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{{Infobox Novel|
{{title dab away}}
novel name= Doctor Who - The Novel of the Film |
{{real world}}
image=[[Image:TVM_noveloffilm_cover.jpg|250px]]|
{{Infobox Story SMW
series=[[Doctor Who]] -<br/>[[BBC Books]] |
|novelisation of = Doctor Who (TV story)
number= 1 |
|adapted into    = The TV Movie (novelisation)
doctor=[[Eighth Doctor]] |
|image           = TVM noveloffilm cover.jpg
companions= [[Grace Holloway]] |
|series         = [[BBC Books novelisation]]s
enemy= [[The Master]] |
|number         = 1
year= [[Earth]], [[1999]] |
|doctor         = Eighth Doctor
writer= [[Gary Russell]] |
|companions     = [[Grace Holloway|Grace]]
publisher= [[BBC Books]] |
|featuring      = Chang Lee
release date= [[16th May]], [[1996]] |
|featuring2      = Seventh Doctor
format= Paperback Book, 223 Pages |
|enemy           = {{Roberts|c}}
isbn= ISBN 0-563-38000-4|
|setting        = [[San Francisco]], [[31 December]] [[1999]] to [[1 January]] [[2000]]
previous story= [[NA]]: [[Lungbarrow]]|
|writer          = Gary Russell
next story= [[NA]]: [[The Dying Days]]<br>[[EDA]]: [[The Eight Doctors]]}}
|read by        = [[Paul McGann]]
'''''Doctor Who - The Novel of the Film''''' is a [[Gary Russell]] novelisation of the [[1996]] TV movie, ''[[Doctor Who (1996)|Doctor Who]]'', which was published in conjunction with the film's broadcast in the United States, Canada and Great Britain. Though for copyright purposes known as simply '''''Doctor Who''''', the book has a cover which sends somewhat ambiguous signals about its title.   On the front cover it's ''Doctor Who'', but on the spine, it's ''Doctor Who - The Novel of the Film''.
|publisher       = BBC Books
|release date   = 16 May 1996
|format         = Paperback Book, 8 Chapters, 223 Pages
|isbn           = ISBN 0-563-38000-4
|next            = Scream of the Shalka (novelisation)
|series2        = [[List of Doctor Who television stories|TV series order]]
|prev2          = Survival (novelisation)
|next2          = Rose (novelisation)
}}{{you may|Doctor Who: The Novelisation of the Hit TV Movie|n1=the novelisation as it exists within the DWU|The TV Movie (novelisation)|n2=the 2021 novelisation}}
'''''The Novel of the Film''''' was a novelisation of the [[1996 (releases)|1996]] TV movie, ''[[Doctor Who (TV story)|Doctor Who]]''. It was written by [[Gary Russell]] published by [[BBC Books]] in conjunction with the film's broadcast in the United States, Canada and Great Britain on [[16 May (releases)|16 May]] [[1996 (releases)|1996]]. Though for copyright purposes known as simply '''''Doctor Who''''', the book has a cover which sends ambiguous signals about its title. On the front cover it is entitled ''Doctor Who'', but on the spine, it is ''Doctor Who - The Novel of the Film''.


The book was significant for a number of reasons. It was the premiere release of a ''Doctor Who'' novel by [[BBC Books]], which would completely take over the ''Doctor Who'' publishing license from [[Virgin Publishing|Virgin]] by late [[1997]]. It was also the first novelisation not appearing under the [[Target Books|Target]] or Virgin labels, and the first novelisation to be completed ''before'' the filmed version was.  Its tight publication schedule meant that Russell wrote it with, as he put it in his foreward, "precious little visual reference".  For this reason, the novel contains, as Russell predicted, things which "differ from what we all see on screen".  This is especially true of some of the physical descriptions of the minor characters, which reveal Russell had clearly not seen the movie.  
An [[The TV Movie (novelisation)|altered version]] of the novelisation was published again by [[Target Books]] on [[11 March (releases)|11 March]] [[2021 (releases)|2021]] under the new title of ''The TV Movie''.


The book is further significant for being one of the few ''Doctor Who'' adaptations to be in [[British]] shops well prior to the debut of its parent episode on [[BBC One]].  
The book was significant for a number of reasons. It was the premiere release of a ''Doctor Who'' novel by [[BBC Books]], which would completely take over the ''Doctor Who'' publishing license from [[Virgin Publishing|Virgin]] by late [[1997]]. It was also the first novelisation not appearing under the [[Target Books|Target]] or Virgin labels and the first novelisation to be completed ''before'' the filmed version was. Its tight publication schedule meant that Russell wrote it with, as he put it in his foreword, "precious little visual reference". For this reason, the novel contains, as Russell predicted, things which "differ from what we all see on screen". This is especially true of some of the descriptions of the minor characters.


