Victory of the Daleks (TV story)

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Victory of the Daleks was the third episode of series 5 of Doctor Who.

In it, the Eleventh Doctor met for the first time both the Daleks and Winston Churchill, having met each before in past incarnations. Like Daleks in Manhattan before it, it involved the last Daleks in the universe desperately trying to rebuild the Dalek race in a famous period of Earth's recent past. This time, they succeeded, bringing an end to the "barely surviving" arc present since the TV story Dalek. It also retconned several past battles the Doctor had waged on Earth after being scrubbed out of existence by the cracks in time, specifically the fact that Amy did not recognise the Daleks in her own era.

The episode was notable for its redesign of the Daleks into multi-coloured units, each with its own specific function. Writer Mark Gatiss acknowledged the controversial nature of this redesign in his in-vision commentary on the DVD box set. In conversation with principal Dalek voice artist Nicholas Briggs, and Dalek operator Barnaby Edwards, he said that the new shape of the Daleks, especially in the dorsal region, was not particularly to his liking. Briggs agreed but, with Edwards, swiftly noted that in their experience of taking the new Daleks on live exhibition to the public, British kids invariably loved the new design. The decision was revisited in DWM 431 with critics voicing their opinions on the design. A comparison was made with the bronze Daleks—then associated with the first Russell T Davies era, but later on supplanting this episode's design as the default Dalek design from series 7 to at least the 2022 Centenary Special—but no conclusion as to which was the better-made.

The episode also displayed a rare occasion where the Daleks won, achieving what they set out to do. Although they did not destroy the Earth, they were able to resurrect the Dalek race which allowed them to rebuild their empire, fulfilling a long-standing goal of the Daleks.

Synopsis

Receiving a call for help from his old friend Winston Churchill, the Eleventh Doctor and Amy Pond head for World War II to assist the Prime Minister. Once there, though, the Doctor reunites with his greatest enemies, the scum of the universe — the Daleks. But why are these survivors passing themselves off as man-made weapons? And why don't they recognise the Doctor? What could these "Ironsides" have planned?

Plot

Winston Churchill enters the Cabinet War Rooms and asks about the status of incoming enemy planes; they are out of range, ordinarily at least. He then advises them to roll out the secret weapon. A figure is moved forward on the board — a miniature Dalek!

The Doctor's TARDIS materialises in the War Rooms in response to Churchill's call for help. The Eleventh Doctor is greeted by the Prime Minister, whom he greets happily. Churchill is shocked that the Doctor has changed his face once again; the two have long been good friends. The Doctor and Amy have arrived a month late; the newly configured Type 40 TARDIS is still a bit inaccurate.

When a Luftwaffe squadron approaches London, Churchill takes the Doctor and Amy to the roof to showcase his latest weapon. The Doctor's introduced to Professor Edwin Bracewell, head of the new Ironside Project. A squadron of Stukas comes into view over Blitz-torn London, and are shot down by energy weapons with amazing precision. The Doctor comments that this could not be human technology. The Doctor watches, horrified, as Bracewell produces a camouflaged, Union Flag-wearing, obedient Dalek. The Doctor's oldest enemies are back.

In Churchill's office, the Doctor argues with his old friend; Churchill will not listen to reason. Explaining that they are the Daleks and not "Ironsides", the Doctor is met with disbelief when Churchill produces photos, blueprints and test results Bracewell gave him as proof of inventing them and refuses to destroy it. Getting increasingly frustrated, the Doctor asks Churchill why he phoned him if he didn't want his help. Churchill admits that he had his doubts about the "Ironsides" at first since they seemed too good to be true but now he's convinced and is thinking about what he can do with hundreds or thousands of them. Sourly, the Doctor points out that's why he's trying to show him. At wit's end, the Doctor asks Amy to tell Churchill about the Daleks, but Amy has no memory of any planets in the sky or the Dalek invasion, disturbing him greatly.

Inside the Cabinet War Rooms, Amy approaches a Dalek with intent to learn its origins, but the Dalek simply asks if it can be of assistance. The Doctor approaches Churchill again, prodding him to reconsider his actions, but Churchill cannot afford to abandon his Ironsides at the risk of his city and people falling to the Nazis. The Doctor indicates that he is a beacon of hope for the country, except Churchill doesn't know if he can remain one for much longer. "If Hitler invaded Hell, I would give a favourable reference to the Devil. These machines are our salvation," he protests. An all-clear siren blares overhead, and the Cabinet lulls from its lengthy clamour.

