Quay is a "battery farm" for the Weeping Angels to keep their victims imprisoned in and to send them back in time over and over. He also sadly informs Rory that their meeting with the elder Rory means the Angels will send Rory back in time and keep him imprisoned in the Quay until he dies, as they've seen. Amy won't be sent with him, explaining why the older Rory was so pleased to see her. Rory decides to defy this. If the Angels aren't able to catch him, he won't die there. However, the Doctor notes that Rory will have to run for his entire life then. River then realises that if Rory escapes, the subsequent negation of the timeline in which the Angels trapped Rory at Winter Quay will create a [[paradox]], which will in turn poison the time energy the Angels feed on and kill them.
As the group discuss the situation, the Doctor explains that Winter Quay is a "battery farm" for the Weeping Angels to keep their victims imprisoned in and to send them back in time over and over. He also sadly informs Rory that their meeting with the elder Rory means the Angels will send Rory back in time and keep him imprisoned in the Quay until he dies, as they've seen. Amy won't be sent with him, explaining why the older Rory was so pleased to see her. Rory decides to defy this. If the Angels aren't able to catch him, he won't die there. However, the Doctor notes that Rory will have to run for his entire life then. River then realises that if Rory escapes, the subsequent negation of the timeline in which the Angels trapped Rory at Winter Quay will create a [[paradox]], which will in turn poison the time energy the Angels feed on and kill them.


Something large is heard approaching Winter Quay, forcing the group to decide that Rory and River's plan will work. Amy and Rory run out, but the Doctor and River are forced back into the room by two Weeping Angels. Amy and Rory enter the stairway, seeing an Angel is blocking the way out downwards. Thus, they climb up to the roof, where they are confronted by the snarling Statue of Liberty. Back inside, the Doctor causes a distraction that allows him and River to escape the Angels and use the same route as Amy and Rory. Back on the roof, Rory sees the only way out is to jump and commit suicide, thereby preventing the Angels from sending him back in time to become the aged Rory who just died; creating a paradox which would kill the Angels and keep him from having been sent back. Amy tries talking him out of it, but Rory defends the idea by reminding her that he has died and come back to life numerous times before. Amy decides to jump with Rory just as the Doctor and River reach the roof. Before the Doctor can stop Amy or Rory, the two jump from the roof, and embrace as they fall to their deaths. The paradox Rory's death has created then begins to take effect.
Something large is heard approaching Winter Quay, forcing the group to decide that Rory and River's plan will work. Amy and Rory run out, but the Doctor and River are forced back into the room by two Weeping Angels. Amy and Rory enter the stairway, seeing an Angel is blocking the way out downwards. Thus, they climb up to the roof, where they are confronted by the snarling [[Statue of Liberty]]. Back inside, the Doctor causes a distraction that allows him and River to escape the Angels via the fire escape. Back on the roof, Rory sees the only way out is to jump and commit [[suicide]], thereby preventing the Angels from sending him back in time to become the aged Rory who just died, creating a paradox which would kill the Angels and keep him from having been sent back. Amy tries talking him out of it, but Rory defends the idea by reminding her that he has died and come back to life numerous times before. Amy decides to jump with Rory just as the Doctor and River reach the roof. Before the Doctor can stop Amy or Rory, the two jump from the roof, and embrace as they fall to their deaths. The paradox that Rory's death has created then begins to take effect.


[[File:The_ending_angel.jpg|thumb|The surviving Angel.]]
[[File:The ending angel.jpg|thumb|The surviving Angel.]]
The group awake back in the cemetery in 2012 New York with the TARDIS, relieved to be alive, and the Doctor happily explains that Winter Quay's negation from the timeline by the paradox meant that they never went there in the first place. Rory complains that when they came to New York, he wanted to go to a pub. The Doctor decides they can all do that; a family outing. However, as everyone boards the TARDIS, Rory notices a gravestone with his name on it, and immediately vanishes; a surviving Angel has sneaked up behind Rory and sent him back in time, and the group notice that Rory's gravestone now reads that he was 82 years of age when he died.


The group awake back in the cemetery in 2012 Queens with the TARDIS, relieved to be alive, and the Doctor happily explains that Winter Quay's negation from the timeline by the paradox meant that they never went there in the first place. Rory complains that when they came to New York, he wanted to go to a pub. The Doctor decides they can all do that; a family outing. However, as everyone boards the TARDIS, Rory notices a gravestone with his name on it, and immediately vanishes; a surviving Angel has snuck up behind Rory and sent him back in time, and the group notice that Rory's gravestone now reads that he was 82 years of age when he died.
[[File:Amy-saying-goodbye.jpg|thumb|right|Amy's Tearful Farewell.]]
[[File:Amy-saying-goodbye.jpg|thumb|208px|right|Amy's Tearful Farewell]]
The Doctor explains to a distraught Amy that he cannot go back for Rory; creating another paradox in New York will destroy the city. The Doctor attempts to unsher Amy back into the TARDIS, saying that they will figure something out to bring Rory back, but she asks him if she would end up at the same time and place as Rory if the Angel touched her, of which he cannot be certain. River, however, encourages her mother, believing her plan to be sound. Despite the Doctor's attempts to talk Amy out of it, his mother-in-law approaches the Angel. Amy holds her daughter's hand behind herself and addressing her by her birth name; Melody, tells her to take care of the Doctor. The Doctor tells Amy that by doing this, she will have created a fixed point in time and he will never see her and Rory again, but Amy assures the Doctor that she will be fine and live with Rory. The Doctor, in tears, begs her to come back into the TARDIS. Amy turns, crying, to the Doctor, and says, "Raggedy Man... goodbye," as the Angel sends her back with Rory. The Doctor sobs in agony as Rory's gravestone now also reads Amy's name and that she died aged 87.
The Doctor explains to a distraught Amy that he cannot go back for Rory; creating another paradox in New York will destroy the city. Amy asks the Doctor if she would end up in the same time and place as Rory if the Angel touched her, of which he cannot be certain. River, however, encourages her mother, believing her plan to be sound. Despite the Doctor's attempts to talk Amy out of it, his mother-in-law approaches the Angel. Amy holds her daughter's hand behind herself and addressing her by her birth name, Melody, tells her to take care of the Doctor. Amy turns, crying, to the Doctor, and says "Raggedy Man... goodbye," as the Angel sends her back with Rory. To the Doctor's horror and distress, Rory's gravestone now also reads Amy's name beneath Rory's, and that she died aged 87.


[[File:Tumb.jpg|thumb|left|Amy and Rory's gravestone.]]
[[File:Tumb.jpg|thumb|left|Amy and Rory's gravestone.]]
In the TARDIS, River comforts the Doctor, knowing that he can never see Amy and Rory again. The Doctor apologises to River, as Amy and Rory were her parents. River says that it's okay and strictly reminds the Doctor ''not'' to travel alone. He then asks her to travel with him and River says she'd be more than willing to share adventures with him, but not all the time; "one psychopath per TARDIS." Heading up to a room to begin writing the book, River tells the Doctor that while he may not listen to her, he may listen to Amy. After giving her the story for publishing, she'll make sure Amy leaves a message for him in the book's afterword.


River comforts the Doctor, knowing that he can never see Amy and Rory again; in the TARDIS, the Doctor apologises to River, as Amy and Rory were her parents. River says that it's okay, reminding the Doctor not to travel alone. He then asks her to travel with him and River says she'd be more than willing to share adventures with him, but not all the time; "one psychopath per TARDIS." Heading up to a room to begin writing the book, River tells the Doctor that while he may not listen to her, he may listen to Amy. After giving her the story for publishing, she'll make sure Amy leaves a message for him in the book's afterword.
The Doctor remembers that he tore out the last page from the book and rushes back to Central Park immediately after their picnic. The Doctor grabs the page and reads Amy's message: "Afterword, by Amelia Williams. Hello, old friend, and here we are. You and me, on the last page. By the time you read these words, Rory and I will be long gone, so know that we lived well, and were very happy. And, above all else, know that we will love you, always. Sometimes, I do worry about you though; I think, once we're gone, you won't be coming back here for a while, and you might be alone, which you should never be. Don't be alone, Doctor."


The Doctor remembers that he tore out the last page from the book and rushes back to Central Park immediately after their picnic. The Doctor grabs the page and reads Amy's message: "''Afterword, by Amelia Williams. Hello, old friend, and here we are. You and me, on the last page. By the time you read these words, Rory and I will be long gone, so know that we lived well, and were very happy. And, above all else, know that we will love you, always. Sometimes, I do worry about you though; I think, once we're gone, you won't be coming back here for a long while, and you might be alone, which you should never be. Don't be alone, Doctor."''
[[File:AmeliaDrReturnsDayAfter.jpg|thumb|Amelia as the Doctor fulfils her elder self's final request.]]
Amy has just one more request from her "Raggedy Doctor"; to go back to her seven-year-old self sitting in the garden and tell her a story: "And do one more thing for me: there's [[The Eleventh Hour (TV story)|a little girl, waiting in a garden]]; she's going to wait a long while, so she's going to need a lot of hope. Go to her. Tell her a story. Tell her that, if she's patient, the days are coming that she'll never forget. Tell her she'll [[The Curse of the Black Spot (TV story)|go to sea and fight pirates]], she'll fall in love with a man who'll [[The Big Bang (TV story)|wait two thousand years to keep her safe]]. Tell her she'll [[Vincent and the Doctor (TV story)|give hope to the greatest painter who ever lived]], and [[The Beast Below (TV story)|save a whale in outer space]]."


Amy has just one more request from her "Raggedy Doctor"; to go back to her seven-year-old self sitting in the garden and tell her a story: [[File:AmeliaDrReturnsDayAfter.jpg|thumb|Amelia as the Doctor fulfills her elder self's final request.]]"''And do one more thing for me: there's a little girl, waiting in a garden; she's going to wait a long while, so she is going to need a lot of hope. Go to her. Tell her a story. Tell her that, if she's patient, the days are coming that she'll never forget. Tell her she'll go to sea and fight pirates, she'll fall in love with a man who'll wait two thousand years to keep her safe. Tell her she'll give hope to the greatest painter who ever lived, and save a whale in outer space''."
The Doctor appears to honour Amy's request as young Amelia is seen waiting for him in the garden and looks up as the sound of the TARDIS is heard; as this happens, Amy finishes the story by narrating "Tell her: This is the story of Amelia Pond — and this is how it ends."
 
The Doctor appears to honour Amy's request as young Amelia is seen waiting for him in the garden and looks up as the sound of the TARDIS is heard; as this happens, Amy finishes the story by narrating "''Tell her: This is the story of Amelia Pond - and this, is how it ends''."


