The Day of the Doctor (TV story): Difference between revisions

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As the Doctor sits down and look at the painting, he begins musing out loud that he would be a great curator. He could call himself "the Great Curator", [[retire]] and become the curator of this gallery. A deep voice affirms that he really might. The astonished Doctor looks over to see a very familiar face standing next to him. [[Curator (The Day of the Doctor)|An old man]] who greatly resembles the [[Fourth Doctor]]. The Doctor studies the old man in wonderment, as he tells him that he never forgets a face, and the old man replies that he knows he doesn't, and that he might find himself revisiting some of them in the future, "but just the old favourites, eh?"; the Doctor merely smiles and winks at the old man. The man then turns the Doctor's attention to the painting, explaining that he acquired it under "remarkable circumstances". He tells the Doctor that its two names are actually one: the true title of the painting is ''[[Gallifrey Falls No More]]''.
As the Doctor sits down and look at the painting, he begins musing out loud that he would be a great curator. He could call himself "the Great Curator", [[retire]] and become the curator of this gallery. A deep voice affirms that he really might. The astonished Doctor looks over to see a very familiar face standing next to him. [[Curator (The Day of the Doctor)|An old man]] who greatly resembles the [[Fourth Doctor]]. The Doctor studies the old man in wonderment, as he tells him that he never forgets a face, and the old man replies that he knows he doesn't, and that he might find himself revisiting some of them in the future, "but just the old favourites, eh?"; the Doctor merely smiles and winks at the old man. The man then turns the Doctor's attention to the painting, explaining that he acquired it under "remarkable circumstances". He tells the Doctor that its two names are actually one: the true title of the painting is ''[[Gallifrey Falls No More]]''.


The Doctor realises that he was successful, and Gallifrey was indeed saved. The mysterious man comments that he surely wouldn't know as he is merely a humble curator. The Doctor excitedly asks him if he knows where Gallifrey is, but he only cryptically reveals that it is simply "lost", and that the Doctor has a lot to do. He also muses that he and the Doctor might be the same man from different perspectives, sounding wistful about days gone by, congratulating the Doctor on the new journey he is about to commence. As to whether or not he truly is an incarnation of the Doctor from the future, the Curator simply teases the thought, "Who knows, eh? Who... '[[nose]]'?", and with a tap of his nose, he turns and walks away. The Eleventh Doctor concludes that he has a mission, the mission of a lifetime: he must find Gallifrey and return it and all its people to the universe.
The Doctor realises that he was successful, and Gallifrey was indeed saved. The mysterious man comments that he surely wouldn't know as he is merely a humble curator. The Doctor excitedly asks him if he knows where Gallifrey is, but he only cryptically reveals that it is simply "lost", and that the Doctor has a lot to do. The Doctor asks if that means that he is supposed to go looking for Gallifrey, but the Curator just tells him that decision will entirely up to himself. He also muses that he and the Doctor might be the same man from different perspectives, sounding wistful about days gone by, congratulating the Doctor on the new journey he is about to commence. As to whether or not he truly is an incarnation of the Doctor from the future, the Curator simply teases the thought, "Who knows, eh? Who... '[[nose]]'?", and with a tap of his nose, he turns and walks away. The Eleventh Doctor concludes that he has a mission, the mission of a lifetime: he must find Gallifrey and return it and all its people to the universe.


[[File:Twelve Doctors Stand Together - The Doctor Dreams - Doctor Who - Day of the Doctor - BBC|left|thumb|“It's taken me so many years, so many lifetimes, but at last I know where I'm going. Where I've always been going: Home, the long way round.”]]Later, the Doctor speaks of his dreams, as he is seen to walk through the TARDIS console room. Clara would laugh at him when he said that he dreamed about where he was going, as he was always going nowhere. However, he says that he finally realises where he has been travelling all this time: home. He simply say that it has taken so many years and lifetimes to take the long way around. As he exits the TARDIS in the dream, the Doctor joins his eleven past selves in gazing up at the magnificent planet in the sky, determined to find Gallifrey and save his home once and for all.
[[File:Twelve Doctors Stand Together - The Doctor Dreams - Doctor Who - Day of the Doctor - BBC|left|thumb|“It's taken me so many years, so many lifetimes, but at last I know where I'm going. Where I've always been going: Home, the long way round.”]]Later, the Doctor speaks of his dreams, as he is seen to walk through the TARDIS console room. Clara would laugh at him when he said that he dreamed about where he was going, as he was always going nowhere. However, he says that he finally realises where he has been travelling all this time: home. He simply say that it has taken so many years and lifetimes to take the long way around. As he exits the TARDIS in the dream, the Doctor joins his eleven past selves in gazing up at the magnificent planet in the sky, determined to find Gallifrey and save his home once and for all.

Revision as of 10:19, 30 May 2018

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The Day of the Doctor was the fiftieth anniversary special of Doctor Who, the first full-length multi-Doctor story of the BBC Wales era, the first Doctor Who adventure shot in stereoscopic 3D, and the first adventure to be broadly available in cinemas in a number of different countries.

It aired at the same time around the globe, on 23 and 24 November 2013 on television, setting a then record for the largest ever simulcast of a television drama. In all, it was viewable in some 94 countries and 1,500 theatres worldwide.[1] Domestically, the British Broadcasting Corporation's 2013/14 Annual Report cited it as the most watched drama on the BBC in 2013, with 12.8 million television viewers, and an additional 3.2 million iPlayer requests.[2] It also broke or neared viewing records in a number of other regions around the world. Because of its theatrical run and subsequently strong home media sales, it is the single adventure with the highest gross worldwide sales in the history of Doctor Who. The success of this release led to the series 8 premiere, Deep Breath, receiving a similar theatrical simulcast as it aired on television on 23 August the following year. Many more theatrical releases followed.

Amongst fans, the story was exceedingly popular. In a 2014 poll by Doctor Who Magazine[3] which ranked all of the Doctor Who television stories aired to date, The Day of the Doctor ranked as "DWM readers' favourite adventure of the first 50 years". (DWM 474)

The episode featured the return of David Tennant as the Tenth Doctor and the appearance of John Hurt as a previously unknown incarnation of the Doctor: the War Doctor, in what was the final chronological adventure for his portrayal of the Doctor. His only full-length adventure on screen introduced a new iteration of the Doctor's sonic screwdriver and a unique TARDIS control room predating those seen in Series 1.

Furthermore, the War Doctor's regeneration was shown, into what appeared to be the Ninth Doctor, completing a missing link in the chain of incarnations that started when Christopher Eccleston debuted in the 2005 relaunch of the series, Rose. The process of resolving the regenerations issue was being enforced by executive producer Steven Moffat, as he wished to have a "complete set" in time for Matt Smith's upcoming final episode.

Moffat also chose to requisition actor Paul McGann for one more outing as the Eighth Doctor in a mini-episode production, The Night of the Doctor one week after production wrapped on the anniversary special, resulting in a second former Doctor returning to the screen as part of the festivities. McGann filmed his own regeneration into Hurt's version of the Doctor, cementing the lineage of all Doctors up to Smith's incarnation onward.

The Day of the Doctor saw the return of the Zygons, last seen in the 1975 Fourth Doctor serial Terror of the Zygons, 38 years after their initial debut.

The Day of the Doctor provided a chance to reveal a missing element of the Last Great Time War that dramatically altered the outcome as viewers were previously led to believe. Instead of allowing Gallifrey to be destroyed, the Doctors were able to save it, giving the current incarnation a chance to forever shed his guilt from the outcome and begin a new mission to find his way home. The unique circumstances of this revelation also upheld the previous narratives set during the Russell T Davies era where the Doctor believed Gallifrey and its residents had been lost in battle.