The Doctor rages at a Dalek.

As Bracewell is offered tea by one of his Ironsides, the Doctor goes to see their "creator" to get some answers. He asks Bracewell how he came up with the idea for the Ironsides, leading Bracewell to show the Doctor other highly advanced inventions he has been planning. When the Daleks and Churchill enter the room, the Doctor strikes the Ironside Dalek with a large, heavy wrench, ordering it to attack him. He reminds them of how he defeated them, how he is their greatest enemy and how they are everything he despises. He yells, "I am the Doctor and you are the Daleks!" before kicking the Dalek across the room.

The Dalek recovers, and reverts to its true personality. "Correct," it says. The Dalek transmits the "testimony" to the Dalek mothership, which is hidden behind the Moon. Two soldiers run in to stop the Daleks and are promptly exterminated. The Professor yells for his creations to stop; one of the Daleks blasts his hand off, leaving only exposed wiring — Bracewell is an android, and they created him. They teleport away. Feeling like an idiot for falling for the Daleks' trap, the Doctor returns to the TARDIS, ordering Amy to stay behind.

The Doctor brandishes his "self-destruct device".

He materialises inside the Dalek ship, where he uses a supposed TARDIS self-destruct device as leverage. The Daleks reveal that one Dalek ship survived the destruction of the Dalek race in their last encounter; it located the last Progenitor device, a genetic archive containing pure Dalek DNA. Their explanation confuses the Doctor; why would they go to the trouble of building Bracewell? When the Daleks simply state, "it was... necessary", the Doctor laughs — the device doesn't recognise them as Dalek. As these three were created directly from Davros' cells, their DNA is different from regular Daleks. The Progenitor had a backup programming, which would accept a testimony from their enemies, for identifying them as Daleks if their DNA had become unrecognisable. They became part of the British army, so Winston Churchill would lure the Doctor in.

The Daleks order the Doctor to leave or else they will destroy London. However, the Doctor knows that they are bluffing, since their ship has suffered so much damage that it isn't capable of launching an attack on the Earth. The Daleks taunt him, saying "Watch as the humans destroy themselves"; they activate a device which turns on all of London's lights, exposing the city as a target for incoming German bombers.

Amy and Winston are left panicking until she remembers the Daleks left them a gift - Bracewell! They find him preparing to commit suicide, believing his whole life to be a lie. However, Amy talks him out of it, and Churchill demands to know whose side he's taking - humanity's or the Daleks - as it's the only important thing. Bracewell wonders what he can do until Amy reminds him that he talked about technology for lasers and such; Winston points out they aren't having a fireworks party until he realises Amy's plan. He wonders if they can send something up to fight the Daleks; Bracewell explains that in a gravity bubble, it is possible. Elated, Winston tells the professor that it's "time to think big".

A new paradigm of Daleks.

Back on the ship, the Doctor threatens the Daleks with his bluff, but they are willing to die with him. To the Doctor's horror, the machine behind the Daleks beeps, signalling the Progenitor has completed its process. The doors open, and the Doctor watches a new paradigm of five genetically pure Daleks emerge. The previous three praise their creations, who promptly label their creators as inferior. The old Daleks allow the new paradigm to disintegrate them via "maximum extermination". The Doctor watches in astonishment - "Blimey! What do you do to the ones that mess up?" The White Dalek identifies the Doctor, ordering his extermination, but the Doctor tells it not to mess with him, again brandishing the Jammy Dodger.

Back on Earth, Bracewell returns to the War Room, with a pair of headphones on his head; they are attached to a screen of some sort, which he explains will allow them to see what's going on in the Dalek ship. The black and white image shows the Doctor facing the White Dalek, which introduces each role the new five fulfil - White is the Supreme, Blue is the Strategist, Red is the Drone, Orange is the Scientist, and Yellow is the Eternal. The Doctor makes fun of the labelling.

Hoping to have better luck with this new batch of Daleks, the Doctor demands the Daleks turn off the laser, or he'll blow up the TARDIS and them with it. However, once the Daleks perform a scan that proves he's bluffing, he eats the Jammy Dodger, joking that he had been promised tea. The Dalek sensors go off, informing them that they have incoming spacecraft. The Spitfires arrive from Earth and are ordered by the Doctor to target the dish as he flees into the TARDIS.

