The Big Bang (TV story)

The Big Bang (TV story)

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The Big Bang
Doctor:	[[doctor::Eleventh Doctor]]
Companion(s):	Amy Pond (resurrected) River Song (guest) Auton Rory/Rory Williams (resurrected, rejoins)
Main enemy:	Time Field Stone Dalek
Main setting:	Stonehenge, 102 Leadworth, 26 June 2010 Leadworth, Easter 1996 National Museum, London, 1996 Aickman Road, Colchester, 2010 The Byzantium, 51st century
Key crew
Writer:	Steven Moffat
Director:	Toby Haynes
Producer:	Peter Bennett
Release details
Story number:	212b
Release number:	Series 5
Premiere broadcast:	26 June 2010
Format:	1 55-minute episode
Production code:	5.13
Confidential:	[[confidential::Out of Time|Out of Time]]

For the event known as the Big Bang, see Event One.

The Big Bang was the thirteenth episode of Series 5 of Doctor Who, and concluded the story that began in The Pandorica Opens.

Synopsis

The Doctor is trapped in the Pandorica, the TARDIS has been destroyed, and silence has fallen. The only hope for all reality is a little girl who still believes in stars.

Plot

The Pandorica opens, revealing Amy Pond.

In 1996, Amelia Pond sits in her bedroom, praying to Santa Claus for help in mending the crack in her bedroom wall. Believing she has heard something in her back garden, she runs to her window, but sees that the garden is empty. Some time later, she presents a drawing that she has done of the night sky -- complete with stars and the moon -- to her psychiatrist, Christine. Christine gently explains to Amelia there are no stars; the night sky is devoid of all light apart from the moon. That night, Amelia overhears Christine and her aunt talking about her; as she eavesdrops at the top of the stairs, she sees a pamphlet advertising the National Museum slipped through the letterbox. There is a circle drawn around a notice of the Pandorica exhibit, as well as a note reading, "Come along, Pond.

Amelia and her aunt go to the museum. Amelia separates herself from her aunt and makes her way towards the Pandorica exhibit, passing a variety of strange machines on display. Arriving at the exhibit, Amelia sees that another note has been stuck to the face of the box. It reads, "Stick around, Pond." After the museum's close -- and Aunt Sharon's failure to find her -- Amelia returns to the Pandorica and sets a hand on it. Mechanisms on the face of the box begin to glow green. The Pandorica opens to reveal a fully grown and resurrected Amy Pond, who explains that this is where things get complicated.

In 102 A.D., a dead Amy Pond is cradled by the Auton Rory, who is comforting himself by telling her the story of how the universe ended. Suddenly, the Doctor appears in front of them; he tells Rory that he needs his help to bring Amy back. He gives Rory his sonic screwdriver, explaining that it will open the Pandorica, and asks him to put it in Amy's top pocket when he's finished with it; he disappears again.

Rory follows the Doctor's instructions, opening the Pandorica to release the current version of the Doctor, who deduces the Doctor who contacted Rory was a future version. Hearing of Amy's death, he orders Rory to put her inside the Pandorica; it is a prison so secure anyone inside cannot escape even by dying. However, to fully heal Amy, an external DNA supply is required, and the nearest one is still two thousand years away. He sets River's vortex manipulator for two thousand years in the future, but Rory opts to remain behind to protect the Pandorica; because he is still plastic, the Doctor warns him to avoid heat, radio waves, and trouble.

In the museum, Amy explores the Pandorica exhibit, discovering a video on the Lone Centurion -- a man in Roman armor who protected the Pandorica where it went. He was last seen in 1941, dragging the box away from an incendiary bomb. Amy realizes that the centurion was Rory, but there is little time for her to dwell on this; the restorative light within the Pandorica has reactivated a stone Dalek, which was part of the exhibition. Until it was touched by the light, the Dalek was merely an echo in time, left behind as a result of everything in the universe being erased. The Doctor appears, having used the vortex manipulator to travel straight to 1996; he and Amy reunite, but are shot at by the Dalek and forced to take cover with the young Amelia. A museum guard appears, and the Dalek deems it to be unarmed; however, the guard uncaps his hand, revealing a laser gun which he uses to disable the Dalek's weapon systems. Amy rejoices when she sees that the guard is, in fact, the Auton Rory.

