Opening ceremony

The Tenth Doctor carrying the Olympic Torch. (TV: Fear Her)

The Tenth Doctor carried the Olympic Torch at the opening ceremony of the London 2012 Olympics. (TV: Fear Her)

Opening ceremony
Novelised as:	The Lodger
Adapted from:	The Lodger
Doctor:	Fifth Doctor
Companion(s):	Graham, Ryan
Featuring:	Craig, Sophie, Heather
Main enemy:	The Landlord
Main setting:	Earth, 1 - 3 January 2015
Key crew
Writer:	Steven Moffat
Director:	Toby Haynes
Producer:	Peter Bennett
Music:	Murray Gold
Release details
Story number:	268
Premiere broadcast:	1 January 2015
Premiere network:	BBC One
Format:	1x63 minute episode
Production code:	1.11
Official trailer
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Memorable moment
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Doctor Who television stories
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Next →	The Ghost Monument
Christmas specials
← Previous	Last Christmas
Next →	The Return of Doctor Mysterio
Production order
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Next →	It Takes You Away

|prev = The Pandorica Opens (TV story) |next = A Christmas Carol (TV story) |clip = DOCTOR WHO CLIP 13 |clip2 = The second Big Bang - Doctor Who - BBC }}

You may wish to consult Rose (disambiguation) for other, similarly-named pages.

You may be looking for Rosa (TV story).

You may be looking for the concept of a Big Bang or the specific Big Bang that started off the Doctor's universe.

Rose was the Special episode of series 1 of Doctor Who.

The Lodger was the eleventh episode of series 5 of Doctor Who.

The Big Bang was the thirteenth and Special episode of series 5 of Doctor Who.

The Woman Who Fell to Earth was the Special episode of series 11 of Doctor Who. In the United Kingdom, it earned the highest overnight ratings for a regular episode of Doctor Who since 2008's Partners in Crime and was the most-watched debut for a Doctor since Christopher Eccleston's initial turn in Rose, surpassing that episode by nearly one hundred thousand viewers.

It concluded many aspects of the story begun in The Eleventh Hour — most obviously by marrying Amy and Rory and by seemingly closing the cracks in time — but it left the audience wondering what "the Silence" was and why it wanted the TARDIS to explode.

The series 5 finale kickstarted several overarching stories that would foreshadow major conflicts yet to ensnare the Doctor. While the identity of the Silence was a major topic explored in series 6, the question of why they wanted to blow the TARDIS up remained what the Eleventh Doctor called "a good question for another day" until the 2013 Christmas Special The Time of the Doctor answered it, while the mention of "an Egyptian goddess loose on the Orient Express in space" at the episode's end would later be picked up again in the series 8 episode Mummy on the Orient Express.

The Big Bang had an impact upon Torchwood as well, allowing it to, at least in Russell T Davies' mind, escape the confines of Cardiff. He said that closing the cracks in time also resulted in the closing of the Cardiff Rift. Although Davies did not explicitly make this point in his subsequent Torchwood: Miracle Day scripts, neither did he allow the Rift to be central to that series, as it had been to previous Torchwood outings.

It was the Special story for production designer Ed Thomas.

In February 2013, Steven Moffat revealed that The Big Bang was likely his personal favourite of all the Doctor Who scripts he had written. He further revealed that the title was deliberate sexual innuendo, and referred to what happened just after the credits rolled. Though contemporary Bang viewers wouldn't have known it, TV: A Good Man Goes to War would later explain that River Song was conceived within minutes of the conclusion of the episode. Moffat therefore claimed that the story had "a filthy joke in the title only I knew about at the time".

Synopsis

The Alliance has trapped the Eleventh Doctor in the Pandorica, the TARDIS has exploded with River inside, Rory has shot Amy and the cracks have swallowed everything but the Earth and Moon.

The fate of all existence lies in the hands of a little girl who still believes in stars.