The Dalek defence lasers take out two of the planes, Jubilee and Flintlock, leaving only Danny Boy. The Doctor disrupts the Dalek defences long enough for Danny Boy to destroy the dish the laser is coming from, shutting off London's lights. Just as the Doctor gives the order to destroy the ship, though, the Daleks appear on the TARDIS scanner. They order the Doctor to halt the attack, or they will destroy Earth with an Oblivion Continuum bomb they have built inside Bracewell.

Bracewell's bomb is exposed.

The Doctor reluctantly calls off the attack and returns to Earth, leaving the Daleks free to escape and build a new empire; however, true to their genocidal nature, the Daleks still activate the bomb as they flee. Upon arrival on Earth, the Doctor reveals that the bomb is charging itself inside Bracewell. Realising that the only way to stop it from exploding is to convince Bracewell that he is human, not an android and a bomb, he tries to remind the Professor of his memories and how much they hurt; however, the countdown continues.

As the oblivion continuum approaches detonation, Amy tries the opposite tactic. She asks him if he's ever fancied somebody he shouldn't; Bracewell proceeds to remember a girl called Dorabella, recounting how beautiful she was as the countdown retreats, cancelling the detonation. The Daleks escape through a time corridor, declaring that they will return. The Doctor is horrified over the Daleks' escape, flailing in furious anguish, but Amy reminds him that he has just saved the entire world. Bracewell explains the ideas the Daleks put in his head are gone; however, he does retain knowledge on how to use alien technology.

Amy bids farewell to Churchill. Sadly, the war continues on with a cost to millions of others. One of the young women at the War Rooms, Lilian Breen, is sobbing; after several hours of fearing for his safety on the war front, she has just learned that her boyfriend Reg has been shot down over the Channel, and is being comforted by one of Churchill's associates, Blanche. Amy looks on solemnly, but carries on, asking Churchill where the Doctor has gone. The Doctor enters and explains he removed all the alien technology Bracewell had in the base. Churchill begs the Doctor to let him have the technology as it would allow them to win the war in a day, but the Doctor points out it's that very reason why he took it. The friends hug and prepare to part.

However, Amy outstretches her hand, and orders Churchill to return the TARDIS key to the Doctor; it was swiped during their hug. Churchill gives the key to Amy, calling her "almost" as sharp-witted as himself. The Doctor then demands his key from Amy; she reluctantly complies.

The Doctor and Amy go to Bracewell. He believes that, as alien technology, he has no place on Earth or during this time period. He sadly declares that he's ready to be deactivated. However, they have no intention of doing so. When their subtle hints fail, the Doctor and Amy openly tell Bracewell to go looking for Dorabella or the old post office. Finally catching on, Bracewell happily packs his belongings and leaves.

Another foreboding crack is revealed...

The Doctor and Amy return to the TARDIS. Amy questions the Doctor about having enemies but tells him she doesn't have a problem continuing travelling with him all the same. The Doctor is puzzled and worried that Amy did not remember the Daleks from the Battle of Canary Wharf or the War in the Medusa Cascade, but puts this aside so that they may continue with their adventures. The TARDIS dematerialises, revealing a shining crack in the wall behind where the box once stood...

Cast

Uncredited cast

Crew

General production staff

Script department

Camera and lighting department

Art department

Costume department

Make-up and prosthetics

Movement

Casting

General post-production staff

Special and visual effects

Sound



Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.