== Cast ==
== Cast ==
Line 80: Line 86:
* [[Rory Williams]] - [[Arthur Darvill]]
* [[Rory Williams]] - [[Arthur Darvill]]
* [[River Song]] - [[Alex Kingston]]
* [[River Song]] - [[Alex Kingston]]
* [[Julius Grayle]] - [[Mike McShane]]
* [[Julius Grayle|Grayle]] - [[Mike McShane]]
* [[Sam Garner]] - [[Rob David]]
* [[Sam Garner]] - [[Rob David]]
* [[Hood (The Angels Take Manhattan)|Hood]] - [[Bentley Kalu]]
* [[Hood (The Angels Take Manhattan)|Hood]] - [[Bentley Kalu]]
* [[Foreman (The Angels Take Manhattan)|Foreman]] - [[Ozzie Yue]]
* [[Foreman (The Angels Take Manhattan)|Foreman]] - [[Ozzie Yue]]
* [[Sam Garner|Old Garner]] - [[Burnell Tucker]]
* [[Sam Garner|Old Garner]] - [[Burnell Tucker]]
* [[Photoshoot PA]] - [[Zac Fox]]<ref>Fox was erroneously credited for ''The Angels Take Manhattan'' instead of {{cs|Asylum of the Daleks (TV story)}}, where he actually played "Photoshoot PA".</ref>
=== Uncredited Cast ===
* Chinese Artisans - [[Clem So]], [[Ann Li]]


== Crew ==
== Crew ==
Line 143: Line 154:
|Grip=Gary Norman
|Grip=Gary Norman
|AssistantGrip=Owen Charnley<!--check form-->
|AssistantGrip=Owen Charnley<!--check form-->
|CameraAsst=Meg De Koning
|CameraAsst=Meg de Koning
|CameraAsst2=Sam Smithard
|CameraAsst2=Sam Smithard
|CameraAsst3=Evalina Norgren<!--check form-->
|CameraAsst3=Evalina Norgren<!--check form-->
Line 202: Line 213:
|StandbyScenicArtist=
|StandbyScenicArtist=
|StorePerson=
|StorePerson=
|ChiefPropsMaster=
|ChiefPropMaster=
|PropsMaster=Paul Smith
|PropMaster=Paul Smith (prop master)
|PropertyMaster=
|PropertyMaster=
|AssistantPropsMaster=
|AssistantPropMaster=
|DressingChargehand=
|DressingChargehand=
|PropsChargehand=Bernie Davies
|PropsChargehand=Bernie Davies
Line 409: Line 420:
}}
}}


== References ==
=== Uncredited crew ===
==== Stargate Studios ====
* [[Visual effects supervisor|VFX Supervisor]] - [[Mark Spatny]]<ref name="Stargate">{{cite web|url=https://www.fxguide.com/featured/doctor-who-stargates-adventures-in-time/|title=Doctor Who: Stargate’s adventures in time|author=Failes, Ian|date of source=22 May 2013|website name=fxguide|accessdate=20 November 2018}}</ref>
* [[Visual effects producer|VFX Producer]] - [[Darren Frankel]]<ref name="Stargate" />
 
==== The Mill ====
* [[Visual effects supervisor|VFX Supervisor]] - [[Jon Brown]]<ref name="Stargate" />
 
== Worldbuilding ==
=== Buildings ===
=== Buildings ===
*The [[Statue of Liberty]] is revealed to be possessed by a [[Weeping Angel]].
* The [[Statue of Liberty]] is revealed to be possessed by a [[Weeping Angel]].
*During the first scene in the park, you can see that there is a a building in the background witch says " Sex Hotel"
* During the first scene in the park, [[Essex House]] can be seen.


=== Cars and trucks ===
=== Cars and trucks ===
Line 418: Line 437:


=== Companies ===
=== Companies ===
*Rory uses [[Brightwell & Hyman]] [[match]]es to defend himself from the cherubic [[Weeping Angel]]s.
* Rory uses [[Brightwell & Hyman]] [[match]]es to defend himself from the cherubic [[Weeping Angel]]s.


=== Foods and beverages ===
=== Foods and beverages ===
* Rory goes to get three [[coffee]]s and is transported to [[4 April]] [[1938]] whilst holding them.
* Rory goes to get three [[coffee]]s and is transported to [[3 April]] [[1938]] whilst holding them.
 
=== Individuals ===
* Sam Garner lives on [[College Street]].


=== Sports from the real world ===
=== Sports from the real world ===
* The front page story from [[The New York Record|the newspaper]] that Amy is reading in Central Park is "[[Detroit Lions]] Win [[Superbowl]]."
* The front page story from issue of the ''[[New York Record]]'' that Amy is reading in Central Park is "[[Detroit Lions]] Win [[Superbowl]]."
 
=== Cultures ===
* Amy plays Pooh Sticks on the bridge in Central Park.


=== TARDIS ===
=== TARDIS ===
* River tells Rory that the [[TARDIS]] [[Translation circuit]] 'sticks around' when he sees writing on ancient Chinese vases being translated.
* River tells Rory that [[the TARDIS]] [[translation circuit]] 'sticks around' when he sees writing on ancient Chinese vases being translated.


=== Theories and concepts ===
=== Theories and concepts ===
*By changing his future and creating a [[paradox]] Amy and Rory's actions wipe out the Angels' [[Winter Quay]] building.
* By changing his future and creating a [[paradox]] Amy and Rory's actions wipe out the Angels' [[Winter Quay]] building.


=== Time ===
=== Time ===
Line 441: Line 466:


== Story notes ==
== Story notes ==
* In-universe, ''[[Melody Malone: Private Detective in Old New York Town]]'' is written by [[River Song]] based on what happened to her in New York just before and during the events of [[TV]]: ''The Angels Take Manhattan''. [[PROSE]]: ''[[The Angel's Kiss: A Melody Malone Mystery]]'' is an e-book tie-in novel, written by [[Justin Richards]], that segues into the events of River's book and [[TV]]: ''The Angels Take Manhattan''. It was released on [[4 October]] [[2012]].<ref>http://www.sfx.co.uk/2012/09/27/doctor-whos-first-e-book-exclusive-inspired-by-the-angels-take-manhattan/</ref><ref>http://www.doctorwhonews.net/2012/09/melody-malone-270912171508.html</ref>  
[[File:AngelsTakeManhattanPlayset.jpg|thumb|''The Angels Take Manhattan'' [[Character Options]] playset]]
* In-universe, ''[[Melody Malone: Private Detective in Old New York Town]]'' is written by [[River Song]] based on what happened to her in New York just before and during the events of [[TV]]: ''The Angels Take Manhattan''. [[PROSE]]: ''[[The Angel's Kiss: A Melody Malone Mystery (novel)|The Angel's Kiss: A Melody Malone Mystery]]'' is an e-book tie-in novel, written by [[Justin Richards]], that segues into the events of River's book and [[TV]]: ''The Angels Take Manhattan''. It was released on [[4 October (releases)|4 October]] [[2012 (releases)|2012]].<ref>http://www.sfx.co.uk/2012/09/27/doctor-whos-first-e-book-exclusive-inspired-by-the-angels-take-manhattan/</ref><ref>http://www.doctorwhonews.net/2012/09/melody-malone-270912171508.html</ref>
* This is the first episode to feature River Song that is neither part of a two-parter nor at least preceded by a cameo appearance of River in the previous episode.
* This is the first episode to feature River Song that is neither part of a two-parter nor at least preceded by a cameo appearance of River in the previous episode.
[[File:DWLogoS7_Angels_Take_Manhattan.jpg|thumb|The ''Doctor Who'' logo with its Statue of Liberty texture.]]
* This story features the last appearance of the Matt Smith title sequence that debuted in {{cs|The Eleventh Hour (TV story)}}. Beginning with {{cs|The Snowmen (TV story)}}, a new title sequence was used, and overall this is the last revived series Doctor Who story title sequence to feature only the time vortex - a concept which had been used since 2005.
* As with all of the Series 7 part 1 episodes, this episode has individually stylized opening credits: the time vortex appears blue and gray, and the [[Doctor Who logo|''Doctor Who'' logo]] resembles the Statue of Liberty in color and pattern.
* Similarly, this episode features the last usage of the TARDIS console room that debuted in {{cs|The Eleventh Hour (TV story)}}.
*This story features the last appearance of the Matt Smith title sequence that debuted in ''[[The Eleventh Hour (TV story)|The Eleventh Hour]]''. Beginning with ''[[The Snowmen (TV story)|The Snowmen]]'', a new title sequence was used, and overall this is the last revived series Doctor Who story title sequence to feature only the time vortex - a concept which had been used since 2005.
* It was the last episode in which the [[Doctor Who theme|theme music]] included the counter-melody known as "the chase" until {{cs|The Star Beast (TV story)}} more than a decade later.
* Amy asks the Doctor to return to meet a young Amelia Pond the morning after he left her waiting in the garden in ''[[The Eleventh Hour (TV story)|The Eleventh Hour]]'' to tell her about the adventures they will have together. The older Amy was dreaming about that morning when the Doctor came back to pick her up the night before her wedding at the end of ''[[The Eleventh Hour (TV story)|The Eleventh Hour]]''. Steven Moffat said of the scene, "After showing Amelia Pond in the garden as a young girl in ''The Eleventh Hour'', Karen's first episode, the final shot in Saturday's ''The Angels Take Manhattan'' is a punchline I have been waiting to tell for two and a half years."
[[File:The Angels Take Manhattan logo.jpg|thumb|The ''Doctor Who'' logo with its Statue of Liberty texture.]]
* The text inside ''Melody Malone: Private Detective in Old New York Town'' is visible for a second just after the Doctor and Amy bounce off 1938 and land in the graveyard. The book used in the episode is actually ''The Thin Man'' by Dashiell Hammett. Melody/River refers to her father as "the skinny guy" when describing his arrival in 1938. Hammett wrote hardboiled detective stories, and the film of one of them, ''The Maltese Falcon'', is the original film noir, a genre which this episode pays extensive homage to.
* As with all of the Series 7 part 1 episodes, this episode has individually stylized opening credits: the time vortex appears blue and grey and the [[Doctor Who logo|''Doctor Who'' logo]] resembles the Statue of Liberty in colour and pattern.
* A short teaser for the [[The Snowmen (TV story)|then-unnamed 2012 Christmas special]] was shown at the end of this episode, the first such teaser since the sneak peek at ''[[The Next Doctor]]'' at the end of [[Series 4 (Doctor Who)|Series 4]] finale ''[[Journey's End]]'' [[2008|four years before]].
* Amy asks the Doctor to return to meet a young Amelia Pond the morning after he left her waiting in the garden in {{cs|The Eleventh Hour (TV story)}} to tell her about the adventures they will have together. The older Amy was dreaming about that morning when the Doctor came back to pick her up the night before her wedding at the end of {{cs|The Eleventh Hour (TV story)}}. [[Steven Moffat]] said of the scene, "After showing Amelia Pond in the garden as a young girl in ''The Eleventh Hour'', Karen's first episode, the final shot in Saturday's ''The Angels Take Manhattan'' is a punchline I have been waiting to tell for two and a half years."
* The text inside ''Melody Malone: Private Detective in Old New York Town'' is visible for a second just after the Doctor and Amy bounce off 1938 and land in the graveyard. The book used in the episode is actually ''[https://en.wikipedia.org/wiki/The_Thin_Man The Thin Man]'' by [https://en.wikipedia.org/wiki/Dashiell_Hammett Dashiell Hammett]. Melody/River refers to her father as "the skinny guy" when describing his arrival in 1938. Hammett wrote hardboiled detective stories, and the film of one of them, ''[https://en.wikipedia.org/wiki/The_Maltese_Falcon_(1941_film) The Maltese Falcon]'', is the original film noir, a genre which this episode pays extensive homage to.
* A short teaser for the [[The Snowmen (TV story)|then-unnamed 2012 Christmas special]] was shown at the end of this episode, the first such teaser since the sneak peek at {{cs|The Next Doctor (TV story)}} at the end of [[Series 4 (Doctor Who 2005)|Series 4]] finale {{cs|Journey's End (TV story)}} four years before.
* Prior to the airing of this episode, Steven Moffat posted a message on [[Twitter]] declaring his intentions to write Amy and Rory out of the series, stressing very seriously that it would mark a permanent end to their characters.
* Chronologically, this was the last televised live-action story to feature [[Matt Smith]] dressed in the Eleventh Doctor's brown tweed jacket. He would appear in his purple cashmere jacket for the remainder of his tenure.
* Matt Smith was asked by a fan at a convention why the Doctor can't go back and get a bus or a boat to New York to visit Amy and Rory in the past. He replied, "Because Moffat!"
* Steven Moffat chose New York City as a setting after spending a family holiday there. He described the city as "a different backdrop" to shoot a ''Doctor Who'' story in, and made use of its architecture. [[Caroline Skinner]] felt that the location "has such scale and romance" which "[gave] the episode a real atmosphere and a very different tone for ''Doctor Who''".
* Originally, [[Dalek|the Daleks]] were the focus on Amy and Rory's departure. Steven Moffat decided that the Weeping Angels fit the story better and {{cs|Asylum of the Daleks (TV story)}} became the season premier.
* [[Karen Gillan]] and [[Arthur Darvill]] both wanted to leave the show in manner that would be effectively permanent. Neither of them wanted to undercut the emotion of their farewell by establishing a revolving door of return appearances, as had become common for companions in recent years.
* Early drafts saw the Angels' time manipulation at Winter Quay depicted in a more complex fashion, with multiple versions of both Rory and Sam Garner present at different ages.
* When the TARDIS was unable to materialise in New York, it was shunted back in time to the Viking era.
* The man who hired Garner to investigate Winter Quay was originally a scared gentleman named Nathan; when he was replaced with Julius Grayle, the collector's surname was derived from characters in the [[1940]] [[Raymond Chandler]] novel ''[https://en.wikipedia.org/wiki/Farewell,_My_Lovely Farewell, My Lovely]''.
* The young girl Garner saw in the window at Winter Quay was to have been looking out at an old woman, who was actually her future self.
* Originally, the item made in ancient China at the Doctor's request was a TARDIS-shaped puzzle box; River discovered it amongst Grayle's collection and stored her vortex manipulator inside. The Doctor then located the puzzle box in a museum in the twenty-first century, and used the vortex manipulator to travel to 1938 New York.
* The Chinese foreman reappeared later in the script: Grayle was transported back to his workshop by the Weeping Angels, and was put to work making the very items he had collected as antiques. In the final version, this element was replaced by the revelation that Grayle wound up as a slave during the Renaissance, as depicted in one of his paintings; however, this was ultimately dropped during editing.
* The episode formed Block Two of season seven alongside {{cs|Asylum of the Daleks (TV story)}}
* Early in pre-production, [[Nick Hurran]] travelled to New York City to hunt for locations. One of the places he visited was Central Park, where he photographed Bethesda Fountain, which had as its centrepiece the sculpture of a tall angel, known as the Angel of the Waters, and this figure was surrounded by four smaller cherubs which represented peace, health, purity and temperance. Upon spotting this picture back in Cardiff, Steven Moffat was inspired to create the new breed of cherub-shaped Weeping Angels, as he felt that their design was particularly unsettling.
* Steven Moffat stated he felt "tremendous pressure" writing Amy and Rory's ending, especially given Karen Gillan and Arthur Darvill's preference for the event to feel irreversible. He later revealed that he "completely changed" the ending as he was writing it, feeling the emphasis was wrong. During rewrites Moffat went back and forth deciding whether or not Amy and/or Rory should live or die. He eventually decided that death would complement the storyline involving the "old, sentimental" and "dangerous" characterisation of the Doctor. He was ultimately guided by a scene he had seeded into {{cs|The Eleventh Hour (TV story)}} where the young Amelia Pond hearing the TARDIS materialise after spending all night waiting in her back garden, despite the fact that it had already been established that the Doctor didn't return to Amy for twelve years. Moffat decided that Amy and Rory would become temporally isolated from the Doctor, but would still thrive and grow old together in New York. He felt that this fate best encapsulated the emotions of their journey together, and the optimism expressed by young Amelia's all-night vigil.
* The first scene to be filmed was the effects shot of Amy and Rory falling from the roof of Winter Quay. It was filmed in a [[car park]] in Cardiff, with a greenscreen standing in for the New York skyline. To create the effect of the two plunging down, Karen Gillan and Arthur Darvill were suspended upside-down by wires and raised and lowered.
* Karen Gillan insisted on reading Amy's afterword in the Melody Malone book to Matt Smith when his reaction was filmed. They were not expecting it to be in front of a crowd in Central Park, and Smith said he had to "treat this like a play". Because the content was so secret, Gillan had to read very quietly and Smith could not hold the real page because a spectator might take a picture of it. Gillan found that she only had one page of the script, and had to improvise the rest.
* Although the Central Park recording had attracted considerable attention, the production team was flabbergasted to discover more than one thousand fans waiting for them at Tudor City, a crowd which, fortunately, turned out to be largely cooperative.
* A significant trim in post-production involved the Doctor and Amy reflecting on how much time was passing between the Time Lord's visits. Steven Moffat had now come to feel that the sentiment was more elegantly conveyed in {{cs|The Power of Three (TV story)}}, and therefore needed less emphasis.
* Karen Gillan stated that she wanted to go "on a high when the character was at her prime" and to "go with everything that she wants".
* Steven Moffat said that since the Angels had debuted in {{cs|Blink (TV story)}}, fans had suggested that the Statue of Liberty could be a Weeping Angel.
* Karen Gillan refused to read the script for a few weeks after she received it because she "didn't want to make it real". She said in an interview, "I literally couldn't read it without crying. It was the most highly-charged read-through I've ever experienced. But I couldn't have asked for a better exit. I don't think it'll be what people expect."
* Matt Smith and Karen Gillan got very emotional filming the final graveyard scene.
* The week spent filming in the city was done by a "small unit by American standards" according to [[Marcus Wilson]]. They did not take any props of Angels or the TARDIS, which were instead added in post-production.
* [[Alex Kingston]] didn't accompany the production to New York and all of her scenes were filmed in Cardiff.
* During post-production, the New York skyline was inserted into the cemetery scenes.
* The Doctor musing that he could never take the TARDIS back to 1938 New York was added later in production, requiring an extra day's filming at Box Cemetary. [[Nick Hurran]] was unavailable, so [[Saul Metzstein]] stepped in to direct.