Plot

In 1996, Amelia Pond sits in her bedroom, praying to Santa Claus for help mending the crack in her bedroom wall. Believing she has heard something in her garden, she runs to her window. The garden is empty. Later, she gives a drawing she has done of the night sky — complete with stars and the moon — to her psychiatrist, Christine. Christine explains gently there are no stars. The night sky is empty save for the Moon. That night, Amelia overhears Christine and her aunt talking about her. As she eavesdrops at the top of the stairs, she sees a pamphlet advertising the National Museum slipped through the letterbox by a familiar figure wearing a fez. He flees when she notices him. There is a circle drawn around a notice of the Pandorica exhibit and a note reading, "Come along, Pond."

Amelia and her aunt go to the museum. Amelia runs off and makes her way to the Pandorica exhibit, passing a variety of strange machines on display; other exhibits are quite wrong as well, such as penguins in the Arctic. Someone also steals her soda before she can notice who did it. At the exhibit, Amelia sees another note stuck to the face of the box. It reads, "Stick around, Pond."This prompts Amelia to hide out in the museum to find out who is leaving notes for her.

The Pandorica opens, revealing Amy Pond.

After the museum's close — and Aunt Sharon's failure to find her — Amelia returns to the Pandorica and curiously sets a hand on it. Mechanisms on the face of the box glow green, scaring Amelia enough to make her back a few feet away. The Pandorica opens, but instead of the Doctor still being imprisoned inside, the occupant is instead Amelia's older self: Amy Pond. Noticing her younger self, Amy tells the confused Amelia, "Okay, kid, this is where it gets complicated..."

In 102 A.D. the Auton duplicate of Rory Williams cradles a dead Amy Pond, comforting himself by telling her how the universe ended; it would mean they never get born, twice in his case. Amy would laugh at that; he begs her to laugh. Suddenly, a fez-wearing Eleventh Doctor appears in front of them, holding a mop. He tries calming Rory by saying it is not the end of the world but then corrects himself by saying it's the end of the universe. The Doctor vanishes and reappears without the mop. A confused Rory is instructed to free the Doctor from the Pandorica; the Doctor is already out. The Doctor explains that he is already out, but back then, which is the present for Rory, he is yet to escape. Giving Rory his sonic screwdriver, the Doctor wishes him luck and informs him to put the sonic in Amy's top pocket when he's done with it.

The energy discharge that convinces the Doctor it is the same sonic screwdriver.

Rory follows the Doctor's instructions, opening the Pandorica with the sonic where the Doctor is revealed to still be trapped within. Exiting the prison, the Doctor deduces he will set up the chain of events that lead to his release. Rory questions the Doctor about the stone remains of the Alliance. The Doctor explains that they are the after-images of the races that now never existed due to the destruction of the universe. The Doctor wonders where Amy is; Rory gives a remorseful look.

Showing Amy to the Doctor, Rory asks if there is anything he can do for her. The Doctor says he could if he had the time, angering Rory. The Doctor explains that all lifeforms except for them and humanity have been deleted from existence; "Your girlfriend isn't more important than the universe." Enraged, Rory punches the Doctor, knocking him down. The Doctor quickly pulls himself back up, laughing, and relocates his jaw, welcoming Rory back; he had to be sure Rory wasn't acting, but genuinely loved Amy like the original.

Putting Amy in the Pandorica, the Doctor explains that she is not an ordinary girl due to having the universe pouring through her dreams every night because of the crack in her wall, so when the Nestene took a memory print off Amy, they got a bit more than what they bargained for — Rory's soul inhabits his Auton replica. Sealing the Pandorica once more with Amy inside, the Doctor explains to Rory that it prevents people from dying as it's a form of escape; it can stasis-lock Amy in a near-death state until it gets an external sample of her DNA to revive her, which will take around 2000 years. Recovering River Song's vortex manipulator from the ground, the Doctor sets it for the future. Offering Rory a lift, the Doctor is bewildered when he decides to remain behind to guard the Pandorica. Despite the warning that he may go mad from never sleeping, Rory insists; the Doctor relents but warns him he isn't indestructible and gives him fair warning of all the things he knows can cause an Auton to be destroyed or become faulty before vanishing into the future.

Adult Amy figures out what year it is.