Worldbuilding

References

Influences

Story notes

The three different covers of the Radio Times.
  • Working titles for this episode were The Dalek Project and The Dalek Tea Party.
  • The end of TV: The Beast Below directly leads into this story.
  • In this episode, each Dalek was given a different title which corresponded with its armour colour, namely, "Scientist" (orange), "Strategist" (blue), "Drone" (red), "Eternal" (yellow) and "Supreme" (white).
  • Initially, the new Daleks were going to replace those of the first Russell T Davies-era design, but due to polarising comments made about the new designs of the Daleks concerning fan reactions, it was later decided that the new models would serve as an "officer" class above these soldier variants. The last appearance of this episode's designs were in series 7's Asylum of the Daleks, and the second half of the Moffat era primarily used the bronze design introduced in the first RTD era, with the ranks in The Magician's Apprentice and The Witch's Familiar being filled by pre-2005 designs. While some variants existed in the Chris Chibnall era, the primary design, and the sole design seen in 2022, was what was introduced in the first RTD era.
  • This was the first Dalek story since TV: Dalek, back in 2005, not to feature David Tennant as the Tenth Doctor, as well as the first Dalek story since then to not be a multi-parter. Furthermore, this was the first Dalek story since TV: Resurrection of the Daleks in 1984 not to show any Daleks levitating; from 1984's TV: Revelation of the Daleks to TV: The Waters of Mars in 2009, all Dalek stories featured the creatures doing so to disprove the infamous joke that the design of a Dalek makes it incapable of moving upwards.
  • Like TV: The Unquiet Dead in Series 1, this episode is the third in the series, is a pseudo-historical, has a historical British figure play a prominent part, is penned by Mark Gatiss, and is both preceded and followed by two episodes by the head writer.
  • This is the second Dalek episode in the new series to use the infamous "...of the Daleks" title scheme, the first being TV: Evolution of the Daleks.
  • Mark Gatiss said in the Radio Times: "They're bigger than they've ever been and in technicolour!" This would show that the new Daleks shall be different colours like the "classic" Daleks of the earlier eras.
  • This is the third time in the new series that the Daleks have been featured mid-way in the series, following TV: Dalek in series one and then in the series three two-part story TV: Daleks in Manhattan and TV: Evolution of the Daleks.
  • The Daleks seen since series 1 were designed so that the eye stalk lined up with Billie Piper's eyes. The new Daleks are designed to match the taller Karen Gillan's height, as well as Matt Smith. Ironically, Gillan never actually faced the new Daleks onscreen.
  • The New Paradigm Daleks were originally designed slightly different, with blades on various parts of the casing. Budget and time constraints led to the design being simplified.
  • The rear hatch and infamous "hunchback" of the New Paradigm Daleks was intended to store weapons. The manipulator arm and gunstick would swing around to the back along the grooves in the midriff and be replaced by different weapons. This would have been rendered in CGI had it ever become relevant.
  • For narrative and filming purposes, the Cabinet War Rooms in the episodes are far larger than the real ones and have an RAF "spotter" table that was not really present.
  • The Dalek model on the "spotter" table appears to be a Character Options Dalek toy painted grey, likely the "mutant reveal" Dalek figurine with the removable front given the visible separation lines on the front of the model.
  • This episode holds the record for the most Dalek props (with the exception of CGI, cutouts, toys and other illusions) used in a single story, with no less than eight Dalek models on-screen at the same time.
  • While these Daleks are part of a fleet of ships that were wiped out by the Doctor, it is not clarified whether they were part of the half-human faction from The Parting of the Ways or members of the New Dalek Empire from Journey's End. According to the nonfiction source The Dalek Handbook, they are Daleks who survived the War in the Medusa Cascade.
  • This episode aired on the same day the K9 episode Jaws of Orthrus was first broadcast on Disney XD in Britain. It also aired on the same day that The Korven was first broadcast on Network Ten in Australia.
  • Although Terry Nation originally based the Daleks on the Nazis, this is the first time the race has appeared in World War II - ironically, helping the British fight against the Nazis.
  • This is the second Dalek television story since Daleks in Manhattan to not show any Daleks in flight.
  • "Jammie Dodgers" were added to the Doctor's list of favourite foods. He asked for them later. (TV: Night Terrors, The Impossible Astronaut)