==Publisher’s Summary==
The book is further significant for being one of the few ''Doctor Who'' adaptations to be in [[British]] shops well prior to the debut of its parent episode on [[BBC One]].
'''Late December, [[1999]]''': the brink of a new millennium. An anachronistic [[the Doctor's TARDIS|British Police Box]] materialises in [[San Francisco]]'s Chinatown amid a hail of bullets which find an unintentional target — [[Seventh Doctor|a strange man]] who walks out of the Police Box. Despite the best efforts of Dr [[Grace Holloway]], the unknown traveller dies and his body vanishes. And soon another stranger appears, claiming to be the same man inside a different body; a mysterious wanderer in time and space known only as [[Eighth Doctor|the Doctor]].
 
== Publisher's summary ==
=== 1996 BBC Books edition ===
Late December, [[1999]]: the brink of a new millennium. An anachronistic [[the Doctor's TARDIS|British Police Box]] materialises in [[San Francisco]]'s Chinatown amid a hail of bullets which find an unintentional target — [[Seventh Doctor|a strange man]] who walks out of the Police Box. Despite the best efforts of Dr [[Grace Holloway]], the unknown traveller dies and his body vanishes. And soon [[Eighth Doctor|another stranger]] appears, claiming to be the same man inside a different body; a mysterious wanderer in time and space known only as [[the Doctor]].


But the Doctor is not the only time-traveller in San Francisco. His oldest adversary, [[the Master]], is there as well, desperately trying to steal the Doctor's newly-regenerated body. Before long, the Doctor is faced with a choice: to save his own life, or the billions of people who have no future unless the Master is stopped. If only the Doctor could remember how...
But the Doctor is not the only time-traveller in San Francisco. His oldest adversary, [[the Master]], is there as well, desperately trying to steal the Doctor's newly-regenerated body. Before long, the Doctor is faced with a choice: to save his own life, or the billions of people who have no future unless the Master is stopped. If only the Doctor could remember how...


