The Caretaker (TV story): Difference between revisions

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== Crew ==
== Crew ==
{{Wales crew|Writer2 = Steven Moffat|Writer = Gareth Roberts|Producer = Nikki Wilson|Director = Paul Murphy|ProductionManager = Simon Morris|LocationManager = Iwan Roberts|LocationScout = Nick Clark|UnitManager = Iestyn Hampson-Jones|ProductionCoOrdinator = Adam Knopf|AsstProductionCoOrdinator = Sandra Cosfeld|ProductionAssistant = Matthew Jones|ProductionAssistant2 = Katie Player|1stAD = Jo Lea|2ndAD = James Dehaviland|3rdAD = Danielle Richards|AD2 = Chris Thomas|AD = Gareth Jones|StuntCoOrdinator = Crispin Layfield|StuntCoOrdinator2 = Gordon Seed|Stunt = Rashid Phoenix|ExecutiveProd = Steven Moffat|ExecutiveProd2 = Brian Minchin|DOP = Mark Waters|ProductionDesigner = Michael Pickwoad|VisualEffects = Milk VFX{{!}}Milk|VisualEffects2 = BBC Wales VFX|Make-upDesigner = Claire Pritchard-Jones|CastingDirector = Andy Pryor CDG|Music = Murray Gold|CostumeDesigner = Howard Burden|Editor = Will Oswald|SpecialEffects = Real SFX|OriginalTheme = Ron Grainer|WithThanksTo = BBC National Orchestra of Wales|ConductedAndOrchestratedBy = Ben Foster|MixedBy = Jake Jackson|RecordedBy = Gerry O'Riordan|ProductionExec = Julie Scott|LineProducer = Tracie Simpson|ProductionAccountant = Jeff Dunn|ScriptEditor = David P Davies|ScriptEditor2 = Derek Ritchie|ScriptSupervisor = Steve Walker|CameraOperator = Martin Stephens|FocusPuller2 = Matthew Waving|FocusPuller = Jonathan Vidgen|Grip = John Robinson|AssistantGrip = Sean Cronin|CameraAsst2 = Katy Kardasz|CameraAsst = Cai Thompson|CameraAsst3 = Gethin Williams|Gaffer = Mark Hutchings|BestBoy = Stephen Slocombe|Electrician = Gafin Riley|Electrician2 = Andy Gardiner|Electrician3 = Bob Milton|Electrician4 = Gareth Sheldon|SupervisingArtDirector = Paul Spriggs|ArtDirector = Vicki Stevenson|ProductionBuyer = Holly Thurman|SetDecorator = Adrian Anscombe|ConceptArtist = Chris Lees|GraphicArtist = Christina Tom|StandbyProps2 = Matt Ireland|StandbyProps = Liam Collins|StandbyArtDirector = Amy Pickwoad|StandbyCarpenter = Paul Jones|StandbyRigger = Bryan Griffiths|ScenicPainter = Steve Nelms|PropsChargehand = Kyle Belmont|PropsDriver = Gareth Fox|PropsMaker2 = Jamie Thomas|PropsMaker = Alan Hardy|ConstructionManager = Terry Horle|ConstructionChargehand = Dean Tucker|PracticalElectrician = Christian Murphy|ScenicPainter2 = Matt Weston|Graphics = BBC Wales Graphics|CostumeSupervisor = Claire Lynch|AsstCostumeDesigner = Carly Griffith|CostumeAsst2 = Gemma Evans|CostumeAsst = Michelle McGrath|CostumeAsst3 = Charlotte Bestwick|Make-upSupervisor = Emma Coven|Make-upArtist2 = Ann Marie Williams|Make-upArtist = Amy Riley|Prosthetics = Millennium FX|CastingAssociate = Alice Purser|PostProdSupervisor = Nerys Davies|PostProdCoOrdinator = Samantha Price|AsstEditor2 = Carmen Sanchez Roberts|AsstEditor = Katrina Aust|OnlineEditor = Mark Hardyman|VFXEditor = Dan Rawlings|Colourist = Gareth Spensley|SoundRecordist = Deian Llŷr Humphreys|DubbingMixer = Tim Ricketts|SoundMaintenanceEngineer2 = Christopher Goding|SoundMaintenanceEngineer = Tam Shoring|DialogueEditor = Darran Clement|ADREditor = Matthew Cox|FoleyEditor = Jamie Talbutt