=== Ratings ===
=== Ratings ===
''to be added''
* 7.82 million viewers (UK final)<ref>[http://guide.doctorwhonews.net/info.php?detail=ratings&type=date Doctor Who Ratings - UK final]</ref>


=== Rumours ===
=== Rumours ===
* The [[Statue of Liberty]] is a Weeping Angel.<ref>{{cite web |url=http://www.dailystar.co.uk/soaperstar/view/264706/Doctor-Who-waht-a-liberty/ |title=DOCTOR WHO: WHAT A LIBERTY |author=Peter Dyke |coauthors=Katie Begley |date of source=30 July 2012 |website name=Daily Star |accessdate=29 September 2012}}</ref> ''This turned out to be true.''
* The [[Statue of Liberty]] is a Weeping Angel. <ref>{{cite web|url=http://www.dailystar.co.uk/soaperstar/view/264706/Doctor-Who-waht-a-liberty/|title=DOCTOR WHO: WHAT A LIBERTY|author=Peter Dyke|coauthors=Katie Begley|date of source=30 July 2012|website name=Daily Star|accessdate=29 September 2012}}</ref> ''This turned out to be true.''


=== Filming locations ===
=== Filming locations ===
* [[Central Park]], [[New York City]] (as itself)
* [[Central Park]], [[New York City]] (as itself)
* Box Cemetery, Llanelli, [[Wales]] (as Queens, New York)
* Box Cemetery, Llanelli, [[Wales]] (as New York City)
* Glamorgan Building, Cardiff University, Cardiff, Wales (as [[Julius Grayle]]'s mansion exterior)
* Glamorgan Building, [[Cardiff University]], Cardiff, Wales (as [[Julius Grayle]]'s mansion exterior)
* North Building, Queens Complex, Cardiff University, Cardiff, Wales (as [[Winter Quay]] entrance)
* North Building, Queens Complex, Cardiff University, Cardiff, Wales (as [[Winter Quay]] entrance)
* HH Wills Physics Laboratory, University of Bristol, Bristol (as [[Winter Quay]] foyer and staircase)
* HH Wills Physics Laboratory, [[University of Bristol]], Bristol (as [[Winter Quay]] foyer and staircase)
* [[Upper Boat Studios]]' parking structure's roof (as Winter Quay roof)
* [[Upper Boat Studios]]' parking structure's roof (as Winter Quay roof)
* [[Upper Boat Studios]]
* Upper Boat Studios


=== Production errors ===
=== Production errors ===
{{discontinuity}}
{{discontinuity}}
* The Photoshoot PA who was credited did not appear in this episode, but instead appeared in ''[[Asylum of the Daleks (TV story)|Asylum of the Daleks]]''.
* The Photoshoot PA who was credited did not appear in this episode but instead appeared in {{cs|Asylum of the Daleks (TV story)}}.
* When the Doctor rips out the last page of his book, the shot shows that the page that was torn out was actually from the middle of the book.
* Just after Amy and Rory jump off the roof of Winter Quay, and the Doctor is looking down at them, River is in the background standing normally, looking at the Doctor. In the very next shot, she is leaning on the ledge, looking down at Amy and Rory.
* Just after Amy and Rory jump off the roof of Winter Quay, and the Doctor is looking down at them, River is in the background standing normally, looking at the Doctor. In the very next shot, she is leaning on the ledge, looking down at Amy and Rory.
* As the Doctor examines River's broken wrist, she says it is "pretty bad, too". In this shot, the Doctor has his mouth open as if showing the pain of seeing her hand. But in the next shot, his mouth is closed.
* As the Doctor examines River's broken wrist, she says it is "pretty bad, too". In this shot, the Doctor has his mouth open as if showing the pain of seeing her hand. But in the next shot, his mouth is closed.
* When Amy and the Doctor leave the car and enter Winter Quay, they leave River behind, but in a couple of shots later, she is back in the lift with them.
* When Amy and the Doctor leave the car and enter Winter Quay, they leave River behind, but in a couple of shots later, she is back in the lift with them.
* During the final graveyard scene, the actress playing the Weeping Angel clearly has small hairs and fuzz on her body make-up.
* During the final graveyard scene, Rory is only wearing a hoodie over his shirt. When they first wake up, he's wearing a jacket over the hoodie that he had been wearing the entire episode.
* When the Doctor retrieves the ripped out page to read, it clearly says "by Amelia William", misspelling Amy's name. The voiceover and gravestone are both correct with "Williams".
* Cobalt blue dye in Chinese vase only became prevalent in AD era Yuan dynasty while the craftsman's wear were in the final Qing dynasty's style.


