The Giggle (TV story)

The Giggle

Talk

The Giggle was the third and final of the three 60th Anniversary Specials of Doctor Who, broadcast on 9 December 2023 as part of the 60th anniversary celebrations.

	The Giggle
	online here
	Fourteenth Doctor
	Donna
	Mel, Kate, Shirley, Fifteenth Doctor, Baird, Sylvia, Shaun, Rose, Trinity, Wilf
	The Toymaker
	UNIT HQ, City of London, November 2023 Soho, 1925
	Russell T Davies
	Chanya Button
	Vicki Delow
	Science fiction
	303
	1
	9 December 2023
	BBC One, Disney+
	1x60 minute episode
	The Giggle
	The Giggle
▶︎ YouTube YouTube might collect personal data. Privacy Policy UnderstoodDismiss
▶︎ YouTube YouTube might collect personal data. Privacy Policy UnderstoodDismiss
Provided ID could not be validated.
▶︎ YouTube YouTube might collect personal data. Privacy Policy UnderstoodDismiss
Provided ID could not be validated.
Doctor Who television stories
← Previous	Wild Blue Yonder
Next →	The Church on Ruby Road
Production order
← Previous	The Star Beast
Next →	Wild Blue Yonder

The Giggle notably marked the return of the Toymaker, now portrayed by Neil Patrick Harris, fifty-seven years after his only televised appearance in The Celestial Toymaker ^[+]Loading...["The Celestial Toymaker (TV story)"], beating the record set by the Great Intelligence as the longest gap between television appearances for individual antagonists. Harris's casting also made the Toymaker the second established Doctor Who antagonist to be played by an American actor, following Eric Roberts portraying the "Bruce" Master in the TV Movie ^[+]Loading...{"noital":"1","1":"Doctor Who (TV story)","2":"the TV Movie"}. The Giggle also featured the return of Bonnie Langford as Melanie Bush, in her first full story following her cameo in The Power of the Doctor ^[+]Loading...["The Power of the Doctor (TV story)"], with this story revealing that Mel now worked for UNIT.

Most notably, The Giggle saw the final onscreen adventure of the Fourteenth Doctor and Donna Noble, and featured the first televised appearance of Ncuti Gatwa as the Fifteenth Doctor, though the story notably doesn't see the Fourteenth Doctor regenerate into the Fifteenth Doctor. Historically, The Giggle introduced the concept of bi-generation, a variant of the regeneration process that results in a split between the previous and next incarnations of a Time Lord, resulting in both existing at the same time. As such the story saw the very first bi-generation of the Doctor, resulting in the Fourteenth Doctor's regeneration story also acting as a Multi-Doctor story, and marking the first time since the TV Movie that the Doctor regenerates part-way through the story rather than at the end, as well as the second time since the TV Movie that one Doctor's regeneration story also acted as the post-regeneration story of the next Doctor. The Giggle also marked the first time that both the preceding and succeeding incarnations of the Doctor are shown to exist within the same timeline rather than the current incarnation teaming up with a past incarnation during a Multi-Doctor event.

Therefore, thanks to the circumstances of bi-generation, The Giggle concluded the Fourteenth Doctor's story by showing him being the first incarnation to fully retire from travelling through space and time to live with the Noble family, while letting his successor continue in their place. It also answered the question as to why the Fourteenth Doctor had regenerated with the face of his tenth incarnation, with Donna believing the Doctor had subconsciously chosen the face of the Tenth Doctor so that he could finally settle down into a normal life, with the Fifteenth Doctor adding that his predecessor was "running on fumes" and needed to rest to ensure he would be healed.

Synopsis

The giggle of a mysterious puppet is driving the human race insane. When the Doctor discovers the return of the terrifying Toymaker, he faces a fight he can never win.

Plot

"I hope the kiddies enjoy him".

In 1925 Soho, Charles Banerjee enters the Mr Emporium toyshop to purchase a ventriloquist's dummy named Stooky Bill, as his employer, John Logie Baird, needs a subject to test his newest invention; television. Banerjee is disturbed by the shop owner, particularly when his German accent slips as he delivers a racial remark. Later, Baird and Banerjee place Stooky Bill's head before the camera and begin the test of the first ever television recording. The camera's wheels spin and the bright lights burn and, to the accompaniment of an arpeggioed giggle, Stooky Bill bursts into flames.

In 2023, the Fourteenth Doctor, Donna Noble and Wilfred Mott traverse the streets of London as it is plagued by chaotic anarchy. A man annoyed by cars driving in his way tells the Doctor that everybody on Earth believes themselves to be right all the time and that arguing drives them into a rage. As the shop owner from 1925, now dressed a gentleman speaking with a French accent, pulls the Doctor into a dance, UNIT arrives on the scene and takes the Doctor and Donna to UNIT HQ, while also taking Wilf to a safer location.