{{Wales crew|Writer2 = Steven Moffat|Writer = Gareth Roberts|Producer = Nikki Wilson|Director = Paul Murphy|ProductionManager = Simon Morris|LocationManager = Iwan Roberts|LocationScout = Nick Clark|UnitManager = Iestyn Hampson-Jones|ProductionCoOrdinator = Adam Knopf|AsstProductionCoOrdinator = Sandra Cosfeld|ProductionAssistant = Matthew Jones|ProductionAssistant2 = Katie Player|1stAD = Jo Lea|2ndAD = James Dehaviland|3rdAD = Danielle Richards|AD2 = Chris Thomas|AD = Gareth Jones|StuntCoOrdinator = Crispin Layfield|StuntCoOrdinator2 = Gordon Seed|Stunt = Rashid Phoenix|ExecutiveProd = Steven Moffat|ExecutiveProd2 = Brian Minchin|DOP = Mark Waters|ProductionDesigner = Michael Pickwoad|VisualEffects = Milk VFX{{!}}Milk|VisualEffects2 = BBC Wales VFX|Make-upDesigner = Claire Pritchard-Jones|CastingDirector = Andy Pryor CDG|Music = Murray Gold|CostumeDesigner = Howard Burden|Editor = Will Oswald|SpecialEffects = Real SFX|OriginalTheme = Ron Grainer|WithThanksTo = BBC National Orchestra of Wales|ConductedAndOrchestratedBy = Ben Foster|MixedBy = Jake Jackson|RecordedBy = Gerry O'Riordan|ProductionExec = Julie Scott|LineProducer = Tracie Simpson|ProductionAccountant = Jeff Dunn|ScriptEditor = David P Davis|ScriptEditor2 = Derek Ritchie|ScriptSupervisor = Steve Walker|CameraOperator = Martin Stephens|FocusPuller2 = Matthew Waving|FocusPuller = Jonathan Vidgen|Grip = John Robinson|AssistantGrip = Sean Cronin|CameraAsst2 = Katy Kardasz|CameraAsst = Cai Thompson|CameraAsst3 = Gethin Williams|Gaffer = Mark Hutchings|BestBoy = Stephen Slocombe|Electrician = Gafin Riley|Electrician2 = Andy Gardiner|Electrician3 = Bob Milton|Electrician4 = Gareth Sheldon|SupervisingArtDirector = Paul Spriggs|ArtDirector = Vicki Stevenson|ProductionBuyer = Holly Thurman|SetDecorator = Adrian Anscombe|ConceptArtist = Chris Lees|GraphicArtist = Christina Tom|StandbyProps2 = Matt Ireland|StandbyProps = Liam Collins|StandbyArtDirector = Amy Pickwoad|StandbyCarpenter = Paul Jones|StandbyRigger = Bryan Griffiths|ScenicPainter = Steve Nelms|PropsChargehand = Kyle Belmont|PropsDriver = Gareth Fox|PropsMaker2 = Jamie Thomas|PropsMaker = Alan Hardy|ConstructionManager = Terry Horle|ConstructionChargehand = Dean Tucker|PracticalElectrician = Christian Murphy|ScenicPainter2 = Matt Weston|Graphics = BBC Wales Graphics|CostumeSupervisor = Claire Lynch|AsstCostumeDesigner = Carly Griffith|CostumeAsst2 = Gemma Evans|CostumeAsst = Michelle McGrath|CostumeAsst3 = Charlotte Bestwick|Make-upSupervisor = Emma Coven|Make-upArtist2 = Ann Marie Williams|Make-upArtist = Amy Riley|Prosthetics = Millennium FX|CastingAssociate = Alice Purser|PostProdSupervisor = Nerys Davies|PostProdCoOrdinator = Samantha Price|AsstEditor2 = Carmen Sanchez Roberts|AsstEditor = Katrina Aust|OnlineEditor = Mark Hardyman|VFXEditor = Dan Rawlings|Colourist = Gareth Spensley|SoundRecordist = Deian Llŷr Humphreys|DubbingMixer = Tim Ricketts|SoundMaintenanceEngineer2 = Christopher Goding|SoundMaintenanceEngineer = Tam Shoring|DialogueEditor = Darran Clement|ADREditor = Matthew Cox|FoleyEditor = Jamie Talbutt
|AssistantAccountant = Bethan Griffans
|AssistantAccountant = Bethan Griffans
|ArtDeptAccountant = Maria Hurley
|ArtDeptAccountant = Maria Hurley