File:Pandorica-Spoilers-5.jpg

The Stone Dalek comes to life.

The Doctor leads the group away from the Dalek and, with Rory's guidance, restores the timeline by traveling back to 102 A.D. and ordering that version of Rory to let him out of the Pandorica; additionally, he leaves the notes for Amelia, all of which lead her to this point. As they head for the roof, another version of the Doctor appears at the top of the stairs, obviously injured; he falls down the stairs and whispers something into the Doctor's ear before dying. The Doctor announces he has only twelve minutes to live. When Amy expresses confusion about what is happening, the Doctor draws her attention to Amelia's disappeared; the universe is still collapsing, things are being erased from existence, and the Doctor and his friends are temporarily alive because they stand at "the eye of the storm." The Dalek begins to reactivate, and the trio flees

On the building's roof, the Doctor's attention is drawn to the "sun" in the sky; the sun was erased with every other star in the universe. He deduces that the object keeping the Earth warm and providing it with its light is his TARDIS, exploding at every moment in history. Rory's enhanced hearing picks up a voice in the sky, which the Doctor amplifies with a satellite dish; it is River Song, whose last words -- "I'm sorry, my love" -- are being repeated over and over. The TARDIS's emergency protocols have locked the console room in a time loop to save her life. The Doctor uses her vortex manipulator to rescue her and bring her back to the roof, where the group is shot at by the regenerated Dalek and forced to retreat to the museum below.

Walking through the museum, the Doctor deduces that, along with the restoration field, the Pandorica contains a few billion atoms of the universe as it was, which explains how the Dalek was able to come back despite being erased from history. The Doctor formulates a plan involving these atoms, the restoration field, and the exploding TARDIS, but just as he is about to reveal it, he is shot by the Dalek, who has followed them. He uses the vortex manipulator to disappear; Amy and Rory know where he has ended up and go to him while River stays behind and shoots the Dalek dead, but not before forcing it to beg for mercy.

Downstairs, Amy and Rory are confused, The Doctor's body is not where they left it; River returns t0 remind them the Doctor lies, and they realize he had only pretended to die to distract them -- the Dalek weapon had not at full power, so the shooting wasn't fatal. The trio returns to the exhibit and finds the Doctor has strapped himself into the Pandorica; he plans to use the vortex manipulator to fly the box into the heart of the exploding TARDIS, which is exploding at every point in history. The explosion will release the atoms of the preserved universe, restoring it. River gravely admits that the plan will only work if the Doctor seals himself on the other side of the cracks; the entire universe will be restored apart from the Doctor, who will never have existed at all.

The Doctor and Amy say their goodbyes, the Doctor encouraging Amy to remember her parents -- who weren't killed when Amy was young, but consumed by the Time Field in her bedroom wall. He pilots the Pandorica into the explosion and resets the universe ,,, and sits up on the floor of the TARDIS console room. He believes that he has survived being erased -- until he sees Amy and himself from a week before, when they were traveling to Space Florida. He calls to Amy, and while she appears to hear him, she cannot see him. His life rewinds further; he ends up in a street in Colchester, watching Amy leave a note for him underneath Craig's advertisement for a new lodger. She still cannot see him. This time, the Doctor notices a crack in the road behind him, sealing itself.

Next, he rewinds to the Byzantium; he approaches Amy -- whose eyes are closed to avoid being killed by the Weeping Angel -- and encourages her to remember what he told her when she was seven. He rewinds back to 1996 and discovers Amelia asleep in her back garden, eagerly awaiting his return; he carries her to bed and tells her the story of how he stole -- or, rather, "borrowed" -- the TARDIS, romantically describing it as "ancient and new, and the bluest blue ever." He sees the crack in her wall and tells her it can't properly close until he's on the other side. He tells her that he'll skip the rest of the rewind -- he hates repeats -- and steps through as the crack in her wall closes. She wakes, but finds the room empty and quickly goes back to sleep.

