Empire of Death (TV story)

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Empire of Death was the eighth episode of Season 1 of Doctor Who.[1] It finally resolved the matter of Ruby Sunday's parentage, which had served as a story arc since The Church on Ruby Road [+]Loading...["The Church on Ruby Road (TV story)"], and featured her initial departure from the TARDIS.

The return of classic 1970s villain, Sutekh, was fully explained, with it being retroactively established that the God of Death was able to escape his fate of being banished to the Void by latching onto the Doctor's TARDIS, growing in power into a new form, and projecting a new Angel of Death - the mysterious women played by recurring actress Susan Twist - into whatever time and place it landed.

Unexpectedly, the story also revealed the Time Window projection of the Doctor's TARDIS - first shown in the previous episode - to be the Remembered TARDIS, the setting of the spinoff miniseries, Tales of the TARDIS, which debuted half a year prior. To coincide with this revelation, an additional episode of the spinoff - bringing its original six episode run up to seven - was broadcast on BBC Four two days prior, which presented a condensed omnibus edition of Sutekh's original debut story, Pyramids of Mars [+]Loading...["Pyramids of Mars (TV story)"], framed as a story being told by the Doctor to Ruby during the events of this episode.

With most of the season's previously established mysteries solved, the episode ended with one last mystery still remaining; the identity of the Sunday family's mysterious neighbour, Mrs. Flood, who closed out the episode by ominously informing the audience of the Doctor's story ending in "absolute terror", before declaring "night night" to them.

Synopsis

Sutekh has won, and spread his gift of death across all the universe. Holed away in a Remembered TARDIS, can the Fifteenth Doctor and Ruby find the one thing that vexes the God of Death himself, and save the day?

Plot

The Doctor and Mel warn everyone out of the room as Susan Triad unleashes Sutekh's Dust of Death, fleeing back to UNIT HQ - Harriet Arbinger doing the same at UNIT as they fire at Sutekh, desiccating life wherever it touches bit by bit. Kate Lethbridge-Stewart and the rest of UNIT fall, a wave of dust crashing over London. As Mrs Flood watches the city, she tells Cherry Sunday to pray, to tell her Maker - "I will come to storm down his gates of gold and seize his kingdom in my true name", before the two dissolve into sand.

The Doctor and Mel enter the time window, meeting Ruby Sunday, the Doctor entering the TARDIS he finds there. A TARDIS made of memories, Ruby's memories of the TARDIS and the TARDIS's memories of itself making it real. As this TARDIS stabilises, another TARDIS appears behind them, a beast curled on top of it, Sutekh with his harbinger. Sutekh explains to the Doctor that he'd been hiding, cloaked around the TARDIS, for years, evolving into godhood. How he learned the Doctor's secrets and laid a trap. How he birthed angels of death in Susan Triad's image wherever they landed using the TARDIS's perception filter, now ready to spread his gift of death throughout all of time and space. But the Doctor doesn't know why Sutekh is monologuing, rather than killing him - only coming to one conclusion. Sutekh is uncertain, Sutekh has doubt. Sutekh snarls at the taunt, and the trio flee into the remembered TARDIS, a patchwork mess of all the Doctor's previous TARDISes, barely able to fly without collapsing, held together with the time window and their memories.

As all of time and space dies, everywhere the Doctor has ever landed being a place where Sutekh's angels unleash their gift, Sutekh contemplates the one thing that frustrates him, baffles him, still - the secret Ruby carries within her. The Doctor arrives in a desolate land and meets a woman. He takes a spoon from her, needing metal. He stays with the woman as she dies, returning to the TARDIS, connecting the spoon to the remnants of the time window inside the remembered TARDIS. As the trio ponder why Sutekh has finally gone on the offensive, after waiting for so long, the time window shows them the answer - Sutekh couldn't make sense of Ruby's mother, a fact which terrified him. As Mel sits, listening, Sutekh's voice begins to infiltrate her thoughts. The time window then suggests how they might find Ruby's mother. In 2046 Roger ap Gwilliam made DNA testing mandatory for British citizens.

The trio pilot their way to 2046, to the Department of Health. Sending Mel to keep watch, the Doctor uses the screen from the time window to access the DNA database. The Doctor and Ruby find a name, comparing Ruby's DNA to the database as it snows, but Mel crumbles before Sutekh's will, re-entering the room and subduing them. Using the Doctor's TARDIS, Harriet summons the trio before Sutekh. Sutekh toys with the Doctor, tortures him, until Ruby agrees to hand over the screen from the time window that has the name of her mother. As she goes to hand the screen to Sutekh she drops it, shattering the device.