Revision as of 08:28, 12 October 2014

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The Caretaker was the sixth episode of the eighth series of Doctor Who produced by BBC Wales. It had the Twelfth Doctor and Clara Oswald deal with an alien threat to Coal Hill School, leading to both Danny Pink and Courtney meeting the Doctor and subsequently discovering his true nature.

It also contributed to the "Promised Land" arc by introducing an underling of Missy, and giving her location a new name, the Nethersphere.

Building on the experience of writing The Lodger and Closing Time, Gareth Roberts and Steven Moffat tried to match the former for threat, feeling there was an excessive amount in Closing Time, which had included back-story for the antagonists at the expense of other themes. For this reason, it was decided that the first draft had the right amount of threat and that it would be unnecessary to add more later. (DWM 478)

Synopsis

The Doctor's decision to use Clara's school at the centre of a trap results in revelations in her personal life. Meanwhile, a Skovox Blitzer, powerful enough to destroy the planet, is loose in the corridors...

Plot

The episode begins with a montage of Clara balancing adventures in the TARDIS and her relationship with Danny. After an adventure on a desert planet, Danny notices she’s developed a tan since he last saw her, while an encounter with fish people leaves seaweed in her hair during a date. These two lives collide one morning when Mr Armitage introduces Coal Hill School's new caretaker, John Smith — in reality, the Twelfth Doctor, who is clad in the kind of brown overall coat that a caretaker would wear, and carrying a rather worn-looking broom.

Meanwhile, CSO Matthew investigates a mysterious noise coming from a rundown building, caused by the Skovox Blitzer, which disintegrates him on sight.

When working on a substation, Danny and the Doctor conflict over what Danny teaches. Danny claims to have been a soldier who now teaches maths, while the Doctor instead thinks he teaches PE, as this would make more sense due to him being a soldier. But the Doctor doesn’t realise Danny is Clara’s boyfriend, instead thinking this is Adrian, who resembles his previous incarnation. The students are aware of their relationship, evidenced by graffiti mocking it.

Later, the Doctor is working in the caretaker’s room, when student Courtney Woods finds him and the TARDIS. She too conflicts with the Doctor, and on her way out makes a remark to Clara about Danny. Here, the Doctor shows Clara a hologram of the Skovox Blitzer. Knowing it will eventually attack to destroy Earth, he aims to send it away from the planet.

The tools he’ll use to do this are an invisibility watch to prevent the Blitzer scanning him and as non-threatening alien technology to lead it to him, and chronodyne generators to send it billions of years into the future through a vortex.

Clara comes clean to Danny

After Clara leaves the TARDIS, she and Danny make plans for after parents’ evening in a few days, while the Doctor follows the Blitzer’s signal. He and it meet in the hall, where the generators have been turned from green to red because of Danny’s interference. While the Blitzer is sent through a vortex into the future, Danny’s intervention means it will return in only three days. After the chaos, Danny realises Clara’s lived a lie to him. She tells him the truth: she’s human, but the Doctor’s an alien. They travel through time and space in a TARDIS, which is disguised as a police box, but is bigger on the inside. The Doctor shows Danny the inside of the TARDIS, and Clara takes him home to deal with the shock.

Danny recaps what Clara’s told him: the Doctor used to resemble Adrian, but changed into a Scottish caretaker. He travels with Clara in-between her time with Danny. He asks her why she travels with him, which she attributes mostly to the wonders that she experiences. Danny struggles to accept whether or not Clara loves the Doctor romantically, which she denies.

Parents’ evening arrives, and Clara gives Danny the invisibility watch. He turns invisible, and she takes him with her into the TARDIS so he can watch her interactions with the Doctor. He has nearly finished building a device to fight the Blitzer. As Danny remains invisible, the Doctor suddenly suggests that he and Clara go off somewhere. She reacts worriedly, and Danny realises that the Doctor somehow knows that he is there. He turns off the watch, becoming visible. The Doctor reveals that the invisibility shield does not work on Time Lords. Seeing the Doctor's title as a Time Lord to be pompous, he mockingly responds to the Doctor’s demand to leave the TARDIS like a soldier taking an order. This brings out the militant side of the Doctor, and the two men trade insults in a heated confrontation. Courtney sees Clara and Danny leave the TARDIS. She asks the Doctor what’s really in the police box, which he shows her.