  • When the Daleks say, "I am your soldier", this is a direct reference to TV: The Power of the Daleks, where they say, "I am your servant". Mark Gatiss asked voice artist Nicholas Briggs to purposely stall on the 'S' of "soldier" to trick the audience into thinking that they would say the infamous line once again.
  • When Amy fails to remember the Daleks, an incidental musical sting is heard identical to the one that played when the image of a crack appeared on the Doctor's TARDIS monitor screen, hinting that the cracks are connected to Amy's lack of remembrance. (TV: The Eleventh Hour, The Big Bang)
  • In the real world, the bulletproof spitfire engine was designed by Bill Dunn, whose daughter was Sheila Dunn.[3]
  • This episode is the only appearance of the Scientist Dalek to date.
  • Near the end of the episode, Amy asks the Doctor "So, you have enemies, then?". This is the first part of a famous quote by Winston Churchill: "So, you have enemies, then? Good. That means that you stood up for something, once in your life."
  • Churchill's line that "If Hitler invaded hell, I would give the devil a good reference" is an inaccurate version of a remark by Winston Churchill in Parliament in reference to Stalin after Hitler invaded the Soviet Union "If Hitler invaded Hell, I would make at least a favourable reference to the devil in the House of Commons".
  • When Mark Gatiss wrote the first draft, Matt Smith had not been cast as the Doctor. Gatiss wrote this early draft for a generic Doctor, though Steven Moffat commented it sounded like Jon Pertwee and Gatiss agreed. Once Smith had been cast, Gatiss watched Party Animals, as well as anything else Smith was in that he could find. Gatiss used these to "download [his] speech patterns" and examine his energy and phrasing.
  • A scene cut from the episode saw Amy listening from the TARDIS as the Doctor described his history with Churchill. He was to mention a fist fight in the Sudan (where Churchill was a junior officer and a journalist in 1898), dodging doodlebugs (early cruise miles used by the Luftwaffe) in 1945, and attending Churchill's memorial service at St Paul's Cathedral.
  • Originally, the episode would have concluded with the Doctor and Amy watching Bracewell enter the post office about which he had reminisced, and the crack in time would have been revealed on the wall of a nearby cottage in front of which the TARDIS had materialised. However, Steven Moffat had come to feel that it would be more effective to depict the Doctor giving Bracewell a new lease of life in a dialogue-driven piece.
  • Matt Smith later told Doctor Who Magazine: "I never felt that we got the Dalek episode right the first time round, and I don't think we got the Daleks right".
  • This is the only episode in which the episode's writer appears on screen.
  • Steven Moffat, inspired by a visit he made with his sons, Joshua and Louis, to the Cabinet War Rooms, which had been Churchill's base of operations during World War II and were now a museum. For added variety, he decided that Churchill and the Doctor should already be old friends.
  • Matt Smith would later go on to star as Prince Philip in The Crown, where Winston Churchill is played by John Lithgow in season 1.
  • Regarding the re-designed Daleks, Mark Gatiss later said: "When I saw the designs, I loved them in every respect apart from the hump. I said, "I think the hump is dodgy", because whatever has happened to the Daleks over the years, the fundamental pepper pot design has not been altered. It works. It's a design classic. What we've got now is...I think it's pushed just a little too far. They look fat. From the side, it looks as if they're slouching. Maybe if the head were bigger, to be more in scale? I think it's sad that the Daleks' new look has been the disproportionate focus of ire, because I love everything else about them. If it weren't for that hump, they'd be exactly what I wanted".
  • The term for the Daleks, "Bracewell's Ironsides," is likely derived from the actual "Hobart's Funnies" of the 79th Armoured Division of the British Army in World War II. They were Sherman and Churchill tanks modified with various unusual devices such as mine-clearing flails, flamethrowers, and bulldozers. These were named after the division's commander, Major General Percy Hobart, and were used in the Normandy campaign.
  • The line where Amy tells Bracewell that he's done well for a Paisley-boy is quite likely a reference to Steven Moffat, who and hails from Paisley.
  • The Spitfire flown by "Danny Boy" is marked JE-J, which was the later WWII personal aircraft of Air Vice Marshal James Edgar "Johnnie" Johnson CB,CBE,DSO, DFC when he became Wing Commander of 144 Wing (Canadian).
  • Steven Moffat was keen to both carry on the celebrity historical tradition and re-introduce the Daleks, as they hadn't had a proper story in 2009. Putting the Daleks in a World War II setting seemed like a natural fit, as Terry Nation was heavily inspired by the Nazis.
  • Mark Gatiss wanted the script to spotlight the Supermarine Spitfire.