==Deviations from the Film==
== Deviations from the film ==
According to the introduction of the book, Russell wrote the adaptation based upon a version of the script that wasn't the final one, and certainly without having seen the finished movie. As a result the novel contains a number of differences from the movie. It is hard to know, however, exactly which differences come from genuine ignorance of the final casting or costuming, which come from on-set revisions of the script, and which may have been Russell-created embellishments that would have survived in the text, even if Russell had been able to see the film first. In any event, this novelisation does differ from the final film perhaps more than the average [[Target novelisation]] did from its source material. Here are some examples:
According to the introduction of the book, Russell wrote the adaptation based upon an early version of the script that wasn't the final one. As a result, the novel differs from the movie. It is hard to know, however, exactly which differences come from genuine ignorance of the final casting or costuming, on-set revisions of the script or which may have been Russell's embellishments that would have survived in the text even if Russell had seen the film first. In any event, this novelisation does differ from the final film more than the average [[Target novelisation]] did from its source material. Some examples:
*In the scene where the Doctor gets shot, one of Lee's fellow gang members is explicitly a woman in the book, but not in the movie.
* In the scene where the Doctor is shot, one of Lee's fellow gang members is explicitly female in the book.
*The first chapter and a half goes into more detail about aspects of the TARDIS and how and why the Doctor got the Master's remains. In particular, the early part of the book suggests the [[Seventh Doctor]] has only ''just'' changed the TARDIS interior. Though possible, there's no on-screen evidence that the interior has been recently changed. The Seventh Doctor seems quite settled in his surroundings. Thus, stories in other media have subsequently rejected Russell's notion. In particular, many [[Big Finish]] audios posit the [[Seventh Doctor]] well-ensconced in the tele-movie's console room.
* The first chapter and a half goes into more detail about aspects of the TARDIS and how and why the Doctor got {{Tipple}}'s remains. In particular, the early part of the book suggests the [[Seventh Doctor]] has only ''just'' changed the TARDIS interior. Though possible, there's no on-screen evidence the interior has been recently changed. The Seventh Doctor seems quite settled in his surroundings. Stories in other media have contradicted this. In particular, many [[Big Finish Productions]] audios posit the [[Seventh Doctor]] well-ensconced in the telemovie's console room. Notably, mention is made of a church organ taken from [[Cheldon Bonniface]], a village visited twice in New Adventures novels [[PROSE]]: ''[[Timewyrm: Revelation (novel)|Timewyrm: Revelation]]'' and [[PROSE]]: ''[[Happy Endings (novel)|Happy Endings]]'' and a koi pond filled with [[gumblejack]].
*Dr. [[Salinger]] is depicted as at least somewhat romantically attracted to Grace, offering to take [[Brian (Doctor Who)|Brian's]] place in her life.
* The box containing the Master's ashes is described as containing little more than two crystallised eyes and residue — hypnotic even in death.
*Nurses [[Wheeler]] and [[Curtis]] are described somewhat in opposition to how they were actually cast. In the movie, Curtis is obviously older, and she has more lines in the final cut. In the book, Russell describes Wheeler as the "senior" nurse.
* Dr. [[Jim Salinger|Salinger]] is depicted as at least somewhat romantically attracted to Grace, offering to take [[Brian (Doctor Who)|Brian's]] place in her life.
*The final cut of the movie never quite explains how Chang Lee knows the ambulance driver's name is [[Bruce]], or why he would have been allowed to travel in the ambulance with the Doctor. There's not even a hint that Lee looked at Bruce's name tag. The novel, however, suggests a scene may have ended up on the cutting room floor. In it, the police who arrive at the scene of the shooting interrogate Lee and then determine he he might be of help to the paramedics. A policeman introduces Lee to the paramedic, who introduces himself as "Bruce Gerhardt".
* Nurses [[Angela Wheeler]] and [[Shelly Curtis|Curtis]] are described somewhat in opposition to how they were actually cast. In the movie, Curtis is obviously older and she has more lines in the final cut. In the book, Russell describes Wheeler as the "senior" nurse.
*When the Doctor says to Grace, "it was a child's dream that made you want to be a Doctor", the movie leaves the audience to wonder what that dream might have been. The book shows us a flashback to Grace's youth in Sacramento. There, we witness her mother dying at a very early age, and Grace dreaming of finding a way to prevent other kids having to endure the pain of their parent's premature death.
* The final cut of the movie never quite explains how Chang Lee knows the ambulance driver's name is [[Bruce Gerhardt|Bruce]], nor why he would have been allowed to travel in the ambulance with the Doctor. The novel features a scene in which the police who arrive at the scene of the shooting interrogate Lee and determine that he might be of help to the paramedics. A policeman introduces Lee to the paramedic, who introduces himself as Bruce Gerhardt. Bruce's last name is never revealed on-screen.
*Russell envisaged something a bit different for the scene in which the the Eye of Harmony projected the images of the old Doctor and the new Doctor. He posits that Lee and the Master don't just see the [[Seventh Doctor]], but ''all seven'' previous Doctors.
* When the Doctor says to Grace, "It was a child's dream that made you want to be a doctor," the movie leaves the audience to wonder what that dream might have been. The book shows us a flashback to Grace's youth in Sacramento. There, we witness her mother dying young and Grace dreaming of finding a way to prevent other kids having to endure the pain of their parent's premature death.
*Russell suggests the Eighth Doctor's costume had more variability in different scenes. For instance, in the part where Grace and the Doctor walk around the park, she's given him not just [[Brian (Doctor Who)|Brian]]'s shoes, but his scarf and woolly hat, as well. Likewise, Grace's outfit in the scene is completely different to what we see in the final film.
* The novel features Lee and the Master not only seeing the [[Seventh Doctor]] in the Eye of Harmony, but ''all seven'' previous Doctors. (This was also to have been the case for the televised version, but Universal Pictures were unable to obtain the necessary clearance rights to use the images.)
*The [[Seventh Doctor]]'s straw hat plays a bigger role in the novel, becoming a motif for the past.
* Russell suggests the Eighth Doctor's costume had more variability in different scenes. In the part where Grace and the Doctor walk around the park, she's given him not just [[Brian (Doctor Who)|Brian]]'s shoes, but his scarf and woolly hat, as well. Likewise, Grace's outfit in the scene is completely different from the final film.
**The [[Eighth Doctor]] finds it in the lockers where he eventually gets his "[[Wild Bill Hikock|Wild Bill Hickock]]" garb. When he touches it, it sparks a memory that begins to help him remember who he was. He decides therefore to keep it.
* The kiss between the Doctor and Grace in the park plays out differently. The Doctor becomes embarrassed by the gesture and apologises for getting carried away. Grace is diffident, but when she asks him to kiss her again he waves her away, telling her there's "no time".
**Later, when Grace and he are trying to get past the motorcycle cop, he reproduces the hat from his coat. Inside the hat is a white bag of [[jelly baby|jelly babies]], which he offers to the cop.
* Some of the more disconnected montages from the film are carried by Mrs Trattorio, a disapproving elderly neighbour of Grace, who briefly chats with the Doctor marooned on her doorstep. She's watching the television when Professor Wagg is told that the atomic clock won't start.
**When the Doctor bemoans the lack of his [[sonic screwdriver]] as he tries to get at the heart of the [[beryllium clock]], he has a "moment" where he ponders what might have happened to his screwdriver and his belongings. He pulls his predecessor's hat out of his pocket and questions how this part of his former life survived, while other things went missing.
* In the back of the ambulance, it's made clear that the Doctor has seen through Grace's ruse to get him to the hospital.
**When the Doctor and Grace return to the TARDIS, the Doctor reproduces his old self's straw hat, believing that somehow the TARDIS key might be inside it.
* The Master explains to Chang Lee that the bearded man sculpted on the TARDIS busts is Rassilon
**Finally, at the end of the adventure, the Doctor hears ''Auld Lang Syne'' rising up from the city of [[San Francisco]]. Grace says she hates the song, but the Doctor claims to have "slways had a soft spot for all things Scottish", whereupon he produces the hat again, smiling to himself. After he gives Grace a final kiss, he hands her the hat, apparently parting with his former self as well.
* The [[Seventh Doctor]]'s straw hat plays a bigger role in the novel, becoming a motif for the past.
*During the final battle between the Master and the Doctor, the Master leaves Bruce's body and becomes a bleached silhouette of a man.
** The [[Eighth Doctor]] finds it alonside the other garments of his previous incarnation in the lockers where he gets his "[[Wild Bill Hickok]]" garb. When he touches it, it sparks a memory that begins to help him remember who he was. He decides therefore to keep it. (Exactly how it ended up there is unclear.)
*The book does not end with TARDIS mechanical failure. Instead the Doctor ponders over where to go next, hoping for somewhere exciting — or at least a place with a good pot of tea.
** Later, when Grace and he are trying to get past the motorcycle cop, he takes the hat from his coat. Inside the hat is a white bag of [[jelly baby|jelly babies]], which he offers to the policeman.
** When the Doctor bemoans the lack of his [[the Doctor's sonic screwdriver|sonic screwdriver]] as he tries to get at the heart of the [[beryllium clock]], he has a "moment" where he ponders what might have happened to his screwdriver and his belongings. He pulls his predecessor's hat out of his pocket and wonders how this part of his former life survived, while other things went missing.
** When the Doctor and Grace return to the TARDIS, the Doctor takes his old self's straw hat, believing that somehow the TARDIS key might be inside it.
** Finally, at the end of the adventure, the Doctor hears ''Auld Lang Syne'' rising up from the city of [[San Francisco]]. Grace says she hates the song, but the Doctor claims to have "always had a soft spot for all things Scottish", whereupon he produces the hat again, smiling to himself. After he gives Grace a final kiss, he hands her the hat, apparently parting with his former self as well.
* The Doctor explicitly states that the Eye of Harmony in his TARDIS is linked to the one on Gallifrey. To open the eye, he elaborates would be like, "driving your car down a freeway at seventy, climbing onto the hood and putting your hand into the heart of the engine."
* Bruce's body is slowly but visibly breaking apart, more than just losing nails at the hospital reception. During the final battle between the Master and the Doctor, the Master leaves Bruce's body and becomes [[Watcher (Logopolis)|a bleached silhouette of a man]].
* The book does not end with TARDIS mechanical failure. Instead the Doctor ponders over where to go next, hoping for somewhere exciting — or at least a place with a good pot of tea.
* The Doctor watches a news program about [[San Jose]]. The extended news report includes slightly different dialogue that reveals the names of the news anchors as [[Mi-Jung Kanaka]] and [[Joanna (Doctor Who)|Joanna]], both sharing their first name with their respective actresses, [[Mi-Jung Lee]] and [[Joanna Piros]].
 