Synopsis

The Doctors embark on their greatest adventure in this 50th anniversary special. In the 21st century, something terrible is awakening in London's National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor's own dangerous past comes back to haunt him.

Plot

Several familiar sights in one place.

A police constable walks the beat by the Coal Hill School and passes by a sign advertising "I.M. Foreman, Scrap Merchant". Inside the school, Clara Oswald is giving a lesson. She ends on a quote by Marcus Aurelius: "Waste no more time arguing about what a good man should be. Be one."

The school bell rings. As her students leave, a teacher runs into the classroom informing Clara that her "doctor" called, and left an address. She grabs her helmet and hops on her motorbike. Exiting Shoreditch, Clara drives past a clock reading 5:16 p.m. and through a freeway tunnel. She reaches an open patch of road surrounded by grassland, where a lone police box is waiting for her.

Finally spotting the TARDIS, she rides her motorcycle straight through its open doors, closing them with a click of the fingers. The Eleventh Doctor, perusing a copy of Advanced Quantum Mechanics, welcomes Clara back with a huge hug. Unexpectedly, the TARDIS takes off without starting the engines. Startled, the Doctor looks out to see a helicopter carrying the TARDIS away from the field; it's UNIT. He calls UNIT's Chief Scientific Officer, Kate Lethbridge-Stewart, from the phone on the TARDIS exterior.

UNIT scientist Osgood rushes to Kate with her personal phone as she is eating and observing their ravens of death, which need a change of batteries from Malcolm. Kate reminds Osgood to use her inhaler at the sound of her heavy panting before accepting the call.

The Doctor experiences the most exciting and dangerous travel ever

The Doctor learns that he has been summoned to the Tower of London. Kate asks where the Doctor is. The Doctor holds the TARDIS phone up towards the helicopter, surprising and mortifying Kate. She apologises, telling the pilot to instead take the Doctor to the scene of the crime.

The sudden change in course makes the Doctor fall out of the door. Clara holds onto the Doctor's legs as he dangles. The phone bops his head. Annoyed, the Doctor yells "Next time, would it kill you to KNOCK!?" He reaches up to put the phone back in the door, making Clara let go of him. She yells his name in concern. The Doctor holds onto the bottom of the TARDIS, whooping in excitement and fear.

The helicopter arrives at the museum, where it lands slowly to let the Doctor off. Kate apologises, while the Doctor tries and fails at lecturing her. Kate explains that she is operating on orders from the throne. She hands him sealed orders from Queen Elizabeth I and taken into the National Gallery for proof of her credentials. Kate asks Osgood what the cover story is this time. She responds that they're using Derren Brown again, saying he's been sent flowers as an apology.

As they walk, the Doctor explains his relationship with UNIT to Clara, who is sceptical of the Doctor ever having had an actual job; though not directly working with UNIT anymore, the Doctor is still on the payroll as he never resigned. They stop in front of an impossible painting, something that belongs "not in this time or place": an oil painting in 3-D. It depicts the fall of the Gallifreyan city of Arcadia on the last day of the Time War. Kate tells the Doctor that there is some controversy over the work's name. It is either named No More or Gallifrey Falls. The painting is a slice of frozen time, a form of Time Lord art.

The Doctor sees a horrible reminder of the Last Great Time War

The Doctor is visibly disturbed by the painting. Clara notices, asking what's wrong. The Doctor tells her that he's lived many lives, but there is one he has tried VERY hard to regret. There was a man who brought an end to the Time War, and to both the Time Lords and Daleks alike. And that man was him. This painting was on the day it happened; the FINAL day of the Time War....

Flashback to the Last Day of the Last Great Time War....

As the Daleks ravage Arcadia, a family of Time Lords are running in fear. There is little hope of survival. As children cry and the people scream, a soldier messages the High Council of Time Lords: Arcadia has fallen. He looks around and sees the Doctor's TARDIS. Then the elderly voice of the "War Doctor", the warrior incarnation of the Doctor, asks the soldier for his gun. The Doctor carves a message for both warring civilisations to see into a nearby wall: NO MORE. As Daleks prepare to exterminate the Time Lords, the Doctor's presence draws their attention away from the innocent people and leads them to the wall with the message. Suddenly, the Doctor's TARDIS crashes through the wall, demolishing several Daleks. The Doctor's escape from Arcadia is witnessed by one surviving Dalek of the attack, though it is bisected. It questions the meaning of "NO MORE", bellowing "Explain! Explain!" The nearby Time Lord soldier shoots the Dalek with his gun, and the slain Dalek erupts in flames.

The War Doctor declares his intentions to end the Time War by force.

The High Commanders gather in the War Room, planning their next moves, with the General dismissing the High Council's upcoming plans as "they have already failed". They receive the Doctor's message, and the General is not pleased to learn of his presence, calling him a madman. A Time Lady rushes in to inform the War Council that there has been a breach in the Omega Arsenal in the Time Vaults.

The most feared and forbidden weapon in the universe is missing: The Moment. The Doctor has stolen it, and intends to use it to end the Time War once and for all. The Time Lords have already used all of the previously forbidden weapons, but dared not unleash this weapon in particular. It was said that the Moment was so advanced as to have developed a conscience, and could stand in judgement of the user. The General muses that only the Doctor would be mad enough to use such a weapon.

Footsteps can be seen leading away from the battle-scuffed frame of the TARDIS, which has been uncharacteristically abandoned by the Doctor. The sound of his voice issuing an ominous final warning is heard: "Time Lords of Gallifrey, Daleks of Skaro, I serve notice on you all. Too long I have stayed my hand. No more. Today you leave me no choice. Today, this war will end. No more. No more..." The Doctor's tired face comes into view as he strides across a desolate desert, a burlap sack over his shoulder.

He eventually enters a barn-like dwelling, where he uncovers a complicated mechanical box, covered in gears. The device ticks loudly as its clockwork-like parts rattle and clank. As the Doctor studies it, he cannot find a discernible trigger mechanism. While he puzzles over how to activate it — grumbling "Why is there never a big red button?" — he hears a rustling sound. He opens the door and calls out. A girl's voice behind him reassures him that it's "just a Wolf".

The War Doctor ponders how to use the Moment, as its interface tries talking him out of it.

Startled, he turns around to see what appears to be Rose Tyler. He doesn't recognise her, as this point in his timeline predates his first meeting with Rose. He grabs her arm and throws her out the door, only for her to appear inside the barn again, sitting on the Moment. She begins questioning the Doctor as to his motives and rationalisations (though it looks like she is making fun of him). The Moment also asks if the Doctor parked his TARDIS far away from the dwelling so that it would not witness what he was about to do. Not realising what she is, he orders her out, and then burns his hand on the box. Impishly, she guides the Doctor to realise that she is the interface of the Moment. She can hear the Doctor's thoughts, and has attempted to assume the form of a familiar figure from his past; however, the Moment has a history of confusing the past with the future, and so has chosen the form of Rose Tyler as the Bad Wolf to be its manifestation.

War-weary and bitter, the elderly Time Lord tells her to stop calling him "the Doctor", claiming he has lost the right to bear the title. She replies that he will be the one to save the universe. He explains that the suffering of the universe is too great, and he must end it. He also intends to meet his death after using the Moment, not wishing to live through the bloodshed, but she decides that his fate and punishment will be to survive the activation and face the consequences. Like a conscience, she challenges his words and actions, guiding him towards his future. He will destroy the Daleks, but he will also murder his own people, asking him how many children on Gallifrey will die, but he has no idea. After suggesting that one day, he will find a way to count them, the Moment opens a window in time, to show him the man he will become. A time fissure opens - and a fez falls out, much to the mutual confusion of the Doctor and the Moment...