Shirley Anne Bingham and Kate Lethbridge-Stewart greet the Doctor and Donna at UNIT's new skyscraper headquarters, both inoculated to the chaos thanks to an armband called a Zeedex. The Doctor deduces that he and the Vlinx, a robot work for UNIT, are immune due to being extra-terrestrials, as are Donna and Mel Bush, who recently joined UNIT, benefitting from the effects of long-term TARDIS travel. Kate orders her Zeedex be briefly deactivated to demonstrate the consequences to the Doctor, and she quickly turns paranoid and vengeful due to a a distorted brainwave. Analysing the waveform and playing it as a sound, the group discovers it corresponds to the giggle accompanying the Stooky Bill recording. The recording has been hidden in every screen since 1925, only triggered when the launch of the KOSAT 5 satellite finally connected all of humanity to the internet.

The Doctor and Donna trek back to 1925, searching for the cause of the giggle, and trace Stooky Bill to Mr Emporium. Entering, the Doctor and Donna are greeted by the owner, whom the Doctor recognises as the Toymaker, who talks about the oldest game, catch, while juggling balls until he retreats further into his shop in a game of hide and seek. The Doctor chases the Toymaker, followed by Donna despite telling her to return to the TARDIS. Donna insists on staying with him, and the two become trapped in the Toymaker's funhouse labyrinth, which the Doctor realises is the Celestial Toyroom, stumbling around and eventually becoming separated. The Doctor encounters Banerjee, turned into a marionette who dances on the Toymaker's command after losing a game to remove the giggle in his head. Donna encounters Stooky Bill's doll family and breaks apart Stooky Sue as the Stooky children try to eat her.

"The only rules the Toymaker follows are the rules of the game. They bind his entire existence. I win or I lose, and that's it".

The Doctor and Donna reunite and find themselves the guests of honour at the Toymaker's puppet show: an attempt to recount to Donna the Doctor's adventures since leaving her. The Toymaker portrays the deaths of Amy Pond, Clara Oswald and Bill Potts in puppet form, with the Doctor objecting that none of them died under his care; all three continued to live on in some form. The Toymaker is dismissive and treats the nitpicking with contempt, until mentioning how the Flux ravaged the universe under the Doctor's watch provokes the Doctor into challenging the Toymaker to a game. The Toymaker accepts, bragging as they prepare about his fun since arriving in the Doctor's universe. He has already turned God into a Jack-in-the-Box, made a jigsaw out of the Doctor's history, and sealed the Spy Master inside his gold tooth after he lost the game that was his last hope for life. However, there was one the Toymaker did not face, "the One Who Waits", but he considers that someone else's game when the Doctor asks who they are.

The Doctor and the Toymaker decide on a game: a simple cut of the deck where the highest card wins. After confirming the rules and assuring Donna the Toymaker can't cheat even though he is using his own conjured cards, the pair play. The Doctor turns over an eight, but the Toymaker unveils a king and wins. As the Toymaker moves to claim his prize, the Doctor points out that, since he won the previous game, they are therefore tied one-all and a third game is required to declare an absolute winner in a best of three. The Toymaker agrees and disappears after declaring 2023 will be their battleground, causing the labyrinth to collapse around the Doctor and Donna and the toy store to fold into a small toy box. The duo escape in time, realising the Toymaker intends to play the third game in their present day.

♪ Slam it to the left if you're having a good time. Shake it to the right if you know that you feel fine. ♪

Back at UNIT HQ, Kate manages to have the KOSAT 5 satellite shot down using the galvanic beam, breaking the satellite chain triggering the giggle. The Doctor arrives and hands Mel the toy box, warning her to be careful with it, and explaining to Shirley that the Toymaker is an elemental force who can meddle with reality, stepping from 1925 to the present as if walking through a door. The Toymaker promptly walks through a door he creates in the middle of the room, performing a dance number to "Spice Up Your Life" by the Spice Girls as he pulls Kate and Mel into dances to knock them down, collapses two soldiers trying to detain him into coloured bouncy sentient balls, and turns the other UNIT troops' bullets into harmless red rose petals. As the song ends, the Toymaker disappears through the floor before materialising on the helipad manning the galvanic beam. The Doctor begs the Toymaker to stop, offering to leave with him to take their game to the stars. The Toymaker is tempted, but declines; he considers Earth the ultimate playground.

"Bi-generation. I have bi-generated! There's no such thing. Bi-generation is supposed to be a myth, but... look at me. Yeah, myth, myth, myth".

The Doctor demands that the Toymaker finish their game, prompting the Toymaker to shoot him through his chest with the galvanic beam, reasoning, since their last two games were played by different incarnations, the next Doctor should play him this time. The Doctor begins to regenerate, with Donna and Mel by his side and holding his hands. The Doctor accepts what is to come, but the regeneration light dies away, and the Doctor asks Mel and Donna to pull on him, as something about the regeneration feels different. As Donna and Mel begin to pull, the Doctor begins to glow with regeneration energy again, but his body begins splitting in half, as the Fifteenth Doctor emerges from him in a separate body, but with the clothes split between them. The two Doctors excitedly greet and hug each other, explaining to everyone that they have bi-generated, something that was previously thought to be just a myth.