In 2010, Amy wakes up on her wedding day and is surprised to see her mother bringing her breakfast; her reaction to her parents -- who she feels she has not seen before -- strikes her as odd, and she has the lingering feeling that there is someone or something else missing. When she phones Rory to see if he feels the same way, he blithely agrees. Nevertheless, Amy excitedly gets ready for her wedding.

At the wedding reception, Amy spots River Song walking past the window outside, and Rory presents her with a wedding gift that someone has left for them -- River's TARDIS diary, all its pages blank. Amy begins to cry from sadness; Rory tries to explain away the diary by reminding her of the old wedding saying: "Something old, something new, something borrowed, and something blue." Amy interrupts her father's speech and announces that her imaginary childhood friend, "the raggedy Doctor," was real, and that he is late for her wedding. Abruptly, the TARDIS materializes -- fully real, old and new, borrowed and blue -- in the middle of the room, and the Doctor steps out, admitting that he is completely astonished. He congratulates Amy and Rory and agrees to move the TARDIS -- they'll need room for the dancing.

Later, after dancing maniacally and amusing Amy and Rory, the Doctor steps outside and returns to the TARDIS, which is now parked in Amy's garden. River Song appears behind him

File:Yes.png

River tells the Doctor a clue to her identity, a deadly warning for who she is.

; he returns her vortex manipulator and her diary before asking if she is married. She wonders if he is asking, and he says "yes," though he quickly retracts it when he realizes he has just unwittingly proposed to her. River teases him with further affirmations, leading the Doctor to wonder who she really is. River replies that he will find out very soon, and that's when everything changes. She promptly leaves via vortex manipulator

Amy and Rory, still in their wedding finery, enter the TARDIS and encourage the Doctor to take the night off; however, he is reluctant -- they still do not who led the TARDIS to the date of the temporal explosion and deliberately destroyed it, much less why it had to be destroyed. He has also not figured out the meaning of the "silence." As he ponders this, he receives a phone call: an Egyptian goddess is on the loose on the Orient Express in space, and the royal on the other end is concerned. The Doctor turns to bid Amy and Rory goodbye, but Amy promptly runs to the door, bids her house and former life farewell, and closes the TARDIS doors. The Doctor smiles and fires up the engines, sending the TARDIS spinning through the time vortex.

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• Rory Williams / Auton Rory - Arthur Darvill
• River Song - Alex Kingston
• Young Amelia Pond - Caitlin Blackwood
• Sharon - Susan Vidler
• Tabetha Pond - Karen Westwood
• Augustus Pond- Halcro Johnston
• Christine - Frances Ashman
• Dalek Operator - Barnaby Edwards
• Dalek - Nicholas Briggs (Voice)

