Dust Breeding (audio story)

Dust Breeding
Script release:	The Audio Scripts: Volume Two
Doctor:	Seventh Doctor
Companion(s):	Ace, Bev
Main enemy:	Krill, The Decayed Master, Warp Core
Main setting:	Duchamp 331, 26th century
Key crew
Publisher:	Big Finish Productions
Writer:	Mike Tucker
Director:	Gary Russell
Producer:	Jason Haigh-Ellery and Gary Russell
Music:	Russell Stone
Sound:	Gareth Jenkins
Cover by:	Clayton Hickman
Release details
Number of parts:	4
Release number:	21
Release date:	18 June 2001
Format:	2 CDs Download
Production code:	7T
ISBN:	ISBN 978-1-90365-433-0 (physical); ISBN 978-1-84435-714-7 (digital)
Official trailer
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Main Range
← Previous	Loups-Garoux
Next →	Bloodtide
Production order
← Previous	Bloodtide
Next →	The One Doctor

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Dust Breeding was the twenty-first story in Big Finish's monthly range. It was written by Mike Tucker and featured Sylvester McCoy as the Seventh Doctor, Sophie Aldred as Ace and Louise Faulkner as Bev Tarrant.

It also debuted in audio form the Master voiced by Geoffrey Beevers, who had last played the role in The Keeper of Traken in 1981. It also featured Caroline John, known to play the Third Doctor's companion Liz Shaw, playing another character.

Publisher's summary

On nineteenth-century Earth, artist Edvard Munch hears an infinite scream pass through nature. Centuries later, his painting of that Scream hangs in a gallery on the barren dust world Duchamp 331.

Why is there a colony of artists on a planet that is little more than a glorified garage? What is the event that the passengers of the huge, opulent pleasure cruiser 'Gallery' are hoping to see? And what is hidden in the crates that litter the cargo hold?

The Doctor's diary indicates that the painting is about to be destroyed in "mysterious circumstances", and when he and Ace arrive on Duchamp 331, those circumstances are well underway.

Plot

Part one

On 1920s Earth, two doctors discuss about one of their patients, Edvard Munch the painter, who claims to be haunted by a mysterious voice. One of the two doctors informs the other the painter managed to create a picture, The Scream, representing the voice, and now seems calmer.

Centuries later, the Doctor shows Ace a room in the TARDIS where he keeps works of art he claims to have "saved" from mysterious disappearances, and informs her they are on their way to perform another one of those "rescues". They are directed towards Duchamp 331, a desolate planet destined to be a pit stop, but also the place where an artist, Damien Pierson, has founded an art centre with a gallery in it. Inside the gallery, there is a copy of Munch's Scream - the painting the Doctor wants to get.

Meanwhile, another ship is directed towards Duchamp 331: a luxury cruise led by Madam Salvadori, a self-proclaimed art lover, and her right-hand man, Klemp. Amongst their many guests, members of the elites of the universe, there is also the mysterious and wealthy Mr. Seta, whose identity neither of them manage to ascertain, and which brought on board a mysterious cargo.

Upon their arrival, the Doctor and Ace come across a desolate scenario. Not only is Duchamp 331 nothing but a great sphere made of dust, but the refill station they land on has been ravaged quite recently. They find only one survivor, and bring him to the main station which houses the art gallery. Here they are reunited with Bev Tarrant, a previous acquaintance, and meet Guthrie, the station manager, and Damien himself, who explains his project. The Doctor sends Ace to take a look at the gallery, as he and Bev check upon the survivor.

Ace enters the gallery and finds the painting of The Scream, but as soon as she glances upon it, she hears a voice screaming into her head and runs away in fear. In the morgue, the Doctor and Bev cut open the corpse of the man they saved and discover it's entirely made of dust; as they still try to figure out what it means, the dust reanimates and attacks them.

Part two

The Doctor is able to slightly open a vent, ridding them of the dust and saving his and Bev's life. Guthrie also arrives to open the door of the morgue, escaping in time and avoid being attacked by dust too. Encouraged by the Doctor, Guthrie tells them about the death of his partner, years ago, when they were building the station: the dust attacked them, and his partner was killed. Bev is ready to dismiss the story as an invention, but the Doctor instead accepts it as true, and gathers the dust really is animated and someone controls it - probably Damien.

In the meantime, Ace has stumbled across Damien, looking on the Doctor and Bev being attacked by the dust. Discovered, Damien knocks her out and shuts her in the gallery, waiting for the entity whose voice he hears from years to make her "connected" with it. The Doctor reaches Damien in time in the gallery and takes her place, connecting himself with the entity inside The Scream; at the same time, following the Doctor's instructions, Bev and Guthrie try planning an evacuation of the place.

Aboard Salvadori's ship, she and Klemp investigate the death of one of their guards, whom Seta killed as he approached his mysterious cargo. Seta threatens Salvadori of terrible consequences if they do not reach Duchamp 331 in time, but the woman, unfazed, orders Klemp and his men to open Seta's cargo. They find four eggs of unknown origin. Seta reaches for them and, using a device, causes the eggs to open, freeing four Krills who attack the crew. He also hypnotises Seta, who then reveals himself to be the Decayed Master.