The Doctors both challenge the Toymaker to a game of catch, which he accepts after they strike down his protest of cheating, due to both being the same man. The three players dash across the helipad, tossing the ball back and forth, barely catching it many times, before the Toymaker misses a throw from the Fifteenth Doctor that falls to the city below. The Doctors are the winners, with the Fourteenth Doctor claiming his prize of forever banishing the Toymaker from existence. The Toymaker vengefully cries out that his legions will come for them before folding up like a paper doll and slotting inside his toy box, which UNIT takes to their deepest vault to bind in salt as the waveform dissipates. As the Doctors and their friends walk off, the gold tooth that contained the Master is picked up by a mysteriously unseen woman as the laugh of various incarnations of the Master is heard.

"Our whole lifetime. That Doctor that first met the Toymaker never, ever stopped".

Inside the TARDIS, the Doctors discuss how life will work with two of them simultaneously existing. The Fifteenth Doctor, after reassuring him that he is only stable now because he spent time recovering from their heavy experiences in their prior incarnations, encourages his fourteenth incarnation to retire, which Donna supports, believing the Fourteenth Doctor regenerated into a form near-identical to the Tenth Doctor as a subconscious sign to "come home" to her and rest. The Fourteenth Doctor reluctantly agrees, but hesitates to part with the TARDIS. The Fifteenth Doctor realises the Toymaker's domain might be lingering and also that he hasn't claimed his prize for winning. He retrieves a mallet from under a platform and hits the TARDIS, bringing his TARDIS back from the future. The Fourteenth Doctor bids farewell to his successor, both hugging each other and parting with friendly salutes to each other. The Fifteenth Doctor boards the future TARDIS and dematerialises, leaving the earlier TARDIS with the Fourteenth Doctor.

The Fourteenth Doctor decides to live on Earth with the Noble family for the time being. He has a garden party with them and Mel at his home, recounting tales of his adventures. He remarks to Donna that he is the happiest he has been in his entire life because he finally knows what he has been fighting for: a normal life with a family. Elsewhere, the Fifteenth Doctor travels into the unknown, his next adventures soon to come.

Cast

• The Doctor - David Tennant
• Donna Noble - Catherine Tate
• Charles Banerjee - Charlie De Melo
• The Toymaker - Neil Patrick Harris
• John Logie Baird - John MacKay
• Middle Aged Man - Ross Gurney-Randall
• Colonel Ibrahim - Alexander Devrient
• Shirley Bingham - Ruth Madeley
• Kate Lethbridge-Stewart - Jemma Redgrave
• Melanie Bush - Bonnie Langford
• Pilot - Glen Fox
• Edward Lawn Bridges - Tim Hudson
• The Vlinx - Aidan Cook
• Voice of the Vlinx - Nicholas Briggs
• Trinity Wells - Lachele Carl
• Voice of Stooky Sue - Leigh Lothian
• The Toymaker Dance Double - Luke Featherston
• Shaun Temple - Karl Collins
• Sylvia Noble - Jacqueline King
• Rose Noble - Yasmin Finney

And introducing Ncuti Gatwa as The Doctor

Uncredited cast

• Wilfred Mott - Bernard Cribbins (archive audio)
• First Doctor - William Hartnell (archive footage)
• The Toymaker - Michael Gough (archive footage)
• The Master/Missy - Anthony Ainley, John Simm, Michelle Gomez, Sacha Dhawan (archive audio)

Crew

Executive Producers   Russell T Davies, Julie Gardner and Jane Tranter with Joel Collins and Phil Collinson

Written by Russell T Davies	Produced by Vicki Delow	Directed by Chanya Button	Director of Photography Mika Orasmaa	Production Designer Phil Sims	Visual Effects Automatik VFX
Make-up Designer Claire Williams	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Pam Downe	Edited by Mark Trend	Special Effects Real SFX
Original theme music by Ron Grainer  •  Title sequence by Painting Practice & Realtime Visualisation  Music orchestrated & conducted by Alastair King  •  Music mixed by Jake Jackson  •  Music performed by BBC National Orchestra of Wales   The Toymaker created by Brian Hayles