Production crew

Executive Producers   Piers Wenger, Beth Willis and Steven Moffat

General production staff Production Executive - Julie Scott Line Producer - Patrick Schweitzer Production Manager - Steffan Morris Location Manager - Gareth Skelding Unit Manager - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Production Management Assistant - Claire Thomas Production Runner - Sian Warrilow Unit Drivers - Sean Evans, Wayne Humphreys, Darren Crowlegroves Production Accountant - Ceri Tothill A/Production Accountant - Carole Wakefield Script department Script Editor - Lindsey Alford Camera and lighting department 1st Assistant Director - Marcus Catlin 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Runners - Nicola Eynon Price, Laura Jenkins Continuity - Non Eleri Hughes Camera Operator - Rob Arrowsmith Camera Trainee - Darren Chesney Focus Pullers - Steve Rees, Matthew Poynter Grip - John Robinson Camera Assistants - Tom Hartley, Jon Vidgen Boom Operator - Dafydd Parry Gaffer - Mark Hutchings Best Boy - Pete Chester Electricians - Ben Griffiths, Steve Slocombe, Bob Milton, Alan Tippets	Art department Supervising Art Director - Stephen Nicholas Art Department Co-ordinator - Amy Oakes Associate Designer - James North Production Buyer - Ben Morris Set Decorator - Julian Luxton Props Buyer - Adrian Anscombe Set Designer - Ben Austin Storyboard Artist - James Iles Concept Artists - Richard Shaun Williams, Peter McKinstry Graphic Artist - Jackson Pope Standby Props - Phill Shellard, Tom Evans Standby Carpenter - Will Pope Standby Art Director - Ciaran Thompson Standby Rigger - Keith Freeman Standby Painter - Kate Meyrick Props Master - Paul Aitken Props Chargehand - Matt Wild Dressing Props - Martin Broadbent, Philip Everett-Lyons Props Fabrication Manager - Barry Jones Props Makers - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Workshop Manager - Mark Hill Construction Chargehand - Scott Fisher Practical Electrician - Albert James Art Department Driver - Tom Belton Scenic Artists - John Pinkerton, John Whalley Graphics - BBC Wales Graphics Costume department Costume Supervisor - Lindsay Bonaccorsi Costume Assistants - Sara Morgan, Maria Franchi Costume Trainee - Nikki Lightfoot	Make-up and prosthetics Make-up Supervisor - Pam Mullins Make-up Artists - Abi Brotherton, Morag Smith Prosthetics - Millennium FX Movement Stunt Co-ordinator - Crispin Layfield Casting Casting Associate - Andy Brierley General post-production staff Post-production Supervisors - Chris Blatchford, Ceres Davies Post-production Co-ordinator - Marie Brown Assistant Editor - Becky Trotman On-line Conform - Mark Bright Special and visual effects Executive Visual FX Producer - Will Cohen Visual FX Producer - Jenna Powell Visual FX Supervisor - Dave Houghton VFX Editor - Cat Gregory VFX Co-ordinators - Alex Fitzgerald, Lorna Dumba Lead 3D Artist - Matt McKinney 3D Artists - Jeff North, Darren Byford, Wayde Duncan-Smith, Nick Webber, Andy Guest, Ruth Bailey, Serena Cacciato, Dominic Anderson, Nick Bell 2D Supervisor - Izzy Barber Colourist - Mick Vincent Lead Digital Matte Painter - Simon Wicker Digital Matte Painters - Ron Bowman, Alex Fort, Charlie Bennet Compositors - Greg Spencer, James Etherington, Joe Courtis, Arianna Lago, Bryan Bartlett, Sara Bennett, James Moxon, Lyndall Spagnoletti, Grainne Freeman, Tim Barter, Rosemary Chester, Frank Hanna Sound Sound Recordist - Bryn Thomas Dubbing Mixer - Tim Ricketts Sound Maintenance Engineer - Jeff Welch Sound Supervisor - Paul McFadden Sound Effects Editor - Paul Jeffries

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
This story had no direct Visual Effects credit, which means that it unusually didn't credit The Mill. Instead, the roll credited many more workers from The Mill than usual, and even changed Will Cohen's normal title to the grander, "Executive Visual FX Producer".

References

Cultural references from the real world

• Prominent scientist Richard Dawkins is mentioned as being involved in a "Star Cult" which believes stars are real. Dawkins is a self-professed fan of Doctor Who, and is married to former star Lalla Ward, to whom he was introduced by his friend and former series writer/script editor, the late Douglas Adams. This was the second consecutive series finale to reference Dawkins. In the first he appears in a cameo role being interviewed about the planets in the sky (DW: The Stolen Earth).
• The music playing to which the Doctor briefly dances very badly is "Crazy Little Thing Called Love" by British rock band Queen.

The Doctor

• The Doctor tells young Amy while asleep that he stole/borrowed the TARDIS.
• The Doctor briefly sees the Saturnyns, Weeping Angels, Silurians, Daleks, the Star Whale, Craig Owens, Vincent Van Gogh, Dr. Black, some Smilers and a Supreme Dalek during his re-wind.