In the museum, Amy compares Amelia's height to herself, Amy guesses its 1996. Sure of the year, Amy looks around the exhibit, paying no mind to the younger version of herself. She finds a video on "the Lone Centurion" — a man in Roman armour who protected the Pandorica wherever it went for 1839 years and prevented anyone from opening it. He was last seen in 1941, dragging the box away from a burning building; it is believed the Centurion died in the inferno as no body was recovered. Amy realises he was Rory, having retained her recovered memories of him, but there is no time for her to dwell on this. The restorative light from the Pandorica has reactivated a stone Dalek in the exhibition and it's heading straight for the Ponds.

The Doctor appears, having used the vortex manipulator to travel 1894 years into the future. The Dalek shoots at him and Amy, prompting them to take cover with young Amelia; they're trapped. A museum guard appears and the Dalek deems him unarmed. However, the guard uncaps his hand, revealing a laser gun to disable the Dalek. Amy rejoices when she sees that the guard is the Auton Rory. They kiss while the Doctor realises the "light" from the Pandorica revived the Dalek partially. He also takes a fez from a display, putting it on Amelia, who refuses it; the Doctor dons the hat himself. The Dalek begins coming back to life once more due to the Pandorica still being open.

The Doctor leads the group away from the Dalek, blocking the door with a mop to buy time. When Rory recognises his appearance, the Doctor establishes the timeline by travelling back to 102 A.D. and ordering that version of Rory to let him out of the Pandorica. He leaves the notes for Amelia, all of which led her here. The Doctor even fulfils Amelia's request for a drink while running around the timeline, snatching it from the earlier version of herself at the museum. A bewildered Amy wonders how the Doctor keeps vanishing, making him explain what the device on his wrist is: "cheap, and nasty time travel; it's bad for you. I'm trying to give it up."

The Eleventh Doctor whispers to himself.

As they head for the roof, another version of the Doctor appears at the top of the stairs, near-dead. He falls down the stairs and whispers in the younger Doctor's ear before dying. The Doctor announces he has only twelve minutes to live. Amy is confused, but Rory points out that they can't just leave his body there. Feeling challenged for who's in charge, the Doctor asks Rory what they're going to do about Amelia. They look back to see nothing but Amelia's spilt drink. The Doctor explains history is still collapsing, and now there was never any Amelia Pond, confusing Amy; how can she be there when her younger self isn't? The Doctor answers that they are just the last light to go out. They head for the roof. After they've left, the Dalek begins to restore itself.

On the building's roof, Rory and Amy are confused by the sudden daylight; the Doctor retorts that he already told them that the eye of the storm is closing up, so time is speeding up. Rory questions the Doctor as to why the TARDIS exploded; "Good question for another day." The Doctor then makes them think; the sun was erased with every other star in the universe, so what's burning in the sky? The Doctor picks up a satellite dish and sonics it, revealing the sound of the TARDIS. The object keeping the Earth warm and lit is his TARDIS, exploding at every moment in history. Rory's Auton-enhanced hearing picks up a voice in the sky, which the Doctor amplifies with the dish. It's River Song's last words — "I'm sorry, my love" — repeated over and over. The TARDIS' emergency protocols have locked the console room in a time loop to save her life. The Doctor gives a smile to a shocked Amy and Rory.

River is seen repeating her attempts to open the TARDIS doors three times, each time failing and saying she is sorry to the Doctor as the TARDIS begins exploding. On the fourth attempt, the Doctor appears via her vortex manipulator, saying he's home. River looks at her watch and gives an annoyed look; she's been aware of the time loop the entire time and has been waiting for him to come and get her. They travel back to the roof, the Doctor introducing River to Rory. River explains she has questions, but number one is, "What in the name of sanity do you have on your head?". The Doctor explains he wears fezzes now since they're cool; Amy removes it from his head and tosses it in the air, where River blasts it to pieces. However, the regenerated Dalek elevates onto the roof and shoots at the group. They retreat to the museum below.