General production staff Head of Production - Alex Protherough Executive Producer for the BBC - Rebecca Ferguson Production Executive - Steffan Morris Co-producer - Ellen Marsh Line Producer - Mark Devlin Production Manager - Delmi Thomas Supervising Location Manager - Iwan Roberts Location Manager - Daniel Wellstead Assistant Location Manager - Alex Moore Location Assistant - Shuaib Said Unit Manager - Kyle Yates Assistant Unit Manager - Tom Chalkley Production Co-ordinator - Sandra Cosfeld Assistant Production Co-ordinator - Liam Hobbs Production Secretaries - Florence Trott, Chris Harkus Production Office Runners - Danilo Van-Der Nguyen, Lisa Elena Williams Unit Drivers - Paul Watkins, Jolyon Davey, Steve Darwent, Richard Hunt 1st Assistant Accountant - Greg Robinson Covid Coordinator - Leah Corcoran Covid Assistant - Ilona Tigere Script department Script Editor - Scott Handcock Camera and lighting department 1st Assistant Director - James Emmott 2nd Assistant Director - Lauren Pate 3rd Assistant Director - Jennifer Day Floor Runners - Jac Lewis, George Cheetham, Helen Langford Script Supervisor - Lucy Dews Camera Operator - Martin Stephens Camera Trainees - Elesha Pederson, Kudzai Dzokamushure Focus Pullers - Martin Payne, Jonathan Vidgen Key Grip - Bobby Williams Grip - Ken Hodgson Clapper Loaders - Sophie Hardcastle, Sarah Macleod Lighting Gaffer - Paul Jarvis Rigging Gaffer - Pete Chester Best Boy - Chris Kiley Electricians - Scott Smallwood, Andrew Truckle, Andy Green, Sion Davies	Art department Supervising Art Director - Robyn Paiba Art Directors - Jon Horsham, Kartik Kundan Nagar Assistant Art Director - Hakan Yoruk Art Department Assistant - Sam Hanson Art Department Co-ordinator - Jason Davies-Redgrave Production Buyer - Helen O'Leary Assistant Buyer - Taymar Lee Petty Cash Buyer - Billie Blue Williams Set Decorator - Kate Guyan Action Props Buyer - Tara Lily Johnston Concept Artist - Nandor Moldovan Graphic Designer - Stephen Fielding Standby Props - Phill Bull, Jonathan Barclay Standby Carpenter - Will Pope Prop Hands - Declan Petryna, Atiff Tahir, Calvin Evans, Ingo Hans, John Thomas, Joseph Craig, Ieuan Parker Standby Art Director - Ifan Lewis Lewis Rigging - Shadow Scaffolding Standby Riggers - Alex Herbert, Michael Boulton Standby Painter - Jessie Thomas Storeman - Charlie Malik Prop Master - Nick Thomas Props Chargehand - Stuart Rankmore Construction Manager - Brian Jones Practical Electrician - Phillip Jones Graphics Assistant - Aled Llyr Griffiths Draughtsperson - Matt Sanders Costume department Costume Supervisor - Laura Baker Assistant Costume Designer - Ros Marshall Costume Trainee - Lizzie Doody	Make-up and prosthetics Movement Stunt Co-ordinator - Derek Lea Stunt Performers - Andrew Burford, Anthony Skrimshire, Chris Morrison, Chus Lucas, Gary Hoptrough, Jake Osborn, James Grogan, John Street, Michael Byrch, Nadia Hansell, Nellie Burroughes, Paul Bailey, Paul Joseph, Phil Campbell, Renato Gjini, Rob Jarman Casting Casting Associate - Ri McDaid-Wren Casting Assistant - Ray Böhm General post-production staff Post-production Producer - Ceres Doyle Post-production Supervisor - Liv Duffin On-line Editors - Christine Kelly, Geraint Pari Huws Special and visual effects VFX Producer - Will Cohen VFX Editor - Matt Nathan VFX Co-ordinators - Siân Reynish, Livvy Edwards VFX Assistant - Sarah-Hoor Aboubakar SFX Supervisor - Danny Hargreaves Lead 3D Artist - Craig Travis 3D Artists - Roman Bugrov, Ewan Laidlaw, Rod McFall 2D Supervisor - Andreas Krein Colourist - Gareth Spensley Compositors - Luis Mota, Francesco Presutti, Allan Jensen, Yousaf Mian, Elisa Simoncelli, Grant Robertson, Pedro Gartner, Josh Gotto, Christopher Klassen, Neil Alford, Thomas Castagna, Francesco Maggi, Elysia Greening, Filippo Golin Sound Sound Recordist - Alex Thompson Dubbing Mixer - Paul McFadden Sound Designer - Rob Ireland Foley Editor - Nathan Palmer Foley Artist - Gareth Rhys Jones Audio Post-production - Bang Post Production

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
Note: Several of the camera department credits were given erroneously on broadcast due to an apparent formatting error. (More details here.)

Worldbuilding

• Bi-generation is a form of regeneration that results in the regenerating individual splitting between their current incarnation and the one they would have become, with the clothes being split between them. Long thought to be a myth, it doesn't result in temporal paradoxes, as both incarnations are the concurrent versions of the same person.
• When setting up the template in the sub-frame, Donna asks Mel if it is static or dynamic. Mel responds that it is dynamic, as UNIT uses Triad.
• Stooky Bill was televised on the 2 October 1925 at 22 Frith Street, Soho, W1D 4RF
• In Albion Chambers, an alleyway located in 1925 Soho, the Doctor and Donna pass posters for Henrik's and the School of Motoring.
• Grade's Barber Shop is a hairdressers for gentlemen. It offers hot shaves and haircuts.
• The Toymaker claims that the "game of the 21st century" involves people shouting, typing and cancelling.
• The Toymaker has the Spice Girls song "Spice Up Your Life" play when he breaks into UNIT HQ.
• Kate has fought with robots, insects, yetis, and clones.
• Mel returned to Earth from space on a Zingo.
• The Toymaker threatens to use the Galvanic beam to play Grandma's footsteps, off ground touch and shooting ducks with UNIT.