== Continuity ==
== Continuity ==
* The Doctor had previously cut off his ties to the Ponds in ''[[The God Complex (TV story)|The God Complex]]'' because he feared the alternative would be for him to eventually stand over their graves after they died - as comes to pass here.
* The Doctor had previously cut off his ties to the Ponds ([[TV]]: {{cs|The God Complex (TV story)}}) because he feared the alternative would be for him to eventually stand over their graves after they died - as comes to pass.
* [[Amy Pond]] calls [[Eleventh Doctor|the Doctor]] "Raggedy man". ([[TV]]: ''[[The Eleventh Hour (TV story)|The Eleventh Hour]]'', et. al.)
* Despite the Doctor's claims that he can never see them again, he is proven wrong when [[Adam Mitchell]] kidnaps them to lure The Doctor into his hideout, where Amy and Rory get introduced to Clara. ([[COMIC]]: ''[[Endgame (POT comic story)|Endgame]]'')
* The Doctor used some of his [[Regeneration|regenerative energy]] to repair [[River Song]]'s hand. He did something similar when recharging the last power source in the [[The Doctor's TARDIS|TARDIS]] after it travelled to [[Pete's World]]. ([[TV]]: ''[[Rise of the Cybermen (TV story)|Rise of the Cybermen]]'') River previously did the same for him in a more extreme way, saving his life and depleting all of her regenerative energy. ([[TV]]:''[[Let's Kill Hitler (TV story)|Let's Kill Hitler]]'')
* [[Amy Pond]] calls [[Eleventh Doctor|the Doctor]] "Raggedy man". ([[TV]]: {{cs|The Eleventh Hour (TV story)}}, et al.)
* In response to the Doctor healing her hand, River exclaims, "You embarrass me!" much as the Doctor previously said to her. ([[TV]]:''[[The Wedding of River Song (TV story)|The Wedding of River Song]]'')
* The Doctor used some of his [[Regeneration|regenerative energy]] to repair [[River Song]]'s hand. He did something similar when recharging the last power source in [[The Doctor's TARDIS|the TARDIS]] after it travelled to [[Pete's World]]. ([[TV]]: ''[[Rise of the Cybermen (TV story)|Rise of the Cybermen]]'') River previously did the same for him in a more extreme way, saving his life and depleting all of her regenerative energy. ([[TV]]: {{cs|Let's Kill Hitler (TV story)}}) Exactly how he possesses the regenerative energy needed to heal her wrist is unclear, as {{cs|The Time of the Doctor (TV story)}}reveals the Doctor's current incarnation is his thirteenth, and that he has already used up all his regenerations, although it's possible that Time Lords still possess some energy whilst in their thirteenth incarnation, as [[Azmael]] was able to start a thirteenth regeneration, yet did not have enough energy to carry it through completely. ([[TV]]: ''[[The Twin Dilemma (TV story)|The Twin Dilemma]]'')
* The afterword Amy wrote in ''[[Melody Malone: Private Detective in Old New York Town]]'' was a message for the Doctor, which made reference to various adventures the Doctor and Amy had had together: saving a [[Star whale|whale]] in space ([[TV]]: ''[[The Beast Below (TV story)|The Beast Below]]''), fighting [[pirate]]s ([[TV]]: ''[[The Curse of the Black Spot (TV story)|The Curse of the Black Spot]]''), inspiring [[Vincent van Gogh|a great artist]] ([[TV]]: ''[[Vincent and the Doctor (TV story)|Vincent and the Doctor]]''), and falling in love with [[Rory Williams|a man]] who would wait [[Rory Williams (Auton)|two thousand years]] for her. ([[TV]]: ''[[The Big Bang (TV story)|The Big Bang]]'')
* In response to the Doctor healing her hand, River exclaims, "You embarrass me!" much as the Doctor previously said to her. ([[TV]]: {{cs|The Wedding of River Song (TV story)}}) She also tests out the healed wrist by spitefully slapping the Doctor, leaving him with an astonished, gaping expression once again. ([[TV]]: {{cs|The Impossible Astronaut (TV story)}})
* Amy asks the Doctor to return to meet a young Amelia Pond the morning after he left her waiting in the garden to tell her about the adventures they will have together. The older Amy was dreaming about that morning when the Doctor came back to pick her up the night before her wedding. ([[TV]]:''[[The Eleventh Hour (TV story)|The Eleventh Hour]]'')
* The afterword Amy wrote in ''[[Melody Malone: Private Detective in Old New York Town]]'' was a message for the Doctor, which made reference to various adventures the Doctor and Amy had had together: saving [[Star whale (The Beast Below)|a whale]] in space, ([[TV]]: {{cs|The Beast Below (TV story)}}) fighting [[pirate]]s, ([[TV]]: {{cs|The Curse of the Black Spot (TV story)}}) inspiring [[Vincent van Gogh|a great artist]], ([[TV]]: {{cs|Vincent and the Doctor (TV story)}}) and falling in love with [[Rory Williams|a man]] who would wait [[Rory Williams (Auton)|two thousand years]] for her. ([[TV]]: {{cs|The Big Bang (TV story)}})
* River mentions that she was pardoned from prison because the man she killed never existed. ([[TV]]: ''[[The Impossible Astronaut (TV story)|The Impossible Astronaut]]'', [[TV]]: ''[[The Wedding of River Song]]'') Oswin erased the Doctor from the Daleks' memories in [[TV]]: ''[[Asylum of the Daleks (TV story)|Asylum of the Daleks]]''. The conversation between River and the Doctor (and the fact that [[Solomon (Dinosaurs on a Spaceship)|Solomon]] couldn't find info about the Doctor or his TARDIS in [[TV]]: ''[[Dinosaurs on a Spaceship (TV story)|Dinosaurs on a Spaceship]]'') implies the Doctor is responsible for the other erasures, as he was "getting too big".
* Amy asks the Doctor to return to meet a young Amelia Pond the morning after he left her waiting in the garden to tell her about the adventures they will have together. The older Amy was dreaming about that morning when the Doctor came back to pick her up the night before her wedding. ([[TV]]: {{cs|The Eleventh Hour (TV story)}})
* This is the time the Eleventh Doctor has been shown to be aware that River had been pardoned, and would thus appear to be the latest story in her timeline prior to her final date with the Doctor as shown in ''[[Last Night (TV story)|Last Night]]''.
* River mentions that she was pardoned from prison because the man she killed never existed. ([[TV]]: {{cs|The Impossible Astronaut (TV story)}}, {{cs|The Wedding of River Song (TV story)}}) Oswin erased the Doctor from the Daleks' memories in [[TV]]: {{cs|Asylum of the Daleks (TV story)}}. The conversation between River and the Doctor (and the fact that [[Solomon (Dinosaurs on a Spaceship)|Solomon]] couldn't find info about the Doctor or his TARDIS ([[TV]]: {{cs|Dinosaurs on a Spaceship (TV story)}}) implies the Doctor is responsible for the other erasures, as he was "getting too big". One of these erasures was indeed caused by him, involving a memory-proofing of all the [[Inforarium]] data archives about him. ([[HOMEVID]]: ''[[The Inforarium (home video)|The Inforarium]]'')
* River says that she is a professor now. ([[TV]]: ''[[Silence in the Library (TV story)|Silence in the Library]]'')
* River says that she is a professor now. ([[TV]]: {{cs|Silence in the Library (TV story)}})
* While on the roof contemplating jumping, Rory makes a reference to his history of having died multiple times and coming back to life each time. ([[TV]]: ''[[Amy's Choice (TV story)|Amy's Choice]]'', ''[[Cold Blood (TV story)|Cold Blood]]'', ''[[The Curse of the Black Spot (TV story)|The Curse of the Black Spot]]'', ''[[The Doctor's Wife (TV story)|The Doctor's Wife]]'')
* While on the roof contemplating jumping, Rory makes a reference to his history of having died multiple times and coming back to life each time. ([[TV]]: {{cs|Amy's Choice (TV story)}}, {{cs|Cold Blood (TV story)}}, {{cs|The Curse of the Black Spot (TV story)}}, {{cs|The Doctor's Wife (TV story)}})
* The Doctor sent a coded message to River from the past ("Yowzah" in Chinese), as River had done with him on [[Planet One]] (which was itself a relay of [[Vincent van Gogh]]'s message in his painting, ''[[The Pandorica Opens]]''). through the black box of the ''[[Byzantium (ship)|Byzantium]]'', ([[TV]]: ''[[The Pandorica Opens]]'', ''[[The Time of Angels]]'') and as she and/or Amy did via the Melody Malone book. Amy and Rory - and (presumably) unwittingly River - likewise contacted the Doctor through a message in the past in ''[[Let's Kill Hitler (TV story)|Let's Kill Hitler]]''. Amy left the Doctor a message at his instruction in ''[[The Lodger (TV story)|The Lodger]]''. He waved to Amy and Rory from the past in ''[[The Impossible Astronaut (TV story)|The Impossible Astronaut]]''.
* The Doctor sent a coded message to River from the past ("Yowzah" in Chinese), as River had done with him on [[Planet One]] (which was itself a relay of [[Vincent van Gogh]]'s message in his painting, ''[[The Pandorica Opens]]''), ([[TV]]: {{cs|The Pandorica Opens (TV story)}}) through the black box of the ''[[Byzantium (spacecraft)|Byzantium]]'', ([[TV]]: {{cs|The Time of Angels (TV story)}}) and as she and/or Amy did via the Melody Malone book.
* The Doctor uses the extractor fans once more ([[TV]]: ''[[Let's Kill Hitler (TV story)|Let's Kill Hitler]]'').
** Amy and Rory - and presumably unwittingly, River - likewise contacted the Doctor through a message in the past. ([[TV]]: {{cs|Let's Kill Hitler (TV story)}}) Amy left the Doctor a message at his instruction ([[TV]]: {{cs|The Lodger (TV story)}}, {{cs|The Big Bang (TV story)}}). The Doctor also waved to Amy and Rory from the past in a movie. ([[TV]]: {{cs|The Impossible Astronaut (TV story)}})
* River tells Amy that the Doctor doesn't like to see his companions age. The Doctor once indicated the same. ([[TV]]: ''[[School Reunion (TV story)|School Reunion]]'')
* The Doctor uses the [[extractor fan]]s once more. ([[TV]]: {{cs|Let's Kill Hitler (TV story)}})
* This is Amy's fourth encounter with the Weeping Angels. ([[TV]]: ''[[The Time of Angels (TV story)|The Time of Angels]]''/''[[Flesh and Stone (TV story)|Flesh and Stone]]'', [[TV]]: ''[[Good as Gold (TV story)|Good as Gold]]'', [[PROSE]]: ''[[Touched by an Angel (novel)|Touched by an Angel]]'' and [[PROSE]]: ''[[Magic of the Angels]]''). If the 'fake' angel that was generated as a representative of Gibbis' worst fear is taken into consideration then it would be the fifth encounter ([[TV]]: ''[[The God Complex]]'').
* River tells Amy that the Doctor doesn't like to see his companions age. The Doctor once indicated the same. ([[TV]]: {{cs|School Reunion (TV story)}})
* When trying to materialise in 1938, the [[The Doctor's TARDIS|TARDIS]] makes the same malfunctioning sound it made in [[TV]]: ''[[Spearhead from Space (TV story)|Spearhead from Space]]'', ''[[The Eleventh Hour (TV story)|The Eleventh Hour]]'', and ''[[The Wedding of Sarah Jane Smith (TV story)|The Wedding of Sarah Jane Smith]]''.
* Amy again encounters the Weeping Angels. ([[TV]]: {{cs|The Time of Angels (TV story)}}/{{cs|Flesh and Stone (TV story)}}, [[TV]]: ''[[Good as Gold (TV story)|Good as Gold]]'', [[PROSE]]: ''[[Touched by an Angel (novel)|Touched by an Angel]]'' and [[PROSE]]: ''[[Magic of the Angels (novel)|Magic of the Angels]]''). If the 'fake' angel that was generated as a representative of Gibbis' worst fear is taken into consideration then it would be her fifth encounter with them. ([[TV]]: {{cs|The God Complex (TV story)}})
* While in this episode a [[Temporal paradox|paradox]] leads to the Angels' destruction, in [[PROSE]]: ''[[Touched by an Angel (novel)|Touched by an Angel]]'', the Angels try to create a paradox to feed. Since zapping a person into the past creates a paradox, it seems there are good and bad paradoxes. Good paradoxes involve the creation of time energy and alternate realities through transporting people through time, while bad ones change the timeline of the angels, poisoning their food.
* When trying to materialise in 1938, [[The Doctor's TARDIS|the TARDIS]] makes the same malfunctioning sound it has made previously. ([[TV]]: ''[[Spearhead from Space (TV story)|Spearhead from Space]]'', {{cs|The Eleventh Hour (TV story)}}, ''[[The Wedding of Sarah Jane Smith (TV story)|The Wedding of Sarah Jane Smith]]'')
* River encourages Amy to go ahead with her plan to join Rory in the past. River was in New York City in [[1969]] at an earlier point in her adult life, before she was pardoned. ([[TV]]: ''[[Day of the Moon (TV story)|Day of the Moon]]'')
* While in this episode a [[Temporal paradox|paradox]] leads to the Angels' destruction, in [[PROSE]]: ''[[Touched by an Angel (novel)|Touched by an Angel]]'', the Angels try to create a paradox to feed. Since zapping a person into the past creates a paradox, it seems there are good and bad paradoxes. Good paradoxes involve the creation of time energy and alternate realities through transporting people through time, while bad ones change the timeline of the Angels, poisoning their food.
* The Doctor stated that he liked the picture on the cover of ''Melody Malone'', unaware that it was an drawing of his wife and her décollage. ([[TV]]: ''[[The Wedding of River Song (TV story)|The Wedding of River Song]]'')
* River encourages Amy to go ahead with her plan to join Rory in the past. River was in New York City in [[1969]] at an earlier point in her adult life, before she was pardoned. ([[TV]]: {{cs|Day of the Moon (TV story)}})
* Melody/River is depicted on the book cover blowing the powder smoke from the muzzle of her revolver, just as she did in front of the Doctor upon shooting his Stetson, although her wrist is not rotated as it was in the earlier occurrence. ([[TV]]: ''[[The Impossible Astronaut (TV story)|The Impossible Astronaut]]'')
* The Doctor stated that he liked the picture on the cover of ''Melody Malone'', unaware that it was a drawing of his wife and her décolletage. ([[TV]]: {{cs|The Wedding of River Song (TV story)}})
* Just before Rory and Amy are sent back in time from the cemetery, River asks the Doctor if the bulb atop the TARDIS needs changing, to which he replies that he just changed it. He is shown changing it outside of her parents' house in [[Webcast]]: ''[[Pond Life (webcast)|Pond Life, Part 5]]'' She will later be distracted out of the TARDIS by the Doctor (earlier in his life) asking her to check the bulb. ([[TV]]: ''[[Last Night (TV story)|Last Night]]''). One of the questions which River's mother, Amy, rattled off when first stepping aboard the TARDIS is if the bulb on top ever needed changing. ([[TV]]: ''[[Meanwhile in the TARDIS 1 (TV story)|Meanwhile in the TARDIS 1]]'')
* Melody/River is depicted on the book cover blowing the powder smoke from the muzzle of her revolver, just as she did in front of the Doctor upon shooting his Stetson, although her wrist is not rotated as it was in the earlier occurrence. ([[TV]]: {{cs|The Impossible Astronaut (TV story)}})
* Amy's married name is seen on her grave stone. She had previously signed a divorce document as Amy Williams. ([[TV]]: ''[[Asylum of the Daleks (TV story)|Asylum of the Daleks]]'')
* Just before Rory and Amy are sent back in time from the cemetery, River asks the Doctor if the bulb atop the TARDIS needs changing, to which he replies that he just changed it. ([[Webcast]]: ''[[Pond Life (webcast)|Pond Life, Part 5]]'') She will later be distracted out of the TARDIS by the Doctor (earlier in his life) asking her to check the bulb. ([[HOMEVID]]: ''[[Last Night (home video)|Last Night]]'') One of the questions which River's mother, Amy, rattled off when first stepping aboard the TARDIS is if the bulb on top ever needed changing. ([[TV]]: ''[[Meanwhile in the TARDIS 1 (TV story)|Meanwhile in the TARDIS 1]]'')
* Melody Malone's lipstick is described as being "combat ready". Melody/River had used an extremely poisonous lipstick in an attempt to kill the Doctor. ([[TV]]: ''[[Let's Kill Hitler (TV story)|Let's Kill Hitler]]'') She used hallucination lipsticks against a corrections officer, one or more Roman centurion(s), and a ''[[Byzantium (ship)|Byzantium]]'' guard. ([[TV]]: ''[[The Pandorica Opens (TV story)|The Pandorica Opens]]'', ''[[The Time of Angels (TV story)|The Time of Angels]]'') The [[Tenth Doctor]] also gave [[Sarah Jane Smith]] two [[sonic lipstick]]s. ([[TV]]: ''[[Invasion of the Bane (TV story)|Invasion of the Bane]]'', ''[[Enemy of the Bane (TV story)|Enemy of the Bane]]'')
* Amy's married name is seen on her gravestone. She had previously signed a divorce document as Amy Williams. ([[TV]]: {{cs|Asylum of the Daleks (TV story)}})
* While the Doctor's reading, Amy is reading ''[[The New York Record]]''. ''[[The New York Record]]'' was previously seen in [[TV]]: ''[[Daleks in Manhattan (TV story)|Daleks in Manhattan]]'', when it reported on the missing men from [[Hooverville]].
* Melody Malone's lipstick is described as being "combat ready". Melody/River had used an extremely poisonous lipstick in an attempt to kill the Doctor. ([[TV]]: {{cs|Let's Kill Hitler (TV story)}}) She used [[hallucinogenic lipstick|hallucination lipsticks]] against a corrections officer, one or more Roman centurion(s), and a ''[[Byzantium (spacecraft)|Byzantium]]'' guard. ([[TV]]: {{cs|The Pandorica Opens (TV story)}}, {{cs|The Time of Angels (TV story)}}) [[Sarah Jane Smith]] used [[sonic lipstick]]s. ([[TV]]: ''[[Invasion of the Bane (TV story)|Invasion of the Bane]]'', ''[[Enemy of the Bane (TV story)|Enemy of the Bane]]'')
* Amy is surprised that the Doctor wants to do a final check before exiting the TARDIS; on her first trip to another planet, the Doctor ignored warnings to do environment checks, rattling off information about the planet's atmosphere. ([[TV]]: ''[[The Time of Angels (TV story)|The Time of Angels]]'')
* While the Doctor is reading his book, Amy is reading the ''[[New York Record]]''. ([[TV]]: {{cs|Daleks in Manhattan (TV story)}})
* Amy is surprised that the Doctor wants to do a final check before exiting the TARDIS; on her first trip to another planet, the Doctor ignored warnings to do environment checks, rattling off information about the planet's atmosphere. ([[TV]]: {{cs|The Time of Angels (TV story)}})
* River says, "There's a car up front. Should we steal it?". She stole both a bus and a car as Mels. ([[TV]]: {{cs|Let's Kill Hitler (TV story)}})
* Rory has been sent back in time by the Weeping Angels once before. However, that time he managed to reunite with the Doctor, Amy and his slightly past-self a month after arrival as they had travelled to that time shortly before his displacement. He was able to use his time in the past to set up the trap that defeated the Weeping Angels. ([[PROSE]]: ''[[Touched by an Angel (novel)|Touched by an Angel]]'')
* The Doctor pleads with Amy to, "Come along, Pond, please!" instead of getting touched by the Weeping Angel. ([[TV]]: {{cs|Victory of the Daleks (TV story)}}, {{cs|The Big Bang (TV story)}}, ''[[Death of the Doctor (TV story)|Death of the Doctor]]'', {{cs|A Christmas Carol (TV story)}}, {{cs|Let's Kill Hitler (TV story)}}, {{cs|Closing Time (TV story)}})
* The Doctor has previously said "Yowza", [[Eleventh Doctor (Ganger)|his ganger counterpart]] questioning the usage of said word. ([[TV]]: {{cs|The Almost People (TV story)}})
* The Doctor previously encountered the Weeping Angels in New York, in his [[Eighth Doctor|eighth incarnation]]. ([[AUDIO]]: ''[[The Side of the Angels (audio story)|The Side of the Angels]]'')
** The Eleventh Doctor mentions, that he always rips out the last page of the book. A long time ago, while browsing through the TARDIS library, the already mentioned Eighth Doctor finds Agatha Christie's "The Murder of Roger Ackroyd" with the last page missing, and says: "Now I'll never know who'd done it". ([[AUDIO]]: [[Storm Warning (audio story)|''Storm Warning'']])