The Doctor runs through the museum, deducing that, along with the restoration field, the Pandorica contains a few billion atoms of the universe as it was, hence how the Dalek returned despite being erased from history. River tells him there's tiny fault of the Pandorica not being able to properly restore a single Dalek. The Doctor proposes getting the Pandorica to the exploding TARDIS, not only giving it unlimited power, but allowing it to scatter the atoms of the original universe throughout time and undo total event collapse. When asked how they can do this, the Doctor smug tells his friends to listen before turning to lead them back to the Pandorica; however, he is shot by the laser blast of the Dalek, which managed to locate them. The Dalek briefly powers down due to the amount of energy it expended, while the Doctor uses the manipulator to vanish into the past. Amy and Rory head back to his body, while River stays behind. As River is an associate of the Doctor's, the Dalek believes she will show mercy; she tells it her name and to look her up in its database, knowing one blast from her gun to its eyestalk will kill it. After seeing its information on River Song, the terrified Dalek begins begging for mercy.

Downstairs, Amy and Rory find The Doctor's corpse is not where they left it. River returns to remind them the Doctor lies, informing them the Dalek is dead as well. The Doctor had pretended to die to make them decoys to buy him time. They return to the exhibit and find the dying Doctor has strapped himself into the Pandorica. River realises he plans to use the vortex manipulator to fly the box into the heart of the TARDIS, exploding at every point in history. The explosion will release the atoms of the preserved universe, restoring it. River admits gravely that the plan will work only if the Doctor seals himself on the other side of the cracks. The entire universe will be restored, but not the Doctor. He will never have existed at all. However, all the good he has done for the universe until now will remain.

The Doctor's message to the Ponds.

The Doctor and Amy say their goodbyes, and he admits that he took her with him because her life didn't make sense... living in a large house with only her aunt. He then asks Amy what happened to her parents, and she answers that she lost them but is alarmed when she cannot recall the specific details. He explains that they weren't killed when Amy was young, but consumed by the time field in her bedroom wall which has been eating away at her whole life. He assures her that as long as she remembers her parents, she can bring them back like she did Rory and with her family around her she won't need her imaginary friend. He pilots the Pandorica into the explosion, texting River "Geronimo!" on the way, and resets the universe, disappearing from existence...

...and sits up on the floor of the TARDIS console room. He rejoices he has survived being erased — until he sees Amy and himself from a week earlier, travelling to Space Florida; his timeline is unravelling, meaning, "Hello, universe, goodbye, Doctor." He calls over to Amy. She hears him, but cannot see him. His life rewinds further. He is in a street in Colchester, watching Amy leave a note for him underneath Craig's advertisement for a new lodger. She still cannot see him. The Doctor notices a crack in the road behind him, sealing itself.

He rewinds to the Byzantium; he approaches Amy — her eyes shut to avoid being killed by the Weeping Angel — and encourages her to remember what he told her when she was seven. He rewinds to 1996 and finds Amelia asleep in her back garden, awaiting his return. He carries her to bed and tells her the story of how he stole — or, rather, "borrowed" — the TARDIS, describing it as "ancient and new, and the bluest blue ever." He sees the crack in her wall and tells her it can't close properly until he's on the other side and steps through, preferring not to see the rest of his life rewind. The crack in her wall closes. She wakes to an empty room and quickly goes back to sleep.

In 2010, Amy wakes on her wedding day, surprised when her mother brings her breakfast. Her mother informs Amy she may toss the breakfast out the window as her father's a terrible cook. Amy races downstairs to see her father, studying a joke book for his speech at the reception. Amy finds her reaction to her parent as odd and she has the lingering feeling there is someone or something else missing. When she phones Rory to see if he feels the same way, he agrees with her because he loves and fears her. Excited, Amy gets ready for her wedding.

At the reception, she enjoys listening to her mother whisper insults about her father or giggles that her father is taking time to correct his speech. Amy then spots River Song outside, walking past the window. Rory presents her with a wedding gift someone has left — River's blue TARDIS diary, all its pages now blank. Amy begins to cry, wondering why she is sad. Rory tries to explain away the diary by reminding her of the old wedding saying: "Something old, something new, something borrowed, and something blue." She notices some of the guests at the other tables; a bow tie and braces catch her attention just as a tear hits River's diary.