As the parents arrive, the Blitzer unexpectedly returns from the vortex one day early. The Doctor's device detects it. He summons Clara through the door, prompting her and Danny both to leave. Courtney’s parents, who were talking to Danny, express that their daughter was right about the two teachers' relationship. Meanwhile, the Doctor discusses his plan: Clara attracts the Blitzer with the sonic screwdriver, and it chases her to the caretaker’s room, where the Doctor speaks to it through the device he’s built. It is a communication device that makes the Blitzer think the Doctor is its superior. He tells Danny to do one very important thing: keep out of their way. The plan seems to work, and the Doctor tells the Blitzer to deactivate. It obeys, pending a final authorisation code. The Doctor needs time to prepare the code. Instead of deactivating, the Blitzer has begun a self-destruct count down. He tells Clara to distract it while he hurriedly tries to prepare the code, but she is unsure what to do. Just then, Danny yells out to the Blitzer. He runs and jumps over it as it fires its lasers at him. This distracts it long enough for the Doctor to give the final code, deactivating the Blitzer. Danny reveals to Clara he was following her with the watch and vows to protect her. He tells her that he only needs to do one thing, which the Doctor confirms: to prove he’s worthy of Clara.

The Doctor takes the Blitzer into space and ejects it from the TARDIS, taking Courtney on her first trip. Unfortunately, Courtney is unable to cope with the immensity of the universe and finds herself feeling rather ill — whereupon she rushes back inside and is sick. Back on Earth, Clara and Danny watch television. Danny tells her that the Doctor reminds him of previous commanders he has known, who push their soldiers to get them to do more than they realised they were capable of. Clara obeyed the Doctor without being scared. Danny worries that the Doctor might push her too far. He insists that Clara promises to tell him if that happens.

Elsewhere, CSO Matthew is in a long white office corridor with many doors on either side of the hallway. He doesn't realise that he has been killed, and is talking to a person named Seb at an information desk. Seb tries to break the news gently, having encountered many new patrons to the afterlife because of the Skovox Blitzers. He tells Matthew that the place has many names, including the Promised Land. Seb personally prefers to call it "the Nethersphere". They notice Missy appear from one of the doors. She gives a stone-faced glance. Seb tells Matthew that Missy is quite busy at the moment, before asking him if he has any questions about his new existence in the Nethersphere.

Cast

Uncredited

Crew

General production staff

Script department

Camera and lighting department

Art department

Costume department

Make-up and prosthetics

Movement

Casting

General post-production staff

Special and visual effects

Sound



Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.


References

Individuals

  • The Doctor spent a month living among otters after he and River Song had a fight that caused him to sulk.
  • He likes the school subject maths, but doesn't respect PE.
  • Clara wonders if the Doctor's previous companions allowed him to do whatever he wanted.
  • After correcting Clara on when Pride and Prejudice was written, she assumes the Doctor is going to "name drop" about meeting Jane Austen. The Doctor says he knows the year because he read her bio at the back of a copy of the book.

Cultural references from the real world

Technology

Story notes

Ratings

to be added

Filming locations

  • Stryd Bute, Cardiff
  • Lloyd George Ave., Cardiff
  • The Maltings, E Tyndall St.
  • St Illtyd's Catholic High School, Newport Rd.
  • Holton Primary School, Barry

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
  • When The Doctor meets Courtney Woods in the Caretaker's shed, he hands the package of paper towels to her, but they reappear in his hand, and she walks off empty-handed.
  • When Courtney looks into the TARDIS, the Doctor's work bench, which he was sitting at just a few minutes ago, is no longer in the room. It returns later on.
  • When Clara leads Danny down the stairs and away from the TARDIS she is standing behind him and to his right in the closeup shot, but in the wide shot she is behind him to his left.

Continuity

Home video releases

DVD releases

Blu-ray releases

to be added

External links

to be added

References