Part three

The four Krills decimate the crew and the guests of Salvadori's luxury ship, while the Master keeps her and Klemp hostages, so that the ship remains on its course to Duchamp 331. He intends to arrive there and pit the Krills against the entity. On Duchamp 331, the entity is possessing the Doctor and talks through him to Ace, introducing himself as the Warp Core, a sentient weapon created by an ancient civilisation, later abandoned by its creators when they realised it was unstoppable. He found refuge on Earth, where he inspired and tortured Munch by acting upon his fears and obsessions, to the point Munch made a painting to trap him, and succeeded.

When the Doctor finally takes back his body, he realises the Warp Core has inspired and controlled Damien into gathering the colony of artists, whose minds he absorbed, getting enough power to control the entire planet and its dust. The Doctor confronts Damien, but the Warp Core has already gathered enough energy to free itself from the painting and take possession not only of Damien's mind, but of the whole planet. The Doctor, Bev and Ace barely managed to get out, the first one into the TARDIS, the other two on Bev's ship; Guthrie stays back to confront the dust to avenge his partner.

With Salvadori's ship in sight, all the survivors climb aboard, on two different levels. Bev and Ace come across a Krill (which the latter recognises from a previous adventure), while the Doctor stumbles upon the Master.

Part four

The Master tells the Doctor the Warp Core was created to fight against the Krills; it's the only being they fear. He is bringing them to Duchamp 331 hoping they will fight against each other, thus weakening the Core enough for the Master to shut the Warp Core inside his TARDIS. He already tried that by stealing The Scream painting, but the Warp Core proved impossible for him to subdue; the Master lost his Trakenite body in the fight, and was reduced to his previous "decayed" form.

Ace and Bev, together with Salvadori, reach the Doctor and the Master avoiding the Krills; on the way, Bev scares away a Krill apparently only by shouting at it. The Warp Core approaches them and recognises the Master, who claims to be behind his recollocation^[?] to Duchamp 331 (the planet of the Krills after the Core destroyed it), Damien's foundation of the art centre and Salvadori's cruise, and proposes him an alliance against the Krills. He tries to offer Salvadori's life as a pledge, but Klemp breaks the Master's hold on his mind long enough to save Salvadori and be killed in her place. The Warp Core refuses the Master's offer and tries to kill everyone.

The Doctor, Ace, Bev and Salvadori escape and try to reach the TARDIS at the lower levels of the ship. When Ace tells him about the Krill scared by Bev, the Doctor realises the dust on Bev's body frightens the Krills since it's a part of the Core's body. When they come across another Krill, Bev tries the trick again, but this time it does not work; only Salvadori's sacrifice allows the three of them to enter the TARDIS and save themselves from the Krill. Inside the TARDIS, the Doctor mentally contacts the Master and tries taking control of the dust to fight the Core, using also the energy from the Master's TARDIS. He eventually wins when, on the planet, Guthrie blows out his station with a lighter, engulfing the entire planet in a giant explosion and destroying the station and the Core.

The Doctor and Ace head back to Earth, visiting an art gallery to admire The Scream. The Doctor tells Ace the Core has been destroyed, but he is not sure whether the Master survived. He also gathers they have to bring Bev back to her own time - before she steals something from the museum they're in. Ace jokingly suggests the Doctor should take up collecting stamps instead in future.

Cast

• The Doctor - Sylvester McCoy
• Ace - Sophie Aldred
• Mr Seta / The Master - Geoffrey Beevers
• Madame Salvadori - Caroline John
• Bev Tarrant - Louise Faulkner
• Guthrie - Ian Ricketts
• Klemp / Ambassador - Mark Donovan
• Damien Pierson - Johnson Willis
• Jay Binks - Gary Russell
• Albert Bootle - Alistair Lock
• Skredsvig - Jez Fielder
• Maggie - Jane Goddard
• The Krill - Gareth Jenkins
• Lift Computer - Jacqueline Rayner
• Museum Announcer - Mark Wyman

Crew

• Cover Art - Clayton Hickman
• Director - Gary Russell
• Executive Producer - Jacqueline Rayner
• Music - Russell Stone
• Producers - Gary Russell and Jason Haigh-Ellery
• Sound Design - Gareth Jenkins
• Writer - Mike Tucker

Worldbuilding

• The Warp Core strips the Master's previous body, leaving only his original decaying Time Lord body.

Gallery

• 

  Original CD cover

• 

  Art by Lee Sullivan featured in DWM 306

• 

  Textless version of the DWM preview art

Notes

• This was the audio debut for Geoffrey Beevers as the Master, which also marked the first appearance of the character in an audio drama.
• An illustrated preview for this story featured DWM 306 illustrated by Lee Sullivan.
• This audio drama was recorded on 31 March and 21 and 22 April 2001 at the Moat Studios.
• The first two editions of aHistory dated this story to circa 4260, but the third edition redates it to circa 5257 in keeping with the redating of The Genocide Machine.
• Andy Hardwick's score to the story, alongside the scores to The Rapture and Bang-Bang-a-Boom! was released on the CD Music from the Seventh Doctor Audio Adventures.
• Big Finish Productions had invited Anthony Ainley to reprise his role of the Master, but were unable to reach a suitable deal with him. The Tremas Master was thus written out by having the Warp Core strip the Master of his previous body, leaving behind his previous emaciated form — thus allowing Geoffrey Beevers to take over the role.
• This story is placed between Survival and the 1996 TV Movie.
• This story was originally released on CD. It is now available as a download, as well as to stream on Spotify.