Back in the 21st century, Kate explains that Queen Elizabeth left the painting to prove that the orders do come from her. The Doctor breaks the seal and reads her words: "My dearest love: I hope the painting known as Gallifrey Falls will serve as proof that it is your Elizabeth that writes to you now. You will recall that you pledged yourself to the safety of my kingdom. In that capacity, I have appointed you Curator of the Under-Gallery, where deadly danger to England is locked away. Should any disturbance occur within its walls, it is my wish that you should be summoned. Godspeed, gentle husband."

As Kate leads the Doctor and Clara away, a nearby UNIT scientist named McGillop receives a mysterious phone call. Befuddled, he stares at the painting, wondering why he should move it.

The Doctor and Clara approach another painting, which shows the figure of Queen Elizabeth I, and the Doctor. Clara sees this is proof the Doctor once knew her. However, it is the tenth incarnation of the Doctor, and from the Eleventh Doctor's vantage point, that portrait was done a long time ago, long enough that he was a different man back then...

The Tenth Doctor detects Zygon DNA, thinking the Queen is an imposter.

In England in 1562, the Tenth Doctor and Elizabeth I ride out of the TARDIS on horseback, the Doctor having proven that it really is bigger on the inside. She responds "the door isn't" bigger on the inside. They share a picnic on a hill, where Elizabeth expresses concern that he has seen war. The Doctor confirms that it wasn't this face but he has indeed fought in battle. He then proposes marriage. When she joyfully accepts, the Doctor accuses her of being a Zygon shapeshifter that has replaced the real Elizabeth, as the real queen wouldn't accept marriage or be so nonchalant about the Doctor having a different face. He whips out a "device that goes ding" to prove that she is a shapeshifter, before realising that it was the horse they were riding.

They run for their lives, the Doctor dreads being an engaged man; "Oh, good work, Doctor. Nice one. The Virgin Queen? So much for history." They split up in the woods, but Elizabeth is accosted by the Zygon. The Doctor runs through the woods, even threatening a rabbit he mistakes for a Zygon before he is reunited with Elizabeth. However, a doppelganger of her appears, and he is unable to tell who is who. Suddenly another time fissure appears, and a fez falls through, bemusing the Doctor and company.

Back in the National Gallery, Kate welcomes the Eleventh Doctor and Clara to the Under-Gallery, established by Elizabeth I to house dangerous art. The Doctor notices that the floor is covered in stone dust, and asks a scientist named Osgood to analyse it (with a triplicate report and lots of graphs). As they walk through the gallery, the Doctor spots a fez in a glass case and immediately dons it, much to the bemusement of Clara, who wonders if he can ever go past one without putting it on (answer: never gonna happen).

Kate shows them more 3-D paintings, all landscapes, with the broken glass from their shattered frames covering the floor. The Doctor notes that the glass has been shattered from the inside, and Kate says that they all contained figures which are now missing. Suddenly, another time fissure opens. Annoyed, the Doctor faintly recalls seeing the fissure before, before realising that the fez that had fallen through in 1562 was the fez he was now wearing. Delighted, he throws the fez into the fissure and follows it. Clara tries to follow, but Kate restrains her.

"Now that is skinny. Proper skinny. I've never seen it from the outside before. Oi, matchstick man."

The Eleventh Doctor falls through the fissure and lands in front of the Tenth in the sixteenth century. Stunned, the Tenth Doctor dons the fez himself. The Eleventh pops up and gabbles excitedly about how skinny his predecessor is, which makes the Tenth realise who he is. They incredulously pull out their sonic screwdrivers and compare them, with the Tenth jokingly suggesting the Eleventh is compensating for something because of regeneration being a lottery. As they begin bickering, the time fissure increases in intensity. The Doctor orders the two Queens to run away; both kiss the Tenth Doctor and flee. After pointing out that one of the women his counterpart just kissed was definitely a Zygon, the Eleventh shouts through the funnel to Clara. Hypothesising that the fissure can go both ways, he tosses his fez in, but it fails to appear in Clara's time. Kate then leaves, to call one of the UNIT members to bring her the Cromer file - not noticing a dark shadow behind her...

At the end of the Time War, the War Doctor picks up the fez and steps into the fissure. Back in 1562, the two Doctors try to reverse the polarity, but the use of two sonic screwdrivers at once confuses the polarity, resulting in the War Doctor falling through, landing in front of his future selves. He jovially greets them, asking after the Doctor and mistaking them for companions-to-be. The two older Doctors — both horrified to see him — simply pull out their sonic screwdrivers, affirming their identity to their younger self. Completely unimpressed by his future incarnations, the War Doctor asks if he is going through a mid-life crisis.

Suddenly, they are surrounded by the Queen's soldiers. They are threatened by them, but Clara's voice sounds from the fissure, allowing the Doctors to convince them that she is "The Wicked Witch of the Well". Kate has, at that point, returned to Clara. The Queen returns to the group, implying that her human counterpart is dead. She has the trio of Doctors arrested and taken to the Tower of London (with the Eleventh loudly hinting for her to take them there). The hint is picked up on by Kate, who takes Clara to the Black Archive to retrieve Jack Harkness' vortex manipulator.

The Doctors are thrown in a cell with a wooden door; the sonic is useless as it doesn't work on wood. The Tenth Doctor begins musing how temporal paradox will start kicking up with three of them in the same room for a long time. The Eleventh works with a nail on the pillar in the room, stating it's their way out. Ignoring him, the Tenth asks why these three Doctors have been brought together; him and the Eleventh were surprised, but the War Doctor came to find them. The big question is why. The War Doctor sees the Moment, which gestures to keep quiet about it.

In the present, Osgood and McGillop are reading the results of the analysis of the stone dust. The dust is from materials not found in the structure of the building, but common in statues. Osgood realises that the statues must have been smashed, and suddenly understands why: the inhabitants of the paintings needed a hiding place. The Zygons reveal themselves from underneath the dust cloths covering what the humans had believed were statues. The aliens accost McGillop, and corner Osgood. Osgood prays for the Doctor to save her, but instead of being killed, she is faced with her duplicate. The Zygon taunts Osgood, but she gains the upper hand by tripping the alien with her scarf, and runs.

Clara travels into the past

Kate and Clara enter the Black Archive, housing the most dangerous alien tech recovered by UNIT. Its contents are so top secret that its staff has their memories modified every day. Apparently, this has happened to Clara at least once, as she has already obtained the necessary clearance to enter the archive. They view the Vortex Manipulator, which was bequeathed to UNIT after one of Jack's many deaths. The Doctor has the code, but he hasn't informed UNIT of it. A scientist phones Kate, and she orders him to send a picture of some numerals (the activation code) that the Eleventh Doctor carved into the wall of the cell in 1562 for them to find centuries later. Osgood and McGillop enter the Archive, to Clara's surprise. They and Kate reveal themselves as Zygons. As they prepare to replace Clara, she sees the picture of the numerals on the phone. Taking a desperate gamble, she enters the code into the Vortex Manipulator and travels to the past.

In the Tower of London in 1562, the Eleventh Doctor scratches the activation code onto a wall in their cell, while the other two Doctors puzzle out how to escape. The War Doctor proposes an isolated sonic shift in the door molecules in order to disintegrate the door, but the Tenth Doctor rejects the idea, saying it would take centuries to calculate the necessary formula. The War Doctor starts bickering with the Tenth and Eleventh Doctors, chastising them for their shame of being "grown-up". Subdued, they look at him darkly, reminding him of the day he ended the Time War (unaware that this Doctor is actively in the process of making that choice). The War Doctor notices the feeling of dread on their faces when they look at him.

The Tenth Doctor is furious his future self forgets how many innocent children die on Gallifrey

The Moment reappears, unseen and unheard by the other Doctors, and urges the War Doctor to ask his future selves the question that he needs to know: How many children died on Gallifrey that day. The Eleventh Doctor says, "I've absolutely no idea.", he says he's forgotten the events of that day; he's so old that he's not even sure of his age anymore, estimating he's about 1200 years old, so old that he can't remember if he's lying about his age.