Amy interrupts her father's speech to announce that her imaginary childhood friend, "the raggedy Doctor," is real and he is late for her wedding. Her mother and aunt sigh, remembering how many psychiatrists they sent her to. Amy continues yelling that she brought everyone else back from the time field, so she can for him as well, which is why he told her that story when she was little, about the ancient, brand new box. The TARDIS — old and new, borrowed and blue — materialises in the middle of the room. Amy walks up to the TARDIS and asks the Doctor if she's "...surprised him this time." The Doctor steps out in a top hat and full evening dress, admitting that he is completely astonished. Everyone at the wedding is shocked to discover that the Doctor wasn't a figment of Amy's imagination, while Rory now remembers everything that happened to him and doesn't understand how he could have forgotten, especially being nearly 2000 years old. The Doctor introduces himself to the crowd; no doubt Amy's parents are feeling like apologising for not believing Amy.

Amy imitates part of the wedding ceremony, telling him he can kiss her. However, the Doctor stops Amy, informing her the brand new Mr Pond will be taking care of the "kissing duties" from now on. Annoyed, and thinking the Doctor doesn't understand earth customs well, Rory tries explaining that marrying Amy gives her his last name, but relents when the Doctor says his version is correct. The Doctor says he'll move the TARDIS as they're gonna need the space for dancing, which is why he came. When everyone starts dancing, the Doctor does so badly, making Amy giggle ("You're terrible! That is embarrassing!" she shrieks) and amusing the children present; he even tries teaching them his moves. Later, watching Amy and Rory slow dance, the Doctor notes to himself that Rory is 'the boy who waited' and, after guarding her for two thousand years, deserves his happiness.

The Doctor leaves to return to the TARDIS, now parked in Amy's garden. River Song appears behind him. He returns her vortex manipulator and her diary, explaining that the writing has come back, but he didn't peek ahead. As River thanks him, the Doctor asks if she's married herself. She wonders if he is asking, and he says, "Yes," then stammers when he realises he accidentally proposed to her. River teases him with further affirmations. The Doctor wonders who she really is. She says he will find out very soon when everything changes. She leaves abruptly via her vortex manipulator.

Amy says goodbye to her backyard before returning to her travels with the Doctor.

Exasperated, the Doctor enters the TARDIS, placing his scarf on a nearby lever. Amy enters, trying again to entice him into kissing her; Rory follows after her, annoyed she's still trying to kiss the Doctor. Rory reminds the Doctor that he just saved reality, so he should take the night off and relax. He is reluctant — they still do not know what led the TARDIS to the date of the temporal explosion and destroyed it, much less why. He also has not figured out the meaning of the "silence." As he ponders, he takes a TARDIS phone call: an Egyptian goddess is on the loose on the Orient Express in space and the being on the other end is concerned. The Doctor turns to bid Amy and Rory goodbye, but Amy runs to the door, bids her former life "adieu" and closes the TARDIS doors. The Doctor smiles and fires up the engines, sending the TARDIS spinning through the time vortex...

Cast

• The Doctor Who - Christopher Eccleston
• The Doctor - Jodie Whittaker
• The Doctor - Peter Davison
• The Doctor - David Bradley
• The Doctor - Matt Smith
• Clara Oswald - Jenna Coleman
• Madame Vastra - Neve McIntosh
• Jenny Flint - Catrin Stewart
• Yasmin Khan - Mandip Gill
• Rose Tyler - Billie Piper
• Bill Potts - Pearl Mackie
• Amy Pond - Karen Gillan
• River Song - Alex Kingston
• Jackie Tyler - Camille Coduri
• Rory - Arthur Darvill
• Polly - Lily Travers
• Ben - Jared Garfield
• Amelia - Caitlin Blackwood
• Craig - James Corden
• Grace - Sharon D Clarke
• Sophie - Daisy Haggard
• Heather - Stephanie Hyam
• Aunt Sharon - Susan Vidler
• Christine - Frances Ashman
• Stone Dalek - Barnaby Edwards
• Dave - William Pretsell
• Mr Pond - Halcro Johnston
• Tabetha - Karen Westwood
• Dalek voice - Nicholas Briggs
• Clive - Mark Benton
• Caroline - Elli Garnett
• Clive's Son - Adam McCoy
• Autons - Alan Ruscoe, Paul Kasey, David Sant, Elizabeth Fost, Helen Otway
• Nestene Voice - Nicholas Briggs