== Author, writing and publishing notes ==
* Photography for the front cover and rear cover is by [[Joseph Lederer|Joe Lederer]].
* The cover features the [[Doctor Who logo|''Doctor Who'' logo]] printed in silver reflective foil, which is also used on the spine of the novel.
* The front cover carries the line "He's Back...And It's About Time", a line never used in the TV movie but which became a tagline for many of the products and advertisements associated with the TV movie.
* The cover design of the first edition is virtually identical to that used for the first VHS release.
* The novelisation is dedicated to: [[Terrance Dicks]] (with the added line "Who made me want to write a Doctor Who novelisation"), [[Philip Segal]] and [[Matthew Jacobs]].
* Author Gary Russell later worked with the [[Big Finish Productions]] audio dramas series and as script editor for ''Doctor Who'' when it returned to television in 2005. This makes him one of the few people connected in a major way to the 1996 movie to carry on with the later revival. He would also write [[IDW Publishing]]'s ''Doctor Who'' comic book series in 2007-08 as well as novelisations based upon episodes of ''[[The Sarah Jane Adventures]]''. In the 1970s, Russell was a child actor and one of the young stars of the TV series ''The Famous Five''; a photo shoot promoting the series in the ''TV Times'' showed one of the young stars — possibly Russell — posing with a stack of [[Target Books]] ''Doctor Who'' novelisations.
 