Individuals

• The television was created by John Logie Baird, with the assistance of Charles Banerjee and the usage of a puppet called Stooky Bill.
• The Doctor remarks to Donna that he's "a billion-years-old".
• The Toymaker says he played against the Guardians of Time and turned them into voodoo dolls.
• Sabalom Glitz died at the age of 101-years-old after tripping over a whiskey bottle. He had a Viking-themed funeral.
• Donna spent six months teaching Rose how to play the recorder before she said it "[was]n't who [she was]", which was apparently the start of "a whole other conversation".
• The Toymaker "gambled with God" and turned Him into a jack-in-the-box.
• The Toymaker remarks that he made a "jigsaw" out of the Doctor's history, implying that he is, at the very least, partly responsible for any inconsistencies and changes in the Doctor's past, such as his origins and the history of the Timeless Child.
• The Spy Master begged the Toymaker to save his life when he drew close to dying. They played a a game, but the Master lost, and was imprisoned in the Toymaker's gold tooth.
• The only being the Toymaker made to avoid with his games was the One Who Waits.
• Sarah Jane Smith is confirmed to be deceased by 2023.

Technology

• Magpie Electricals Digital Set Top Box is in a woman's trolley when the Doctor first discovers the Giggle.

Story notes

Bernard Cribbins' stand-in in the episode

• Bernard Cribbins was originally intended to appear in The Giggle as Wilfred Mott. However, his health prevented him from doing so, making the previous episode his final acting performance prior to his death. Wilfred still appears briefly in the episode, through use of a stand-in actor, and archive audio from The Poison Sky ^[+]Loading...["The Poison Sky (TV story)"].
• When researching John Logie Baird during the production of Nolly, Russell T Davies was inspired to write an episode around the puppet Stooky Bill. He later realized that a two-foot tall puppet wouldn't be the most intimidating foe, so decided to use the Toymaker as the antagonist.
• This story's upcoming debut was mentioned alongside the other 60th Anniversary Specials in the non-fiction feature Back in Business published in Doctor Who The Official Annual 2024 on 7 September 2023.
• The Giggle is the only post-2005 regeneration episode not to feature either the Daleks or the Master, not counting the appearance of the Toymaker's gold tooth that houses the trapped Master.
• Colourised footage from The Celestial Toymaker ^[+]Loading...["The Celestial Toymaker (TV story)"] is shown when the Doctor identifies the Toymaker. One of the scenes appeared at the end of The Daleks in Colour ^[+]Loading...["The Daleks in Colour (TV story)"]. The footage was colourised by Rich Tipple and Kieran Highman.
• Davies revealed in his in-vision commentary that The Giggle almost included a scene which mentioned Wilfred Mott passing, saying "It was immensely sad, it was beautiful, and it was very much a reaction to what had literally just happened, 'cause it felt very, very strange so I felt like we had to acknowledge it.". He mentions that it was Phil Collinson who prevented the scene from happening, which Davies agreed was the right decision. Davies also revealed that the Toymaker's remark about turning the Doctor's life into a "jigsaw" was a reference to both the Timeless Child and half-human claims about the Doctor's origins, creating some ambiguity as to how much of the Doctor's past is true and how much was fabricated by the Toymaker.
• In the 599th issue of Doctor Who Magazine, an excerpt from the original script for The Giggle revealed a cut line of dialogue during the Fourteenth Doctor's bi-generation referenced Time and the Rani ^[+]Loading...["Time and the Rani (TV story)"]. When the Fourteenth Doctor's hand started glowing with regeneration energy, Donna was to ask Mel if she had seen regeneration before, with Mel replying, "No, I missed it, I was unconscious." (...) "Well, the TARDIS was attacked, by the Rani, she was this evil Time Lady, although not evil, more like amoral, and she dragged the TARDIS down to this planet called Lakertya-", at which point the Doctor would have interrupted her. The dialogue is retained in the novelisation by James Goss.
• Davies considered bringing back Peter Purves as Steven Taylor, but ultimately decided against it.
• Russell T Davies had previously worked with Neil Patrick Harris on It's a Sin.
• The bi-generation is the sixth instance of the Doctor regenerating outside the TARDIS and the second instance of the Doctor regenerating at a UNIT facility, following Planet of the Spiders ^[+]Loading...["Planet of the Spiders (TV story)"].
• The bi-generation is also the first time since the Fall of the Eleventh in The Time of the Doctor ^[+]Loading...["The Time of the Doctor (TV story)"], nearly a decade earlier, that the Doctor is shown to regenerate with others present.