  • For his portrayal of the Daleks, Mark Gatiss was keen to emphasise their deviousness and skill at manipulation. To this end, he drew inspiration from his favourite Dalek serial, The Power of the Daleks.
  • The task of redesigning the Daleks fell to production designer Edward Thomas, who worked in tandem with concept artist Peter McKinstry. One of their goals was to create a more aggressive appearance for the Daleks which eschewed obvious man-made components such as bolts and rivets. The pair conceived some very radical departures from the traditional Dalek image, but Steven Moffat encouraged them to retain the same basic silhouette. Ultimately, the most significant changes included an angled, sharp-edged head grille and a bulkier rear skirt section, which Thomas conceived as storing various weapons that could be interchanged with the Dalek's other armaments. McKinstry also intended the skirt section to sport raised blades between each panel, but this feature proved impossible to fabricate in the time available. At Moffat's suggestion, the eyepiece was given an organic component to remind viewers of the living creature housed in the Dalek shell.
  • A variety of different colour schemes was considered for the new Daleks. Peter McKinstry felt that a metallic sheen remained preferable, but Steven Moffat was inclined towards bright colours. It was ultimately decided that five new casings would be constructed, each in a different livery to signify a distinct function. Mark Gatiss coined the names of the white Supreme (reusing a Dalek rank first identified in The Dalek Invasion of Earth), the red Drone, the orange Scientist and the blue Strategist; Moffat contributed the yellow Eternal, although he had no specific plans for what this enigmatic title might signify. According to Gatiss, a green Dalek was considered, but rejected because "a green Dalek just looks wrong, somehow". A purple and black Dalek were also rejected.
  • Three of the existing Dalek casings were repainted to serve as the Ironsides Daleks. The fourth, the original version built for Dalek, was now permanently housed at BBC Birmingham.
  • Mark Gatiss gave Lilian the surname Breen, which was the maiden name of the mother of his husband, Ian Hallard.
  • Lilian was part of Mark Gatiss' effort to remind viewers of the very real people who fought and suffered during the war, an event which was now often portrayed as more of a thrilling escapade than a global tragedy with a massive human cost. Likewise, Bracewell's sheepish memories of Dorabella became the key to defusing the bomb because Gatiss felt that this kind of mild embarrassment was a virtually universal emotion.
  • This episode formed Block Two of season five, along with The Beast Below.
  • It was originally anticipated that a studio set would have to be constructed for the War Room. However, the production team was able to secure permission to use the bunker of the Joint Resilience Unit in Swansea, which had been an actual Ministry of Defence command centre during the 1950s.
  • The Dalek Supreme was originally meant to introduce each of his cohorts by name. This was abandoned when it was felt to be too reminiscent of a beauty pageant.
  • There was originally a sequence aboard the Dalek ship in which the Doctor was shown images from their previous encounters. Some adventures like The Power of the Daleks were to be represented by newly-created footage, featuring a variety of Dalek casings borrowed from longtime fan Andrew Beech.
  • Prior to this episode, Steven Moffat and Mark Gatiss were developing Sherlock together. This experience had given Moffat enormous confidence in Gatiss, whom he knew to be very comfortable writing for an historical setting.
  • With so many of the show's visual elements changing to herald the start of a new era, Steven Moffat and Mark Gatiss felt that the episode presented an excellent opportunity to update the Daleks as well. He wanted them to be bigger and more menacing, but also more colourful. In particular, they both thought in terms of Dr. Who and the Daleks and Daleks' Invasion Earth 2150 A.D., which had boasted towering Daleks in a variety of Technicolor liveries.
  • In an interview in April 2010, Mark Gatiss described how the cameo came about: "When we were filming last summer, someone came up to me and said, "Is it true you're going to play the voice of the Spitfire pilot?" And I said, "No..." The next day, two people approached me and said, "Oh, that's clever – are you doing a cameo as the Spitfire pilot?" And I said, "No..." And then a few weeks ago, Andy Pryor, the casting director, emailed me and said, "I understand you want to play the Spitfire pilot..." I emailed him back and said, "No! But I will if you want me to!""
  • Nicholas Briggs countered the Paradigm Daleks' colourful appearance with a more vicious-sounding voice.
  • This is the only episode of Doctor Who in BBC iPlayer to not have Audio Description available. This is because the episode was removed from iPlayer, edited, then put back up. Some episodes of The Sarah Jane Adventures have had a similar thing happening, most notably being The Curse of Clyde Langer