== Worldbuilding ==
=== Individuals ===
* [[Bruce Gerhardt|Bruce]] and [[Miranda Gerhardt|Miranda]]'s full names are Bruce and Miranda Gerhardt.
* Nurses [[Angela Wheeler|Wheeler]] and [[Shelly Curtis|Curtis]]' full names are Angela Wheeler and Shelly Curtis. Wheeler had a [[Angela Wheeler's husband|husband]]. Curtis also had a [[Shelly Curtis' husband|husband]].
* Dr [[Jim Salinger|Salinger]]'s full name is Jim Salinger and Dr [[Swift]]'s full name is Roger Swift.
* Professor [[Wagg]]'s full name is Joseph Wagg, and he has a daughter named [[Sophie Wagg]].
* [[Gareth (Doctor Who)|Gareth's]] full name is Gareth Fitzpatrick.
* The rich elderly widow on Swift's tour during the Doctor's surgery is named Mrs [[Carrington (Doctor Who)|Carrington]]
* Bruce's [[paramedic]] partner, a character seen only briefly and unnamed in the film, is [[Joey Sneller]].
* [[Pik Sim]] and [[Lin Wang]] are Chang Lee's friends, shot by a rival gang.
* The [[KKBE]] news anchors are [[Mi-Jung Kanaka]] and [[Joanna (Doctor Who)|Joanna]].
* [[Grace Holloway's mother|Grace's mother]] died of [[cancer]] when she was five. [[Grace Holloway's father|Her father]] comforted her and assured her Dr [[Seinkewicz]] had one what he could.
* [[Chang Lee's mother]] and [[Chang Lee's father|father]] owned a shop. He also had an older brother, [[Chang Ho]], who died about three years earlier.
* [[Prentiss (The Novel of the Film)|Prentiss]] is Bruce's boss.
* [[Lana (The Novel of the Film)|Lana]] is a receptionist at the hospital.
* [[Gigi Trattorio]] is Grace's neighbour and was married to [[Bruno Trattorio]]. She also has a [[Gigi Trattorio's cat|pet cat]].
* [[Sean Ley]] is a news caster in [[San Jose]].
* [[David Bailey (The Novel of the Film)|David Bailey]] and [[Paul (The Novel of the Film)|Paul]] work for [[Vyse Security]], which is run by Mr [[Vyse]].
* David is dropping out of college; his [[David Bailey's mother|mother]] was upset about this but his [[David Bailey's father|father]] was understanding. [[Gareth Fitzpatrick's father|Gareth's father]] was not as understanding.
* Professor [[Sullivan (The Novel of the Film)|Sullivan]] came down from Winona to see the starting of the clock.
* [[Selby (The Novel of the Film)|Selby]] and [[Buffini]] are police officers who are surprised by [[Miranda Gerhardt|Miranda's]] murder.
 
== Publishing history (UK) ==
* [[BBC Books]], paperback, [[1996 (releases)|1996]]
* [[BBC Audiobooks]], audiocassette, [[1997 (releases)|1997]]
* [[BBC Audiobooks]], [[Tales from the TARDIS: Volume Two|MP3 on CD-ROM]], [[2005 (releases)|2005]]


==Author, Writing and Publishing Notes==
== International editions ==
*Photography for the front cover and rear cover is by [[Joseph Lederer|Joe Lederer]].
* There were not print releases of this novelisation outside Britain. In 1996, BBC Books did not have a distribution agreement for North America (unlike Virgin) so it was not made available overseas except by specialist importers, despite the film's strong ties to both the US and Canada. The novel was released prior to the show's UK airing.
*The cover features the [[Doctor Who logo]] printed in silver reflective foil, which is also used on the spine of the novel.
* The international reach of [[BBC Audiobooks]] in 2005 made the ''[[Tales from the TARDIS (audio anthology)|Tales from the TARDIS]]'' re-release of the audiobook the first time the novel had been readily available to international audiences, albeit in an abridged adaptation.
*The front cover carries the line ''"He's Back...And It's About Time"'', a line never used in the TV movie but which became a tagline for many of the products and advertisements associated with the TV movie.
*The cover design of the first edition is virtually identical to that used for the first VHS release.
*The novelisation is dedicated to: [[Terrance Dicks]] (with the added line ''"Who made me want to write a Doctor Who novelisation"''), [[Philip Segal]] and [[Matthew Jacobs]].
*Author Gary Russell went on to work with the [[Big Finish]] audio dramas series, and as script editor for ''Doctor Who'' when it returned to television in 2005. This makes him one of the few people connected in a major way to the 1996 movie to carry on with the later revival. He would also go on to write for the [[Doctor Who (IDW)|IDW Doctor Who]] comic book series in 2007-08 as well as novelisations based upon episodes of ''[[The Sarah Jane Adventures]]''. In the 1970s, Russell was a child actor and a co-star of the TV series ''The Famous Five''; a photo shoot promoting the series in the ''TV Times'' showed one of the young stars - possibly Russell - posing with a stack of [[Target Books]] ''Doctor Who'' novelisations.