Comparison between BBC and Disney+ versions

There are slight differences between the version broadcast on BBC One and the one shown on Disney+:

• The Whoniverse ident was shown at the beginning of the episode on the BBC version. However, on the Disney+ version, the BBC ident was shown.
• The Disney ident was shown at the end of the episode on the Disney+ version.
• The Executive Producers' credits were shown after the title sequence in the BBC version, however, they were shown in the end credits in the Disney+ version.
• In the end board for the BBC version, the Bad Wolf logo was shown on the left and the BBC Studios Productions logo on the right. In the Disney+ version, they were switched.

Myths

• Donna Noble would regenerate into the Fifteenth Doctor instead of the Fourteenth Doctor. (This theory gained some attention before the airing of the 2023 specials, but was proven false during the first special)
• The Toymaker would be revealed as the reason for the Fourteenth Doctor having the same face as the Tenth Doctor. (No connection was made between the two, with the Toymaker just telling the Doctor he had "made a jigsaw out of [his] history", leaving it ambiguous what he meant by that.)
• The Fourteenth Doctor's regeneration would go wrong, causing the Fifteenth Doctor to physically separate from the Fourteenth, resulting in both incarnations existing at the same time. (This was partially true, as instead of the regeneration going wrong, the Fourteenth Doctor underwent a bi-generation that resulted in him "splitting" from the Fifteenth Doctor, delaying his physical change until after his healing with the Nobles.)
• The First Doctor would appear in the story and interact with the Fifteenth Doctor, either in the form of David Bradley reprising the role, or a deep-faked version of William Hartnell. (The First Doctor only appears in the form of colourised flashback footage from The Celestial Toymaker, and does not interact with the Fourteenth or Fifteenth Doctors. This may have been fuelled by Ncuti Gatwa's teasing that a scene was coming up in which his Doctor would share a scene with the First Doctor, which turned out to be referring to the newly-filmed insert in the 60th Anniversary rebroadcast of An Adventure in Space and Time.)

Filming locations

• TBA - Clare Street, Bristol
• TBA - Broad Street, Bristol

Ratings

• 4.62 million (UK overnight).
• 6.84 million (UK final).

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

• After the bi-generation splits the Fourteenth and Fifteenth Doctors into two separate entities, the English (UK) captions on the Disney+ version incorrectly identify the Fourteenth Doctor as the Tenth Doctor.
• In certain shots, the green-screen erected for filming on Clare Street can be seen reflected in the window fronts of Grades, Mr Emporium, and a window of the building besides.
• At the beginning of the Toymaker's attack on UNIT, Kate is standing next to Donna. But when the Toymaker pulls her into a dance, Kate is now at the front of the room.
• During the Doctor's bi-generation, in the shot that follows after the Fourteenth Doctor says, "You're me", David Tennant can be seen mouthing the same line again before the Fifteenth Doctor says, "No, I'm me", with his audio having clearly been removed.