The Eleventh Doctor tells his past self that he doesn't want the foreknowledge of where he'll end up as him.

However, the Tenth Doctor angrily asks how the Eleventh could ever forget something as important as this particular number, and bitterly states that there were 2.47 billion children on the planet that day. Disturbed and furious by his successor's impassive nature, he asks him, "For once, I would like to know where I'm going." Vexed by this remark, the Eleventh Doctor coldly replies, "No, you really wouldn't!" The Tenth Doctor looks back at him, eyes wide with fear. The Moment explains to the War Doctor that the Tenth Doctor has become "the man who regrets" and the Eleventh "the man who forgets". They are the future of the Doctor, when he ends the Time Lords.

The Moment reminds the War Doctor that his sonic screwdriver, at the most basic level, is exactly the same device as the ones used by his counterparts: "Same software — different case". He realises that if he scans the door and implants the calculations as a permanent subroutine in the screwdriver, it will take hundreds of years to work out the formula necessary to disintegrate the door, meaning that the Eleventh Doctor's screwdriver, being essentially the same as the ones before it, has the completed calculation ready to go.

They exuberantly congratulate themselves on their cleverness before Clara pushes open the door — which has been unlocked the entire time. Clara asks her Doctor if they are all him. The Eleventh reminds Clara of the time she went into his timeline, to which she barely remembers. She compliments the Tenth's suit; he thanks her. She then asks why neither of them tried to just open the door; one thing the Doctor retains in all his incarnations is his inability to do simple things. The Queen comes in, telling them that she left the door unlocked as a test. She takes them down to the Zygons' lair to show them their plan.

Osgood finds the real Kate

Osgood walks in the halls of the Under-Gallery, before discovering the real Kate trapped in a Zygon nest. Kate's body template is being used to refresh the image of her Zygon doppelganger. Osgood frees her, but Kate bemoans the fact that the Zygons now have control of the Black Archive.

The Doctors and Clara follow the Queen to the lair, whereupon they discover that the Zygon homeworld was destroyed in the early days of the Time War, and so they have decided to take Earth as their new home. However, sixteenth century Earth is too primitive to be comfortable to the invading shapeshfiters, so they intend to invade the more advanced future in order to establish their new homeworld. They therefore have translated themselves into stasis cubes, which are the Time Lords' three-dimensional paintings. The Tenth Doctor berates the Zygon commander for doing a lousy job of replicating the real Queen Elizabeth, but she reveals (to his mortification) that she is the real Elizabeth: She slew her twin in the forest and took her place as Zygon commander.

Elizabeth calls on the Doctor to save England, but first whisks him away to be married (with his past and future selves as reluctant witnesses, and an enthusiastic Clara throwing confetti). The War Doctor wonders if there's a lot of kissing in the future, to which the Eleventh states "It does start to happen, yeah.." in a defeated tone. The Tenth Doctor tells Elizabeth that he will be right back (but in reality has no intention of returning as the marriage was a mistake on his part).

"Hey, look. The round things!"

The three Doctors and Clara return to the Tenth's TARDIS, with the War Doctor noted his future self really let the control room go. The Eleventh recalls it as his grunge phase. Suddenly, a flash of light changes the control room, turning it into the War Doctor's control room. Because of the presence of the past and future versions of the present day Tenth Doctor, the control room is trying to compensate for the different time zones. Both the Tenth and the Eleventh are delighted to see the roundels, which they haven't seen in a while; however, neither of them knows what they are. The Eleventh stabilises the desktop, picking his current version (which also receives an insult). They set off for the Black Archive.

Kate, Osgood, and McGillop confront their doppelgangers in the Black Archive. Kate threatens to detonate a nuclear warhead beneath the Tower, destroying all of London in order to protect the planet from the Zygons, and voice-activates it, blocking her Zygon duplicate's attempts to stop the countdown with her identical voice pattern. The Eleventh Doctor's voice crackles on via the space-time telegraph he had once given to her father, begging Kate not to detonate but she cuts him off. He tries to land, but the Tower of London had been made TARDIS-proof to prevent his interference. However, the War Doctor figures out a way to get in - the stasis cubes. The Doctor calls McGillop in the past, and instructs him to bring the No More/Gallifrey Falls painting to the Black Archive...

The Doctors force back an attacking Dalek.

The two Kates fight over the detonation, both needing to agree in order to stop the detonation. The real Osgood begs the Doctor to save them again, as the Doctors and Clara force their way out of the painting, having frozen themselves in it earlier. The Doctors now face the Fall of Arcadia in real time as it unfolds, and are immediately met with an attacking Dalek, which they repel with their sonic screwdrivers. It crashes through the glass of the painting and the Doctors emerge in a heroic fashion. Clara soon follows.

The three Doctors hand the Kates an ultimatum when they refuse to disarm the Archive's nuclear option: They trigger the memory modifiers to confuse everybody as to whether they are human or Zygon. Then, if they stop the detonation and create a peace treaty (which is sure to be incredibly fair, as the negotiators can't remember which side they're on), they will have their memories restored. Utterly confused over their identities, the two Kates stop the detonation in the nick of time and begin to negotiate the treaty. While the Osgoods figure out which of them is which, they decide to keep it to themselves to protect the treaty.

As they negotiate, Clara speaks to the War Doctor. She has somehow figured out that he hasn't used the Moment yet, explaining that "her" Doctor always talked about the day he wiped out the Time Lords. She says that he would do anything to take it back, but the War Doctor remains convinced that his actions will save billions of lives in the future. Across the room, the War Doctor sees the form of the Bad Wolf once more. The Moment has come. He tells the interface he's ready, and Clara turns to find who he's talking to; when she turns back, he's vanished.

Returned to the barn on Gallifrey, the War Doctor stands in front of the Moment, which has simplified its interface by his request — the trigger mechanism is now a big red button for him to push. The interface questions him once more, trying to convince him of his goodness. He still doesn't believe he is worthy of the name "Doctor", losing all hope for himself and his people. He believes that the Tenth and Eleventh Doctors are extraordinary men and that he has to commit this act to forge them into what they become. As the War Doctor goes to activate the Moment, the interface tells him that the wheezing sound the TARDIS makes brings hope to everyone who hears it. The War Doctor agrees and the Moment tells him that it brings hope to anyone, no matter how lost they are.

The Tenth and Eleventh Doctors prepare to share the burden of ending the Time Lords with the War Doctor,

The War Doctor realises what she means a moment later when the Tenth and Eleventh Doctors materialise their TARDISes in the barn, having apparently been let through the time-lock by the Moment. They join him at the Moment, finally forgiving him, and themselves, for his actions, ready to support the man who was the Doctor more than anybody else, on a day it was impossible make the right decision. The three of them prepare to push the button together, to help release the burden of the War Doctor and affirm their actions will be for the right reasons. Tearful, the War Doctor thanks them.

Clara tearfully objects. She knew that "the Doctor" had activated the Moment and destroyed his home-world, but she had never imagined the Eleventh Doctor, her Doctor, with his hand on the button. The reality of the Time War projects around them: children crying, innocents suffering. The Doctor could not find another way to end it all, but Clara believes in a different solution. She calls the the past two the Warrior and the Hero; the Eleventh wonders what he is. Clara asks if he truly has forgotten; he has. "We have enough warriors. Any old idiot can be a hero. Be what you've always been. Be a Doctor." She asks him what the promise was when he chose to call himself the Doctor. The Tenth and War Doctors recite "Never cowardly or cruel. Never give up; never give in." The Moment ends the projection.