Individuals

• River Song mentioned she once went out with a Nestene duplicate who had swappable heads.
• Rory states he remembers being an Auton. He would later compare his Auton memories to a door in his head; he could open it when he wanted to, but tended to keep it shut. (DW: Day of the Moon) Having spent two millennia guarding the Pandorica, Rory became a very effective warrior, as shown in A Good Man Goes to War.
• Tabetha mentions taking Amy to psychiatrists about her 'imaginary friend'.

Objects

• The Doctor wears a fez during the episode. He believes "fezzes are cool". He seems to think this about a lot of unusual articles of clothing, part of his slight cheekiness. Neither Amy nor River are impressed by his fez, the former grabbing it and throwing it in the air, the latter destroying it with her blaster.
• The fez may have also been a small nod to DW: Silver Nemesis, wherein the Seventh Doctor briefly wore a fez while going through the storage room at Windsor Castle looking for Nemesis' silver bow.

Theories and concepts

• The Blinovitch Limitation Effect occurs in a very small way when the Doctor taps the sonic screwdriver iterations together.

Story notes

• This is the first episode in the entire history of Doctor Who where the current Doctor has interacted with a version of himself in the same incarnation. The Third Doctor did briefly speak with a future version of himself in the same incarnation in DW: Day of the Daleks, but did not have physical contact with his counterpart. Similarly, the Ninth Doctor saw an earlier version of himself in the same incarnation in DW: Father's Day, but did not speak nor interact with himself at all.
• This episode was incorrectly entitled Cyber War and Enemies of a Time Lord.
• Both the date of the in-universe 'unidentified explosion' and the real-world date of broadcast was 26/06/2010.
  • This is the second of only three times in the revived series this has occurred, the others being DW: The Impossible Astronaut on April 22, 2011 and DW: The End of Time on December 25, 2009.
• The Pandorica and a Stone Dalek appeared in the museum that Amelia visited.
• Rory and Amy get married in this story, and continue their travels in the TARDIS. This marks the first occasion a married couple have been companions.
• This is the first time a BBC Wales finale does not feature the departure of a main character. However, it does result in a change of cast, in that Rory, who had previously been a recurring character who had ostensibly died, becomes a full-time companion in the final scene.
• Amy is the first new series companion since Rose to travel with the Doctor through a whole season, and to continue doing so after the finale.
• The museum included a number of anomalies as a result of the altered timeline, including penguins in the Nile, Egyptians in the Himalayas, and dinosaurs in ice.
• This is the first finale of the BBC Wales series that didn't feature David Tennant; the first since The Parting of the Ways not to feature Freema Agyeman; and the first with no reference to the Torchwood Institute whatsoever. It is also one of only two finales not to include John Barrowman.
• According to the DVD commentary, director Toby Haynes continued to use playback while recording this episode, just as he had for The Pandorica Opens. In particular, it was used with Caitlin Blackwood's solo scenes in the museum.
• River's main costume in this story was deliberately designed to evoke both Princess Leia and Han Solo, so that she looked like, according to Toby Haynes, a "female Han Solo". (DCOM: The Big Bang)
• According to Toby Haynes, this episode had no bigger budget, "and maybe even a little less", than other episodes in the series. (DCOM: The Big Bang)
• According to Russell T. Davies, closing the cracks in time resulted also in the closing of the Cardiff Rift.

Ratings

• 6.7 million.

Rumours

• A sinister voice declaring "silence will fall" in the previous episode The Pandorica Opens, led some fans to speculate that Omega or another rogue Time Lord would appear in this episode. While this wasn't the case and the ultimate identity of the sinister voice is unknown, Steven Moffat has suggested the mystery antagonist will play a key role in the next series.
• The Internet Movie Database incorrectly stated that Doctor Who veteran actor Philip Madoc would guest star. He did not appear.