== Home video releases ==
== Home video releases ==
[[File:Series7DVDcover.jpg|thumb|Series 7, part 1 DVD cover.]]
[[File:Series7DVDcover.jpg|thumb|Series 7, part 1 DVD cover.]]
This episode, along with the rest of the first half of the series (episodes one through to five) was released on DVD and Blu Ray on the [[28 October]] [[2012]].
 
=== DVD and Blu-Ray releases ===
 
* ''The Angels Take Manhattan'', along with the rest of the first half of the series (episodes one through to five) was released as Series 7 Part One on DVD and Blu-ray in region 1/A on [[13 November (releases)|13 November]] [[2012 (releases)|2012]], in region 2/B on [[29 October (releases)|29 October]] 2012 and in region 4/B on [[14 November (releases)|14 November]] 2012.
* Also, this episode was released as part of the Complete Seventh Series boxset on DVD and Blu-ray in region 1/A on [[24 September (releases)|24 September]] [[2013 (releases)|2013]], in region 2/B on [[28 October (releases)|28 October]] 2013 and in region 4/B on [[30 October (releases)|30 October]] 2013.
 
=== Digital releases ===
 
* In the United Kingdom, this story is available on [[BBC iPlayer]].


== External links ==
== External links ==
''to be added''
* {{locguide|angelstakemanhattan|The Angels Take Manhattan}}
{{dwrefguide|who_tv74.htm|The Angels Take Manhattan}}


== Footnotes ==
== Footnotes ==
{{Reflist}}
{{Reflist}}
{{TitleSort}}
{{TitleSort}}
{{ImageLinkTV}}
{{DWTV}}
{{DWTV}}
{{cat|Doctor Who (2005) television stories}}
{{Weeping Angel sources}}
{{cat|2012 television stories}}
{{cat|Eleventh Doctor television stories}}
[[es:The angels take Manhattan]]
[[ru:Ангелы захватывают Манхэттен]]
[[he:המלאכים כובשים את מנהטן]]


[[Category:Weeping Angel stories]]
[[Category:Doctor Who (2005) television stories]]
[[Category:2012 television stories]]
[[Category:Weeping Angel television stories]]
[[Category:Stories set in New York City]]
[[Category:Stories set in New York City]]
[[Category:Stories set in China]]
[[Category:Stories set in China]]
[[Category:Stories set in 1938]]
[[Category:Stories set in 1938]]
[[Category:Stories set in 2012]]
[[Category:Stories set in 2012]]
[[Category:Stories set in the distant past]]
[[Category:Stories set in alternate timelines]]
[[Category:Stories set in alternative timelines]]
[[Category:Series 7 (Doctor Who) stories]]
[[Category:Series 7 (Doctor Who) stories]]
[[Category:BFI-exhibited television stories]]
[[Category:Regeneration television stories]]
[[Category:Stories with unique variations of the Doctor Who opening titles]]
[[Category:Television stories that use Murray Gold's 3rd main theme]]
[[Category:Stories set in 221 BC]]
[[fr:The Angels Take Manhattan (TV)]]
[[he:המלאכים כובשים את מנהטן]]
[[ru:Ангелы захватывают Манхэттен]]

Latest revision as of 11:18, 4 September 2024

RealWorld.png

The Angels Take Manhattan was the fifth episode and mid-series finale of series 7 of Doctor Who.

It was the final appearance of Karen Gillan as Amy Pond and Arthur Darvill as Rory Williams and also featured the return of River Song. It also marked the return of the Weeping Angels, giving them their second major and third overall appearance in the Moffat era of Doctor Who.

The Angels Take Manhattan was given additional closure through the complimentary webcast entitled P.S., which showed the final fate of the Ponds. It also gave Brian Williams a working narrative endpoint.

Synopsis[[edit] | [edit source]]

A simple trip to New York in 2012 goes horribly wrong when the Eleventh Doctor's companion, Rory Williams, is sent back to the 1930s by the Weeping Angels. There, he finds that his daughter, River Song, is investigating the Angels, as Manhattan has become their hunting grounds. The Doctor and Amy Pond must find Rory before it is too late, but they soon find that not every point in time can be changed. And here, the Doctor must face the one thing he has been dreading — a final farewell to the Ponds.

Plot[[edit] | [edit source]]

Art collector and mob boss, Julius Grayle, has hired private detective Sam Garner, but wonders if Sam believes the reason he has been hired — and that statues can move. Sam simply says he believes what he's told to believe, as long as he's paid. Grayle sends detective Garner to Winter Quay, an apartment building "where the statues live". Once Garner leaves for the Quay, Grayle looks out his office window and notices one of two statues standing outside his mansion has disappeared when he wasn't looking. When Garner arrives at Winter Quay, he notices the residents of the Quay and the surrounding apartment buildings watching his arrival with dread. A little girl sees him from the window of a building across from the Quay, mimicking weeping. He ignores her and enters the Quay, unaware as a Weeping Angel sitting on a plinth near the building awakening as he enters.

The Statue of Liberty at Winter Quay.

Garner enters a room in Winter Quay that has his name on it, unaware of the Angels stalking him through the building. He encounters an elderly version of himself, who warns him that "they" are going to send him back in time now that he is there. Garner is then attacked by the Weeping Angels. He manages to avoid them, as something large is heard approaching Winter Quay from outside. When he finds the Angels have blocked the stairwell, Garner is forced onto the roof. He comes face to face with the snarling Statue of Liberty, revealed to be a Weeping Angel of gigantic size. As he succumbs to his fate, someone is writing about Garner's demise on a typewriter.

In 2012 New York City, the Eleventh Doctor, Amy Pond and Rory Williams are having a picnic in Central Park. Amy is annoyed by the Doctor's habit of reading his pulp paperback novel, Melody Malone: Private Detective in Old New York Town, out loud. He, in turn, is perturbed by Amy's use of reading glasses. The Doctor tells Amy that he doesn't like her glasses because they make her eyes look "all liney". After taking Amy's glasses off, he realises that the lines are actually minor wrinkles in her skin. He tells her that her eyes look better with the glasses. Amy then starts arguing with the Doctor about how she looks, asking Rory (who is a safe distance away from his wife) if there are lines around her eyes. Rory claims he never noticed them, walking back to his wife, who happily kisses him. Rory goes off to get more coffee for them as Amy tells the Doctor to tell her a story. The Doctor is amused she has changed her mind. The Doctor tears out the last page, telling Amy that he hates endings. The story will never end now, for him.

On Rory's way back, he hears the sound of children giggling, as a small statue under Angel of the Waters disappears. As Rory passes an archway and enters a darkened terrace, the giggling gets closer and closer. In the meantime, the Doctor's book says Melody saw a thin man appear on 3 April 1938, and followed him until he noticed her. The Doctor is shocked by what the thin man says to Melody: "I was just getting coffee for the Doctor and Amy. Hello, River." "Hello, Dad," River Song replies. The Doctor and Amy run to the TARDIS, while in 1938, Rory questions River about how he got there. River tells him she has no idea, but he better put his hands up; armed men are surrounding them.

In the meantime, the Doctor and Amy have boarded the TARDIS as Amy continues reading from the book, which has River saying the TARDIS cannot land in New York during this time because of several time distortions. Comparing it to trying to land a plane in a blizzard, she says even she couldn't do it. An annoyed Doctor attempts to land the TARDIS, but it is bounced back to 2012 New York by a wall of temporal energy. Landing in a cemetery, the Doctor tells Amy to stop reading ahead in the book because reading the events written in it causes them to become fixed in time. However, Amy has read that River and Rory have been taken to Grayle's mansion, where River comments on the mob boss's taste in Qin artefacts. Hearing this, the Doctor figures out how to get "landing lights". Going back to 221 BC, he leaves a message on one of the vases: "Yowzah!" in period Chinese.

