Four Hours of Doom's Day (comic anthology)
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- You may be looking for Four From Doom's Day or Four to Doomsday.
Four Hours of Doom's Day was a comic anthology and the second release in the multimedia series Doom's Day, covering the second, third, fourth and fifth overall story of the franchise.
It was published as a supplementary magazine alongside Doctor Who Magazine issue 592. It was released in celebration of the 60th Anniversary of Doctor Who.
Publisher's summary[[edit] | [edit source]]
Doom visits four very different locations as the quest kicks off with a 16-page comic strip adventure in issue 592 of Doctor Who Magazine.
Stories[[edit] | [edit source]]
# | Title | Author | Hours | Featuring | Released |
---|---|---|---|---|---|
1 | Target Selected | Jacqueline Rayner | 0200 | River Song | 22 June 2023 |
2 | The Plastic Population | 0300 | Sixth Doctor, Autons | ||
3 | High Noon in Hollywood | 0400 | Cybermen | ||
4 | The Horn of a Dilemma | 0500 | Jo Grant |
Notes[[edit] | [edit source]]
- This anthology takes place across Hours 0200-0500.
- The weapon that Doom is brandishing in the cover of this Doctor Who Magazine supplement magazine, appears to resemble a sonic blaster similar to the one owned by Jack Harkness. However, no such blaster appears in any of the four stories within. The same gun seemingly makes a reappearance on the comic-style cover of DD 1, the first issue of A Doctor in the House?.
Credits[[edit] | [edit source]]
- Editor: Marcus Hearn
- Deputy Editor: Peter Ware
- Art Editor: Mike Jones
- Contributing Editor: Alan Barnes
- Managing Director: Chris Clover
- Consultant: Mike Riddell
- Managing Editor: Alan O'Keefe
- Head of Production: Mark Irvine
- Circulation & Trade Marketing Controller: Rebecca Smith
- Head of Marketing: Jess Tadmor
- Marketing Executive: Samantha Hammond
- BBC Studios, UK Publishing
- Chair, Editorial Review Boards: Nicholas Brett
- Managing Director, Consumer Products and Licensing: Stephen Davies
- Global Director, Magazines: Mandy Thwaites
- Compliance Manager: Cameron McEwan