==Audiobook==
== Audiobook ==
[[File:Novel of the film audiobook.jpg|thumb|right|Audiobook cover]]
* The BBC Books edition was released an abridged audiobook on audio cassette in 1997, read by [[Paul McGann]]. This release is notable for being McGann's first appearance on a ''Doctor Who'' audio, predating his work with [[Big Finish Productions]] by several years.
*The BBC released an abridged audiobook of this novel on audiocassette in 1997, read by [[Paul McGann]]. This release is notable for being McGann's first appearance on a ''Doctor Who'' audio, predating his work with [[Big Finish]] by several years.
* Gary Russell did the abridging for the audio version, taking out 25,000 words of his 50,000 word novel in one weekend. Some dialogue was reworded to gain more consistency with the filmed version.
* In 2005 the audiobook was re-released as MP3 files on CD-ROM, as part of ''[[Tales from the TARDIS: Volume Two]]'' audio anthology.


==Publishing History (UK)==
<gallery position="center" captionalign="center" hideaddbutton="true">
* [[BBC Books]], paperback, [[1996]]
Novel of the film audiobook.jpg|1997 Audiobook cover
* [[BBC Audiobooks]], audiocassette, [[1996]]
</gallery>


==International Editions==
== External links ==
* Much like the DVD release of the TV movie, there have not been releases of this novelisation outside Britain. In 1996, BBC Books did not have a distribution agreement for North America (unlike Virgin) so it was not made available overseas except by specialist importers, despite the film's strong ties to both the US and Canada. Oddly, though, the novelisation's release date ensured it could spoil the British public's enjoyment of the film. It came out after the North American debut of the film, but over a week before the British one.
* [http://web.archive.org/web/20021109212940/www.gary.dircon.co.uk/StrangeTVM.html Gary Russell's Strange Matter: '''1996 TV Movie Novelisation''', author notes on novelisation] via [http://www.archive.org/web/web.php Internet Archive: Wayback Machine]
* {{penguin|1073116/doctor-who--the-tv-movie--target-collection-}}


==See also==
{{DWN}}
*''[[Doctor Who - The Script of the Film]]''
{{BBCDWA}}
{{TitleSort}}


==External links==
*[http://web.archive.org/web/20021109212940/www.gary.dircon.co.uk/StrangeTVM.html Gary Russell's Strange Matter: '''1996 TV Movie Novelisation''', author notes on novelisation] via [http://www.archive.org/web/web.php Internet Archive: Wayback Machine]
[[Category:1996 novels]]
[[Category:1996 novels]]
[[Category:Post-Target novelisations]]
[[Category:Eighth Doctor novels]]
[[Category:The Master novels]]
[[Category:Old Master novels]]
[[Category:BBC Books]]
[[Category:Bruce Master novels]]
[[Category:Seventh Doctor novelisations]]
[[Category:Stories set in 1999]]
[[Category:Stories set in 2000]]
[[Category:Stories set in San Francisco]]
[[Category:Sources with disputed titles]]
[[Category:Regeneration novels]]
[[Category:Sources set on Skaro]]
[[Category:Stories set at New Year]]
[[Category:Tales from the TARDIS: Volume Two stories]]
[[Category:BBC Books novelisations of television stories]]

Latest revision as of 17:58, 17 November 2023

RealWorld.png

You may be looking for the novelisation as it exists within the DWU or the 2021 novelisation.

The Novel of the Film was a novelisation of the 1996 TV movie, Doctor Who. It was written by Gary Russell published by BBC Books in conjunction with the film's broadcast in the United States, Canada and Great Britain on 16 May 1996. Though for copyright purposes known as simply Doctor Who, the book has a cover which sends ambiguous signals about its title. On the front cover it is entitled Doctor Who, but on the spine, it is Doctor Who - The Novel of the Film.

An altered version of the novelisation was published again by Target Books on 11 March 2021 under the new title of The TV Movie.

The book was significant for a number of reasons. It was the premiere release of a Doctor Who novel by BBC Books, which would completely take over the Doctor Who publishing license from Virgin by late 1997. It was also the first novelisation not appearing under the Target or Virgin labels and the first novelisation to be completed before the filmed version was. Its tight publication schedule meant that Russell wrote it with, as he put it in his foreword, "precious little visual reference". For this reason, the novel contains, as Russell predicted, things which "differ from what we all see on screen". This is especially true of some of the descriptions of the minor characters.

