DWMSE 41: Difference between revisions
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{{Infobox Magazine | |||
|image = DWMSE 41.jpg | |image = DWMSE 41.jpg | ||
|release date | |release date = [[13 August (releases)|13 August]] [[2015 (releases)|2015]] | ||
|format = 84 pages, bound | |format = 84 pages, bound | ||
|editor = [[Marcus Hearn]] | |editor = [[Marcus Hearn]] | ||
|publisher = [[Panini Comics]] | |publisher = [[Panini Comics]] | ||
|next = DWMSE 42 | |next = DWMSE 42 | ||
|series = ''[[Doctor Who Magazine Special Edition]]'' issues | |||
}} | }} | ||
The '''41st issue''' in a [[Doctor Who Magazine Special Edition|quarterly series of magazine releases]] by the publishers of ''[[Doctor Who Magazine]]'' from [[Panini Comics|Panini UK]] looked at the history of music and sound in ''[[Doctor Who]]''. | The '''41st issue''' in a [[Doctor Who Magazine Special Edition|quarterly series of magazine releases]] by the publishers of ''[[Doctor Who Magazine]]'' from [[Panini Comics|Panini UK]] looked at the history of music and sound in ''[[Doctor Who]]''. | ||
== Publisher's summary == | == Publisher's summary == | ||
"Music is playing with time. It's slices of vibrating sound that go together in a certain order; if you jumble them up it becomes something else..." [[Paul Hartnoll]] | "[[Music]] is playing with time. It's slices of vibrating [[sound]] that go together in a certain order; if you jumble them up it becomes something else..." [[Paul Hartnoll]] | ||
In the 1960s, ''[[Doctor Who]]''{{'}}s bold use of ''avant garde'' music and sound design played just as important a role as visual effects in evoking a journey through time and space. This is the story of those radiophonic pioneers and the composers who built on their extraordinary legacy. | In the 1960s, ''[[Doctor Who]]''{{'}}s bold use of ''avant garde'' music and sound design played just as important a role as [[visual effects]] in evoking a journey through time and space. This is the story of those radiophonic pioneers and the composers who built on their extraordinary legacy. | ||
Unprecedented in its scope and detail, ''The Music of Doctor Who'' explores one of the most celebrated and mysterious sonic landscapes in television history. | Unprecedented in its scope and detail, ''The Music of Doctor Who'' explores one of the most celebrated and mysterious sonic landscapes in television history. | ||
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* Editor: [[Marcus Hearn]] | * Editor: [[Marcus Hearn]] | ||
* Art Editor: [[Peri Godbold]] | * Art Editor: [[Peri Godbold]] | ||
* Editors-in-Chief: [[Tom Spilsbury]], [[Peter Ware]] | * Editors-in-Chief: [[Tom Spilsbury]], [[Peter Ware (editor)|Peter Ware]] | ||
* Managing Director: [[Mike Riddell]] | * Managing Director: [[Mike Riddell]] | ||
* Managing Editor: [[Alan O'Keefe]] | * Managing Editor: [[Alan O'Keefe]] | ||
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== Additional details == | == Additional details == | ||
''to be added'' | ''to be added'' | ||
{{DWMSE issues}}{{DWM issues}} | |||
[[Category:DWMSE issues]] | [[Category:DWMSE issues]] | ||
[[Category:DWM issues]] | [[Category:DWM issues]] | ||
[[Category:2015 DWM issues]] | [[Category:2015 DWM issues]] | ||
Latest revision as of 12:31, 9 March 2023
The 41st issue in a quarterly series of magazine releases by the publishers of Doctor Who Magazine from Panini UK looked at the history of music and sound in Doctor Who.
Publisher's summary[[edit] | [edit source]]
"Music is playing with time. It's slices of vibrating sound that go together in a certain order; if you jumble them up it becomes something else..." Paul Hartnoll
In the 1960s, Doctor Who's bold use of avant garde music and sound design played just as important a role as visual effects in evoking a journey through time and space. This is the story of those radiophonic pioneers and the composers who built on their extraordinary legacy.
Unprecedented in its scope and detail, The Music of Doctor Who explores one of the most celebrated and mysterious sonic landscapes in television history.
Contents[[edit] | [edit source]]
- The Key to Time
- The longevity of Ron Grainer's Doctor Who theme is analysed
- The Sound of Music
- The story of the BBC Radiophonic Workshop
- Composers: The 1960s
- Biographies of Doctor Who incidental music composers of the 1960s
- Metal Machine Music
- Interview with composer Tristram Cary
- The Desired Effect
- Exploring the creation of sound effects
- Noises in the Library
- DWM examines stock library music that has been used as incidental cues
- Composers: The 1970s
- Biographies of Doctor Who incidental music composers of the 1970s
- Notes from a Large Island
- Interview with composer Dudley Simpson
- Composers: The 1980s
- Biographies of Doctor Who incidental music composers of the 1980s
- New Beginnings
- Exploring the various arrangements of the Doctor Who theme following Delia Derbyshire's realisation
- The Big Score
- John Sponsler and Louis Febre discuss the score of the 1996 Doctor Who movie, which they composed with John Debney
- The Hartnoll Years
- Paul Hartnoll of Orbital explains Doctor Who's influence on his work
- The Sound of Drums
- Exploring 50 years of pop music on the show
- Sharing the Song
- Trock musicians and fans recreating Doctor Who music of discuss their work
- Phonic Boom Boys
- The Radiophonic Workshop new form as a touring band
- A Day with Delia
- Looking back on the 1993 interview with Delia Derbyshire was eventually used on the DVD feature Masters of Sound
Credits[[edit] | [edit source]]
- Editor: Marcus Hearn
- Art Editor: Peri Godbold
- Editors-in-Chief: Tom Spilsbury, Peter Ware
- Managing Director: Mike Riddell
- Managing Editor: Alan O'Keefe
- Head of Production: Mark Irvine
- Production Assistant: Jez Meteyard
- Circulation and Trade Marketing Controller: Rebecca Smith
- Head of Marketing: Jess Tadmor
- Marketing Executives: Jess Bell, Becci Ireland
- BBC Worldwide, UK Publishing
- Director of Editorial Governance: Nicholas Brett
- Director of Consumer Products and Publishing: Andrew Moultrie
- Head of UK Publishing: Chris Kerwin
- Publisher: Mandy Thwaites
- Publishing Co-ordinator: Eva Abramik
Additional details[[edit] | [edit source]]
to be added
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