Continuity

• When UNIT retrieve the TARDIS, they transport it by attaching it to a helicopter, something that had been done before in The Day of the Doctor ^[+]Loading...["The Day of the Doctor (TV story)"] and Death in Heaven ^[+]Loading...["Death in Heaven (TV story)"].
• Kate was seen fighting the Great Intelligence's Robot Yeti in Downtime ^[+]Loading...["Downtime (home video)"].
• Shirley notes that the South Korean satellite was not emitting a mind control link the way the Saxon Master's Archangel Network did to control the human race in The Sound of Drums ^[+]Loading...["The Sound of Drums (TV story)"].
• Kate remarks how, with all of the world leaders succumbing to the Toymaker's control, they need permission from the Doctor to destroy the satellite. The Doctor has functioned as an emergency world leading authority before, notably with the Twelfth Doctor acting as President of Earth in Death in Heaven ^[+]Loading...["Death in Heaven (TV story)"], The Zygon Invasion ^[+]Loading...["The Zygon Invasion (TV story)"] and The Pyramid at the End of the World ^[+]Loading...["The Pyramid at the End of the World (TV story)"].
• Mel reminds the Doctor about her travelling with Sabalom Glitz, who left the Seventh Doctor to travel with her at the end of Dragonfire ^[+]Loading...["Dragonfire (TV story)"].
• Mel mentions Kate offering her a job with UNIT, which was alluded to at the Companion support group meeting in The Power of the Doctor ^[+]Loading...["The Power of the Doctor (TV story)"].
• Donna is also offered a job at UNIT, having lost her last one just prior to the events of The Star Beast ^[+]Loading...["The Star Beast (TV story)"].
• Donna mentions how the Doctor tends to keep traveling to refuse to confront or think back on things that have happened to him, an observation previously made by Blon Fel-Fotch Passameer-Day Slitheen in Boom Town ^[+]Loading...["Boom Town (TV story)"], Davros in Journey's End ^[+]Loading...["Journey's End (TV story)"], and Tecteun in Survivors of the Flux ^[+]Loading...["Survivors of the Flux (TV story)"].
• The Doctor and the Toymaker repeatedly recall their previous game, where the First Doctor won and escaped the Toymaker's domain, in The Celestial Toymaker ^[+]Loading...["The Celestial Toymaker (TV story)"].
• Donna recalls her and the Tenth Doctor facing the Ood in Planet of the Ood ^[+]Loading...["Planet of the Ood"], Davros in The Stolen Earth ^[+]Loading...["The Stolen Earth (TV story)"], the Adipose in Partners in Crime ^[+]Loading...["Partners in Crime"], and the Daleks' use of the reality bomb in Journey's End ^[+]Loading...["Journey's End (TV story)"].
• The Doctor recalls how he played a game at the edge of the universe against the Not-things in Wild Blue Yonder ^[+]Loading...["Wild Blue Yonder (TV story)"], which he believes allowed the Toymaker into the universe. He blames this error on him becoming clever, something the Tenth Doctor lamented as one of his greatest flaws in The End of Time ^[+]Loading...["The End of Time (TV story)"].
• The Toymaker recalls that the Eleventh Doctor met Amy Pond in The Eleventh Hour ^[+]Loading...["The Eleventh Hour (TV story)"] soon after the Tenth Doctor's final encounter with Donna and her family in The End of Time ^[+]Loading...["The End of Time (TV story)"].
• The Toymaker mocks the Doctor's treatment of his companions, but the Doctor rebukes his accusations; they bring up Amy being stranded in time by the Weeping Angels and dying of old age in The Angels Take Manhattan ^[+]Loading...["The Angels Take Manhattan (TV story)"], Clara Oswald being killed by the Quantum Shade in Face the Raven ^[+]Loading...["Face the Raven (TV story)"] and her managing to survive in the last second before her death after being retrieved by an extraction chamber in Hell Bent ^[+]Loading...["Hell Bent (TV story)"], Bill Potts's cyber-conversion in World Enough and Time ^[+]Loading...["World Enough and Time (TV story)"] and the Doctor learning her consciousness had managed to survive in Twice Upon a Time ^[+]Loading...["Twice Upon a Time (TV story)"], but the Doctor has no defence when the Toymaker mentions the universe's suffering during the Flux event in The Halloween Apocalypse ^[+]Loading...["The Halloween Apocalypse (TV story)"].
• The Doctor says no-one in London is faster on a keyboard than Donna, a fact she prided herself on during Journey's End ^[+]Loading...["Journey's End (TV story)"].
• The Toymaker makes his entrance into UNIT HQ with a dance sequence, echoing the dance routines of the Saxon Master in Last of the Time Lords ^[+]Loading...["Last of the Time Lords (TV story)"] and the Spy Master in The Power of the Doctor ^[+]Loading...["The Power of the Doctor (TV story)"].
• The Doctor makes an offer to fight across the cosmos with the Toymaker in an effort to make him leave Earth and humanity alone. He once made a similar proposal as his tenth incarnation to the Saxon Master in The Sound of Drums ^[+]Loading...["The Sound of Drums (TV story)"], which he also turned down.
• When he starts to regenerate, the Doctor remarks he's not dying, contrasting how the Tenth Doctor viewed regeneration as dying, expressed in The End of Time ^[+]Loading...["The End of Time (TV story)"].
• As he is overcome with regeneration energy, the Doctor says, "Here we go again", just as the Brigadier did when seeing the Third Doctor's regeneration in Planet of the Spiders ^[+]Loading...["Planet of the Spiders (TV story)"], and also by Vastra when she saw the newly-regenerated Twelfth Doctor in Deep Breath ^[+]Loading...["Deep Breath (TV story)"].
• As he begins to bi-generate, the Doctor remarks that it "feels different this time", just as the Fifth Doctor did just before regenerating into the Sixth Doctor in The Caves of Androzani ^[+]Loading...["The Caves of Androzani (TV story)"].
• After the Toymaker's banishment, the gold tooth housing the Master is retrieved by a feminine hand with red nail polish, recreating the scene of the Master's ring being retrieved at the end of Last of the Time Lords ^[+]Loading...["Last of the Time Lords (TV story)"].
• The act of the TARDIS being split into identical versions of itself was previously seen as temporal fission in TV: The Five Doctors ^[+]Loading...["The Five Doctors (TV story)"].
• The Fifteenth Doctor talks with the Fourteenth Doctor about all the suffering that has impacted them of which his younger incarnation needs to heal from; they bring up the Second Doctor's trial and exile on Earth from The War Games ^[+]Loading...["The War Games (TV story)"], the Fourth Doctor's hunt for the Key to Time between The Ribos Operation ^[+]Loading...["The Ribos Operation (TV story)"] and The Armageddon Factor ^[+]Loading...["The Armageddon Factor (TV story)"], the Tremas Master's actions on Logopolis during Logopolis ^[+]Loading...["Logopolis (TV story)"], Adric's death in Earthshock ^[+]Loading...["Earthshock (TV story)"], River Song's death in Forest of the Dead ^[+]Loading...["Forest of the Dead (TV story)"], Sarah Jane Smith's passing that was first mentioned in Farewell, Sarah Jane ^[+]Loading...["Farewell, Sarah Jane (webcast)"], losing Rose Tyler in Doomsday ^[+]Loading...["Doomsday (TV story)"], their imprisonment in the Pandorica during The Pandorica Opens ^[+]Loading...["The Pandorica Opens (TV story)"], fighting Mavic Chen in The Daleks' Master Plan ^[+]Loading...["The Daleks' Master Plan (TV story)"], and fighting the Gods of Ragnarok in The Greatest Show in the Galaxy ^[+]Loading...["The Greatest Show in the Galaxy (TV story)"].
• Donna tells to the Fourteenth Doctor, after his bi-generation, that the only adventure he has never had is living, day after day after day. The Tenth Doctor said to Rose Tyler in Doomsday ^[+]Loading...["Doomsday (TV story)"] during their farewell that she can live a life, day after day, the one adventure he can never have.
• The Fourteenth Doctor mentions when he and the Warrior Queen of the Felooth had to communicates with their eyebrows, recalling when the Third Doctor remarked that he would use his new eyebrows to speak to the Delphon in Spearhead from Space ^[+]Loading...["Spearhead from Space (TV story)"].
• The Fourteenth Doctor remarks that he has ended up with a family after all after adopting him self into the Noble family. Sarah Jane Smith had remarked in Journey's End ^[+]Loading...["Journey's End (TV story)"] that, while he acted like a "lonely man", he actually had "the biggest family on Earth" through his companions.
• The Toymaker mentions the year 5 billion and references the last human, Lady Cassandra O'Brien.Δ17 (The End of the World ^[+]Loading...["The End of the World (TV story)"], New Earth ^[+]Loading...["New Earth (TV story)"]).
• Doctor Who The Official Annual 2024 contained several works of fiction which teased some of the characters in The Giggle:
  • The short story PROSE: First Day of the Doctor ^[+]Loading...["First Day of the Doctor (short story)"] contained an obscured snippet of a page of the Fifteenth Doctor's diary, containing a quote of his line "Someone tell me what the hell is going on here?" It also posits that the events of The Church on Ruby Road ^[+]Loading...["The Church on Ruby Road (TV story)"] takes place directly after the bi-generation.
  • The spot-the-difference puzzle GAME: Double Danger ^[+]Loading...["Double Danger (game)"] depicted the Doctor asking an individual for help with the then-unnamed version of the Toymaker portrayed by Neil Patrick Harris.
• Some of the set dressing in The Giggle contains Easter Eggs to previous stories and people:
  • Posters are seen around 1925 Soho for Henrik's, the department store Rose Tyler worked for in Rose ^[+]Loading...["Rose (TV story)"],
  • Although not visible in the final cut of the episode, one building was given Sanderson & Grainger branding, the department store the Eleventh Doctor briefly worked for in Closing Time ^[+]Loading...["Closing Time (TV story)"].
  • The building next door to the Toymaker's emporium carries the name "Grade's Barber Shop", possibly a reference to former controller of BBC1, Michael Grade.
• The Toymaker mentions entering the Doctor's universe, implying that he isn't native to it. Sixth Doctor came to the same conclusion in AUDIO: The Nightmare Fair.