The book is further significant for being one of the few Doctor Who adaptations to be in British shops well prior to the debut of its parent episode on BBC One.

Publisher's summary[[edit] | [edit source]]

1996 BBC Books edition[[edit] | [edit source]]

Late December, 1999: the brink of a new millennium. An anachronistic British Police Box materialises in San Francisco's Chinatown amid a hail of bullets which find an unintentional target — a strange man who walks out of the Police Box. Despite the best efforts of Dr Grace Holloway, the unknown traveller dies and his body vanishes. And soon another stranger appears, claiming to be the same man inside a different body; a mysterious wanderer in time and space known only as the Doctor.

But the Doctor is not the only time-traveller in San Francisco. His oldest adversary, the Master, is there as well, desperately trying to steal the Doctor's newly-regenerated body. Before long, the Doctor is faced with a choice: to save his own life, or the billions of people who have no future unless the Master is stopped. If only the Doctor could remember how...

Deviations from the film[[edit] | [edit source]]

According to the introduction of the book, Russell wrote the adaptation based upon an early version of the script that wasn't the final one. As a result, the novel differs from the movie. It is hard to know, however, exactly which differences come from genuine ignorance of the final casting or costuming, on-set revisions of the script or which may have been Russell's embellishments that would have survived in the text even if Russell had seen the film first. In any event, this novelisation does differ from the final film more than the average Target novelisation did from its source material. Some examples:

  • In the scene where the Doctor is shot, one of Lee's fellow gang members is explicitly female in the book.
  • The first chapter and a half goes into more detail about aspects of the TARDIS and how and why the Doctor got the Old Master's remains. In particular, the early part of the book suggests the Seventh Doctor has only just changed the TARDIS interior. Though possible, there's no on-screen evidence the interior has been recently changed. The Seventh Doctor seems quite settled in his surroundings. Stories in other media have contradicted this. In particular, many Big Finish Productions audios posit the Seventh Doctor well-ensconced in the telemovie's console room. Notably, mention is made of a church organ taken from Cheldon Bonniface, a village visited twice in New Adventures novels PROSE: Timewyrm: Revelation and PROSE: Happy Endings and a koi pond filled with gumblejack.
  • The box containing the Master's ashes is described as containing little more than two crystallised eyes and residue — hypnotic even in death.
  • Dr. Salinger is depicted as at least somewhat romantically attracted to Grace, offering to take Brian's place in her life.
  • Nurses Angela Wheeler and Curtis are described somewhat in opposition to how they were actually cast. In the movie, Curtis is obviously older and she has more lines in the final cut. In the book, Russell describes Wheeler as the "senior" nurse.
  • The final cut of the movie never quite explains how Chang Lee knows the ambulance driver's name is Bruce, nor why he would have been allowed to travel in the ambulance with the Doctor. The novel features a scene in which the police who arrive at the scene of the shooting interrogate Lee and determine that he might be of help to the paramedics. A policeman introduces Lee to the paramedic, who introduces himself as Bruce Gerhardt. Bruce's last name is never revealed on-screen.
  • When the Doctor says to Grace, "It was a child's dream that made you want to be a doctor," the movie leaves the audience to wonder what that dream might have been. The book shows us a flashback to Grace's youth in Sacramento. There, we witness her mother dying young and Grace dreaming of finding a way to prevent other kids having to endure the pain of their parent's premature death.
  • The novel features Lee and the Master not only seeing the Seventh Doctor in the Eye of Harmony, but all seven previous Doctors. (This was also to have been the case for the televised version, but Universal Pictures were unable to obtain the necessary clearance rights to use the images.)
  • Russell suggests the Eighth Doctor's costume had more variability in different scenes. In the part where Grace and the Doctor walk around the park, she's given him not just Brian's shoes, but his scarf and woolly hat, as well. Likewise, Grace's outfit in the scene is completely different from the final film.
  • The kiss between the Doctor and Grace in the park plays out differently. The Doctor becomes embarrassed by the gesture and apologises for getting carried away. Grace is diffident, but when she asks him to kiss her again he waves her away, telling her there's "no time".
  • Some of the more disconnected montages from the film are carried by Mrs Trattorio, a disapproving elderly neighbour of Grace, who briefly chats with the Doctor marooned on her doorstep. She's watching the television when Professor Wagg is told that the atomic clock won't start.
  • In the back of the ambulance, it's made clear that the Doctor has seen through Grace's ruse to get him to the hospital.
  • The Master explains to Chang Lee that the bearded man sculpted on the TARDIS busts is Rassilon
  • The Seventh Doctor's straw hat plays a bigger role in the novel, becoming a motif for the past.
    • The Eighth Doctor finds it alonside the other garments of his previous incarnation in the lockers where he gets his "Wild Bill Hickok" garb. When he touches it, it sparks a memory that begins to help him remember who he was. He decides therefore to keep it. (Exactly how it ended up there is unclear.)
    • Later, when Grace and he are trying to get past the motorcycle cop, he takes the hat from his coat. Inside the hat is a white bag of jelly babies, which he offers to the policeman.
    • When the Doctor bemoans the lack of his sonic screwdriver as he tries to get at the heart of the beryllium clock, he has a "moment" where he ponders what might have happened to his screwdriver and his belongings. He pulls his predecessor's hat out of his pocket and wonders how this part of his former life survived, while other things went missing.
    • When the Doctor and Grace return to the TARDIS, the Doctor takes his old self's straw hat, believing that somehow the TARDIS key might be inside it.
    • Finally, at the end of the adventure, the Doctor hears Auld Lang Syne rising up from the city of San Francisco. Grace says she hates the song, but the Doctor claims to have "always had a soft spot for all things Scottish", whereupon he produces the hat again, smiling to himself. After he gives Grace a final kiss, he hands her the hat, apparently parting with his former self as well.
  • The Doctor explicitly states that the Eye of Harmony in his TARDIS is linked to the one on Gallifrey. To open the eye, he elaborates would be like, "driving your car down a freeway at seventy, climbing onto the hood and putting your hand into the heart of the engine."
  • Bruce's body is slowly but visibly breaking apart, more than just losing nails at the hospital reception. During the final battle between the Master and the Doctor, the Master leaves Bruce's body and becomes a bleached silhouette of a man.
  • The book does not end with TARDIS mechanical failure. Instead the Doctor ponders over where to go next, hoping for somewhere exciting — or at least a place with a good pot of tea.
  • The Doctor watches a news program about San Jose. The extended news report includes slightly different dialogue that reveals the names of the news anchors as Mi-Jung Kanaka and Joanna, both sharing their first name with their respective actresses, Mi-Jung Lee and Joanna Piros.