Guest Cast

• Steven - Owen Donovan
• Sean - Babatunde Aleshe
• Michael - Jem Wall
• Sandra - Karen Seacombe
• Clubber - Kamara Bacchus
• The Landlord - David Suchet
• Eliza - Mariah Gale
• Shireen - Mandeep Dhillon
• Felicity - Alice Hewkin
• Paul - Ben Presley
• Harry - Colin Ryan
• Pavel - Bart Suavek
• Estate Agent - Sam Benjamin
• Young Landlord - Tate Pitchie-Cooper

Uncredited cast

• Starline Galactic Villain - Clem So
• Museum visitor - Jon Davey
• Avatar (voice) - Ben Peyton

Crew

Executive Producers   Steven Moffat, Piers Wenger and Beth Willis

Co-executive producer   Sam Hoyle

Series Producer   Nikki Wilson

General production staff Executive Producer for the BBC - Ben Irving=Brian Minchin Production Executive - Julie Scott Line Producer - Patrick Schweitzer Production Manager - Steffan Morris Location Manager - Gareth Skelding Unit Manager - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Production Management Assistant - Claire Thomas Production Runner - Sian Warrilow Unit Drivers - Sean Evans, Wayne Humphreys, Darren Crowlegroves Business Affairs Executive - Carol Griggs Drama Account Manager - Edward Russell Production Accountant - Ceri Tothill A/Production Accountant - Carole Wakefield Script department Script Editor - Lindsey Alford Camera and lighting department 1st Assistant Director - Marcus Catlin 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Runners - Nicola Eynon Price, Laura Jenkins Continuity - Non Eleri Hughes Camera Operator - Rob Arrowsmith Camera Trainee - Darren Chesney Focus Pullers - Steve Rees, Matthew Poynter Camera Assistants - Tom Hartley, Jon Vidgen Boom Operator - Dafydd Parry Gaffer - Mark Hutchings Best Boy - Pete Chester Electricians - Ben Griffiths, Steve Slocombe, Bob Milton, Alan Tippets	Art department Supervising Art Director - Stephen Nicholas Art Department Co-ordinator - Amy Oakes Associate Designer - James North Production Buyer - Ben Morris Set Decorator - Julian Luxton Props Buyer - Adrian Anscombe Set Designer - Ben Austin Storyboard Artist - James Iles Concept Artists - Richard Shaun Williams, Peter McKinstry Graphic Artist - Jackson Pope Standby Props - Phill Shellard, Tom Evans Standby Carpenter - Will Pope Standby Art Director - Ciaran Thompson Standby Rigger - Keith Freeman Standby Painter - Kate Meyrick Props Master - Paul Aitken Props Chargehand - Matt Wild Dressing Props - Martin Broadbent, Philip Everett-Lyons Props Fabrication Manager - Barry Jones Props Makers - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Workshop Manager - Mark Hill Construction Chargehand - Scott Fisher Practical Electrician - Albert James Art Department Driver - Tom Belton Scenic Artists - John Pinkerton, John Whalley Graphics - BBC Wales Graphics Costume department Costume Supervisor - Lindsay Bonaccorsi Costume Assistants - Sara Morgan, Maria Franchi Costume Trainee - Nikki Lightfoot	Make-up and prosthetics Make-up Supervisor - Pam Mullins Make-up Artists - Abi Brotherton, Morag Smith Junior Make-up Artist - Hanna Lewis-Jones Prosthetics - Millennium FX Movement Stunt Co-ordinator - Crispin Layfield Casting Casting Associate - Andy Brierley General post-production staff Post-production Supervisors - Chris Blatchford, Ceres Doyle Post-production Co-ordinator - Marie Brown Assistant Editor - Becky Trotman On-line Conform - Mark Bright Special and visual effects Executive Visual FX Producer - Will Cohen Visual FX Producer - Jenna Powell Visual FX Supervisor - Dave Houghton VFX Editor - Cat Gregory VFX Co-ordinators - Alex Fitzgerald, Lorna Dumba Lead 3D Artist - Matt McKinney 3D Artists - Jeff North, Darren Byford, Wayde Duncan-Smith, Nick Webber, Andy Guest, Ruth Bailey, Serena Cacciato, Dominic Alderson, Nick Bell 2D Supervisor - Izzy Barber Colourist - Mick Vincent Lead Digital Matte Painter - Simon Wicker Digital Matte Painters - Ron Bowman, Alex Fort, Charlie Bennett Compositors - Greg Spencer, James Etherington, Joe Courtis, Arianna Lago, Bryan Bartlett, Sara Bennett, James Moxon, Lyndall Spagnoletti, Graine Freeman, Tim Barter, Rosemary Chester, Frank Hana Sound Sound Recordist - Bryn Thomas Dubbing Mixer - Tim Ricketts Sound Maintenance Engineer - Jeff Welch Sound Supervisor - Paul McFadden Sound Effects Editor - Paul Jeffries