At that, a brilliant new idea descends on the room; the Eleventh Doctor says that he's had a long time to think about it — he's changed his mind! The intent of the Moment worked: the War Doctor saw the future he needed to see. Picking up on his future self's idea without explanation, the War Doctor exclaims that he could just kiss "Bad Wolf girl" right now, which catches the Tenth's attention, only for him to be distracted from it as he realises what his counterparts were getting at and agrees that it's a wonderful idea.

The Doctors disarm the Moment, having finally remembered the meaning of their name.

They have changed their minds about using the Moment, and the Eleventh Doctor disarms the device with his sonic screwdriver. Instead, they intend to freeze Gallifrey in a moment in time, slipped away in a pocket universe, the way the Zygons froze themselves into Time Lord art. When Gallifrey vanishes, the sphere of Dalek ships surrounding the planet and firing constantly will be exterminated in their own crossfire before they can cease firing, and the universe will believe that the two races destroyed each other. (And so will the War Doctor after he regnerates into the Ninth Doctor.)

On the last day of the Time War, another message from the Doctor appears before the High Command: GALLIFREY STANDS. The three Doctors race in their TARDISes towards Gallifrey, and transmit to the War Room. Three transmissions, each showing a different Doctor (much to the General's dismay), appear. They explain their incredible plan to save Gallifrey. They will position themselves around the planet equidistantly, and freeze it — just like the stasis cubes, but to a whole planet and all the people on it. The General objects, saying that they'd be lost in another universe, frozen in a single moment with nothing, but the Doctors tell him the alternative is burning and they've seen that and don't want to again. The Eleventh Doctor also informs him that with this plan, the Time Lords will at least have hope, something they don't have now. The General tells them that the idea is delusional, claiming that even if it was possible, the calculations alone would take centuries. The Eleventh and Tenth Doctors agree saying it would take "hundreds and hundreds" of years, but they've had "a very long time" to think about it. In fact, he could say they've been working on it all their lives.

All of the Doctors protect Gallifrey.

At that, the voice of the First Doctor is heard contacting the War Council. Nine more police boxes fly around the planet, and all the past incarnations of the Doctor come together to save Gallifrey, all making contact with the Council. The General bemoans the idea that all twelve Doctors have arrived, when three was bad enough. However, his count is one short. Androgar points out that all thirteen incarnations of the Doctor are present to save Gallifrey — a new incarnation from the Doctor's days yet to come is also on the way. A brief glimpse of this future Doctor shows a hand reaching for a lever in the Eleventh Doctor's console room, and a pair of piercing blue eyes watching the console monitor.

As the Daleks increase their attack upon seeing the thirteen TARDISes, the General realises that he has no choice and tells the Doctor to "just do it." The thirteen Doctors prepare their TARDISes with the Tenth and Eleventh Doctors exclaiming their catchphrases while the exasperated War Doctor goes with a simple "Gallifrey Stands." After a flash and a colossal explosion, the space becomes empty and quiet as one damaged Dalek fighter pod goes spinning off.

Back in the National Gallery, the Tenth, Eleventh, and War Doctors muse on the ambiguity of whether their plan succeeded. The presence of the mysterious painting of the fall of Arcadia remains an enigma to the three Doctors. While they don't know if their plan worked, they agree that it was better to have failed doing the right thing than succeeding in doing the wrong. The War Doctor bids a fond farewell to his replacements, they return an equally fond farwell as they finally address him as "Doctor": a man fully worthy of the title, even if he will only know it briefly. Because the time lines are out of sync, the War Doctor and the Tenth Doctor won't be able to retain their memories of these events. They will forget them completely until they catch up to their Eleventh incarnation. However, right now, the War Doctor is content, and pleased that he can refer to himself as "Doctor" again. He gives Clara a farewell kiss and takes a moment to sort out his TARDIS out from the other two in the gallery.

"I hope the ears are a bit less conspicuous this time."

As he pilots his TARDIS away, he suddenly sees his hands glowing with regeneration energy, and notices it makes sense, as his old body is "wearing a bit thin." After surviving the Time War, he is ultimately dying of old age. With his work done in the battle, the energy begins to overtake the War Doctor. He expresses one last desire that the change will leave him with "less conspicuous" ears this time. The War Doctor smiles peacefully as his next regeneration begins.

Acknowledging that he won't be able to remember the answer, the Tenth Doctor questions his successor as to "Where it is we're going that you don't wanna talk about." The Eleventh Doctor relents and reveals that they are destined to die on Trenzalore, in battle, with millions of lives lost. The Tenth Doctor says that's not how it's supposed to be, but the Eleventh Doctor tells him it is determined now. Preparing to leave, the Tenth Doctor shakes his successors hand and says that he's glad his future is in good hands. He kisses Clara's hand, and with a smile, starts to step into his TARDIS. Before he does, he expresses his desire to change their final destination of Trenzalore, saying: "I don't want to go." As the TARDIS dematerialises, the Eleventh Doctor smiles and remarks "he always says that".

Clara asks the Doctor if he would like to sit and look at the painting for a little while. He smiles, asking how she knew. Clara kisses him on the cheek and tells him that she always knows — it's his sad old eyes. As she steps into the TARDIS, she mentions that an old man, possibly the Gallery's curator, was looking for him.

The Doctor meets a familiar face

As the Doctor sits down and look at the painting, he begins musing out loud that he would be a great curator. He could call himself "the Great Curator", retire and become the curator of this gallery. A deep voice affirms that he really might. The astonished Doctor looks over to see a very familiar face standing next to him. An old man who greatly resembles the Fourth Doctor. The Doctor studies the old man in wonderment, as he tells him that he never forgets a face, and the old man replies that he knows he doesn't, and that he might find himself revisiting some of them in the future, "but just the old favourites, eh?"; the Doctor merely smiles and winks at the old man. The man then turns the Doctor's attention to the painting, explaining that he acquired it under "remarkable circumstances". He tells the Doctor that its two names are actually one: the true title of the painting is Gallifrey Falls No More.

The Doctor realises that he was successful, and Gallifrey was indeed saved. The mysterious man comments that he surely wouldn't know as he is merely a humble curator. The Doctor excitedly asks him if he knows where Gallifrey is, but he only cryptically reveals that it is simply "lost", and that the Doctor has a lot to do. The Doctor asks if that means that he is supposed to go looking for Gallifrey, but the Curator just tells him that decision will entirely up to himself. He also muses that he and the Doctor might be the same man from different perspectives, sounding wistful about days gone by, congratulating the Doctor on the new journey he is about to commence. As to whether or not he truly is an incarnation of the Doctor from the future, the Curator simply teases the thought, "Who knows, eh? Who... 'nose'?", and with a tap of his nose, he turns and walks away. The Eleventh Doctor concludes that he has a mission, the mission of a lifetime: he must find Gallifrey and return it and all its people to the universe.

File:Twelve Doctors Stand Together - The Doctor Dreams - Doctor Who - Day of the Doctor - BBC
“It's taken me so many years, so many lifetimes, but at last I know where I'm going. Where I've always been going: Home, the long way round.”

Later, the Doctor speaks of his dreams, as he is seen to walk through the TARDIS console room. Clara would laugh at him when he said that he dreamed about where he was going, as he was always going nowhere. However, he says that he finally realises where he has been travelling all this time: home. He simply say that it has taken so many years and lifetimes to take the long way around. As he exits the TARDIS in the dream, the Doctor joins his eleven past selves in gazing up at the magnificent planet in the sky, determined to find Gallifrey and save his home once and for all.

Cast

Uncredited cast

Crew

General production staff

Script department

Camera and lighting department

Art department

Costume department

Make-up and prosthetics

Movement

Casting

General post-production staff

Special and visual effects

Stereo 3D

Sound



Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.


References

Planets

Technology

Individuals

The Doctor

  • While confronting a rabbit which he briefly believes to be a Zygon in disguise, the Tenth Doctor says that he is 904 years old. The Eleventh Doctor believes he is about 1200 years old, which the War Doctor states that the Eleventh is 400 years older than himself.