Ratings

  • 6.2 million - First broadcast
  • 7.82 million - Final BARB ratings[4]

Filming locations

to be added

Rumours

  • Adolf Hitler was rumoured to make a brief appearance. He was mentioned, but not seen.
  • Fans speculated that the Daleks had been digitally re-coloured for the Radio times election special covers, and the Daleks featured in the episode would be uniformly coloured. This was proven false, and Daleks coloured red, blue and yellow were seen in the episode alongside others.

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
  • In the scene where the Doctor and Amy are discussing Bracewell's possible deactivation, editor John Richards fails to match the frontals of the Doctor with the reverses looking at Bracewell. In the frontals, Matt Smith clearly has his hands in his pockets or clasped together in front of him. On the reverses, his right hand is seen dangling rather lifelessly at his side.
  • At the end, when Churchill is talking to the Doctor and Amy, he bends down to light a cigar and puts it in his mouth. When he gets up, it is no longer anywhere to be seen.
  • When the Doctor was talking to the Dalek Supreme on the "actual" shot he was further away from the Dalek but on the screen provided by Bracewell, the plunger is nearly touching him. The Supreme Dalek was also seen moving towards the Doctor after the 'cleansing' of the old Daleks, but immediately after seen starting to move, it is back in its original position and immobile.
  • There were numerous points in the episode where the 'earlights' of the Daleks did not light when a Dalek was speaking.
    • Before the Doctor arrived, a Dalek states, "Commencing stage two!", but its earlights aren't on. The next Dalek that speaks uses another Dalek's voice instead of its own.
    • When the Gold Dalek says "Receiving testimony now!" and "Testimony accepted!", its earlights do not flash.
    • Before the new Daleks emerged, an old Dalek states that they had succeeded, but its earlights were not on.
    • The Supreme Dalek had numerous incidents: when it ordered the extermination of the Doctor and stated that the Daleks would return, its earlights weren't on.
    • The Scientist Dalek's earlights didn't turn on when it was monitoring the energy pulse and the shields. Also notable is that its earlights were on when it wasn't speaking when the Supreme Dalek ordered the Doctor to 'explain'.
  • When the Progenitor enters phase two, in one shot the lights on the device are blinking fast, but in the next shot they are blinking slowly.
  • The cockpits of the Spitfire pilots glow green when firing their lasers, but they fired red lasers, though the green light could be from the green Dalek lasers passing the spitfires.
  • When the TARDIS dematerialises and causes wind to blow against Churchill and Amy their clothes are affected but the cigar smoke in the air is unaffected and actually drifts towards the TARDIS.
  • When the Dalek ship renders all light switches useless, one person flicks a switch three times in an attempt to turn them off. When power is returned to the switches, the lights in the Cabinet War Rooms should technically have turned off, as the switch was hit an odd number of times.
  • In many scenes where the Ironside Daleks are present, the grill parts on their casing look ripped and in other scenes they are intact. The same thing happens on the Dalek spaceship, including with the gold Dalek.
  • Just as one of the Dalek Ironsides is about to hand Bracewell a cup of tea, its dome is slanted to the left, but as its sucker arm retracts, the dome is straight again.
  • In one of the long shots when the Doctor is in the TARDIS talking with the Dalek Supreme, it can be seen that no visuals that have been overlaid on the TARDIS wall screen, as the greenscreen is clearly visible.

Continuity

Home video releases

Series 5 Volume 1 DVD Cover

DVD & Blu-ray releases

  • Series 5, Volume One was released on DVD and Blu-Ray in region 2/B on 7 June 2010 and region 4/B on 1 July 2010. The volume features The Eleventh Hour, The Beast Below, Victory of the Daleks, and the featurette The Monster Diaries. [5]
  • The episode was later released in the Complete Fifth Series boxset on both DVD and Blu-ray, in region 1/A on 9 November 2010, in region 2/B on 8 November 2010 and in region 4/B on 2 December 2010.
  • A DVD-only release of Series 5, Part One, containing the first six episodes of the series, was released in region 1 on 15 March 2016.

Digital releases

  • In the United Kingdom, this story is available on BBC iPlayer.