As River is led into Grayle's office, Rory is placed in the basement with "the babies". Grayle tells River that "they" are everywhere, but no one seems to notice. He then shows her the prize of his collection: a chained and damaged Weeping Angel. River says she's met them before, and that the Angel is screaming out in pain to its comrades; this is why Grayle has so many locks on his doors. However, Grayle quickly turns the tables on River by briefly turning off the lights long enough for the shackled Angel to grab her wrist. Grayle demands to know everything River knows about the Angels.

In the meantime, Rory has been tossed in the dark basement and given a box of matches by the guard, who tells him that he'll last longer with them. Left alone in the darkness, Rory hears the giggling again, scaring him into lighting a match. He comes across several stone cherubs, and during the time Rory takes to light another match after the first one has gone out, the cherubs move closer and begin to attack him. He repeatedly lights the matches, but they keep extinguishing. Down to one match, Rory watches as a cherub that got close to him blows it out. Above, as Grayle attempts to threaten River, she hears the TARDIS trying to materialise and tells her captor that he'd better watch out when her husband gets home. With a shockwave, the TARDIS lands, knocking Grayle out.

In the TARDIS, the Doctor is busy fixing his hair for his wife, annoying Amy. Once done, they depart and find River. He asks her how Stormcage is, only to learn that she was pardoned years earlier in her timeline, because her alleged victim, the Doctor, apparently never existed due to the Doctor erasing himself from every database in the universe. She has received a posting as a professor of archaeology. The Doctor tells River they either have to break her wrist or the Angel's to get her free. Unfortunately, Amy read ahead again and knows that River breaks her wrist to get free, so it's the only way now. However, Amy has a brilliant idea to know what's ahead without details or spoilers: they read the chapter titles. Reading one, Amy learns where Rory is and rushes off. After she does, the Doctor reads the table of contents and sees the last chapter is called "Amelia's Last Farewell". An upset Doctor then angrily leaves River to find a way to escape the Angel's grip without breaking her wrist.

Amy checks the basement, only to find Rory gone. She returns to the Doctor, who is now sitting on the stairs, deep in thought. River emerges from the collection room with her scanner, saying that Rory is at Winter Quay, having only been moved in space, rather than time. The Doctor is delighted to see River didn't have to break her wrist to get free. As he grabs her hand, however, River grimaces in pain, revealing that she did indeed break it. He heals her hand with a little of his regeneration energy and is scolded by River for wasting the energy. Amy asks River why the Doctor is in a bad mood and River subtly says they should never let the Doctor see them age. They then commandeer one of the mob's cars and drive off to get Rory. However, they leave the doors open, which the two statues outside seem to see. As Grayle comes to, he finds the statues are now inside the mansion. He tries escaping, only to get trapped.

The Doctor, Amy and River arrive at Winter Quay, where Rory has been exploring on his own. They find him on exactly the same floor where Sam Garner arrived. At the end of the hall is a Weeping Angel. The way out is blocked. Rory discovers a room marked "R. Williams" and enters with Amy. River and the Doctor linger, only to see the Angel is smiling. Inside the room is an old man who calls over to Amy and is revealed to be Rory's future self. Amy holds the older Rory's hand as he passes away.

As the group discuss the situation, the Doctor explains that Winter Quay is a "battery farm" for the Weeping Angels to keep their victims imprisoned in and to send them back in time over and over. He also sadly informs Rory that their meeting with the elder Rory means the Angels will send Rory back in time and keep him imprisoned in the Quay until he dies, as they've seen. Amy won't be sent with him, explaining why the older Rory was so pleased to see her. Rory decides to defy this. If the Angels aren't able to catch him, he won't die there. However, the Doctor notes that Rory will have to run for his entire life then. River then realises that if Rory escapes, the subsequent negation of the timeline in which the Angels trapped Rory at Winter Quay will create a paradox, which will in turn poison the time energy the Angels feed on and kill them.

Something large is heard approaching Winter Quay, forcing the group to decide that Rory and River's plan will work. Amy and Rory run out, but the Doctor and River are forced back into the room by two Weeping Angels. Amy and Rory enter the stairway, seeing an Angel is blocking the way out downwards. Thus, they climb up to the roof, where they are confronted by the snarling Statue of Liberty. Back inside, the Doctor causes a distraction that allows him and River to escape the Angels via the fire escape. Back on the roof, Rory sees the only way out is to jump and commit suicide, thereby preventing the Angels from sending him back in time to become the aged Rory who just died, creating a paradox which would kill the Angels and keep him from having been sent back. Amy tries talking him out of it, but Rory defends the idea by reminding her that he has died and come back to life numerous times before. Amy decides to jump with Rory just as the Doctor and River reach the roof. Before the Doctor can stop Amy or Rory, the two jump from the roof, and embrace as they fall to their deaths. The paradox that Rory's death has created then begins to take effect.

The surviving Angel.

The group awake back in the cemetery in 2012 New York with the TARDIS, relieved to be alive, and the Doctor happily explains that Winter Quay's negation from the timeline by the paradox meant that they never went there in the first place. Rory complains that when they came to New York, he wanted to go to a pub. The Doctor decides they can all do that; a family outing. However, as everyone boards the TARDIS, Rory notices a gravestone with his name on it, and immediately vanishes; a surviving Angel has sneaked up behind Rory and sent him back in time, and the group notice that Rory's gravestone now reads that he was 82 years of age when he died.

Amy's Tearful Farewell.

The Doctor explains to a distraught Amy that he cannot go back for Rory; creating another paradox in New York will destroy the city. The Doctor attempts to unsher Amy back into the TARDIS, saying that they will figure something out to bring Rory back, but she asks him if she would end up at the same time and place as Rory if the Angel touched her, of which he cannot be certain. River, however, encourages her mother, believing her plan to be sound. Despite the Doctor's attempts to talk Amy out of it, his mother-in-law approaches the Angel. Amy holds her daughter's hand behind herself and addressing her by her birth name; Melody, tells her to take care of the Doctor. The Doctor tells Amy that by doing this, she will have created a fixed point in time and he will never see her and Rory again, but Amy assures the Doctor that she will be fine and live with Rory. The Doctor, in tears, begs her to come back into the TARDIS. Amy turns, crying, to the Doctor, and says, "Raggedy Man... goodbye," as the Angel sends her back with Rory. The Doctor sobs in agony as Rory's gravestone now also reads Amy's name and that she died aged 87.

Amy and Rory's gravestone.

In the TARDIS, River comforts the Doctor, knowing that he can never see Amy and Rory again. The Doctor apologises to River, as Amy and Rory were her parents. River says that it's okay and strictly reminds the Doctor not to travel alone. He then asks her to travel with him and River says she'd be more than willing to share adventures with him, but not all the time; "one psychopath per TARDIS." Heading up to a room to begin writing the book, River tells the Doctor that while he may not listen to her, he may listen to Amy. After giving her the story for publishing, she'll make sure Amy leaves a message for him in the book's afterword.

The Doctor remembers that he tore out the last page from the book and rushes back to Central Park immediately after their picnic. The Doctor grabs the page and reads Amy's message: "Afterword, by Amelia Williams. Hello, old friend, and here we are. You and me, on the last page. By the time you read these words, Rory and I will be long gone, so know that we lived well, and were very happy. And, above all else, know that we will love you, always. Sometimes, I do worry about you though; I think, once we're gone, you won't be coming back here for a while, and you might be alone, which you should never be. Don't be alone, Doctor."

Amelia as the Doctor fulfils her elder self's final request.

Amy has just one more request from her "Raggedy Doctor"; to go back to her seven-year-old self sitting in the garden and tell her a story: "And do one more thing for me: there's a little girl, waiting in a garden; she's going to wait a long while, so she's going to need a lot of hope. Go to her. Tell her a story. Tell her that, if she's patient, the days are coming that she'll never forget. Tell her she'll go to sea and fight pirates, she'll fall in love with a man who'll wait two thousand years to keep her safe. Tell her she'll give hope to the greatest painter who ever lived, and save a whale in outer space."

The Doctor appears to honour Amy's request as young Amelia is seen waiting for him in the garden and looks up as the sound of the TARDIS is heard; as this happens, Amy finishes the story by narrating "Tell her: This is the story of Amelia Pond — and this is how it ends."

Cast[[edit] | [edit source]]

Uncredited Cast[[edit] | [edit source]]

Crew[[edit] | [edit source]]

General production staff

Script department

Camera and lighting department

Art department

Costume department

Make-up and prosthetics

Movement

Casting

General post-production staff

Special and visual effects

Sound



Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.


Uncredited crew[[edit] | [edit source]]

Stargate Studios[[edit] | [edit source]]

The Mill[[edit] | [edit source]]

Worldbuilding[[edit] | [edit source]]

Buildings[[edit] | [edit source]]

Cars and trucks[[edit] | [edit source]]

  • The Doctor adjusts his hair before exiting the TARDIS, using a brass plaque as a mirror. The plaque reads "Type FD 12 MK V11 Rolls Royce Motors Crewe England". It has a space in which to list a NATO stock number.

Companies[[edit] | [edit source]]

Foods and beverages[[edit] | [edit source]]

Individuals[[edit] | [edit source]]

Sports from the real world[[edit] | [edit source]]

Cultures[[edit] | [edit source]]

  • Amy plays Pooh Sticks on the bridge in Central Park.

TARDIS[[edit] | [edit source]]

Theories and concepts[[edit] | [edit source]]

  • By changing his future and creating a paradox Amy and Rory's actions wipe out the Angels' Winter Quay building.

Time[[edit] | [edit source]]

  • The Doctor says that there are significant time distortions around New York City.
  • If someone learns of their personal future by reading about it, it becomes a fixed point in time and therefore cannot be changed.
  • Due to the paradox created by Amy and Rory, the Doctor cannot travel back in time to visit them without destroying New York.

Timeline[[edit] | [edit source]]

  • The Doctor visits China in 221 BC to have a message placed on a vase to alert River.

Story notes[[edit] | [edit source]]