Home media releases

DVD and Blu-Ray

This story was released on DVD and Blu-Ray in the United Kingdom on 18 December 2023, along with The Star Beast ^[+]Loading...["The Star Beast (TV story)"] and Wild Blue Yonder ^[+]Loading...["Wild Blue Yonder (TV story)"]. The Bluray release is encoded to Region B, atypical of BBC releases which usually do not have any kind of region encoding on the disc.

Contents:

• Rachel Talalay's Scene Breakdown
• Chanya Button's Scene Breakdown
• Tom Kingsley's Scene Breakdown
• The Star Beast Behind The Scenes
• The Fourteenth Doctor Reveal
• Wild Blue Yonder Behind The Scenes
• The Giggle Behind The Scenes
• The Giggle In-vision Commentary
• The Star Beast In-vision Commentary
• David and Catherine's Flashbacks
• Yasmin Finney Introduces Rose Noble
• Designing the Fourteenth Doctor
• Set Tour with Yasmin Finney
• The Star Beast - Behind The Scenes Trailer
• Wild Blue Yonder - Behind The Scenes Trailer
• The Giggle - Behind The Scenes Trailer
• The Cast Introduce the Villains in 'Wild Blue Yonder'
• Behind The Scenes Fun with David and Catherine
• Video Diary with David Tennant's Stand-in
• TARDIS Set Tour with David Tennant and Phil Sims
• Ruth Madeley Introduces Shirley Bingham
• Neil Patrick Harris Introduces the Toymaker
• Becoming the Toymaker
• 60th Specials Recap with David Tennant

• 

  UK DVD cover

• 

  UK Blu-ray cover

• 

  UK steelbook cover

Digital releases

This story is available on BBC iPlayer in the United Kingdom, in Ultra High-Def (4K). It is also available on Disney+ in other territories.

Gallery

to be added

Footnotes