References to the real world

  • The Eleventh Doctor calls the Tenth Doctor "Dick Van Dyke" in a sly reference to the Tenth's English accent. Van Dyke was notorious for his Cockney accent in Mary Poppins.
  • The Tenth Doctor wears sandshoes.

Story notes

  • Red Bee Media produced a narrative trailer for this story featuring a short retrospective the whole series.(DWMSE 38)
  • Steven Moffat granted publication of his initial The Day of the Doctor draft scene featuring Christopher Eccleston's Ninth Doctor in A Second Target for Tommy, an anthology to help raise money for Tommy Donbavand's medical costs associated with a tumour in his lung.[14]

Ratings

  • UK: 12.8 million, 3.2 million iPlayer requests[2]
  • US: 2.8 million (the highest for the channel at the time)
  • Canada: 1.7 million
  • World: 77 million[source needed]

Specific to theatrical presentation

Main article: Cinema Introduction (The Day of the Doctor)

Specific to the 3D version

  • The episode was shot, broadcast and screened in cinemas in stereoscopic 3D. Despite confessing that he was not a big fan of 3D movies, writer and show runner Steven Moffat came up with the idea of shooting the episode in 3D and despite his initial worries, found the 3D version to be "better" and "more satisfying" than the 2D version. Knowing that the vast majority of viewers would have watched it in 2D, director Nick Hurran made sure that his shooting style wasn't influenced "too much" by the episode's use of 3D. Nonetheless, Hurran meticulously researched the back-catalogue of 3D films in order to see what worked and what didn't. Steven Moffat believed that Hurran's research had led the director to view "every 3D film ever made". (DWM 468)
  • The original Doctor Who logo is not only in black and white; a 3D effect is added to suggest the logo moving towards the viewer.
  • The 3D paintings are obviously more 3D in the 3D version.
  • As the Eleventh Doctor walks out of the TARDIS onto the cloud bearing his other selves at the very end of the story, the effect is considerably "more 3D" than viewing the 2D version would suggest.
  • Mistika was used for the finishing of the stereo 3D work.

Common among all versions

File:GRAHAM NORTON Regenerates into DAVID TENNANT & MATT SMITH Doctor Who on The Graham Norton Show
Marketing for the show was intense, with its stars actively courted by any number of television and radio programmes. Here, David Tennant and Matt Smith help Graham Norton break the usual format of The Graham Norton Show's opening sequence.
  • The story is fronted by the version of the title sequence used on the original episode "An Unearthly Child", modified to include a BBC logo, and slightly shortened. (This version is slightly different than the opening used on the unaired pilot episode.) This marks the sequence's first use since Episode 4 of The Moonbase in 1967, approximately 47 years prior; as such, The Day of the Doctor is the only episode to use a previously retired title sequence, rather than use the current one or introduce a new one.
  • The opening scenes further mimic the original open to An Unearthly Child: the first shot shows a police officer going by a sign for 76 Totter's Lane, and the second shot is set at Coal Hill School as class dismisses. Clara is now a teacher at Coal Hill School. A sign shows that I. Chesterton is chairman of the school's Board of Governors, also showing that a W. Coburn is headmaster — a likely in-joke reference to Anthony Coburn, who wrote An Unearthly Child, and Waris Hussein, Doctor Who's original director.
  • When pre-production on this special began, Jenna Coleman was the only cast member who was under contract to appear. As a result, Steven Moffat began working on a story which would have only her and tentatively named it The No Doctors, just in case no other Doctors were available.[15]
  • At some point, the script had posters of Peter Cushing movies and revealed that they were American adaptations based on the Doctor's companions accounts but it was cancelled for budget reasons. (DWM 469, DWMSE 38)
  • To add to the story's notability, Tom Baker's cameo as the Curator marks his first role in a regular episode of the series in approximately 32 years; his last role was the Fourth Doctor in his 1981 regeneration story, Logopolis (though Baker did reprise the role in the 1993 special Dimensions in Time, that story was a charity special and is not considered valid on this site).
  • Day is the seventh televised multi-Doctor story. The others are: The Three Doctors, The Five Doctors, The Two Doctors, Dimensions in Time, Time Crash, and The Name of the Doctor.
    • The episode is the sixth valid multi-Doctor TV story.
    • It is the fifth valid multi-Doctor TV story where two or more incarnations of the Doctor interact with each other (discounting The Name of the Doctor, as the version of the War Doctor presented at the end of the episode is an illusion).
  • The end credits list all the actors who have played the Doctor in the reverse order of their incarnations (with the exception of Peter Capaldi, who remained uncredited for his brief appearance), similarly to The Five Doctors. As a result, Matt Smith and David Tennant are listed first and second respectively, but Christopher Eccleston is credited above John Hurt. This marks the first time Eccleston is credited as playing "The Doctor" as during his season he was credited as "Doctor Who" (Hartnell had previously been credited as "The Doctor" at the end of TV: The Five Doctors after being credited as "Dr. Who" during his era).
  • From this episode onwards Jenna-Louise Coleman is now credited as 'Jenna Coleman' following the actress' decision to shorten her professional credit.
  • Actor John Guilor is credited as "Voice Over Artist" in the credits, although they do not say which role he voiced. Castingcallpro.com, DWM 520 and DWMSE 38 credit him as the voice of the First Doctor.
  • Radio Times credits David Tennant as "The Tenth Doctor", John Hurt as "The Other Doctor" (matching marketing materials and merchandise for the incarnation prior to the episode's broadcast) and Billie Piper as "Rose Tyler". This is also reflected in the closing credits where Piper is credited as Rose, despite dialogue indicating she isn't actually playing Rose in this episode.
  • Jonjo O'Neill (McGillop) is erroneously credited as "McGuillop" in Radio Times.
  • The Radio Times programme listing was accompanied by a small colour head-and-shoulders shot of the Eleventh and Tenth Doctors in the wood, with the accompanying caption "Doctor Who / 7.50 p.m. / Matt Smith and David Tennant join forces in a tale celebrating 50 years of the show".
  • This is the first on-screen appearance of the Daleks not to feature those of the New Dalek Paradigm in the Steven Moffat era. This doesn't likely mean that the multi-coloured Daleks are gone, because all Daleks in this story predated the multi-coloured versions introduced in Victory of the Daleks. However, as of December 2017, no multicoloured Daleks have appeared on screen since Asylum of the Daleks in 2012.
  • As Clara leaves the school a clock can be seen to display the time as 17:16, the broadcast time of "An Unearthly Child".
  • The access code for the vortex manipulator is "1716231163". This is a reference to the time (17:16) and date (23.11.63) that the episode An Unearthly Child first aired.
  • When paired with the prequel episode The Night of the Doctor, the titles of both episodes reflect opposite moments in the Doctor's personal lifetime. Night depicts the Doctor giving in to despair after suffering an absolute failure, whereas in Day, he has an absolute triumph. The two episodes also bookend the War Doctor's lifetime. Night shows his birth, and Day shows his death, as well losing and regaining his title of "the Doctor".
  • Although not readable in the episode, the companion wall board contains details about companions from multiple media sources as could be seen on the prop at the Doctor Who Experience:
    • Ace full name is Dorothy Gale McShane
    • Romana I is from the House of Heartshaven (AUDIO: Panacea)
    • Romana II became Lady President (PROSE: Happy Endings et al)
    • In 1985, Barbara wrote a GCSE textbook called Journeys Through History: A Sourcebook for GCSE for the Associated Exam Board (PROSE: The Nine-Day Queen)
    • Harry Sullivan was a commissioned surgeon-lieutenant, who later worked for NATO and MI5 (PROSE: System Shock)
  • The archived footage and recordings used during the "Save Gallifrey" scene for the different Doctors are as follows (DWMSE 38):
  • This is the final televised story to feature the Eleventh Doctor in a fez.
  • The TARDIS interior set floor was raised from its normal height during the filming of the special to help Jenna Coleman's stunt double ride Clara's motorbike into the TARDIS.
  • While the Eleventh Doctor is hanging out of the TARDIS over London, the soundtrack playing was first used in Aliens of London and World War Three. This is an orchestral re-recording of the piece, first heard on the series 1 and 2 soundtrack.
  • With the airing of this episode's special closing credits, the actors for the First, Eighth, Ninth, and Tenth Doctors have finally had their faces featured in a form of credits for Doctor Who, along with the newcomer War Doctor. By extension, all faces of the Doctor up to the Eleventh Doctor have now been shown in either opening titles and/or closing credits.
  • One Dalek fighter pod can be seen knocked away from the destruction of the Dalek fleet. This would support the idea that some Daleks could feasibly survive beyond the Time War. However, it should not be confused with the Dalek seen in Dalek, as no connection is made that would suggest this craft was piloted by the same Dalek who fell through time and space to crash-land on Earth.
  • The Day of the Doctor was given a higher pyrotechnics budget because of its anniversary special status, which allowed the production to feature much bigger explosions.[source needed] The heightened explosive use can be witnessed during the Fall of Arcadia segments.
  • David Tennant's Tenth Doctor portrayal became notable for a spiky, modern hairstyle that he experimented with near the end of Series 2 and later became his Doctor's default hairstyle up to his regeneration story. Unusually, Tennant's hair was slicked down in this special, save for one moment when the War Doctor acknowledged the "Bad Wolf" in front of his successors and his hair was standing on end.
  • The promise of the Doctors state is based on a passage from the Terrance Dicks reference book The Making of Doctor Who. Different parts of the passage have been quoted through different Doctor Who products. One of these is the 1999 Comic Relief special The Curse of Fatal Death, written by Moffat himself. After the twelfth incarnation of an alternate Doctor dies, apparently resulting in his demise, his companion Emma says that "He was never cruel and never cowardly". The promise was reiterated by the Twelfth Doctor to Clara Oswald as parting advice of sorts in Hell Bent.
  • Much more music was composed and recorded for the episode than was actually used, including original pieces for the scene where the Eleventh Doctor hangs from the TARDIS, and a theme for the Curator called "Song for Four". The production team elected instead to use legacy music from previous episodes of the revived series. Much of the unused music is included on the soundtrack release. The aforementioned "Song for Four" would go on to be reworked for use in The Time of the Doctor, retitled to "Snow over Trenzalore". The original unaltered piece was finally used in Deep Breath for the scene in which the Eleventh Doctor calls Clara.
  • Similar to The Two Doctors, the opening shot is in black and white, but quickly fades into colour.
  • The close-up of the Twelfth Doctor's face was shot on the same day Capaldi shot his scene from TV: The Time of the Doctor (DWMSE 38), meaning that he was using Matt Smith's costume and TARDIS set
  • In the partial draft Doctor Who 50th Anniversary: The Time War, the Ninth Doctor played the role of the War Doctor.
  • Following Eccleston declining to reprise the role, Moffat suggested another past Doctor instead but was vetoed by the BBC, prompting him to create a new secret incarnation for the occasion.[16] Although not explicitely stated, logic would link it to McGann's Eighth Doctor also from the Time War.
  • In a complete Doctor Who 50th Anniversary Special draft, the War Doctor calls himself "the Renegade."
  • Writer Steven Moffat stated that he believed that the Doctor did not change his past about detroying Gallifrey since it is "the story of what really happened that he’s forgotten" and that "of course he never did that."[17]