External links

Footnotes

  1. ↑ http://www.jondavey.com/acting.php
  2. ↑ DWMSE 26
  3. ↑ https://www.richmondandtwickenhamtimes.co.uk/news/474380.obituary-actress-sheila-camfield/
  4. ↑ Doctor Who Ratings - UK final
  5. ↑ Doctor Who News Page - Matt Smith First DVD Release Date, accessed 3rd March 2010
v • e
Doctor Who television stories
 
Seasons 1-4: William Hartnell
Season 1: 1963-1964
Season 2: 1964-1965
Season 3: 1965-1966
Season 4: 1966
 
Seasons 4-6: Patrick Troughton
Season 4: 1966-1967
Season 5: 1967-1968
Season 6: 1968-1969
 
Seasons 7-11: Jon Pertwee
Season 7: 1970
Season 8: 1971
Season 9: 1972
Season 10: 1972-1973
Season 11: 1973-1974
 
Seasons 12-18: Tom Baker
Season 12: 1974-1975
Season 13: 1975-1976
Season 14: 1976-1977
Season 15: 1977-1978
Season 16: 1978-1979
Season 17: 1979-1980
Season 18: 1980-1981
 
Seasons 19-21: Peter Davison
Season 19: 1982
Season 20: 1983
Children in Need 1983
Season 21: 1984
 
Seasons 21-23: Colin Baker
Season 21: 1984
Season 22: 1985
Season 23: 1986
 
Seasons 24-26: Sylvester McCoy
Season 24: 1987
Season 25: 1988-1989
Season 26: 1989
 
TV Movie & 2013 specials: Paul McGann
TV Movie: 1996
Specials: 2013
Minisodes
 
Series 1: Christopher Eccleston
Series 1: 2005
Regular episodes
 
Series 2-4: David Tennant
Series 2: 2005-2006
Minisode
Christmas Special
Regular episodes
Series 3: 2006-2007
Christmas Special
Regular episodes
Animated special
Series 4: 2007-2010
Minisode
Christmas Special
Regular episodes
Minisodes
Animated special
Seasonal specials
 
Series 5-2013 specials: Matt Smith
Series 5: 2010
Regular episodes
Series 6: 2010-2011
Christmas Special
Minisodes
Regular episodes
(Part 1: Apr 2011)
Regular episodes
(Part 2: Aug 2011)
Minisode
Series 7: 2011-2013
Christmas Special
Minisodes
Regular episodes
(Part 1: 2012)
Minisode
Christmas Special
Regular episodes
(Part 2: 2013)
Specials: 2013
 
Series 8-10: Peter Capaldi
Series 8: 2014
Regular episodes
Series 9: 2014-2015
Christmas Special
Minisode
Regular episodes
Christmas Special
Series 10: 2016-2017
Christmas Special
Regular episodes
Christmas Special
 
Series 11-13: Jodie Whittaker
Series 11: 2018-2019
Regular episodes
New Year Special
Series 12: 2020-2021
Regular episodes
New Year Special
Series 13: 2021
Minisodes
Regular episodes
Seasonal specials
 
60th Anniversary Specials: David Tennant
Specials: 2023
Minisodes
60th Anniversary Specials
 
Season 1 (2023)-present: Ncuti Gatwa
Season 1: 2023-2024
Christmas Special
Regular episodes
v • e
Dalek television stories
For the purposes of this list, a "Dalek story" is one in which one living, authentic Dalek plays a part within the confines of the story, outside of flashbacks to previous stories and cliffhangers that lead into the following story. For this reason, stories such as The Space Museum are not counted due to the Daleks' appearance being defined by their importance to following stories, while stories such as The Wheel in Space and The Waters of Mars are absent due to the Daleks' only contribution being references to past Dalek stories. Stories like The Wedding of River Song, Hell Bent, Once, Upon Time and The Vanquishers are also not included due to the Daleks' appearance being restricted to a single scene of no consequence to the plot of the story, while the TV movie is also absent due to the Daleks only being heard from off-screen.
First Doctor era
Dr. Who films
Second Doctor era
Third Doctor era
Fourth Doctor era
Fifth Doctor era
Sixth Doctor era
Seventh Doctor era
The "Wilderness Years"
Ninth Doctor era
Tenth Doctor era
Eleventh Doctor era
Twelfth Doctor era
Thirteenth Doctor era
Fourteenth Doctor era
Fifteenth Doctor era
Because of the ubiquity of this race, no attempt will be made here to list every appearance in every medium. Instead, we focus on televised appearances here, and invite you to explore a complete list of appearances elsewhere.
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