Filming locations

• Miskin Manor - Cardiff

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

• In the museum, when the trio see the "future" Doctor die, Amy walks up the stairs. The camera cuts to the Doctor, then back to Amy, when she walks up the stairs again. It was too quick for her to go back down the stairs.
• Also, when the Amy that has just came out of the Pandorica compares height to younger Amy and guesses the date, you can see a shadow back away from the side of the camera when it pans out.
• In the museum, the Doctor is talking but a shot of him turning around shows that his lips are not moving
• The museum scenes are set in 1996, but when the Doctor and crew make it to the roof, you see the Gherkin in the skyline - a building that was built in the twenty-first century.
• When the stone Dalek rises above the museum to exterminate the Doctor, Amy, Rory and River Song just after they have destroyed the fez, the Dalek is the Supreme Dalek, not the stone Dalek. This is corrected when the camera zooms into the Dalek which is then seen to be the stone Dalek.
• While travelling backwards, the Doctor is seen wearing the vortex manipulator in the TARDIS on the way to Space Florida. In the next scene, while telling Amy to remember, it is absent. It returns in the following scene when he picks up the younger Amy.

Continuity

• The Seventh Doctor previously held a mop while wearing a fez during his time at Windsor Castle. (DW: Silver Nemesis)
• Rory also mentions the Doctor as: "He was the stripper at my stag..." (DW: The Vampires of Venice)
• The Doctor travels back through his time stream, visiting the events of DW: The Eleventh Hour, Flesh and Stone and The Lodger. Also seen are the events of Vincent and the Doctor, Cold Blood, The Hungry Earth, The Vampires of Venice, Victory of the Daleks and The Beast Below. It is implied that he would have continued travelling backwards through his entire life, with all of his former incarnations, but that he decided to stop the rewind early by walking into a crack in time.
• The Doctor states that fezzes are cool, much in the same way he has said bow ties are cool throughout the series. This may also be a reference to the fact Matt Smith wanted the costume to develop, even saying he would like a hat. (DW: The Eleventh Hour, Amy's Choice, Vincent and the Doctor)
• The Doctor sends a message to River Song saying "Geronimo", a catchphrase often repeated by the Eleventh Doctor. (DW: The End of Time et al)
• The Doctor has previously been involved in the weddings of companions Sarah Jane Smith (SJA: The Wedding of Sarah Jane Smith) and Donna Noble. (DW: The Runaway Bride, The End of Time)
• This is the second time that the Doctor has been seen to (willingly) dance (DW: The Doctor Dances). In this case, however, he is an awful dancer - Amy shrieks "You're embarrasing!", but the children are clearly enjoying the spectacle (perhaps he deliberately dances badly to keep them entertained?).
• This is the third time that the Doctor has been shot by a Dalek. (DW: Planet of the Daleks, DW: The Stolen Earth).
• This is the third time a Dalek has been put on display in a museum. An empty Dalek casing was on display in the Space Museum (DW: The Space Museum) and one Dalek was kept in The Cage in van Statten's underground museum (DW: Dalek)
• Early in the episode, Amy's aunt states that she does not trust Richard Dawkins (who appeared as himself in DW: The Stolen Earth) due to his support for the existence of stars; in this reality stars didn't exist.
• The Doctor last wore a fez in his eighth Incarnation. (DWM: Doctor Who and the Nightmare Game)
• The Doctor says "Gotcha" to Amy, a phrase which was uttered by both aboard the Starship UK. (DW: The Beast Below)
• On this occasion, the younger Amy meets a future version of herself. The older Amy would have the same experience in DW: Space, DW: Time and DW: The Girl Who Waited.

Timeline

For the Doctor

• This story occurs after: DW: The Pandorica Opens
• This story occurs before: DW: Death Is the Only Answer

For River Song

• This story occurs after: DW: The Pandorica Opens
• This story occurs before: DW: The Time of Angels

Home video releases

BBC Video - "Doctor Who Series Five - Volume Four" features Vincent and the Doctor, The Lodger, The Pandorica Opens and The Big Bang. It was released on 6 September 2010 (UK Only) on DVD and Blu-ray see picture below. It was released on a full series box set on 8th November 2010 but as two sets. One is a limited edition steelbook and the other one is a Lenticular Sleeve.

External links

• The Big Bang at the Doctor Who Reference Guide