The Angels Take Manhattan Character Options playset
  • In-universe, Melody Malone: Private Detective in Old New York Town is written by River Song based on what happened to her in New York just before and during the events of TV: The Angels Take Manhattan. PROSE: The Angel's Kiss: A Melody Malone Mystery is an e-book tie-in novel, written by Justin Richards, that segues into the events of River's book and TV: The Angels Take Manhattan. It was released on 4 October 2012.[3][4]
  • This is the first episode to feature River Song that is neither part of a two-parter nor at least preceded by a cameo appearance of River in the previous episode.
  • This story features the last appearance of the Matt Smith title sequence that debuted in The Eleventh Hour [+]Loading...["The Eleventh Hour (TV story)"]. Beginning with The Snowmen [+]Loading...["The Snowmen (TV story)"], a new title sequence was used, and overall this is the last revived series Doctor Who story title sequence to feature only the time vortex - a concept which had been used since 2005.
  • Similarly, this episode features the last usage of the TARDIS console room that debuted in The Eleventh Hour [+]Loading...["The Eleventh Hour (TV story)"].
  • It was the last episode in which the theme music included the counter-melody known as "the chase" until The Star Beast [+]Loading...["The Star Beast (TV story)"] more than a decade later.
The Doctor Who logo with its Statue of Liberty texture.
  • As with all of the Series 7 part 1 episodes, this episode has individually stylized opening credits: the time vortex appears blue and grey and the Doctor Who logo resembles the Statue of Liberty in colour and pattern.
  • Amy asks the Doctor to return to meet a young Amelia Pond the morning after he left her waiting in the garden in The Eleventh Hour [+]Loading...["The Eleventh Hour (TV story)"] to tell her about the adventures they will have together. The older Amy was dreaming about that morning when the Doctor came back to pick her up the night before her wedding at the end of The Eleventh Hour [+]Loading...["The Eleventh Hour (TV story)"]. Steven Moffat said of the scene, "After showing Amelia Pond in the garden as a young girl in The Eleventh Hour, Karen's first episode, the final shot in Saturday's The Angels Take Manhattan is a punchline I have been waiting to tell for two and a half years."
  • The text inside Melody Malone: Private Detective in Old New York Town is visible for a second just after the Doctor and Amy bounce off 1938 and land in the graveyard. The book used in the episode is actually The Thin Man by Dashiell Hammett. Melody/River refers to her father as "the skinny guy" when describing his arrival in 1938. Hammett wrote hardboiled detective stories, and the film of one of them, The Maltese Falcon, is the original film noir, a genre which this episode pays extensive homage to.
  • A short teaser for the then-unnamed 2012 Christmas special was shown at the end of this episode, the first such teaser since the sneak peek at The Next Doctor [+]Loading...["The Next Doctor (TV story)"] at the end of Series 4 finale Journey's End [+]Loading...["Journey's End (TV story)"] four years before.
  • Prior to the airing of this episode, Steven Moffat posted a message on Twitter declaring his intentions to write Amy and Rory out of the series, stressing very seriously that it would mark a permanent end to their characters.
  • Chronologically, this was the last televised live-action story to feature Matt Smith dressed in the Eleventh Doctor's brown tweed jacket. He would appear in his purple cashmere jacket for the remainder of his tenure.
  • Matt Smith was asked by a fan at a convention why the Doctor can't go back and get a bus or a boat to New York to visit Amy and Rory in the past. He replied, "Because Moffat!"
  • Steven Moffat chose New York City as a setting after spending a family holiday there. He described the city as "a different backdrop" to shoot a Doctor Who story in, and made use of its architecture. Caroline Skinner felt that the location "has such scale and romance" which "[gave] the episode a real atmosphere and a very different tone for Doctor Who".
  • Originally, the Daleks were the focus on Amy and Rory's departure. Steven Moffat decided that the Weeping Angels fit the story better and Asylum of the Daleks [+]Loading...["Asylum of the Daleks (TV story)"] became the season premier.
  • Karen Gillan and Arthur Darvill both wanted to leave the show in manner that would be effectively permanent. Neither of them wanted to undercut the emotion of their farewell by establishing a revolving door of return appearances, as had become common for companions in recent years.
  • Early drafts saw the Angels' time manipulation at Winter Quay depicted in a more complex fashion, with multiple versions of both Rory and Sam Garner present at different ages.
  • When the TARDIS was unable to materialise in New York, it was shunted back in time to the Viking era.
  • The man who hired Garner to investigate Winter Quay was originally a scared gentleman named Nathan; when he was replaced with Julius Grayle, the collector's surname was derived from characters in the 1940 Raymond Chandler novel Farewell, My Lovely.
  • The young girl Garner saw in the window at Winter Quay was to have been looking out at an old woman, who was actually her future self.
  • Originally, the item made in ancient China at the Doctor's request was a TARDIS-shaped puzzle box; River discovered it amongst Grayle's collection and stored her vortex manipulator inside. The Doctor then located the puzzle box in a museum in the twenty-first century, and used the vortex manipulator to travel to 1938 New York.
  • The Chinese foreman reappeared later in the script: Grayle was transported back to his workshop by the Weeping Angels, and was put to work making the very items he had collected as antiques. In the final version, this element was replaced by the revelation that Grayle wound up as a slave during the Renaissance, as depicted in one of his paintings; however, this was ultimately dropped during editing.
  • The episode formed Block Two of season seven alongside Asylum of the Daleks [+]Loading...["Asylum of the Daleks (TV story)"]
  • Early in pre-production, Nick Hurran travelled to New York City to hunt for locations. One of the places he visited was Central Park, where he photographed Bethesda Fountain, which had as its centrepiece the sculpture of a tall angel, known as the Angel of the Waters, and this figure was surrounded by four smaller cherubs which represented peace, health, purity and temperance. Upon spotting this picture back in Cardiff, Steven Moffat was inspired to create the new breed of cherub-shaped Weeping Angels, as he felt that their design was particularly unsettling.
  • Steven Moffat stated he felt "tremendous pressure" writing Amy and Rory's ending, especially given Karen Gillan and Arthur Darvill's preference for the event to feel irreversible. He later revealed that he "completely changed" the ending as he was writing it, feeling the emphasis was wrong. During rewrites Moffat went back and forth deciding whether or not Amy and/or Rory should live or die. He eventually decided that death would complement the storyline involving the "old, sentimental" and "dangerous" characterisation of the Doctor. He was ultimately guided by a scene he had seeded into The Eleventh Hour [+]Loading...["The Eleventh Hour (TV story)"] where the young Amelia Pond hearing the TARDIS materialise after spending all night waiting in her back garden, despite the fact that it had already been established that the Doctor didn't return to Amy for twelve years. Moffat decided that Amy and Rory would become temporally isolated from the Doctor, but would still thrive and grow old together in New York. He felt that this fate best encapsulated the emotions of their journey together, and the optimism expressed by young Amelia's all-night vigil.
  • The first scene to be filmed was the effects shot of Amy and Rory falling from the roof of Winter Quay. It was filmed in a car park in Cardiff, with a greenscreen standing in for the New York skyline. To create the effect of the two plunging down, Karen Gillan and Arthur Darvill were suspended upside-down by wires and raised and lowered.
  • Karen Gillan insisted on reading Amy's afterword in the Melody Malone book to Matt Smith when his reaction was filmed. They were not expecting it to be in front of a crowd in Central Park, and Smith said he had to "treat this like a play". Because the content was so secret, Gillan had to read very quietly and Smith could not hold the real page because a spectator might take a picture of it. Gillan found that she only had one page of the script, and had to improvise the rest.
  • Although the Central Park recording had attracted considerable attention, the production team was flabbergasted to discover more than one thousand fans waiting for them at Tudor City, a crowd which, fortunately, turned out to be largely cooperative.
  • A significant trim in post-production involved the Doctor and Amy reflecting on how much time was passing between the Time Lord's visits. Steven Moffat had now come to feel that the sentiment was more elegantly conveyed in The Power of Three [+]Loading...["The Power of Three (TV story)"], and therefore needed less emphasis.
  • Karen Gillan stated that she wanted to go "on a high when the character was at her prime" and to "go with everything that she wants".
  • Steven Moffat said that since the Angels had debuted in Blink [+]Loading...["Blink (TV story)"], fans had suggested that the Statue of Liberty could be a Weeping Angel.
  • Karen Gillan refused to read the script for a few weeks after she received it because she "didn't want to make it real". She said in an interview, "I literally couldn't read it without crying. It was the most highly-charged read-through I've ever experienced. But I couldn't have asked for a better exit. I don't think it'll be what people expect."
  • Matt Smith and Karen Gillan got very emotional filming the final graveyard scene.
  • The week spent filming in the city was done by a "small unit by American standards" according to Marcus Wilson. They did not take any props of Angels or the TARDIS, which were instead added in post-production.
  • Alex Kingston didn't accompany the production to New York and all of her scenes were filmed in Cardiff.
  • During post-production, the New York skyline was inserted into the cemetery scenes.
  • The Doctor musing that he could never take the TARDIS back to 1938 New York was added later in production, requiring an extra day's filming at Box Cemetary. Nick Hurran was unavailable, so Saul Metzstein stepped in to direct.

Ratings[[edit] | [edit source]]

  • 7.82 million viewers (UK final)[5]

Rumours[[edit] | [edit source]]

Filming locations[[edit] | [edit source]]

Production errors[[edit] | [edit source]]

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
  • The Photoshoot PA who was credited did not appear in this episode but instead appeared in Asylum of the Daleks [+]Loading...["Asylum of the Daleks (TV story)"].
  • When the Doctor rips out the last page of his book, the shot shows that the page that was torn out was actually from the middle of the book.
  • Just after Amy and Rory jump off the roof of Winter Quay, and the Doctor is looking down at them, River is in the background standing normally, looking at the Doctor. In the very next shot, she is leaning on the ledge, looking down at Amy and Rory.
  • As the Doctor examines River's broken wrist, she says it is "pretty bad, too". In this shot, the Doctor has his mouth open as if showing the pain of seeing her hand. But in the next shot, his mouth is closed.
  • When Amy and the Doctor leave the car and enter Winter Quay, they leave River behind, but in a couple of shots later, she is back in the lift with them.
  • During the final graveyard scene, the actress playing the Weeping Angel clearly has small hairs and fuzz on her body make-up.
  • During the final graveyard scene, Rory is only wearing a hoodie over his shirt. When they first wake up, he's wearing a jacket over the hoodie that he had been wearing the entire episode.
  • When the Doctor retrieves the ripped out page to read, it clearly says "by Amelia William", misspelling Amy's name. The voiceover and gravestone are both correct with "Williams".
  • Cobalt blue dye in Chinese vase only became prevalent in AD era Yuan dynasty while the craftsman's wear were in the final Qing dynasty's style.

Continuity[[edit] | [edit source]]