Author, writing and publishing notes[[edit] | [edit source]]

  • Photography for the front cover and rear cover is by Joe Lederer.
  • The cover features the Doctor Who logo printed in silver reflective foil, which is also used on the spine of the novel.
  • The front cover carries the line "He's Back...And It's About Time", a line never used in the TV movie but which became a tagline for many of the products and advertisements associated with the TV movie.
  • The cover design of the first edition is virtually identical to that used for the first VHS release.
  • The novelisation is dedicated to: Terrance Dicks (with the added line "Who made me want to write a Doctor Who novelisation"), Philip Segal and Matthew Jacobs.
  • Author Gary Russell later worked with the Big Finish Productions audio dramas series and as script editor for Doctor Who when it returned to television in 2005. This makes him one of the few people connected in a major way to the 1996 movie to carry on with the later revival. He would also write IDW Publishing's Doctor Who comic book series in 2007-08 as well as novelisations based upon episodes of The Sarah Jane Adventures. In the 1970s, Russell was a child actor and one of the young stars of the TV series The Famous Five; a photo shoot promoting the series in the TV Times showed one of the young stars — possibly Russell — posing with a stack of Target Books Doctor Who novelisations.

Worldbuilding[[edit] | [edit source]]

Individuals[[edit] | [edit source]]

Publishing history (UK)[[edit] | [edit source]]

International editions[[edit] | [edit source]]

  • There were not print releases of this novelisation outside Britain. In 1996, BBC Books did not have a distribution agreement for North America (unlike Virgin) so it was not made available overseas except by specialist importers, despite the film's strong ties to both the US and Canada. The novel was released prior to the show's UK airing.
  • The international reach of BBC Audiobooks in 2005 made the Tales from the TARDIS re-release of the audiobook the first time the novel had been readily available to international audiences, albeit in an abridged adaptation.

Audiobook[[edit] | [edit source]]

  • The BBC Books edition was released an abridged audiobook on audio cassette in 1997, read by Paul McGann. This release is notable for being McGann's first appearance on a Doctor Who audio, predating his work with Big Finish Productions by several years.
  • Gary Russell did the abridging for the audio version, taking out 25,000 words of his 50,000 word novel in one weekend. Some dialogue was reworded to gain more consistency with the filmed version.
  • In 2005 the audiobook was re-released as MP3 files on CD-ROM, as part of Tales from the TARDIS: Volume Two audio anthology.
  • 1997 Audiobook cover

    1997 Audiobook cover

External links[[edit] | [edit source]]

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Susan, Barbara, Ian
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Jo
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