Continuity

• The Krill previously appeared in PROSE: Storm Harvest ^[+]Loading...["Storm Harvest (novel)"].
• Bev Tarrant last appeared in AUDIO: The Genocide Machine ^[+]Loading...["The Genocide Machine (audio story)"] and would later go on to appear in the Big Finish Productions Bernice Summerfield series.
• Due to Anthony Ainley's unavailability, this story introduces the plot device of the Tremas Master, contemporary of the Seventh Doctor as per TV: Survival ^[+]Loading...["Survival (TV story)"], being reverted to his previous incarnation, the Decayed Master, who debuted in TV: The Deadly Assassin ^[+]Loading...["The Deadly Assassin (TV story)"] played by Peter Pratt before returning in TV: The Keeper of Traken ^[+]Loading...["The Keeper of Traken (TV story)"] as the definitive, partially-healed form played by Geoffrey Beevers. Big Finish would carry on with this degenerated Beevers Master for a number of stories set in the Seventh Doctor's lifetime and beyond, starting with AUDIO: Master ^[+]Loading...["Master (audio story)"].
  • This plot point stood in contrast to PROSE: First Frontier ^[+]Loading...["First Frontier (novel)"]'s way of sequelising the events of Survival, where the Master gains a new regeneration cycle and regenerates into a perennial, healthy form, later conflated in PROSE: The Novel of the Film ^[+]Loading...["The Novel of the Film (novelisation)"] with the version of the Master who gets executed by the Daleks at the beginning of TV: Doctor Who ^[+]Loading...["Doctor Who (TV story)"]. Although not impossible to reconcile at a smaller scale, this was one of a growing number of discrepancies between the Big Finish Doctor Who audio stories and the timeline of events set out in the Virgin New Adventures, eventually leading to stillborn efforts in such stories as PROSE: Spiral Scratch ^[+]Loading...["Spiral Scratch (novel)"] and AUDIO: Zagreus ^[+]Loading...["Zagreus (audio story)"] to assert the ranges as representing different parallel universes altogether.
  • Earlier the same year, PROSE: The Quantum Archangel ^[+]Loading...["The Quantum Archangel (novel)"] had featured a prior, temporary instance of the Tremas Master being reverted to the Decayed Master during the Sixth Doctor's lifetime. Yet another, even earlier, likewise-undone reversion would go on to be featured some years later in the Fifth Doctor short story PROSE: The Velvet Dark ^[+]Loading...["The Velvet Dark (short story)"].
  • When referring to what has happened to him, the Decayed Master references his lost body's origin on the planet Traken as per TV: The Keeper of Traken ^[+]Loading...["The Keeper of Traken (TV story)"].
• In his art gallery, the Doctor has a copy of the Mona Lisa. He tells Ace the one in the Louvre has "This is a fake" written in felt tip. It is implied that the Doctor has the original. All of these elements reference the plot of TV: City of Death ^[+]Loading...["City of Death (TV story)"], where the Fourth Doctor got embroiled in Scaroth's time-active get-rich-scheme which involved getting Leonardo da Vinci to paint multiple copies of his ownr work so as to sell them for exorbitant amounts in the present day; the scheme was foiled when the Doctor cunningly wrote "This is a fake" in felt tip on all but one of the frames, ruining their value to the unscrupulous collectors to whom Scaroth hoped to sell them. The same joking suggestion that the original Mona Lisa was retained by Dr Who as a keepsake after these events of City of Death would recur in PROSE: Have You Seen This Man? ^[+]Loading...["Have You Seen This Man? (short story)"], where the Ninth Doctor returns to the Louvre and comments that he "prefers the original".
• The Master's TARDIS is once again in the form of a pillar, which it adopted many times in the Tremas Master's lifetime on television, including in TV: Logopolis ^[+]Loading...["Logopolis (TV story)"], TV: Castrovalva ^[+]Loading...["Castrovalva (TV story)"] and TV: Time-Flight ^[+]Loading...["Time-Flight (TV story)"].
• The Doctor has a sculpture constructed by "a Terileptil artist". The Terileptils debuted in TV: The Visitation ^[+]Loading...["The Visitation (TV story)"].
• The Master continues to use aliases themed around anagrams or translations of "Master", as first seen (alongside the character himself) in TV: Terror of the Autons ^[+]Loading...["Terror of the Autons (TV story)"] — this time adopting the name "Mr Seta".

External links

• Official Dust Breeding page at bigfinish.com
• Dust Breeding at the Doctor Who Reference Guide
• DisContinuity for Dust Breeding at Tetrapyriarbus - The DisContinuity Guide