As Sutekh howls, Ruby leashes him with a rope, handing it back to the Doctor, each wearing an intelligent glove. The Doctor whistles for his TARDIS, a thruster below the console activating, knocking Harriet aside as she investigates, and pushing the TARDIS across the room. The Doctor and Ruby scramble inside, hooking the rope to the console. With a flip of a switch the TARDIS dematerialises, rope, Sutekh and all.

The Doctor, Ruby and the TARDIS fly through the time vortex, dragging the god of death behind them, surveying the universe that had been rendered dead and decrepit through Sutekh's plans. The Doctor's decided - he'll bring death to the dead universe - death to death - life. On earth, UNIT members and people in the street come back to life. As the universe comes back to life, the Doctor decides that he must once again bring death, casting Sutekh back into the time vortex.

Back at UNIT HQ, they've retrieved the data from the time window - Ruby's mother. Louise Miller. An ordinary woman, invested with significance by people making her important, pointing not at the Doctor but at the signpost behind him, the sign that named Ruby, giving Ruby her name.

Ruby and the Doctor stand outside a cafe where Louise Miller sits, the Doctor suggesting to Ruby that he leave the issue alone, Louise is happy and has had plenty of time to come see Ruby and never has. But Ruby dashes inside and sits down next to her mother. Ruby tells her mother who she is, and thanks her for giving her a better life, a safe life. Later at the Sunday residence, Louise is meeting Carla and Cherry, getting to know Ruby's life, and see photos of Ruby growing up. Ruby still wants to travel with the Doctor, wants to leave on a trip. But she's getting news about her biological father, and the Doctor tells her to take time with her family, that her life is with them for the time being. He promises that he'll return for her, even if he regrets not returning for his granddaughter.

As the Doctor leaves, and Ruby and her family look at pictures, Mrs. Flood stands atop the building, talking to the audience. "And that's how the story of the Church on Ruby Road comes to an end. With a very happy ending for little Ruby Sunday. But life goes on, doesn't it? Ruthlessly. And what happens, you might wonder, oh what happens, to that mysterious traveller in time and space known as the Doctor? I'm sorry to say his story ends in absolute terror. Night night."

Cast

Uncredited cast

Crew

General production staff

Script department

Camera and lighting department

Art department

Costume department

Make-up and prosthetics

Movement

Casting

General post-production staff

Special and visual effects

Sound



Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
          

This episode was produced with the support of incentives for the Irish film industry provided by the Government of Ireland.


Worldbuilding

  • The kind woman is from Agua Centina, a lush planet turned to dust by the death waves. It had at least one opera house.
  • Sutekh is revealed to have been latched onto the TARDIS since the events of Pyramids of Mars. Like Rose Tyler (TV: The Parting of the Ways), Sutekh was exposed to, and obtained god-like power from, the Time Vortex. River Song and Martha Jones were previously shown to have been altered in some way by exposure to the Time Vortex.
  • Mrs Flood alludes to plans she has, and refers to Cherry Sunday as a "little woman". She is last seen standing on a rooftop promising that the Doctor's story will "end in absolute terror".
  • The Doctor mentions that his death would be an "extinction event".
  • The Doctor reveals a hope to once again reunite with Susan Foreman.

Brands

Story notes

Myths

to be added

Filming locations

  • One Central Square, Cardiff
  • Principality Stadium, Cardiff
  • Barry, Vale of Glamorgan

Ratings

BBC UK overnight ratings: 2.25 million.

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

to be added

Continuity

This section needs a cleanup.

Those parentheticals need to be changed into proper BTS-focused sentences. The parentheticals are being phased out Wiki-wide.

Gallery

Main article: Empire of Death (TV story)/Gallery

Footnotes

Notes

  1. Archival footage from TV: Pyramids of Mars [+]Loading...["Pyramids of Mars (TV story)"] and The Face of Evil [+]Loading...["The Face of Evil (TV story)"].
  2. Archival footage from TV: Pyramids of Mars [+]Loading...["Pyramids of Mars (TV story)"]
  3. Seen in archival footage from TV: Pyramids of Mars [+]Loading...["Pyramids of Mars (TV story)"]. His dialogue from that scene is not included.
  4. Archival footage from TV: The Daleks in Colour [+]Loading...["The Daleks in Colour (TV story)"]

Citations