The War Doctor's regeneration

The scene featuring the War Doctor's regeneration into the Ninth Doctor does not conclude with the emergence of the Ninth Doctor. It only shows hints of his face beginning to form, due the absence of Christopher Eccleston after a difficult decision not to reprise the role for the anniversary special. Steven Moffat later explained his reasons for cutting the scene short in an interview published in DWM 473. He cited the main reason for abbreviating the regeneration as “human decency” for Eccleston.

It was one thing to include him among all the other archive Doctors, as they flew in to save the day — in fact, it would have been disgraceful to have left anyone out — but placing him in that scene might have given the impression he'd actually turned up for filming, which would have been crossing the line. Not taking part in the 50th was a difficult decision for Chris, taken after a lot of thought and with great courtesy, and not respecting his wishes would have been grossly unprofessional and disrespectful to a good man and a great Doctor. Number 9 may not have turned up for the celebrations, but there would have been no party without him.Steven Moffat [src]

Myths

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
  • There is a basic hair continuity error in the scene where Elizabeth and her duplicate catch up with the Tenth and Eleventh Doctors in the forest. As the two Elizabeths each kiss the Tenth Doctor, the Eleventh's quiff inexplicably escapes from underneath the fez — mostly when he is out of focus — and then is magically back under the fez when he's in tighter shots.
    • A similar hair error occurs with the Tenth Doctor when the War Doctor is exclaiming about the "Bad Wolf". After having his hair slicked down for the whole story, his hair suddenly stands on end in one shot with the Moment in the background, which inadvertently resembles the spiky hairstyle the Tenth Doctor wore in his final years.
  • When the Tenth Doctor has been kissed by Elizabeth in their wedding, his collar is up in one shot, and down in the next.
  • When the Tenth Doctor says "This is not a decision you will ever be able to live with!", as he walks away from the console, the floor is clearly misplaced. One section is above the other.
  • A close-up of the screen of the Space-Time Telegraph shows that it refers to the Brigadier's last name as "Left-Bridge" Stewart.
  • When all thirteen incarnations of the Doctor arrive to hide Gallifrey in a pocket universe, the Seventh Doctor first appears in his yellow pullover with question marks. When he appears again, his costume changes to the one he wore in the TV Movie and he is now in the Victorian parlour console room. When he appears for the third time, he goes back to wearing the pullover he originally wore in the television series. This emphasises that the archive footage used to generate his presence among the other Doctors has been pulled from asynchronous moments of his life, the early and late periods to be exact.
  • It is clearly visible that all the archive-footage Doctors that talk (except the Ninth Doctor) are not speaking when their voices are heard. This is obviously because the audio (except for the First Doctor's) and the clips are not taken from the same episodes, every Doctor having to be shown controlling the TARDIS. At one point the First Doctor's dialogue (newly recorded by an impersonator for this story) is heard as we see an image of William Hartnell, but his lips are not moving at all.
  • At the end of the special, when the three Doctors are in the museum, the Tenth Doctor asks what the painting is actually called. In that shot, the door to his TARDIS is open. In every shot after that, the door is closed.
    • When Clara enters the Eleventh Doctor's TARDIS and shuts the door, as the Eleventh Doctor starts thinking aloud he could retire and be "the great curator", Jenna Coleman can still be seen moving around inside the police box prop through a gap between the doors for about a second.
  • The last scene of the special, where the Eleventh Doctor is walking out of the TARDIS onto the cloud with his other incarnations, the TARDIS door handle has been obviously removed.
  • After the War Doctor's TARDIS ploughs down a group of Daleks in Arcadia and takes flight, the SFX incorrectly show it as the untarnished Eleventh Doctor's TARDIS complete with the St. John's Ambulance logo, when the practical War Doctor's TARDIS prop has been heavily battle-damaged.
    • In addition to this, a later shot of the Eleventh Doctor's TARDIS flying through space is clearly a reuse of the same footage.
  • Right after the three Doctor point their sonics towards the air in the Black Archive-scene, the War Doctor's arm is pointing straight upwards. In the very next shot his arm is bending approximately 90 degrees.
  • When the Eleventh Doctor says "we're going to freeze Gallifrey" to the war council, Matt Smith's script can be seen on the TARDIS console.
  • As the Eleventh Doctor is about to drop down from the bottom of his TARDIS, the metal harnesses used to hold Matt Smith to the bottom of the police box prop are visible.
  • Billie Piper's screen credit at the end identifies her as playing Rose, not the Moment, despite dialogue in her introductory scene directly indicating that Piper is not playing Rose.