South Africa crew

General production staff Producer - Adam Friedlander Line Producer - Alan Shearer Production Manager - Daniela Springer Art department Art Director - Brian Glaser	Camera and lighting department Camera Operators - George Amos, Derek Ueckermann Focus Pullers - Leon Lotz, Meike Chinnery Camera Loaders - Kyle Oberholzer, Tshepo Nthako Gaffer - Nick Rankin	Costume Costume Supervisor - Cathy Shields Hair and make-up Hair & Make-up Supervisor - Talli Pachter Sound Sound Mixer - Derek Mansvelt

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
This story had no direct Visual Effects credit, which means that it unusually didn't credit The Mill. Instead, the roll credited many more workers from The Mill than usual, and even changed Will Cohen's normal title to the grander, "Executive Visual FX Producer".

Uncredited crew

• VFX Supervisors - Grant Hewlett, Stuart Aitken

References

The Doctor

• The Doctor mentions that his eleventh incarnation had a big chin.
• River Song suggests that the Doctor would not approve of alcohol aboard the Doctor's TARDIS, or would not approve of her taking the alcohol while she borrows the TARDIS.
• The Doctor still enjoys mocking archaeology, referring to River's sonic trowel as "just embarrassing".
• The Doctor mentions Euclidean geometry.
• The Doctor mentions battling Insects from the Ninth Dimension and Giant Robot Fish.

River Song

• River states that the Doctor has planned to take her to Darillium numerous times but has always cancelled at the last minute.
• River alludes to her father, Rory Williams, by pointing to her nose and stating "Don't tell dad" while offering alcohol to the Doctor.
• When searching through her bag at the beginning of the episode, River pulls out a red fez. The Eleventh Doctor was fond of fezzes, thinking they were cool, though River openly disagreed with his statement.
• River Song owns the book History's Finest Exploding Restaurants with the tagline "The Best Food for Free, Skip the Coffee". She used it as a source when plotting her escape from the meteor strike that hit the Harmony and Redemption.
• River has a unique perfume spray that lets her change her clothes as she pleases.

The TARDIS

• The roundels are once again used for storage purposes. In this instance, alcohol is inside a cupboard behind one of them.
• The TARDIS is able to produce a pair of hologrammatic antlers for the Doctor.

Home video releases

• 

  The Complete Series 9

• 

  The Husbands of River Song DVD cover

• This story was released on DVD in 23 February 2014. It was also released as part of the Series 8 boxset on 7 March 2014.

Video game adaptation

• On the 16 February 2014, a Husbands of River Song level pack was released for the game Doctor Who: Legacy. It used ten non-dialogue levels to visually retell the episode's story.

External links

• Deep Breath at The Locations Guide