Deep Breath (TV story): Difference between revisions

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* Strax mentions using deadly acid again. ([[TV]]: ''[[The Crimson Horror (TV story)|The Crimson Horror]]'')
* Strax mentions using deadly acid again. ([[TV]]: ''[[The Crimson Horror (TV story)|The Crimson Horror]]'')
* When Clara sees the improved console room, she says, "You've redecorated... I don't like it." This was said verbatim by both the [[Second Doctor|Second]] and [[Tenth Doctor]]s at the sight of new TARDIS console designs. ([[TV]]: ''[[The Three Doctors (TV story)|The Three Doctors]]'', ''[[The Day of the Doctor (TV story)|The Day of the Doctor]]'')
* When Clara sees the improved console room, she says, "You've redecorated... I don't like it." This was said verbatim by both the [[Second Doctor|Second]] and [[Tenth Doctor]]s at the sight of new TARDIS console designs. ([[TV]]: ''[[The Three Doctors (TV story)|The Three Doctors]]'', ''[[The Day of the Doctor (TV story)|The Day of the Doctor]]'')
* When the Doctor asks Clara to continue travelling with him, she answers, "I'm sorry. I'm so, so sorry." The phrase was spoken often by the [[Tenth Doctor]].
* The Doctor wishes he had more "[[Roundel|round things]]" in his updated control room. ([[TV]]: ''[[The Day of the Doctor (TV story)|The Day of the Doctor]]'') He remembers he "[[First Doctor|had many round things once]]" and wonders where he put them.  
* The Doctor wishes he had more "[[Roundel|round things]]" in his updated control room. ([[TV]]: ''[[The Day of the Doctor (TV story)|The Day of the Doctor]]'') He remembers he "[[First Doctor|had many round things once]]" and wonders where he put them.  
* Clara's first and last interactions with the Eleventh Doctor are over the phone. ([[TV]]: ''[[The Bells of Saint John (TV story)|The Bells of Saint John]]'')
* Clara's first and last interactions with the Eleventh Doctor are over the phone. ([[TV]]: ''[[The Bells of Saint John (TV story)|The Bells of Saint John]]'')

Revision as of 04:27, 24 August 2014

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Deep Breath was the first episode of the eighth series of Doctor Who produced by BBC Wales. After a brief cameo in The Day of the Doctor and a short appearance at the end of The Time of the Doctor, this episode marks the full first appearance of Peter Capaldi as the Twelfth Doctor. It also saw the last regular appearance of Matt Smith as the Eleventh Doctor in a surprise cameo set directly before his regeneration.

Following the success of the theatrical simulcast of The Day of the Doctor on 23 November 2013, this premiere episode also received a release, simultaneous with its broadcast on television, in cinemas across the world.

Synopsis

When the Doctor arrives in Victorian London he finds a dinosaur rampant in the Thames and a spate of deadly spontaneous combustions.

Plot

to be added

Cast

Crew

to be added

References

  • The Doctor accidentally brings Clara to Glasgow.
  • In his confusion, the Doctor thinks Clara is the regeneration of Handles.
  • The Doctor is asked to buy Coffee for his companion, a similar scene occured in The End of the World where Rose asks The Doctor to buy Chips, both scenes The Doctor states he has no money.

The Doctor

  • The Doctor speaks both Dinosaur and Horse.
  • The Doctor enhances the TARDIS control room with furnishings such as a chalkboard, bookshelves, and a recliner. He also changes the cold blue neon piping in the time rotor to a warmer amber, adding an ambient feel to the console room.

Story notes

Specific to theatrical presentation

Common among all versions

The Hanshaw Title Sequence

  • This episode saw the debut of a new title sequence designed by Billy Hanshaw after executive producer Steven Moffat saw a video of his conceptual Doctor Who titles sequence on YouTube and decided to draft him aboard to do a professional version of his sequence. The new titles features a vast expanse of golden-bronze clock gears whizzing by in empty space, and then the TARDIS flying through a tunnel of Roman numeral clock face numbers spiraling into a literal depiction of a time vortex with glowing engravings of circular Gallifreyan. The TARDIS passes across the screen in a way very similar to the Series 1 title sequence as the TARDIS jumped from the blue to red time vortex, and then launches past a group of planets. Peter Capaldi's piercing eyes are shown, rather than a full insert of the actor's face.
    • Moffat replied in an interview, I happened across it [the title sequence], and it was the only new title idea I'd seen since 1963. We got in touch with him, and said, 'OK, we're going to do that one.'" Billy Hanshaw responded, "I had to pinch myself because I didn't know if it was really happening. It's one of those stories about people putting something on YouTube - it's usually a musician this happens to. They put a performance on there and they get picked up by a label. It's a similar kind of story. I thought, these things don't generally happen."[1]

Ratings

to be added

Filming locations

to be added

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

You can see the end of Vastra's mask in the opening scenes.

Continuity

Home video releases

to be added

External links

to be added

Footnotes