Deleted scene

  • A short deleted scene on the BBC Doctor Who website features the War Doctor, the Tenth and Eleventh arriving at the Tower of London in ankle shackles. The Eleventh says his shoes "bring the cool" and that the Tenth "wouldn't understand the cool", whilst the exasperated War Doctor declares they haven't drawn breath "since Richmond". Likely a result of the scene being dropped from the main episode, it also lacks post-production background cropping to edit out present-day buildings from the location shoot.

Continuity

Home release

External links

Footnotes

  1. ↑ Dassanayake Dion. Doctor Who anniversary special sets world record as millions tune in to Day of The Doctor. Sunday Express. Archived from the original on 25 November 2013. Retrieved on 27 November 3013.
  2. ↑ 2.0 2.1 BBC Annual Report and Accounts 2013/14. BBC. July 2014. 60.
  3. ↑ Polls by DWM are statistically invalid, as they do not feature a random sample of people. Respondents choose to participate on their own initiative, and are made aware of the poll because they subscribe to or at least frequently buy DWM. Thus, the poll is clearly weighted towards Doctor Who fans who are also residents of the United Kingdom. The views reflected almost certainly do not represent the "casual" viewer of Doctor Who, non-English speaking fans, or other groups of fans who simply don't read or have access to DWM.
  4. ↑ The BBC iPlayer notes credit John Hurt's character as "the Other Doctor"
  5. ↑ Besides appearing as the Fourth Doctor in flashback footage, Baker also appears towards the end of the episode as an enigmatic character implied to be the Doctor but known as "the Curator". However, the credits only credit Baker as "the Doctor".
  6. ↑ Although Billie Piper is credited as playing "Rose", her character is in fact the Moment's projection of Bad Wolf.
  7. ↑ Redgrave also plays a Zygon impersonating Kate Stewart.
  8. ↑ Oliver also plays a Zygon impersonating Osgood.
  9. ↑ Page also plays a Zygon impersonating Elizabeth I.
  10. ↑ O'Neill also plays a Zygon impersonating McGillop.
  11. ↑ Darren Scott (24 November 2013). Steven Moffat celebrates a 'new chapter' for Doctor Who. doctorwho.tv. Retrieved on 7 December 2013. “Speaking about the brief appearance of the next actor to play the Doctor, Peter Capaldi, in the anniversary special, Moffat said: 'I love that he's getting so much credit for less than half his face for less than a second. Well done Capaldi.'”
  12. ↑ Doran, Sarah (3 June 2017). Bill's birth mother previously played a Time Lord in Doctor Who. Radio Times. Retrieved on 11 June 2017.
  13. ↑ 13.00 13.01 13.02 13.03 13.04 13.05 13.06 13.07 13.08 13.09 13.10 13.11 13.12 13.13 13.14 13.15 13.16 13.17 13.18 13.19 13.20 13.21 13.22 13.23 13.24 13.25 13.26 13.27 13.28 13.29 13.30 13.31 13.32 13.33 13.34 13.35 13.36 13.37 13.38 13.39 13.40 13.41 13.42 13.43 13.44 13.45 13.46 13.47 13.48 DWMSE 38
  14. ↑ Obverse Books: A Second Target for Tommy. Obverse Books (8 February 2018). Retrieved on 9 February 2018.
  15. ↑ The Doctor's Finest - A Look Back at 'The Day of the Doctor' - BBC America
  16. ↑ The Fan Show, Steven Moffat On Matt Smith's Era, Writing The 50th Anniversary & MORE!
  17. ↑ Steven Moffat interview
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Regular episodes
Minisodes
Animated special
Seasonal specials
 
Series 5-2013 specials: Matt Smith
Series 5: 2010
Regular episodes
Series 6: 2010-2011
Christmas Special
Minisodes
Regular episodes
(Part 1: Apr 2011)
Regular episodes
(Part 2: Aug 2011)
Minisode
Series 7: 2011-2013
Christmas Special
Minisodes
Regular episodes
(Part 1: 2012)
Minisode
Christmas Special
Regular episodes
(Part 2: 2013)
Specials: 2013
The Day of the Doctor • The Time of the Doctor
 
Series 8-10: Peter Capaldi
Series 8: 2014
Regular episodes
Series 9: 2014-2015
Christmas Special
Minisode
Regular episodes
Christmas Special
Series 10: 2016-2017
Christmas Special
Regular episodes
Christmas Special
 
Series 11-13: Jodie Whittaker
Series 11: 2018-2019
Regular episodes
New Year Special
Series 12: 2020-2021
Regular episodes
New Year Special
Series 13: 2021
Minisodes
Regular episodes
Seasonal specials
 
60th Anniversary Specials: David Tennant
Specials: 2023
Minisodes
60th Anniversary Specials
 
Series 14-present: Ncuti Gatwa
Season 1: 2023-2024
Christmas Special
Regular episodes
v • e
Regeneration stories
The Doctor
TV series
Comic Relief
Comics
Prose
Audio
Home video
Webcast
The Master
Television
Prose
Comics
Audio
Alternate universe
Romana
Television
Prose
Audio
Other
Time Lords
Television
Prose
Audio
Comics
Non-Time Lord Gallifreyans
Prose
Shobogans
Television
Proto-
Time Lords
Television
Audio
Others
Television
Prose
Comics
Audio
For the purposes of this list, a "regeneration story" is one in which a regeneration is actually and initially depicted. For this reason The War Games is not included below, even though it is commonly thought of as a "regeneration story". It doesn't actually include a clear scene of regeneration, and the preponderance of stories in other media confirms that the Second Doctor did not regenerate at the end of it.
Additionally, immediate post-regeneration stories, like the 2005 Children in Need Special Born Again — and ones like Castrovalva, where the regeneration sequence was replayed — are not included.
v • e
Dalek television stories
For the purposes of this list, a "Dalek story" is one in which one living, authentic Dalek plays a part within the confines of the story, outside of flashbacks to previous stories and cliffhangers that lead into the following story. For this reason, stories such as The Space Museum are not counted due to the Daleks' appearance being defined by their importance to following stories, while stories such as The Wheel in Space and The Waters of Mars are absent due to the Daleks' only contribution being references to past Dalek stories. Stories like The Wedding of River Song, Hell Bent, Once, Upon Time and The Vanquishers are also not included due to the Daleks' appearance being restricted to a single scene of no consequence to the plot of the story, while the TV movie is also absent due to the Daleks only being heard from off-screen.
First Doctor era
Dr. Who films
Second Doctor era
Third Doctor era
Fourth Doctor era
Fifth Doctor era
Sixth Doctor era
Seventh Doctor era
The "Wilderness Years"
Ninth Doctor era
Tenth Doctor era
Eleventh Doctor era
Twelfth Doctor era
Thirteenth Doctor era
Fourteenth Doctor era
Fifteenth Doctor era
Because of the ubiquity of this race, no attempt will be made here to list every appearance in every medium. Instead, we focus on televised appearances here, and invite you to explore a complete list of appearances elsewhere.
v • e
Zygon stories
For the purposes of this list, a "Zygon story" is one in which one living, authentic Zygon plays a confirmed part within the confines of the story, outside of flashbacks to previous stories and cliffhangers that lead into the following story. For this reason, Death in Heaven is absent due to the ambiguity of a Zygons' presence.
Television
Broadcast
Home video
Audio
Prose
Comics
Video games
Complete list of appearances
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