  • The Doctor had previously cut off his ties to the Ponds (TV: The God Complex [+]Loading...["The God Complex (TV story)"]) because he feared the alternative would be for him to eventually stand over their graves after they died - as comes to pass.
  • Despite the Doctor's claims that he can never see them again, he is proven wrong when Adam Mitchell kidnaps them to lure The Doctor into his hideout, where Amy and Rory get introduced to Clara. (COMIC: Endgame)
  • Amy Pond calls the Doctor "Raggedy man". (TV: The Eleventh Hour [+]Loading...["The Eleventh Hour (TV story)"], et al.)
  • The Doctor used some of his regenerative energy to repair River Song's hand. He did something similar when recharging the last power source in the TARDIS after it travelled to Pete's World. (TV: Rise of the Cybermen) River previously did the same for him in a more extreme way, saving his life and depleting all of her regenerative energy. (TV: Let's Kill Hitler [+]Loading...["Let's Kill Hitler (TV story)"]) Exactly how he possesses the regenerative energy needed to heal her wrist is unclear, as The Time of the Doctor [+]Loading...["The Time of the Doctor (TV story)"]reveals the Doctor's current incarnation is his thirteenth, and that he has already used up all his regenerations, although it's possible that Time Lords still possess some energy whilst in their thirteenth incarnation, as Azmael was able to start a thirteenth regeneration, yet did not have enough energy to carry it through completely. (TV: The Twin Dilemma)
  • In response to the Doctor healing her hand, River exclaims, "You embarrass me!" much as the Doctor previously said to her. (TV: The Wedding of River Song [+]Loading...["The Wedding of River Song (TV story)"]) She also tests out the healed wrist by spitefully slapping the Doctor, leaving him with an astonished, gaping expression once again. (TV: The Impossible Astronaut [+]Loading...["The Impossible Astronaut (TV story)"])
  • The afterword Amy wrote in Melody Malone: Private Detective in Old New York Town was a message for the Doctor, which made reference to various adventures the Doctor and Amy had had together: saving a whale in space, (TV: The Beast Below [+]Loading...["The Beast Below (TV story)"]) fighting pirates, (TV: The Curse of the Black Spot [+]Loading...["The Curse of the Black Spot (TV story)"]) inspiring a great artist, (TV: Vincent and the Doctor [+]Loading...["Vincent and the Doctor (TV story)"]) and falling in love with a man who would wait two thousand years for her. (TV: The Big Bang [+]Loading...["The Big Bang (TV story)"])
  • Amy asks the Doctor to return to meet a young Amelia Pond the morning after he left her waiting in the garden to tell her about the adventures they will have together. The older Amy was dreaming about that morning when the Doctor came back to pick her up the night before her wedding. (TV: The Eleventh Hour [+]Loading...["The Eleventh Hour (TV story)"])
  • River mentions that she was pardoned from prison because the man she killed never existed. (TV: The Impossible Astronaut [+]Loading...["The Impossible Astronaut (TV story)"], The Wedding of River Song [+]Loading...["The Wedding of River Song (TV story)"]) Oswin erased the Doctor from the Daleks' memories in TV: Asylum of the Daleks [+]Loading...["Asylum of the Daleks (TV story)"]. The conversation between River and the Doctor (and the fact that Solomon couldn't find info about the Doctor or his TARDIS (TV: Dinosaurs on a Spaceship [+]Loading...["Dinosaurs on a Spaceship (TV story)"]) implies the Doctor is responsible for the other erasures, as he was "getting too big". One of these erasures was indeed caused by him, involving a memory-proofing of all the Inforarium data archives about him. (HOMEVID: The Inforarium)
  • River says that she is a professor now. (TV: Silence in the Library [+]Loading...["Silence in the Library (TV story)"])
  • While on the roof contemplating jumping, Rory makes a reference to his history of having died multiple times and coming back to life each time. (TV: Amy's Choice [+]Loading...["Amy's Choice (TV story)"], Cold Blood [+]Loading...["Cold Blood (TV story)"], The Curse of the Black Spot [+]Loading...["The Curse of the Black Spot (TV story)"], The Doctor's Wife [+]Loading...["The Doctor's Wife (TV story)"])
  • The Doctor sent a coded message to River from the past ("Yowzah" in Chinese), as River had done with him on Planet One (which was itself a relay of Vincent van Gogh's message in his painting, The Pandorica Opens), (TV: The Pandorica Opens [+]Loading...["The Pandorica Opens (TV story)"]) through the black box of the Byzantium, (TV: The Time of Angels [+]Loading...["The Time of Angels (TV story)"]) and as she and/or Amy did via the Melody Malone book.
    • Amy and Rory - and presumably unwittingly, River - likewise contacted the Doctor through a message in the past. (TV: Let's Kill Hitler [+]Loading...["Let's Kill Hitler (TV story)"]) Amy left the Doctor a message at his instruction (TV: The Lodger [+]Loading...["The Lodger (TV story)"], The Big Bang [+]Loading...["The Big Bang (TV story)"]). The Doctor also waved to Amy and Rory from the past in a movie. (TV: The Impossible Astronaut [+]Loading...["The Impossible Astronaut (TV story)"])
  • The Doctor uses the extractor fans once more. (TV: Let's Kill Hitler [+]Loading...["Let's Kill Hitler (TV story)"])
  • River tells Amy that the Doctor doesn't like to see his companions age. The Doctor once indicated the same. (TV: School Reunion [+]Loading...["School Reunion (TV story)"])
  • Amy again encounters the Weeping Angels. (TV: The Time of Angels [+]Loading...["The Time of Angels (TV story)"]/Flesh and Stone [+]Loading...["Flesh and Stone (TV story)"], TV: Good as Gold, PROSE: Touched by an Angel and PROSE: Magic of the Angels). If the 'fake' angel that was generated as a representative of Gibbis' worst fear is taken into consideration then it would be her fifth encounter with them. (TV: The God Complex [+]Loading...["The God Complex (TV story)"])
  • When trying to materialise in 1938, the TARDIS makes the same malfunctioning sound it has made previously. (TV: Spearhead from Space, The Eleventh Hour [+]Loading...["The Eleventh Hour (TV story)"], The Wedding of Sarah Jane Smith)
  • While in this episode a paradox leads to the Angels' destruction, in PROSE: Touched by an Angel, the Angels try to create a paradox to feed. Since zapping a person into the past creates a paradox, it seems there are good and bad paradoxes. Good paradoxes involve the creation of time energy and alternate realities through transporting people through time, while bad ones change the timeline of the Angels, poisoning their food.
  • River encourages Amy to go ahead with her plan to join Rory in the past. River was in New York City in 1969 at an earlier point in her adult life, before she was pardoned. (TV: Day of the Moon [+]Loading...["Day of the Moon (TV story)"])
  • The Doctor stated that he liked the picture on the cover of Melody Malone, unaware that it was a drawing of his wife and her décolletage. (TV: The Wedding of River Song [+]Loading...["The Wedding of River Song (TV story)"])
  • Melody/River is depicted on the book cover blowing the powder smoke from the muzzle of her revolver, just as she did in front of the Doctor upon shooting his Stetson, although her wrist is not rotated as it was in the earlier occurrence. (TV: The Impossible Astronaut [+]Loading...["The Impossible Astronaut (TV story)"])
  • Just before Rory and Amy are sent back in time from the cemetery, River asks the Doctor if the bulb atop the TARDIS needs changing, to which he replies that he just changed it. (Webcast: Pond Life, Part 5) She will later be distracted out of the TARDIS by the Doctor (earlier in his life) asking her to check the bulb. (HOMEVID: Last Night) One of the questions which River's mother, Amy, rattled off when first stepping aboard the TARDIS is if the bulb on top ever needed changing. (TV: Meanwhile in the TARDIS 1)
  • Amy's married name is seen on her gravestone. She had previously signed a divorce document as Amy Williams. (TV: Asylum of the Daleks [+]Loading...["Asylum of the Daleks (TV story)"])
  • Melody Malone's lipstick is described as being "combat ready". Melody/River had used an extremely poisonous lipstick in an attempt to kill the Doctor. (TV: Let's Kill Hitler [+]Loading...["Let's Kill Hitler (TV story)"]) She used hallucination lipsticks against a corrections officer, one or more Roman centurion(s), and a Byzantium guard. (TV: The Pandorica Opens [+]Loading...["The Pandorica Opens (TV story)"], The Time of Angels [+]Loading...["The Time of Angels (TV story)"]) Sarah Jane Smith used sonic lipsticks. (TV: Invasion of the Bane, Enemy of the Bane)
  • While the Doctor is reading his book, Amy is reading the New York Record. (TV: Daleks in Manhattan [+]Loading...["Daleks in Manhattan (TV story)"])
  • Amy is surprised that the Doctor wants to do a final check before exiting the TARDIS; on her first trip to another planet, the Doctor ignored warnings to do environment checks, rattling off information about the planet's atmosphere. (TV: The Time of Angels [+]Loading...["The Time of Angels (TV story)"])
  • River says, "There's a car up front. Should we steal it?". She stole both a bus and a car as Mels. (TV: Let's Kill Hitler [+]Loading...["Let's Kill Hitler (TV story)"])
  • Rory has been sent back in time by the Weeping Angels once before. However, that time he managed to reunite with the Doctor, Amy and his slightly past-self a month after arrival as they had travelled to that time shortly before his displacement. He was able to use his time in the past to set up the trap that defeated the Weeping Angels. (PROSE: Touched by an Angel)
  • The Doctor pleads with Amy to, "Come along, Pond, please!" instead of getting touched by the Weeping Angel. (TV: Victory of the Daleks [+]Loading...["Victory of the Daleks (TV story)"], The Big Bang [+]Loading...["The Big Bang (TV story)"], Death of the Doctor, A Christmas Carol [+]Loading...["A Christmas Carol (TV story)"], Let's Kill Hitler [+]Loading...["Let's Kill Hitler (TV story)"], Closing Time [+]Loading...["Closing Time (TV story)"])
  • The Doctor has previously said "Yowza", his ganger counterpart questioning the usage of said word. (TV: The Almost People [+]Loading...["The Almost People (TV story)"])
  • The Doctor previously encountered the Weeping Angels in New York, in his eighth incarnation. (AUDIO: The Side of the Angels)
    • The Eleventh Doctor mentions, that he always rips out the last page of the book. A long time ago, while browsing through the TARDIS library, the already mentioned Eighth Doctor finds Agatha Christie's "The Murder of Roger Ackroyd" with the last page missing, and says: "Now I'll never know who'd done it". (AUDIO: Storm Warning)

Home video releases[[edit] | [edit source]]

Series 7, part 1 DVD cover.

DVD and Blu-Ray releases[[edit] | [edit source]]

  • The Angels Take Manhattan, along with the rest of the first half of the series (episodes one through to five) was released as Series 7 Part One on DVD and Blu-ray in region 1/A on 13 November 2012, in region 2/B on 29 October 2012 and in region 4/B on 14 November 2012.
  • Also, this episode was released as part of the Complete Seventh Series boxset on DVD and Blu-ray in region 1/A on 24 September 2013, in region 2/B on 28 October 2013 and in region 4/B on 30 October 2013.

Digital releases[[edit] | [edit source]]

  • In the United Kingdom, this story is available on BBC iPlayer.

External links[[edit] | [edit source]]

Footnotes[[edit] | [edit source]]

  1. ↑ Fox was erroneously credited for The Angels Take Manhattan instead of Asylum of the Daleks [+]Loading...["Asylum of the Daleks (TV story)"], where he actually played "Photoshoot PA".
  2. ↑ 2.0 2.1 2.2 Failes, Ian (22 May 2013). Doctor Who: Stargate’s adventures in time. fxguide. Retrieved on 20 November 2018.
  3. ↑ http://www.sfx.co.uk/2012/09/27/doctor-whos-first-e-book-exclusive-inspired-by-the-angels-take-manhattan/
  4. ↑ http://www.doctorwhonews.net/2012/09/melody-malone-270912171508.html
  5. ↑ Doctor Who Ratings - UK final
  6. ↑ Peter Dyke; Katie Begley (30 July 2012). DOCTOR WHO: WHAT A LIBERTY. Daily Star. Retrieved on 29 September 2012.
v • e
Doctor Who television stories
 
Seasons 1-4: William Hartnell
Season 1: 1963-1964
Season 2: 1964-1965
Season 3: 1965-1966
Season 4: 1966
 
Seasons 4-6: Patrick Troughton
Season 4: 1966-1967
Season 5: 1967-1968
Season 6: 1968-1969
 
Seasons 7-11: Jon Pertwee
Season 7: 1970
Season 8: 1971
Season 9: 1972
Season 10: 1972-1973
Season 11: 1973-1974
 
Seasons 12-18: Tom Baker
Season 12: 1974-1975
Season 13: 1975-1976
Season 14: 1976-1977
Season 15: 1977-1978
Season 16: 1978-1979
Season 17: 1979-1980
Season 18: 1980-1981
 
Seasons 19-21: Peter Davison
Season 19: 1982
Season 20: 1983
Children in Need 1983
Season 21: 1984
 
Seasons 21-23: Colin Baker
Season 21: 1984
Season 22: 1985
Season 23: 1986
 
Seasons 24-26: Sylvester McCoy
Season 24: 1987
Season 25: 1988-1989
Season 26: 1989
 
TV Movie & 2013 specials: Paul McGann
TV Movie: 1996
Specials: 2013
Minisodes
 
Series 1: Christopher Eccleston
Series 1: 2005
Regular episodes
 
Series 2-4: David Tennant
Series 2: 2005-2006
Minisode
Christmas Special
Regular episodes
Series 3: 2006-2007
Christmas Special
Regular episodes
Animated special
Series 4: 2007-2010
Minisode
Christmas Special
Regular episodes
Minisodes
Animated special
Seasonal specials
 
Series 5-2013 specials: Matt Smith
Series 5: 2010
Regular episodes
Series 6: 2010-2011
Christmas Special
Minisodes
Regular episodes
(Part 1: Apr 2011)
Regular episodes
(Part 2: Aug 2011)
Minisode
Series 7: 2011-2013
Christmas Special
Minisodes
Regular episodes
(Part 1: 2012)
Minisode
Christmas Special
Regular episodes
(Part 2: 2013)
Specials: 2013
 
Series 8-10: Peter Capaldi
Series 8: 2014
Regular episodes
Series 9: 2014-2015
Christmas Special
Minisode
Regular episodes
Christmas Special
Series 10: 2016-2017
Christmas Special
Regular episodes
Christmas Special
 
Series 11-13: Jodie Whittaker
Series 11: 2018-2019
Regular episodes
New Year Special
Series 12: 2020-2021
Regular episodes
New Year Special
Series 13: 2021
Minisodes
Regular episodes
Seasonal specials
 
60th Anniversary Specials: David Tennant
Specials: 2023
Minisodes
60th Anniversary Specials
 
Season 1 (2023)-present: Ncuti Gatwa
Season 1: 2023-2024
Christmas Special
Regular episodes
v • e
Weeping Angel sources
For the purposes of this list, a "Weeping Angel story" is one in which one living, authentic Weeping Angel plays a part within the confines of the story, outside of flashbacks to previous stories and cliffhangers that lead into the following story. For this reason, stories such as The Lost, The Halloween Apocalypse and Once, Upon Time are not counted due to the Weeping Angels' appearance being defined by their importance to following stories, while stories such as Survivors of the Flux are absent due to the Weeping Angels' only contribution being references to past Weeping Angel stories, and stories such as The God Complex are absent due to the Weeping Angels' only contribution being as illusions. Stories like Hell Bent and Revolution of the Daleks are also not included due to the Weeping Angels' appearance being restricted to a single scene of no consequence to the plot of the story.
Television
Webcast
Audio
Prose
Comics
Video games
Stage plays
Exhibits
Complete list of appearances
Retrieved from "https://tardis.wiki/w/index.php?title=The_Angels_Take_Manhattan_(TV_story)&oldid=3846339"